Search this site

Labels

4-channel ACCUPHASE ACOUSTIC ENERGY ADC ADCOM ADS ADVENT AIFAI AIWA AKAI AKG Alchemist ALIANTE ALLISON ALTEC LANSING AMPEX amplifier AMPLIFON ANCIENT AUDIO AR ARCAM ARISTON ARMONIA AUDIA AUDIO ACADEMY AUDIO ANALOGUE AUDIO DYNAMICS AUDIO INNOVATIONS AUDIO NOTE AUDIO RESEARCH AUDIO-TECHNICA AUDIOLAB Audiostatic AUGUSTA AVALON AVID AXIOM B-I-C Bang & Olufsen BASF BASSOCONTINUO Bell Belt-Drive BEVERIDGE BEYER-DYNAMIC BOSE BOSTON BOWERS-WILKINS BOZAK BRAUN BRIONVEGA BSR California Audio Labs CAMBRIDGE CANTON cartridge CARVER CASTLE CD Player CD Transport CEC CELESTION CEMARK Centrex CERWIN-VEGA CHARIO CHARTWELL CIZEK CLARION CONRAD-JOHNSON COPLAND CORAL CORAL ELECTRONIC CREEK CROWN CYBERNET CYRUS DAC DAHLQUIST DALI DAT DBX DECIBEL DENON DIAPASON direct-drive Ditton DOKORDER DOMA DUAL DYNACO DYNAUDIO DYNAVECTOR EISA ELAC ELECTRO-VOICE EMPIRE EMT EPI EPICURE EPOS ES Series ESB Esotec ESOTERIC ESS EUMIG FAIRCHILD FOSTEX GALACTRON GALE GARRARD GENELEC GENESIS GIUSSANI RESEARCH GOLDENOTE GOODMANS GRAAF GRUNDIG H.H. SCOTT HAFLER HARBETH HARMAN/KARDON headphones HEATHKIT HECO HIRTEL HITACHI HPM idler INDIANA LINE INFINITY italian JAMO JANSZEN JBL JEFF ROWLAND JENSEN JMLAB JVC KEF KENWOOD KLH KLIPSCH KOSS KRELL KYOCERA LAE Lafayette lathe LEAK LECTOR LENCO LESA linear LINN loudspeaker LOWTHER LUXMAN LYNGDORF MAGNEPLANAR MARANTZ MARK LEVINSON MARTEL MARTINLOGAN MARUNI MASH MAXELL MBL McIntosh McLAREN MERIDIAN MERITON MICRO SEIKI MICRO-ACOUSTICS MIRAGE MISSION MITSUBISHI MONITOR AUDIO MONRIO MORDAUNT-SHORT MUSICAL FIDELITY MYRYAD NAD NAGRA NAKAMICHI NHT NIKKO NORESCO NOVA ONKYO OPERA OPTONICA ORTOFON PANASONIC PARADIGM PATHOS PEARL PHASE LINEAR PHILIPS PICKERING pioneer POLK AUDIO Power-amplifier Pre-amplifier Pre-phono Pro-Ject PSB QUAD quadraphonic RADFORD RCF receiver Reel to Reel REK-O-KUT REVOX ROGERS ROKSAN ROTEL ROYD RUARK SACD SAE sansui SANYO SENNHEISER SHARP SHERWOOD SHURE SIARE SIGNET SME SOMA SONAB SONUS FABER SONY SOTA Soundcraftsmen SPECTRAL Spica STANTON STAX Stereo 8 STILE ITALIANO STRUSS SUGDEN SUPERSCOPE Synthesis TAC TAD TAMON TANDBERG tangential TANNOY TASCAM TDK TDL TEAC TECHNICS THE FISHER THIEL THORENS tonearm TOSHIBA TRANSCRIPTOR TRIO tuner turntable ULIX Uni-Q UNISON RESEARCH unitra UREI UTAH VANDERSTEEN VOCE DIVINA VPI WADIA WHARFEDALE XAVIAN YAMAHA ZENITH ZINGALI

What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





Kenwood KR-8010 receiver

If you're enthusiastic about today's less efficient, super-accurate speaker systems, you know you need a very efficient, super-power receiver to drive them. And if your ears are good enough, you know the value of lots of power to handle critical musical passages with any speaker system.

That's why we created the new KR-8010. with 125 Watts per channel, minimum RMS both channels driven at 8 ohms, from 20 Hz to 20,000 Hz with no more than 0,03% Total Harmonic Distortion, you've got all the power you really need.

But more important, the KR-8010 gives you an extremely clean, low-distortion signal at the same time. For example, the Signal-to-Noise Ratio through the phono input is the best you'll find on any receiver (90 dB). Its overall frequency response is matched precisely to the RIAA curve ±0,2 dB. And the tuner delivers sensitivity and selectivity that you'll really appreciate in signal-crowded-cities.

To shape that signal into music, the KR-8010 offers a full range of front-panel control, usually found only in esoteric separates and recording studios. Like tape dubbing while listening to another source. And dual FM muting levels, Mic input and fade control. Bass, treble and midrange tone control. And more.

 

Features:

Direct-mounted power transistors permit greater heat sink efficiency for cool operation

Exceptionally low-noise phono equalizer with high overload level

4-pole dual-gate MOS FET's in RF stage and 6-element ceramic filters in IF stage for excellent sensitivity and selectivity

New PLL IC in FM Multiplex with Pilot Canceller Circuit

FM Dolby deemphasis switch and 2-level FM Muting switch

Microphone input for overdub on tape and Public Adress

2 tape deck capability with bi-directional dubbing and tape-through circuit

Triple tone controls with defeat switch

Optional CB-14K walnut veneer cabinet, B-14 walnut veneer side panels, or D-10 carrying handles available

 

Specifications

Power Output:  125 watts per channel (min. RMS both channels driven, at 8 Ω  from 20 to 20,000 Hz with no more than 0,03% Total Harmonic Distortion

Power Output

Both Channel Driven: 

130 + 130 W into 8 Ω  at 1 kHz

135 + 135 W into 4 Ω  at 1 kHz

Dynamic Power Output:  360 W into 4 Ω

Total Harmonic Distortion (20 to 20,000 kHz from Aux): 

0,03% at rated power into 8 Ω

0,02% at 1/2 rated power into 8 Ω

Intermodulation Distortion (60 Hz : 7 kHz = 4:1):  0,03% at rated power into 8 Ω

Power Bandwidth: 5 Hz to 70,000 Hz

Frequency Response:  5 Hz to 100,000 Hz -1 dB

Signal-to-Noise Ratio :  120 dB (short circuited)

Damping Factor:  35

Input Sensitivity /Impedance:  1 V/40 k Ω

Preamplifier Section

Input Sensitivity/Impedance

Phono 1, 2 :  84 dB for 2,5 mV input; 90 dB for 5,0 mV input

Aux , Tape :  105 dB for 150 mV input

Mic :  73 dB for 2,0 mV input

Maximum Input Level:  250 mV (RMS) T.H.D. 0,03% at 1 kHz

Frequency Response:

Phono :  RIAA standard curve ±0,2 dB

Aux, Tape :  10 Hz to 100,000 Hz - 1,0 dB

Tone Control

Bass :  ±12 dB at 50 Hz

Mid :  ±12 dB at 800 Hz

Treble :  ±12 at 15 kHz

Loudness Control (Vol -30 dB):  +10 dB at 100 Hz

Subsonic Filter:  18 Hz 6 dB/oct

Output Level/Impedance

Tape Rec (Pin) :  150 mV/300 Ω

Tape Rec (DIN) :  30 mV/80 k Ω

Pre Out :  1,9 V/1 k Ω

FM Tuner Section

Usable Sensitivity:  9,8 dBf (1,7 µV)

50 dB Quieting Sensitivity

Mono :  14,1 dBf (2,8 µV)

Stereo :  36,3 dBf (30 µV)

Signal-to-Noise Ratio at 65 dBf

Mono :  80 dB

Stereo :  72 dB

(75 dB at 10 mV)

Total Harmonic Distortion

Mono :  0,1%

Stereo :  0,15%

Frequency Response:  20 Hz to 15,000 Hz +0,2 -2.0 dB

30 Hz to 15,000 Hz +0,2 -0,5 dB

Capture Ratio:  1,0 dB

Image Rejection Ratio:  85 dB

Spurious Response ratio:  105 dB

IF Response ratio:  90 dB

Alternate Channel Selectivity:  85 dB

AM Suppression Ratio:  60 dB

Stereo Separation Ratio:  45 dB at 1,000 Hz (30 dB at 50 Hz - 15,000 Hz)

Subcarrier Product Ratio:  67 dB

Antenna Impedance:  300 Ω  balanced; 75 Ω  unbalanced

FM Frequency Range:   88 MHz to 108 MHz

AM Tuner Section

Usable Sensitivity:  10 µV (250 µV/m)

Signal-to-Noise Ratio:  50 dB

Image Rejection:  50 dB

Selectivity:  35 dB

General

AC Outlet:  1 Switched, 1 Unswitched

Power Consumption:  850 W at full power

Dimensions (W x H x D):  534 x 167 x 459 mm (21-⅓2" x 6-19/32" x 18-1/16")

Weight:  18,3 kg (40,3 lbs)


 

No comments:

Post a Comment