Search this site

Labels

4-channel ACCUPHASE ACOUSTIC ENERGY ADC ADCOM ADS ADVENT AIFAI AIWA AKAI AKG Alchemist ALIANTE ALLISON ALTEC LANSING AMPEX amplifier AMPLIFON ANCIENT AUDIO AR ARCAM ARISTON ARMONIA AUDIA AUDIO ACADEMY AUDIO ANALOGUE AUDIO DYNAMICS AUDIO INNOVATIONS AUDIO NOTE AUDIO RESEARCH AUDIO-TECHNICA AUDIOLAB Audiostatic AUGUSTA AVALON AVID AXIOM B-I-C Bang & Olufsen BASF BASSOCONTINUO Bell Belt-Drive BEVERIDGE BEYER-DYNAMIC BOSE BOSTON BOWERS-WILKINS BOZAK BRAUN BRIONVEGA BSR California Audio Labs CAMBRIDGE CANTON cartridge CARVER CASTLE CD Player CD Transport CEC CELESTION CEMARK Centrex CERWIN-VEGA CHARIO CHARTWELL CIZEK CLARION CONRAD-JOHNSON COPLAND CORAL CORAL ELECTRONIC CREEK CROWN CYBERNET CYRUS DAC DAHLQUIST DALI DAT DBX DECIBEL DENON DIAPASON direct-drive Ditton DOKORDER DOMA DUAL DYNACO DYNAUDIO DYNAVECTOR EISA ELAC ELECTRO-VOICE EMPIRE EMT EPI EPICURE EPOS ES Series ESB Esotec ESOTERIC ESS EUMIG FAIRCHILD FOSTEX GALACTRON GALE GARRARD GENELEC GENESIS GIUSSANI RESEARCH GOLDENOTE GOODMANS GRAAF GRUNDIG H.H. SCOTT HAFLER HARBETH HARMAN/KARDON headphones HEATHKIT HECO HIRTEL HITACHI HPM idler INDIANA LINE INFINITY italian JAMO JANSZEN JBL JEFF ROWLAND JENSEN JMLAB JVC KEF KENWOOD KLH KLIPSCH KOSS KRELL KYOCERA LAE Lafayette lathe LEAK LECTOR LENCO LESA linear LINN loudspeaker LOWTHER LUXMAN LYNGDORF MAGNEPLANAR MARANTZ MARK LEVINSON MARTEL MARTINLOGAN MARUNI MASH MAXELL MBL McIntosh McLAREN MERIDIAN MERITON MICRO SEIKI MICRO-ACOUSTICS MIRAGE MISSION MITSUBISHI MONITOR AUDIO MONRIO MORDAUNT-SHORT MUSICAL FIDELITY MYRYAD NAD NAGRA NAKAMICHI NHT NIKKO NORESCO NOVA ONKYO OPERA OPTONICA ORTOFON PANASONIC PARADIGM PATHOS PEARL PHASE LINEAR PHILIPS PICKERING pioneer POLK AUDIO Power-amplifier Pre-amplifier Pre-phono Pro-Ject PSB QUAD quadraphonic RADFORD RCF receiver Reel to Reel REK-O-KUT REVOX ROGERS ROKSAN ROTEL ROYD RUARK SACD SAE sansui SANYO SENNHEISER SHARP SHERWOOD SHURE SIARE SIGNET SME SOMA SONAB SONUS FABER SONY SOTA Soundcraftsmen SPECTRAL Spica STANTON STAX Stereo 8 STILE ITALIANO STRUSS SUGDEN SUPERSCOPE Synthesis TAC TAD TAMON TANDBERG tangential TANNOY TASCAM TDK TDL TEAC TECHNICS THE FISHER THIEL THORENS tonearm TOSHIBA TRANSCRIPTOR TRIO tuner turntable ULIX Uni-Q UNISON RESEARCH unitra UREI UTAH VANDERSTEEN VOCE DIVINA VPI WADIA WHARFEDALE XAVIAN YAMAHA ZENITH ZINGALI

What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.



H.H. Scott '59





Hitachi HS-330

 Hitachi has created the metal Cone Speaker because we believe it is superior  to speakers made with paper cones. Paper cones are fine but they have a tendency to respond partially and not "whole-heartedly" to a signal coming from the amplifier.
In other words, as the voice coil pushes or pulls at the cone center, part of the cones respond correctly while other parts don't.

 What is needed is something piston movement. A material with free circumferential elongation and contraction.  The result of extensive research into all possible (and sometimes impossible) cone materials. Hitachi's engineers created the Metal Cone with perfect low resonance characteristics.
Light,rigid, it also possesses a "gathered edge" supporting the metal cone firmly without disturbing piston movement.  Altogether producing far less distortions than conventinal paper cones.
It responds "wholeheartedly" and not partially giving your music full power of expression.
You might even say it gives your music an edge.
 Paper has always been the traditional material for even the finest speaker systems. Unfortunately, a paper cone doesn't move evenly over its entire surface, which results in uneven frequency and transient response - or "breakup distortion".
So Hitachi engineers overcame that problem by using metal cone diaphragms for the woofer, mid-range and tweeter combined with a peak control circuit which eliminates any possibility of cone resonance affecting sound quality.
 Then, a patented Gathered Edge suspension design was applied to the woofer which prevents lateral vibrations causing distortion, while at the same time, allowing a greater dynamic bass response.
We believe this unique pair of performers are the most exciting, lifelike, distortion-free speakers we've ever heard.  More important, we think you'll agree.
Specifications

HS 330
Type:  3-way, 3-speaker bookshelf type
Speakers:
Woofer L-253:  250 mm (10") Sandwiched Metal Cone Gathered Edge
Midrange M-65: 65 mm (2½") Metal Cone
Tweeter H-40:  40 mm (1½") Metal Cone
Max. Input (Peak):  100 Watts
Frequency Response:  40 - 18,000 Hz ±4 dB
Sensitivity:  92 dB (2,83 V/1m)
Crossover:  900 Hz;  3,500 Hz
Impedance:  6 Ω
Enclosure Volume:  40 l
Dimensions ( H x W x D):  575 x 315 x 305 mm
Weight:  13 kg
Labels: , ,

2 comments:

  1. UnknownDecember 27, 2021 at 7:10 AM

    Buongiorno casse a dir poco strepitose, segnalo un refuso: efficienza 92db non 82 come erroneamente indicato. Saluti

    ReplyDelete

Subscribe to: Post Comments (Atom)