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What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





Showing posts with label CIZEK. Show all posts
Showing posts with label CIZEK. Show all posts

Cizek Model One


 The sound of Cizek,a brave new world in loudspeakers technology.
Brave, because we dared to embark on a complex journey into the center of sound. A journey destined to explore each element of sound reproduction, to seek out imperfection and institute change.
But mere change was not enough. At Cizek Audio Systems, we found it necessary to go beyond refinement to the point of creation. Creation which resulted in 8 new patents to bring you closer to sound at its source. Sound rated by the experts to be superior to loudspeakers selling for many times the price.
Yet Cizek's primary breakthrough lies in a crossover network that eclipses all others. A system so precise, so accurately formulated, that we can guarantee response specifications to withhin ±1 dB. Combined with a power handling capability of 15 to 150 watts per channel, this full range, 2-way acoustic-suspension loudspeaker yields a frequency curve that is exceptionally flat from 35 Hz - 18 kHz.
And for superior fine tuning, the Cizek loudspeaker features three individual frontal controls. These adjustments are specifically engineered to balance the sound to the acoustics of your room, simulate concert hall conditions, and incrase bass response if you so desire.
Come compare, and you'll discover our breave new world in loudspeaker technology.
Cizek - making footprints in the sounds of time.


 In our design we have minimized the diaphragm excursion of the high frequency driver in the region of crossover in order to lower distortion and increase power handling capability.
By not using a deep front edge we have minimized the effects of diffraction from the front edge terminations. We use an acoustically transparent foam grille.
To maintain a high standard of quality control, we found it necessary to design and manufacture our own 10" woofer. Incorporating a heavy 1kg (2,2 lb) ceramic magnet, this woofer produces an air-gap flux-density of approximately 13 kilogauss. For increased power handling capability, we employ a long 2-layer, 1½" (38 mm) diameter voice coil wound with #28 wire. In order to assure extended deep bass response with minimal distortion, the woofer was designed with a free-air resonance of nominally 16 Hz, so that in the total suspension stiffness is contributed by the air that is sealed inside the cabinet.
The three controls, located in the recessed panel below the woofer on the front of the loudspeaker, allow unusual flexibility. The High Frequency Contour Control (H.F.C.) is a 5-position switch which allows you to introduce a variable "rolling-off" of the high frequencies. The High Frequency Level Control (H.F.L) allows you to raise and lower the entire response of the tweeter with respect to the woofer. The Q switch allows you to change the Q from .6 to 1.
Input terminals are equipped for standard double-banana connection.


 Special Features
Cabinet is internally braced to minimuze panel resonance.
Cabinet is sealed so that we have a minimum return time of four seconds on the woofer to extend the low frequency response and minimize the adverse effects of turntable rumble.
Through a unique design our crossover combines the advantages of a first-order constant-voltage-transfer network with the advantages of higher order networks.
To avoid distortion due to core hysteresis and saturation, the crossover choke is wound air-core with 17-gauge wire.
Crossover circuit utilizes all 5% or better tolerance components.



Specifications
System:  2-way acoustic suspension system
Drive units
1 x 254 (10") acoustic suspension woofer
1 x 25,4 (1") hemispherical dome tweeter
Crossover Frequency:  1,500 Hz acoustical and electrical
Impedance: 
4,25 ohms ±.25 ohms from 100Hz to 15kHz with controls in Flat position and Q adjustment in .6 position; 7,25 ohms with Q in the 1 position
Efficiency: Average sensitivity is 88 dB at 1m with 1watt input into 4,25Ω
Minimum Power requirements:  15 watts RMS into 4Ω
Power Handling:  Up to 150 watts music power per channel
In-box Resonance:  Nominally 38 Hz
Low-frequency Response:  Flat at 38 Hz or -4 dB (dependant upon Q adjustment)
Response:  35 Hz - 17 kHz, +1½ dB, -2 dB (measured outdoors in a 2Ï€ environment)
System Q:  .6 or 1
Flux Density:  13,000 gauss (woofer); 15,000 gauss (tweeter)
Volume of Enclosure:  39,6 liters (1,4 cu ft)
Cabinet Dimensions (H x W x D):  635 x 394 x 241 mm (25" x 15½" x 9½")
Weight Net:  19,4 kg (42,8 lb)

Roy F. Cizek

Roy F. Cizek (January 29, 1943 – April 12, 1993)


 At thirty-two, Roy Cizek, inventor of the loudspeaker that had audiophiles buzzing from the advance word alone, became president of Cizek Audio Systems, Inc.
The speaker, manufactured in Newton,MA, is Roy's own - the most recent of a series he designed, built and tested after many years of research and development. For Roy Cizek is a perfectionist. A man in search for accurate reproduction of sound.
He first became interested in music when he started trumpet lessons at the age of six. Combined with an aptitude for electronics which began at 13, Roy's life became a double-track on music and electronics.
Majoring in trumpet and piano with a physics minor at the University of Indiana, he started to build speakers with his first :pro" speaker coming out during his junior year.
By 1964, he had opened a hi-fi store in Bloomington, Indiana and, with the help of an English physicist, developed a house brand. During this period, Roy's store and sound room were rated among the best in the nation.
Developing various systems between '65 and '74, Roy was admitted to MIT to study electrical engineering, when the speaker absession hit once again. ":There's just always been this 'thing' about speakers, this need to predict everything, to know a speaker intimately, and to get as close as possible to totally clean and clear concert hall sound".


According to Roy,"most engineers desgn the circuits for a speaker, build it, and then compensate for its inadequacies after listening to it. My problem was that I had been building a speaker, beginning to get the sound I was after, without being able to measure it. I couldn't predict on paper and Ididn't know why I was getting what I was getting."
In april of '76, with a physics/mathematics associate, Roy began to finalize the Cizek speaker. The two spent 80 hours a week going over the basic principles, building, measuring, researching, writing, and working equations, time and again.
And on May 30, they finally had something. Friends at a leading loudspeaker company proclaimed it "incredible", and several dealers took advance orders, sound unheard.
Roy claims that the success of the new Cizek speaker has evolved as a result of follow through on very basic principles and theories. "In any speaker thet utilizes a single woofer anda single tweeter, the key is the crossover network. Most speaker do not produce flat response over the entire sound spectrum. There are always exaggerations or depressions - distortion of some kind, somewhere -  but uniformly the trouble spot is the crossover network, the point where the woofer and tweeter join. That's the problem we finally solved."
1976 Cizek Audio Systems

CIZEK model ONE (it)

CIZEK i primi diffusori "non reattivi". 8 brevetti internazionali per il primo, incredibile, sofisticatissimo "crossover a voltaggio costante". Il risultato: curva di impedenza piatta come mai prima d'ora, maggior potenza dagli amplificatori, minor distorsione e la piu' sorprendente accuratezza sonora equalizzabile per ogni genere musicale e ambiente acustico.
Ogni diffusore è individualmente calibrato.
MINIMA POTENZA DI PILOTAGGIO 15 WATT RMS SINO A 150 WATT.
Esente da clipping sino a 900 W di picco dai test dell'American CBS Technology Center.
EQUALIZZAZIONI:
Fattore di Q a 0.6 oppure 1: per variare lo smorzamento delle basse frequenze.
Hi-Frequency Contour a 5 posizioni: per varire il roll-off delle alte frequenze.
Hi-Frequency level: per modificare il livello delle alte frequenze.



Cizek Model One è stato il primo diffusore prodotto nel 1976 da Roy Cizek, fondatore della CIZEK Audio System, una Società artigianale americana situata ad Andover (Massachussets), specializzata nella costruzione di diffusori acustici di alta qualità. Questo diffusore è importante nella storia dell'hi-fi perché è stato il primo ad utilizzare un particolare crossover che conferiva al modulo dell'impedenza una curva assolutamente piatta (eccetto il picco "fisiologico" alla frequenza di risonanza) La regolarità dell'impedenza del diffusore facilita il lavoro dell'amplificatore linearizzando la risposta in frequenza, specie degli amplificatori valvolari e dei moderni amplificatori in "classe D" e pertanto permette di produrre un suono privo di distorsioni e timbricamente neutro.
La Cizek One presentava inoltre, come anche i modelli minori 2 e 3, un interruttore che permetteva di scegliere il fattore di smorzamento o fattore di merito (Q) delle basse frequenze fra 0.6 e 1.0;
questo permetteva di decidere se ascoltare
con bassi più secchi e frenati (Q = 0.6),
oppure con bassi lievemente enfatizzati (Q = 1.0)


Caratteristiche tecniche:
MODELLO 1 (2 vie)
ALTOPARLANTI:
-1 woofer di 254 mm in sospensione acustica calibrato individualmente,
-1 tweeter a cupola emisferica di 25,4 mm.
FREQUENZA DI CROSSOVER: 1500 Hz eletrica e acustica.
IMPEDENZA: 4,25 Ohms+/- 0,20 dB da 100 a 15 kHz con le equilizzazioni piatte
e di Q a 0,6; 7,25 Ohms con il fattore di Q a 1.
EFFICIENZA: sensibilita media a 1 metro con 1 watt RMS a 4,25 Ohms di 88 dB.
FREQUENZA DI RISONANZA NEL BOX: 38 Hz nominali
RISPOSTA DI FREQUENZA AI BASSI: piatta a 38 Hz con fattore di Q a 1; -4 dB
con fattore di Q a 0,6
RISPOSTA DI FREQUENZA: +1,5 dB -2 Db da 35 Hz a 17 kHz misurati con 2 π
DENSITA DI FLUSSO: woofer a 13000 gauss; tweeter a 15000 gauss.
VOLUME, PESO: 39,6 litri; 20,8 kg;
DIMENSIONI: 635(A) x 394 (L) x 241(P) mm.

CIZEK model TWO (it)

CIZEK i primi diffusori "non reattivi", 8 brevetti internazionali per il primo, incredibile, sofisticatissimo "crossover a voltaggio costante". Il risultato: curva di impedenza piatta come mai prima d'ora, maggior potenza dagli amplificatori, minor distorsione e la piu' sorprendente
accuratezza sonora equalizzabile per ogni genere musicale e ambiente acustico. ogni diffusore è individualmente calibrato. MINIMA POTENZA DI PILOTAGGIO 15 WATT RMS SINO A 150 WATT. Esente da clipping sino a 900 W di picco dai test dell'American CBS technology Center
EQUALIZZAZIONI:
Fattore di Q a 0.6 oppure 1: per variare lo smorzamento delle basse frequenze. Hi-Frequency Contoyr a 5 posizioni: per varire il roll-off delle alte frequenze. Hi-Frequency level: per modificare il livello delle alte frequenze.


MODELLO 2 (2vie)
ALTOPARLANTI:
-1 woofer di 203 mm in sospensione acustica calibrato individualmente,
-1 tweeter a cupola emisferica di 25,4 mm.
FREQUENZA DI CROSSOVER: 1500 Hz elettrica e acustica.
IMPEDENZA: 4,25 ohms +/- 0,20 dB con Q a 0,57; 7,25 ohms con Q a 0,9
EFFICIENZA: 88dB a 1 metro 1 watt RMS a 4,25 ohms
POTENZA: da 15 a 200 watt RMS.
FREQUENZA DI RISONANZA IN BOX: 38 Hz nominali.
RISPOSTA DI FREQUENZA: +2dB -2dB da 38 Hz a 17 KHz
misurati all'esterno con 2Ï€
VOLUME, PESO: 25,5 litri; 16,8 kg
DIMENSIONI: 533(A) x 338(L) x 234(P) mm.