Pagine

Braun L700A ADS loudspeakers

The Speaker as a System

The ingredients of a speaker function as a system only if great care is taken in the matching of the individual components and dimensioning of the cabinet to match the crucial driver (woofer) parameters. With German engineering and ingenuity the L700A (and L500A) accomplish in modest sized enclosures what other manufacturers often do less well in "battleship cabinets". You will be amazed by the clean, accurate bass performance of these speakers which employ very modest sized drivers (7" diameter for the L700A; 8-1/2" diameter for L500A). It is not  true that low frequency bass means large woofers, our 7" woofers work very well at 25 Hz. But it is true that in two-way speakers, small sized woofers yield superior dispersion in the midrange. Also the musically important transient response of a small woofer excels. That's why we choose small woofers for the benefit of open, transparent reproduction without compromising bass performance.

The L700A  (and L500A)  are designed to reproduce the input signal as faithfully as possible. Both offer very smooth full-range frequency response from the lowest organ tone to well beyond audibility, superb dispersion and unsurpassed transient response.

 

The Woofer

The L700A is two-way acoustic suspension speakers. Truly good-two-way systems are difficult to design since woofer and tweeter have to cover a rather wide range of frequencies. For instance, the Braun woofer does cover a large portion of the midrange frequencies, up to 1500 Hz. The human ear is extremely sensitive to coloration and distortion at these frequencies, therefore our engineers developed a unique woofer cone material, which is stiff so it moves like a piston at bass frequencies, yet is soft and self-damping at high frequencies to prevent cone break -up . In addition, this material had to be light so that musical transients would be quickly and cleanly handled.

Our woofer cone has a soft suspension resulting in a low resonant frequency and making it move with high efficiency and accuracy.

We believe it should not require a super-power amplifier to drive our speakers to high levels properly, so we built the efficiency into our drivers. We gave them unusually strong magnetic fields (9500 Gauss). In this way even a fairly low power receiver driving Braun speakers will give you concert hall realism. Efficiency is a particularly important consideration in four-channel installations, since quadrophonic receivers often offer less reserve power per channel than stereo receivers. Of course the Braun works well with high power amplifiers also.

 


The Tweeter

All Braun loudspeakers from the smallest to the mighty three-channel LV 1020 share one jewel, the unequalled 1" diameter soft-dome tweeter. This elegantly simple-looking device gives Braun speakers their unprecedented open clarity, superwide dispersion and silky smoothness in frequency response. No other tweeter we know of moves so accurately and with so little distortion as our 1" soft-dome. This is accomplished by the strong magnetic field of 15,000 Gauss driving a dome that weighs a mere 0,2 grams, which is a great deal lighter  than the usual tracking force required for a good turntable cartridge.

The distorting break-up so common with paper cone and dome tweeters is entirely prevented by suspending our tissue dome by its own sealed acoustic chamber, and by damping out resonances with a unique (sticky) damping fluid.

This design gives our tweeter the ability to handle transient and musical details so faithfully that it can be called ear opening. In spite of its lightweight the Braun dome can tolerate substantial amounts of power. The tiny voice coil stays cool by radiating all the heat through the very narrow coil gap of one one-thousandth of an inch right into the heavy one pound magnet.

 

The Crossover

No matter how good the drivers may be, only with a crossover of equal performance will a speaker perform at its best. Braun is so convinced of this that we use heavy eighteen ounce copper  coils for perfect linearity and for minimum losses, as well as expensive metal film capacitors for long-term stability, low losses and for never changing frequency response of the speaker system.

 



Specifications

Driver Complement:

One 1" diameter soft dome tweeter

Two 7" diameter high compliance woofer

Speaker System

Frequency Response:  25 - 25,000 Hz (DIN)

Power Handling:  35 Watts (RMS) (DIN)

Efficiency:  88 dB for 2 Watt input at 10 feet

Crossover Frequency:  1,500 Hz ±2 dB/octave

Impedance:  4

Cabinet Finish:  White acrylic lacquer on wood or Walnut veneer

Grille:  Removable black double knit or beige Cloth Grille

Dimensions (H x W x D):  21-6/8" x 12-1/4" x 10-1/2"

Weight:  32,5 lbs (net)


 

Braun L500A ADS loudspeakers

Braun - Invisibile Sound

Transparent has been the word used by experts to describe the best in clear, distortion free sound. But now there is something better 


 

Braun introduces a new dimension in sound. And a new word to describe it. The invisible sound of Braun loudspeakers is a giant step beyond transparency. Deep rich lows. Clean crisp highs. Powerful, perfectly natural sound - free of distortion and distraction. Recorded music now has an authentic presence you've never experienced before.

And it's no surprise. Braun loudspeakers are perhaps the most highly regarded speakers in Europe. There, they are the standard by which all others are judged. Now these incomparable performers are available in the United States, but not at "import" prices. Braun loudspeakers are currently being assembled in Cambridge Massachusetts from imported German driver components. This has dramatically cut cost, but not performance. With Braun you have superb German engineering plus the highest quality speaker cabinets made in the Unitee States with the same craftsmanship as those from the "old country".

If the quality of Braun's had to be traced to a single source it would have to be the European precision engineering applied to the evolved concept of the acoustic suspension speaker. Not many companies design and produce their own drivers and crossovers

 

The L-500A is two-way acoustic suspension speakers. Truly good tw-way systems are difficult to design since woofer and tweeter have to cover a rather wide range of frequencies.

 


Specifications

Driver Complement:

One 1" diameter soft dome tweeter

One 8" diameter high compliance woofer

Speaker System

Frequency Response:  25 - 25,000 Hz (DIN)

Power Handling:  30 Watts (RMS) (DIN)

Efficiency:  87 dB for 2 Watt input at 10 feet

Crossover Frequency:  1,500 Hz ±2 dB/octave

Impedance:  4

Cabinet Finish:  Wlnut

Grille:  Removable Cloth Grille

Dimensions (H x W x D):  20" x 11,5" x 9,75"

Weight:  26 lbs (net)


 

Technics SB-G500 loudspeakers

For more realistic sound reproduction today's stereo integrated amplifiers and stereo receivers are going for bigger and bigger power and must be complemented by speaker systems with high power handling capacity. The speaker system must also be designed to handle the problem that occurs when even relatively low power amps are used with their tone controls all the way up. Even if volume is less than maximum, a low power amp operated in this way can damage a speaker unit. To meet these needs Technics developed the SB-G500 with its tremendous 300 watt power handling capacity.

The SB-G500 uses six units symmetrically arranged on the fight and left for an even dispersion pattern in both directions and for excellent sound localization. Without the grille the effect is quite mechanical showing a nose of diffuser but with the grille on this speaker system takes on an elegant look that will match the decor of any room.

Gigantic 41 cm Woofer for Rich Bass

Rich bass is, of course, needed for contemporary as well as classical music. If you like disco sound, the bass from the gigantic 41 cm woofer will really impress you. If you prefer classical music, you'll be surprised at the rich lows from the bass instruments in the orchestra. The heat resistant high polymer film bobbin used in this woofer is one reason for the high power handling capacity. The bass reflex enclosure also contributes to outstanding bass.

Other High performance Speaker Units

Two 12 cm cone-type midrange units take care of the range from 1,500 Hz to 4,000 Hz. They also use a high polymer film bobbin with high heat resistance for excellent high power handling capacity.

10 cm Tweeter with Diffuser

The all-important range from 4,000 Hz to 10,000 Hz uses a tweeter with an aluminum bobbin for improved power handling capacity. A diffuser assures wide dispersion of sound to all parts of the room

Two Dome-Type Super Tweeters

Super high sound above 10,000 Hz is the work of two 14 mm dome-type super tweeters with thin metallized polyester film diaphragm that feature superior sound dispersion.

 

Thermal Relay Protection and Level Control

The system has a resettable thermal relay protection against overload. This protective device does not interfere with the sound under normal conditions but should there be heat build-up for some reason, it is easily and quickly reset by pushing a button. A red LED indicator lights up to indicate that the thermal relay protection has cut off the input to the tweeter. There is also a level control for the tweeter and super tweeters to tailor high frequencies to individual tastes and room conditions.

 


Specifications

Configuration:  4-way; 6-speaker bass-reflex

Speaker Units

1 x 410 mm (16-1/8") Cone type woofer

2 x 120 mm (4-3/4") Cone type midrange

1 x 100 mm (4") Dome type tweeter with diffuser

2 x 14 mm (5/8") Dome type Super tweeter

Impedance:  8

Input Power :  300 W

Output Level:  99 dB/1 W/1 m

Frequency Range:  20 Hz - 25,000 Hz

Crossover Frequencies:  1,500 Hz ; 4,000 Hz; 10,000 Hz

Dimensions (Hx W xD):  710 x 464 x 296 mm (28" x 18-1/4" x 11-5/8")

Weight:  21,2 kg (46,7 lb)


 

Technics SB-G800 loudspeakers

Super Bass Speaker System

4-way bass reflex speaker system, with

410 mm (16-1/8") Super Bass Woofer delivers double the bass power compared with conventional woofers of equivalent size.

160 mm (6-15/16") midrange driver operates in its own hermetically sealed cavity,preventing mutual interference between midrange and woofer.

65 mm (2-1/2") tweeter is equipped with diffuser (acoustic lens) to assure wide dispersion of treble sound.

Dome-type super tweeter (114 mm diameter) provides extra high range clarity, and is also equipped with acoustic equalizer and diffuser plate.

High range response can be fine-adjusted with tweeter level control. Tuned, vented design contributes to high sensitivity (98 dB/watts) sound pressure level at 1 meter.

Frequency Response:  35 Hz - 25 kHz

Power handling Capacity:  250 watts music

Resettable thermal relays with overload indicator, 8   impedance

Crossover Frequencies:  250 Hz; 2,5 kHz; 10 kHz

Dimensions (W x H x D):  464 x 720 x 310 mm (18-1/4" x 28-11/32" x 12-7/32")

Weight:  17 kg (36,3lb)

Walnut grain cabinet


 

Technics SA-626 receiver

Technics quartz-synthesized receivers

No tuning system on earth is more precise than quartz.

Tune in an FM station with a Technics SA-626 quartz-synthesized receiver and you can be absolutely sure that it will be perfectly in tune. And that station will stay in tune because the chance of encountering FM drift is 0,00% thanks to the crystalline accuracy of technics quartz-synthesized tuning.

Technics synthesized quartz also eliminates the hassle of tuning. Just push a button and you can preset and instantly retrieve seven AM and seven FM stations. And with Auto-scan, you can sample FM stations automatically.

The amplifier in the SA-626 will give you clean, crisp and dynamic sound because of Technics synchro-bias circuitry which completely eliminates switching distortion. By sending minute amounts of current to the amplifier transistors, synchro-bias never allows them to switch on or off. So there's absolutely no switching distortion.

Listen to the SA-626 and hear the sonic purity of synchro-bias circuitry and the crystaline tuning precision of Technics synthesized quartz.

 


Specifications

Amplifier Section

Rated Minimum Sine Wave RMS Power Output 20 Hz - 20 kHz,( both channels driven):

2 x 65 W at 8 , 0,005% T.H.D.

Total Harmonic Distortion (rated power at 20 Hz - 20 kHz):  0,005% (8 )

Frequency Response:  5 Hz - 100 kHz -3 dB

Signal-to-Noise Ratio (IHF - A)

Phono :  78 dB (87 dB , IHF '66)

Aux, Tape :  82 dB (100 dB , IHF '66)

Max. Input Voltage

Phono :  130 mV (150 mV, 1 khz0

Tone Controls

Bass :  ±10 dB at 50 Hz

Treble :  ±10 dB at 20 kHz

FM Tuner Section

Frequency Range:  87,9 - 107, MHz (200 kHz step); 87,5 - 108,0 (50 kHz step)

Sensitivity:  10,8 dBf (1,9 µV, IHF '58)

Total Harmonic Distortion (1 kHz)

Mono :  0,09%

Stereo :  0,15%

Signal-to-Noise Ratio

Mono :  75 dB

Stereo :  70 dB

Frequency Response:  20 Hz - 15 kHz +1 dB -2 dB

Stereo Separation (1 kHz):  45 dB

Alternate Channel Selectivity:  75 dB

AM Tuner Section

Frequency Range:  522 - 1611 kHz (9 kHz step); 530 -1620 kHz (10 kHz step)

Sensitivity:  30 µV , 300 µV/m

Selectivity:  55 dB

General

Power Requirements: Ac 50 Hz / 60 Hz 110 V, 120 V, 220 V, 240 V

Power Consumption:  626 W

Dimensions (W x H x D):  430 x 120 x 330 mm (16-15/16" x 4-23/32" x 14-31/32")

Weight:  11,1 kg (24,5 lb)


 

Technics SA-818 receiver

Technics new Class A receivers

Give you so much because they give you so little. 0,00% switching distortion. 0,00% FM drift

 

Technics SA-818, uncommon receiver, because he has it too, synchro-bias circuitry and quartz-synthesized tuning. Together they give you that special something you've come to expect from Technics : sonic excellence.

Synchro-bias. What it does may seem complicated, but it sounds simply beautiful. With conventional amplifier designs, the output transistors constantly switch omn and off as the input waveform goes from positive to negative. Technics synchro-bias eliminates switching distortion because it constantly sends minute amounts of current to the transistor not in use. And since the transistors don't switch on or off, distortion is eliminated.so is FM drift because both receivers include our quartz-synthesized tuning system. With its quartz-crystal oscillator both the frequencies broadcast and those received are quartz-synthesized so tuner drift is completely eliminated. So is the hassle of tuning because SA-818 can be preset to receive eight AM and eight FM stations.

You'll also like Technics acoustic control because its high and low range boost and filter switches can attenuate or boost two different frequency ranges.

Technics New Class A receivers. They give you more what you want and less of what you don't.

 


Specifications

Amplifier Section

Rated Minimum Sine Wave RMS Power Output 20 Hz - 20 kHz both Channels Driven :

110 W per channel at 8  : 0,005% T.H.D.

150 W per channel at 4  : 0,008% T.H.D.

1 kHz Continuous Power Output both Channels Driven (0,001% T.H.D.

120 W per channel at 8

170 W per channel at 4

Dynamic Headroom:

1,5 dB at 8

2,0 dB at 4

Total Harmonic Distortion

Rated Power at 20 Hz to 20 kHz

0,005% at 8

0,008% at 4

Half Power at 20 Hz - 20 kHz :  0,005 % at 8

Half Power at 1 kHz : 0,001% at 8

SMPTE Intermodulation Distortion:  0,01% at 8

Frequency Response

Phono :  RIAA standard curve ±0,3 dB

Aux, Tape : 20 Hz - 20 kHz +0 dB, -0,3 dB  (5 Hz - 100 kHz -3 dB)

Input Sensitivity

Phono :  0,28 mV (2,5 mV IHF '66)

Aux, Tape :  16 mV (150 mV IHF '66)

Signal-to-Noise Ratio (IHF A)

Phono :  74 dB (82 dB IHF '66)

Aux, Tape :  79 dB (100 dB IHF '66)

Maxi.  Input Voltage :

Phono :  180 mV (190 mV, 1 kHz)

Input Impedance

Phono :  47 k

Aux, Tape :  33 k

Tone Controls

Bass :  ±10 dB at 50 Hz

Treble :  ±10 dB at 20 kHz

Middle :  ±6 dB at 1 kHz

Acoustic Controls (at tone "0" position)

Low Boost :  100 Hz +6 dB

High Boost :  10 kHz +6 dB

Low Cut :  70 Hz, -6 dB/oct

High Cut :  7 kHz, -6 dB/oct

Loudness Control (Volume at -30 dB):  50 Hz +9db

Muting :  -20 dB

Output Voltage

Rec Out :  150 mV

Low Frequency Damping Factpor:  50 (8 ); 25 (4 )

Load Impedance

Main or Remote :  4 - 16

Main and remote :  8 - 16

FM Tuner Section

Frequency Range:  87,9 - 107,9 MHz

Sensitivity:  10,3 dBf (1,8 µV, IHF '58)

50 dB Quieting Sensitivity

Mono :  13,2 dBf (2,5 µV IHF '58)

Stereo :  36,2 dBf (35,4 µV IHF '58)

Total Harmonic Distortion (Normal)

100 Hz :  0,15% (mono); 0,25% (stereo)

1 kHz :  0,1% (mono); 0,15% (stereo)

6 kHz :  0,.25% (mono); 0,3% (stereo)

Signal-to-Noise Ratio

Mono :  76 dB

Stereo ;  72 dB

Frequency Response:  20 Hz - 15 kHz +0,2 dB -0,8 dB

Alternate Channel Selectivity: 

Normal ±400 kHz :  65 dB

Narrow ±400 kHz :  85 dB

Narrow ±300 kHz ;  75 dB

Capture Ratio (Normal) :  1,2 dB

Image Rejection at 98,1 MHz ;  80 dB

IF Rejection at 98,1 MHz :  90 dB

Spurious Response Rejection at 98,1 MHz :  100 dB

AM Suppression:  60 dB

Stereo Separation (Normal)

45 dB at 1 kHz

35 dB at 10 kHz

Carrier Leak

-65 dB at 19 kHz

-70 dB at 38 kHz

FM De-emphasis:  25 µs, 50 µs, 75 µs

Antenna Terminals:  300  (balanced), 75  (unbalanced)

AM Tuner Section

Frequency range:  530 - 1620 kHz

Sensitivity:  30 µV, 250 µV/m

Selectivity:  55 dB

Image Rejection at 1000 kHz ;  50 dB

IF Rejection at 1000 kHz :  45 dB

General

Power Requirements:  AC 120 V 60 Hz

Power Consumption:  590 W, 740 VA

Dimensions (W x H x D):  566 x 172 x 396 mm (22-9/32" x 6-25/32" x 15-19/32")

Weight:  18,5 kg (40,6 lb)
 


 

Teac R-550 cassette deck

Auto Reverse Stereo Cassette Deck

IC logic control mechanism

Bi-directional recording and playback

Dolby Hx-Pro & Dolby B / C NR

Center-mounted tape transport

Auto-reverse and repeat

Bipolar power supply

Hard permalloy record/playback rotating head

Two-color FL multi-function display

L/R independent peak program level meters with peak hold

4-digit electronic tape index counter

Tape running status character display

Rec mute with auto spacer

Automatic tape type selection

CPS function with status display

Intro check

Blank scan

CD synchro dubbing

Reverse mode selector

Tape direction indicator

Full auto-stop

Headphone output

TEAC UR system compatible

Infrared remote sensor

 


Specifications

Type:  4-track, 2-channels stereo

Number of Cassettes: 1

Motors:   DC Servo

Heads:  1 x Rec/Playback 1 x Erase

Fast Winding Time:  110 sec. C-60 tape

Wow and Flutter:  0,06% WRMS

Frequency Response:

Metal Tape:  25 Hz - 19 kHz

CrO₂ Tape :  25 Hz -18 kHz

Normal Tape :  25 Hz - 17 kHz

Signal-to-Noise Ratio

3% T.H.D. Level Weighted :  59 dB

Dolby B NR on. Over 5 kHz :  69 dB

Dolby C NR on, Over 1 kHz :  79 dB

Inputs Sensitivity/Impedance:

Line :  97 mV / 50 k

Outputs Level/Impedance:

Line :  0,52 V/50 k

Headphone :  1 mW/8  

Dimensions (W x H x D):  435 x 144 x 286 mm

Weight:  4,4 kg


 

Teac W-6000R cassette deck

Double Cassette Deck

Acculing Rotating Head Systems for Quick Reverse

Precision rotating hard-permalloy record/playback head systems for both transports assure precise azimuth accuracy and excellent durability in the W-6000R, speedy auto-reverse operation is made possible through the use of a photodetector equipped with quick reverse mechanisms. Ituses a beam of infrared light to detect the beginning of the leader and switches the direction of tape travel in a flash, eliminating annoying interruptions between tape sides.

 

Cassette Stabilizer

Vibrations in the cassette shell are a common source of modulation noise. The W-6000R employs a special stabilizer system to prevent these vibrations at their source. It clamps the cassette firmly in place, increasing the effective mass of the cassette shell for total vibration damping. A special design further prevents the ratting that sometimes detracts from the effectiveness of conventional cassette support systems.

 

Automatic Fade in Out

You can fade a song in from the intro and slowly out at the end for a professional sounding effect. And you can achieve this with the touch of a single button, because a motor-driven level control automatically adjusts the recording level. Fede in begins with record start, and after Fade Out the deck enters the Pause mode, so you;ll have smooth transitions between songs. By using this function along with mic mixing you can make great sounding DJ tapes.

 

Pitch Control for Fine Sound Tuning

Sometimes when playing a tape recorded on a different deck, the pitch can be slightly off. Since this naturally affects sound quality, the W-6000R's deck i offers a pitch control that is adjustable by ±6%. This delicate control ensures that you can enjoy all tapes as they should be heard.

 

Specifications

Type:  4 track, 2 channels

Number of Cassettes: 2

Motors: 

2 x DC Servo  for Capstan (Deck 1 & 2)

2 x DC for Reel Drive (Deck I & II)

1 x DC for Ancillary Control

Heads: 

2 x Erase (Deck 1 & 2);

2 x Rec/Playback (Deck 1 & 2)

Fast Winding Time:  110 sec. C-60 tape

Wow and Flutter:  0,06% WRMS

Frequency Response:

Metal Tape:  25 Hz - 19 kHz

CrO₂ Tape :  25 Hz -18 kHz

Normal Tape :  25 - 17 kHz

Signal-to-Noise Ratio

3% T.H.D. Level Weighted :  59 dB

Dolby B NR on. Over 5 kHz :  69 dB

Dolby C NR on, Over 1 kHz :  79 dB

Inputs Sensitivity/Impedance:

Line :  87 mV / 50 k

Mic. :  0,35 mV/200  

Outputs Level/Impedance:

Line :  0,46 V/50 k

Headphones :  1 mW/8  

Dimensions (W x H x D):  435 x 147 x 325 mm

Weight:  6,7 kg


 

Teac W-800R cassette deck

Double Auto Reverse Cassette Deck

The W-800R is composed of two fully functional auto-reverse decks in a single chassis. This format offers a number of advantages, the first of which is tape dubbing - set one transport to play and the other to record and copy tapes at normal or high speed. You can also use both transports for recording, either at the same time or one followed by the other for taping long musical works. And for extended playback time, both decks feature auto-reverse as well as repeat of one side, two sides or both sides of both cassettes. Since each transport has its own IC logic control system, tape transport functions and simultaneous starting are smooth and precise.

 

Dolby HX Pro Headroom Extension

Working in tandem with Dolby B or C noise reduction, HX Pro provides better performance than either system could on its own. It lowers the bias level at high-frequency peaks, preventing "self-biasing" which would otherwise occur, for a widend recordable dynamic range. Dolby HX Pro operates only during recording, so you can play tapes recorded with it on any standard deck, even one not equipped with HX Pro.

 

Important W-800R Features:

Bi-directional recording and playback on both decks I and II

Bi-directional double deck continuous playback

Double deck parallel recording capability

Synchronous reverse and dubbing capability

Auto-reverse and repeat playback

CPS function

Intro check

2-color multi-function ZFL display

L/R independent peak program level meters with peak hold

Electronic tape index counters for deck I and II

Blank scan

One-touch recording

One-key normal/high speed dubbing

CD/deck synchronous dubbing (Deck II)

Rec mute with auto spacer

Full auto-stop

Auto tape selector (Deck I and II)

Large insulator

L/R microphone inputs

Headphone output

TEAC UR system compatible

Infrared remote sensor

RC-506 Remote Control Unit optionally available

 

Specifications

Type:  4 track, 2 channels

Number of Cassettes: 2

Motors:  2 x DC Servo (Deck 1 & 2)

Heads:  2 x Erase (Deck 1 & 2); 2 x Rec/Playback (Deck 1 & 2)

Fast Winding Time:  110 sec. C-60 tape

Wow and Flutter:  0,06% WRMS

Frequency Response:

Metal Tape:  25 Hz - 19 kHz

CrO₂ Tape :  25 Hz -18 kHz

Normal Tape :  25 - 17 kHz

Signal-to-Noise Ratio

3% T.H.D. Level Weighted :  59 dB

Dolby B NR on. Over 5 kHz :  69 dB

Dolby C NR on, Over 1 kHz :  79 dB

Inputs Sensitivity/Impedance:

Line :  97 mV / 50 k

Mic. :  0,38 mV/200  

Outputs Level/Impedance:

Line :  0,52 V/50 k

Headphones :  1 mW/8  

Dimensions (W x H x D):  435 x 144 x 284 mm

Weight:  4,8 kg


 

Teac W-750R cassette deck

Double Auto Reverse Cassette Deck

IC logic control mechanisms

Dolby HX Pro Headroom Extension

Dolby B/C Noise Reduction

Precision hard permalloy record/playback rotating head system

Synchronous reverse and dubbing capability

Auto-reverse and repeat playback

Bi-directional recording and playback (Deck II)

2-color multi-function FL display

Bi-directional double deck continuous playback

Electronic tape index counters for deck I and II

L/R independent peak program level meters with peak hold

One-touch recording

One-key normal/high speed dubbing

CD/deck synchronous dubbing (Deck II)

Rec mute with auto spacer (Deck II)

Full auto stop

Auto tape selector (Deck I and II)

Large insulator

Headphone output

Teac UR system compatible

INFRARED REMOTE SENSOR

RC-506 Remote Control Unit optionally available

 

Specifications

Type:  4 track, 2 channels

Number of Cassettes: 2

Motors:  2 x DC Servo (Deck 1, and 2)

Heads:  1 x Erase (Deck 2); 1 x Playback (Deck 1); 1 x Rec/Playback (Deck 2)

Fast Winding Time:  110 sec. C-60 tape

Wow and Flutter:  0,06% WRMS

Frequency Response:

Metal Tape:  25 Hz - 19 kHz

CrO₂ Tape :  25 Hz -18 kHz

Normal Tape :  25 - 17 kHz

Signal-to-Noise Ratio

3% T.H.D. Level Weighted :  59 dB

Dolby B NR on. Over 5 kHz :  69 dB

Dolby C NR on, Over 1 kHz :  79 dB

Inputs Sensitivity/Impedance:

Line :  97 mV / 50 k

Outputs Level/Impedance:

Line :  0,52 V/50 k

Headphones :  1 mW/8  

Dimensions (W x H x D):  435 x 144 x 297,5 mm

Weight:  4,2 kg