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What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.



H.H. Scott '59





Marantz 1060

 The Marantz 1060 has many qualities.
For example, you can connect to almost any type of speakers, large.
His power is sufficient to dominate the bustle of the noisiest nights.
The sound quality is perfect at both ends of the audible spectrum. The filter "High" eliminates surface noise disks, tapes breath.
The "Low" filter removes background noise interference.
You can easily select one of six listening sources.
Other benefits.
Sockets for two tape recorders and sockets for stereo microphone on the front panel.
The particularly nice thing about the Marantz 1060 is that it will go with just about any sized speaker system and still put out enough power to cover a room full of people. 60 Watts of power. And more like 90 Watts under typical listening conditions. At full volume or low level the distortion stays about the same. Or perhaps we should say "lack of Distortion". The Model 1060 has less than 0,5% total harmonic and intermodulation distortion. Typically 0,1%. Perhaps that's why it's received rave reviews in audio publications throughout the world. And perhaps that's why so many have been sold. It's features, also, place it among the very finest. There's a high filter to eliminate record scratch and tape hiss. And a low filter to cut hum and rumble. Other features include inputs for two tape recorders, as well as front panel stereo microphone input jacks. The list goes on. But for the 1060 listening is believing. You can do both.
Specifications

Gain-Phono (low level) to pre-amp output:  55 dB
Phono to recording output:  40 dB
High level to pre-amp output:  15 dB
Input Impedance (Low level input):
Phono : 47 k Ω
Microphone : 47 k Ω
High level Input:  100 k Ω
Phono Input Sensitivity (Low):  1.8 mV to equal 1 Volt output at pre-amp out
Rgequency Response:  20 Hz to 20 kHz ±1 dB at rated output
Intermodulation Distortion:  less than 0,5% at rated power output from 20 Hz to 20 kHz with both channel driven (SMPTE)
Total Harmonic Distortion:  Less than 0,5% at rated power output from 20 Hz to 20 kHz with both channel driven
Damping Factor (20 Hz to 20 kHz):  Greater than 45 into 8 Ω load
Total Noise (From magnetic phono input to power amp output):  Less than 1,5 µV equivalent input at rated output into 8 Ω
Volume Tracking:  Within 3 dB
Comparable Total Music Power (IHF):  90 Watts at 8 Ω
Rated Continuous (RMS) Output (per channel, both channels operating simultaneously): 
30 Watts at 4 and 8 Ω
20 Watts at 16 Ω
Power Requirement:  AC 100/120/200/220/240 V, 50/60 Hz
At Rated output both channels operating:  190 Watts
Idling Power (volume control at zero):  48 Watts
Dimensions (W x H x D):  14-11/64 x 4-23/32 x 11-1/32 inches
Weight:  18 lbs net
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