Search this site

Labels

4-channel ACCUPHASE ACOUSTIC ENERGY ADC ADCOM ADS ADVENT AIFAI AIWA AKAI AKG Alchemist ALIANTE ALLISON ALTEC LANSING AMPEX amplifier AMPLIFON ANCIENT AUDIO AR ARCAM ARISTON ARMONIA AUDIA AUDIO ACADEMY AUDIO ANALOGUE AUDIO DYNAMICS AUDIO INNOVATIONS AUDIO NOTE AUDIO RESEARCH AUDIO-TECHNICA AUDIOLAB Audiostatic AUGUSTA AVALON AVID AXIOM B-I-C Bang & Olufsen BASF BASSOCONTINUO Bell Belt-Drive BEVERIDGE BEYER-DYNAMIC BOSE BOSTON BOWERS-WILKINS BOZAK BRAUN BRIONVEGA BSR California Audio Labs CAMBRIDGE CANTON cartridge CARVER CASTLE CD Player CD Transport CEC CELESTION CEMARK Centrex CERWIN-VEGA CHARIO CHARTWELL CIZEK CLARION CONRAD-JOHNSON COPLAND CORAL CORAL ELECTRONIC CREEK CROWN CYBERNET CYRUS DAC DAHLQUIST DALI DAT DBX DECIBEL DENON DIAPASON direct-drive Ditton DOKORDER DOMA DUAL DYNACO DYNAUDIO DYNAVECTOR EISA ELAC ELECTRO-VOICE EMPIRE EMT EPI EPICURE EPOS ES Series ESB Esotec ESOTERIC ESS EUMIG FAIRCHILD FOSTEX GALACTRON GALE GARRARD GENELEC GENESIS GIUSSANI RESEARCH GOLDENOTE GOODMANS GRAAF GRUNDIG H.H. SCOTT HAFLER HARBETH HARMAN/KARDON headphones HEATHKIT HECO HIRTEL HITACHI HPM idler INDIANA LINE INFINITY italian JAMO JANSZEN JBL JEFF ROWLAND JENSEN JMLAB JVC KEF KENWOOD KLH KLIPSCH KOSS KRELL KYOCERA LAE Lafayette lathe LEAK LECTOR LENCO LESA linear LINN loudspeaker LOWTHER LUXMAN LYNGDORF MAGNEPLANAR MARANTZ MARK LEVINSON MARTEL MARTINLOGAN MARUNI MASH MAXELL MBL McIntosh McLAREN MERIDIAN MERITON MICRO SEIKI MICRO-ACOUSTICS MIRAGE MISSION MITSUBISHI MONITOR AUDIO MONRIO MORDAUNT-SHORT MUSICAL FIDELITY MYRYAD NAD NAGRA NAKAMICHI NHT NIKKO NORESCO NOVA ONKYO OPERA OPTONICA ORTOFON PANASONIC PARADIGM PATHOS PEARL PHASE LINEAR PHILIPS PICKERING pioneer POLK AUDIO Power-amplifier Pre-amplifier Pre-phono Pro-Ject PSB QUAD quadraphonic RADFORD RCF receiver Reel to Reel REK-O-KUT REVOX ROGERS ROKSAN ROTEL ROYD RUARK SACD SAE sansui SANYO SENNHEISER SHARP SHERWOOD SHURE SIARE SIGNET SME SOMA SONAB SONUS FABER SONY SOTA Soundcraftsmen SPECTRAL Spica STANTON STAX Stereo 8 STILE ITALIANO STRUSS SUGDEN SUPERSCOPE Synthesis TAC TAD TAMON TANDBERG tangential TANNOY TASCAM TDK TDL TEAC TECHNICS THE FISHER THIEL THORENS tonearm TOSHIBA TRANSCRIPTOR TRIO tuner turntable ULIX Uni-Q UNISON RESEARCH unitra UREI UTAH VANDERSTEEN VOCE DIVINA VPI WADIA WHARFEDALE XAVIAN YAMAHA ZENITH ZINGALI

What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





Maxell UD Reel-to-Reel Tape (1977)

Maxell UD

Ultra-Dynamic Master Quality High Fidelity Tape

Maxell UD permits a frequency response from 20 Hz to 24,000 Hz - limits that are beyond the range of many recorders. The dynamic range, too, is so wide as to allow high input signals to be recorded without distortion, while low strength signals are captured with full fidelity.

The binder system guarantees uniform coating of the oxide, which means virtually no dropouts along the lenght of the tape. Special surface polishing to a mirror finish means better tape-to -head contact for maximum fidelity.

The tape that's too good for most equipment.

Maxell tapes are not cheap. In fact, a single reel of our most expensive tape costs more than many inexpensive tape recorders. Our tape is expensive because it's designed specifically to get the most out of good high fidelity components. So it makes no sense to invest in Maxell unless you have equipment that can put it to good use.

The reason our tape sounds so good is because it's made so carefully.

Every batch of magnetic oxide we use gets run through an electron microscope. Because if every particle isn't perfect, the sound you hear won't be either. And since even a little speck of dust can put a dropout in tape, no one gets into our manufacturing area until he's been washed, dressed in a special dust-free uniform and vacuumed.

We clean off the crud other tapes leave behind.

After all the work we put into our tape, we're not about to let it go to waste on a dirty tape recorder head. So we out special nonabrasive head cleaner on all our cassettes and reel-to-reel tapes. Which is something no other tape company bothers to do.

Our tape comes with a better guarantee than your tape recorder.

Nothing is guaranteed to last forever. Nothing we know of, except our tape. So our guarantee is simplicity itself, anytime you ever have a problem with any Maxell cassette, 8-track or reel-to-reel tape, you can send it back and get a new one.

Give our tape a fair hearing

You can hear just how good Maxell tape sounds at your nearby audio dealer. (Chances are, it's what he uses to demonstrate his best tape decks.) You'll be surprised to hear how much more music good equipment can produce when it's equipped with good tape.

No comments:

Post a Comment