Search this site

Labels

4-channel ACCUPHASE ACOUSTIC ENERGY ADC ADCOM ADS ADVENT AIFAI AIWA AKAI AKG Alchemist ALIANTE ALLISON ALTEC LANSING AMPEX amplifier AMPLIFON ANCIENT AUDIO AR ARCAM ARISTON ARMONIA AUDIA AUDIO ACADEMY AUDIO ANALOGUE AUDIO DYNAMICS AUDIO INNOVATIONS AUDIO NOTE AUDIO RESEARCH AUDIO-TECHNICA AUDIOLAB Audiostatic AUGUSTA AVALON AVID AXIOM B-I-C Bang & Olufsen BASF BASSOCONTINUO Bell Belt-Drive BEVERIDGE BEYER-DYNAMIC BOSE BOSTON BOWERS-WILKINS BOZAK BRAUN BRIONVEGA BSR California Audio Labs CAMBRIDGE CANTON cartridge CARVER CASTLE CD Player CD Transport CEC CELESTION CEMARK Centrex CERWIN-VEGA CHARIO CHARTWELL CIZEK CLARION CONRAD-JOHNSON COPLAND CORAL CORAL ELECTRONIC CREEK CROWN CYBERNET CYRUS DAC DAHLQUIST DALI DAT DBX DECIBEL DENON DIAPASON direct-drive Ditton DOKORDER DOMA DUAL DYNACO DYNAUDIO DYNAVECTOR EISA ELAC ELECTRO-VOICE EMPIRE EMT EPI EPICURE EPOS ES Series ESB Esotec ESOTERIC ESS EUMIG FAIRCHILD FOSTEX GALACTRON GALE GARRARD GENELEC GENESIS GIUSSANI RESEARCH GOLDENOTE GOODMANS GRAAF GRUNDIG H.H. SCOTT HAFLER HARBETH HARMAN/KARDON headphones HEATHKIT HECO HIRTEL HITACHI HPM idler INDIANA LINE INFINITY italian JAMO JANSZEN JBL JEFF ROWLAND JENSEN JMLAB JVC KEF KENWOOD KLH KLIPSCH KOSS KRELL KYOCERA LAE Lafayette lathe LEAK LECTOR LENCO LESA linear LINN loudspeaker LOWTHER LUXMAN LYNGDORF MAGNEPLANAR MARANTZ MARK LEVINSON MARTEL MARTINLOGAN MARUNI MASH MAXELL MBL McIntosh McLAREN MERIDIAN MERITON MICRO SEIKI MICRO-ACOUSTICS MIRAGE MISSION MITSUBISHI MONITOR AUDIO MONRIO MORDAUNT-SHORT MUSICAL FIDELITY MYRYAD NAD NAGRA NAKAMICHI NHT NIKKO NORESCO NOVA ONKYO OPERA OPTONICA ORTOFON PANASONIC PARADIGM PATHOS PEARL PHASE LINEAR PHILIPS PICKERING pioneer POLK AUDIO Power-amplifier Pre-amplifier Pre-phono Pro-Ject PSB QUAD quadraphonic RADFORD RCF receiver Reel to Reel REK-O-KUT REVOX ROGERS ROKSAN ROTEL ROYD RUARK SACD SAE sansui SANYO SENNHEISER SHARP SHERWOOD SHURE SIARE SIGNET SME SOMA SONAB SONUS FABER SONY SOTA Soundcraftsmen SPECTRAL Spica STANTON STAX Stereo 8 STILE ITALIANO STRUSS SUGDEN SUPERSCOPE Synthesis TAC TAD TAMON TANDBERG tangential TANNOY TASCAM TDK TDL TEAC TECHNICS THE FISHER THIEL THORENS tonearm TOSHIBA TRANSCRIPTOR TRIO tuner turntable ULIX Uni-Q UNISON RESEARCH unitra UREI UTAH VANDERSTEEN VOCE DIVINA VPI WADIA WHARFEDALE XAVIAN YAMAHA ZENITH ZINGALI

What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





Micro-Acoustics QDC-1 phono cartridge


Stereo Phono Cartridge. It will make any well recorded L.P. sound exactly like its master tape.
People in the record business have known for a long time that a well recorded stereo disc is potentially every bit as good as its master tape. Our founder and president. Arnold Schwartz, created the Series 300 Micro-Point Recording Stylus - an ultra precision cutting tool used to master the world's finest recordingd. (Over two-hundred million records a year are manufactured from masters cut with our Series 300 Micro Point Styli.) And it has been our experience that there's no problem in getting the music onto the record the problem has been in retrieving it.

The cartridge is the culprit.
Until the advent of the QDC-1, there really wasn't a cartridge on the market that could make a stereo record sound as good as its master tape. So cartridge manufactures didn't have to deal with an absolute standard of measurement for their product. They sold their cartridges very much like loudspeakers , using subjective criteria. In the end, the customer had to choose between the "sound" of one cartridge or another. The fact is that a cartridge shouldn't have any sound of its own. Ideally it should just be a direct link between the record groove and the preamp input. That's precisely what the new QDC-1 is - an ultra precision component that neither adds  nor detracts from the music you hear. And because it does what it does so well, it will change the way all cartridges are judged. Now a cartridge's performance can be measured against a completely reliable abjective standard.

Stated simply; "Does a cartridge make a well recorded disc sound identical to its master tape? Or doesn't it?" our does. Here's why.
[1] The  QDC-1 Series 300 playback styli (QDC-1e, 1s, 1q) are shaped and polished with the same ultra precision as our world famous Micro-Point recording styli. These styli follow the complexities of the record groove with greater tracing accuracy than heretofore obtainable.
[2] The QDC-1 stylus bar is directly attached to its transducer, eliminating the losses inherent in standard flux field coupling. This unique method of lossless coupling provides a faster response time than any other known system.
[3] The QDC-1 stylus is balanced by two elastic bearings positioned to provide precise 45°-45° signal resolution. This symmetrical configuration precisely controls stylus excursion from minimum to maximum groove amplitude, without the floppy overshoot of conventional single bearing designs.
[4] The QDC-1 electret transducer puts out a perfectly linear signal from 5 Hz to 50 kHz, without the phase shift normally associated with inductive transducers. Its reproduction of complex wave forms is equal to the best direct coupled amplifiers.

Specifications
Stylus Configuration (User Replaceable):
QDC-1e :  .0002 x .0007 elliptical solid nude diamond
QDC-1s  :  .0005 spherical soild nude diamond
QDC-1q  :  Quadra-Point/CD-4 solid nude diamond
Frequency Response: 
QDC-1e  :  5 Hz to 20 kHz ±2 dB
QDC-1s  :  5 Hz to 20 kHz ±2 dB
QDC-1q  :  5 Hz - 50 kHz ±3 dB
Tracking Force Range:
QDC-1e :  0,75 to 1,5 grams
QDC-1s  :  0,9 to 1,5 grams
QDC-1q  :  0,9 to 2,0 grams
Channel Separation: 
QDC-1e :  Nominally 30 dB at 1 kHz (nominally 20 dB at 10 kHz)
QDC-1s  :  Nominally 30 dB at 1 kHz (nominally 20 dB at 10 kHz)
QDC-1q  :  Nominally 30 dB at 1 kHz (nominally 15 dB at 20 kHz)
Output Voltage:  3,5 mV each channel at 5 cm/sec peak recorded velocity
Load Impedance:  47 k Ω

2 comments:

  1. LA MIGLIORE DELL' UNIVERSO! PECCATO NON LE COSTRUISCANO ANCORA!!!!!!!!!!!!! SIGH!

    ReplyDelete
  2. This cartridge delivers on all fronts in sound range. Mounted on a Smiko tone arm Recordings sound live. Best sounding cartridge in my studio

    ReplyDelete