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What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





Showing posts with label cassette. Show all posts
Showing posts with label cassette. Show all posts

Tandberg TCD3014 cassette deck

To create a cassette deck that makes today's source material technology available to the most demanding music lover in an easy to operate, yet sophisticated format. Today's source materials, including digital, represent significant advantages in sound reproduction. Frequency response, dynamic range, Signal-to-Noise Ratio have all been improved to such a degree that yesterday's acceptable cassette deck is at best mediocre today.

The TCD3014, an entirely new generation of cassette deck.

In designing and manufacturing the TCD 3014, Tandberg's engineers combined significant advantages in performance with computer technology in an easy to use system.

The result is a deck with the most sophisticated micro-processor control system available today for true simplicity of operation.

Consider now the individual, but in less overwhelming component challenges that faced our engineers and how the extraordinary solution they devices are combined to create the outstanding TCD3014.

Features:

The TCD3014 uses no integrated circuits in the signal path except new, re-designed Dolby B and C processors. Instead, individual components are selected for ultimate parameters of noise, sound quality, low distortion, gain and stability.

Polystyrene or polypropylene capacitors rather than electrolytic or ceramic types are used in all critical circuits that carry musical information to insure optimum sound quality.

The TCD3014 refuses to compromise musical accuracy and uses phase compensating circuitry and ultra-wideband design to pass a signal with no audible degradation in sound or imaging.

Dyneq, Tandberg's patented headroom extends system for tape recording, helps overcome the severe high frequency limitations inherent in the cassette recording process. This is accomplished by a Dynamic record equalizer which controls high frequency boost during record to enable more signal on the tape without loss of highs.

Actilinear II is as great a breakthrough in eliminating "the cassette sound" as was Tandberg's proprietary Actilinear. Actilinear II offers a totally re-designed transconductance amplifier which takes the music and bias signals as pure voltage and converts them to a pure current. Actilinear II is a research-grade amplifier with a bandwidth so wide that it can actually pass square wave bias frequencies.

It is totally symmetrical in operation. Its [practical benefits include in excess of 20 dB audio headroom increase in the record amplification stages. It also eliminates interaction between record head impedance and the musical signal passing through it.

 


The 3014 features both Dolby B and C  for excellence in noise reduction

Dolby B insures compatibility with previously recorded tapes

Dolby C includes improved circuitry which offers substantial improvement in signal-to-noise plus better high frequency overload capabilities. Dolby C in conjunction with Actilinear II and Dyneq achieves an outstanding musical signal free of annoying background hiss.

A wireless infrared remote control allowing most functions (including flying start/record) with the built-in receiver section (optional)

Optional side panels in rosewood to unify the TCD3014 with the rest of the Series 3000A line

Machined extruded aluminum professional rack mounts are also available

 

The TCD3014 utilizes peak-reading meters which show high velocity peaks in all their subttlety (unlike bar graphs which generally leave large gaps between segments). Yet these meters have slow decay to give good averagning results as well as easy visibility. These meters will respond to a 2 milli-second peak within 1 dB and are full wave peak detectors regardless of phase

Since all tapes are less sensitive to high frequencies than to bass and mid frequencies, tape decks use a high-frequency boost known as record equalization to achieve flat frequency response.

Meters on the Tandberg TCD3014 indicate the signal after this record equalization has been applied. Therefore, they monitor the signal being recorded on the tape, not the signal coming into the record amplifier as most other recorders do. As all Tandberg cassette meters in the part, these are set to the now industry standard of 0 dB = 250 nWb/meter.

While the TCD3014 is recording, the source/tape switch controls only the output of the deck; the meters show input levels to the tape at all times. This feature makes possible audible tape monitoring of input levels to the tape.

Tandberg meters utilize one scale for Types I and II tapes and a second scale for Type IV tapes. The second scale allows recording of the higher signal levels permitted by the metal Type IV tapes.

 


Control Flexibility

To create a recorder that is simple to use but sophisticated enough to satisfy the most advanced audiophile.

The TCD3014 offers the ideal balance of simplicity and sophistication

All microprocessor functions are controlled by the same touch sensors that govern normal tape functions

Auxiliary functions include cue and review at one third speed, individual program search in either search-to-stop or search-to-play modes, automatic rewind and replay from memory, and the choice of a real-time counter calibrated to each tape for accuracy in wind as well as play mode.

The electronic counter can be used to measure either revolutions of the tape or elapsed time in both wind modes and play/record. Instant switching with memory between revolution and real-time counting is possible.

Timer play/timer record is available with an external clock. A built-in 6-second turn-on delay is programmed for all electronic circuits to stabilize before the transport can be engaged.

Both fixed and variable outputs are included on the back panel. Input sensitivity controls and a switchable multiplex filter are included. A back panel switch permits the use of non-standardized, older, chromium dioxide cassette with auto-selection of all other tapes.

 

The Transport

To design a tape drive system that offers stable, consistent, gentle tape handling and a high-speed, responsive, easy to operate control mechanism.

The TCD3014 features four servo-controlled motors in the tape transport system linked to sensors which monitor the speed and direction of the tape. The sensors then apply the proper voltage to insure accurate handling.

In fast-forward or rewind, the supply-side motor "tells" the take-up motor the speed at which it is turning. This means that a constant speed is maintained at all times in both wind and rewind functions.

In wind or rewind, one second equals one minute of play or record time. The TCD3014 also has one-third speed for cue, review, or search.

The transport mechanism offers superb construction. It is built on a 5 mm thick aluminum baseplate rolled under 40 tons of pressure to eliminate stress and greatly increase strength. It also features an 8,2 and an 8,4 cm diameter flywheel, a dual-capstan, closed-loop drive system, and a cassette locking mechanism that guarantees accurate positioning of the tape every time.

The TCD3014 transport also features:

Tandberg built, discrete three-head system

Azimuth alignment for all tapes utilizing a built-in test system.

Linear motor drive to position the head bridge and pinch rollers to tape accurately.

Resonances are eliminated by the use of predominantly aluminum casting and the use of mass differentiated dynamically balanced flywheels, pinch rollers, and a closed-loop capstan drive.

 


Specifications

Tape Speed:  1-7/8 ips

Speed Tolerance:  ±0,5%

Wow and Flutter

WRMS Play :  0,06%

WRMS Rec - Play:  0,09%

DIN - IEC :  0,12%

Frequency Range:

Tape I (-30 dB) :  18 Hz - 20 kHz ±1,5 dB

Tape II (-20 dB) :  18 Hz - 20 kHz ±1,5 dB

Metal Tape IV (-20 dB) :  18 Hz - 23 kHz ±1,5% (with Dolby C ±3,0 dB)

Total Harmonic Distortion (-250 nW/m, Dolby B

Tape I :  less than 1,5%

Tape II :  less than 2%

Metal Tape IV :  less than 1%

Signal-to-Noise Ratio (A-curve weighted, Dolby-C)

Metal Tape IV :  better than 74 dB

Erasure (i kHz)

Metal Tape IV :  better than80 dB

Crosstalk

Side A - B (1 kHz) :  less than 60 dB

Track 1 - 2 (1 kHz) :  less than 40 dB

Inputs Sensitivity/Impedance

Low :  100 mV/150 K

High :  10 mV/150  k

Outputs

Minimum load Impedance/ max. Voltage at unloaded output

Play 700 mV (Fixed line output) :  100 / 700 mV

Play Variable (Variable line output) :  100 /0-4 V

Headphones :  8 /3,5 V

Power Requirements:  115 V ±10%, 60 Hz; 230 V ±10%, 50 Hz

Power Consumption:  50 watts

Dimensions (W x H x D):  435 x 166 x 350 mm (17-1/8" x 6-9/16" x 13-3/4")

Weight:  9,8 kg (21,6 lbs)


 

Akai GXC-325D tape deck

Dual Monitoring Cassette Stereo Tape Deck

With taped music, as in five card stud, you'll always get the results you want when you play with a deck that always delivers what you want. Take this deck, one of the new cassette decks from Akai.

The GXC-325D. It comes stacked with features to make your music sound clearer, and richer. It has a three head function, with separate recording and playback heads for wider frequency response. It comes with a closed loop double capstan, which maintains proper back tension, and perfect tapw and head contact.

 

The recording and playback heads of this new 3-head system are Akai's revolutionary GX Heads and are joined for perfect parallelism of recording and playback head gaps. This combined with the Closet Loop Double Capstan system and AC Servo Motor of this model clearly makes it the leader in the field of cassette recording.

Two each capstans and pinch rollers are used, one each of which is positioned in parallel at either side of the head block for stable tape speed and tape tension. This shuts out the adverse influence from outside the "closed" area between capstans so that there is no tape vibration and head-to-tape contact is perfect. Some of the other merits of this system include:

Perfect tracking and the elimination of azimuth alignment adjustment mechanisms, beacons, etc.

Better Signal-to-Noise Ratio and a wider dynamic range

Wow and Flutter reduced to 0,55% WRMS and sound drop-out minimized

3-head system facilitates Dual Monitoring and because of head portioning, there is no time lag between recording and playback signals during monitoring

Intermodulation suppressed for clearer playback

C.P.G. [Center Pole Frequency Generated] system of AC Servo Motor results in greater inertia and increassed output for extremely quiet operation and accurate motor revolutions

Performance not influenced by cassette unevenness

Completely stable operation and incomparably clear recording and playback tone quality

Lasting new machine performance

 


Features:

New 3-Head Cassette System

Individual recording/Playback Glass & X'tal Ferrite Heads

Closed-Loop Double Capstan Drive Mechanism

Amazingly Low 0,055% WRMS Wow and Flutter

Newly Designed C.P.G. AC Servo Motor

Akai's exclusive A.D.R. Plus Double Process Dolby Noise Reduction System

Memory Rewind

Peak Level Indicator

Limiter Circuit Prevents Over-Level Recording

Instantaneous Full Release Automatic Stop

Output Level Control Mic/Line Mixing

Tape Run Indicator

Self-Lock Pause Control

Direct Function Change Control

 


Specifications

Track System:  4-track, 2-channel stereo system

Tape Speed:  1-7/8 ips

Wow and Flutter:  0,055% WRMS

Frequency Response:

Low Noise Tape :  30 Hz to 15,000 Hz (±3 dB)

CrO₂ Tape :  30 Hz to 16,000 Hz (±3 dB)

Fe-Cr Tape :  30 Hz to 19,000 Hz (±3 dB)

Distortion:  less than 1% (1,000 Hz "0" VU)

Signal-to-Noise Ratio:  better than 51 dB (measured via tape with peak recording level of +5 VU. Dolby switch On, Improves up to 10 dB above 5 kHz)

Erase Ratio:  Better than 70 dB

Bias Frequency:  100 kHz

Heads:  three head system includes One Glass and Crystal Ferrite Rec/Power Bandwidth, combination head, and One Ferrite Erase head

Motors:  AC servo outer rotor motor

Fast Forward and Rewind Time:  75 sec. (C-60 cassette Tape)

Output jacks:

Line :  0,775 V ("0" VU) Required load impedance , more than 20 k

Phone :  30 mV/ 8 k

Input Jacks:

Microphone :  0,3 mV/8 k

Line :  70 mV/100 k

DIN Jack:  0,775 V/2 mV

Semiconductors:  60 Transistors; 51 Diodes: 4 FET's; 1 IC.

Power Requirements:  110 to 120 V , 220 to 240 V, 50/60 Hz

Power Consumption:  30 W

Dimensions (W x H x D):  442 x 142 x 301 mm (17,4" x 5,6" x 11,9")

Weight:  8,6 kg (18,9 lbs)


 

JVC CD-1770 cassette deck

For people who prefer to place their decks on an open shelf or table, the CD-1770 has the time-tested top-load design. Its reliable tape transport mechanism offers a low wow and flutter of only 0,12% (DIN 45 500) or 0,04% (WRMS). JVC's own ANRS/Super ANRS noise reduction systems. SA (Sen-Alloy) record/playback head, 5-LED Multi-Peak indicator and other numerous technical features assure exceptional versatility and dependable performance.

 

Finest Tape Transport.

The exceptionally low 0,12% (DIN 45 500) wow and flutter in this fine deck is mainly credited to the use of a frequency controlled DC servomotor. It provides more stable and higher torque and less speed deviation than AC-operated motors. A dual-belt independent Drive Mechanism, another JVC-exclusive is also used to drive the capstan and the tape reels separately, thus preventing the vibration of the tape reels from affecting the capstan revolution. This further assures exceptional speed accuracy at all times.

 

Versatile Recording Aids

The CD-1770 offers JVC's 5-LED Multi-Peak Indicator in Addition to a pair of large level meters. This Indicator responds even to pulse-like peak signals of very short durations. Using the indicator and the level meters together will enable you to adjust the recording levels to the maximum and avoid distortion. There also are two pairs of recording level controls for MIC (DIN) and Line, to let you mix microphone signals with line inputs from any programme source of your choice.

Convenience Features

Memory Tape Counter for memory stop. Air-damped cassette compartment lid. Full automatic stop, illuminated cassette compartment for easier tape inspection Six push-button Bias and Equalizer selectors to obtain maximum performance from any kind of tape. Timer Standby facility.

 


Specifications

Heads:

Record/Playback :  Sen-Alloy Head

Erase :  Two-Gap Ferrite Head

Motor:  Frequency-Controlled  DC Servo Motor

Fast Forward / Rewind Time:  75 sec. (with C-60 cassette)

Bias and Erase System:  AC-95 kHz

Frequency Response  (typical)

Chrome Tape :  30 - 16,000 Hz

Normal Tape :  30 - 16,000 Hz

Signal-to-Noise Ratio:  56 dB (from Peak Level Weighted) without ANRS. The S/N is improved by 5 dB at 1 kHz and 10 dB above 5 kHz with ANRS on

Wow and Flutter:  0,04% (WMRS); 0,12% (DIN 45 500)

Crosstalk:  65 dB (1 kHz)

Channel Separation:  35 dB (1 kHz)

Total Harmonic Distortion :  1,2%

Input Sensitivity/Impedance

Mic  :  0,2 mV/600 - 10 k

Line In  :  80 mV/470 k

DIN :  0,17 mV/k  

Output Level/Impedance

Line Out  :  0-500 mV/6.8 k

Headphone :  0-0,3 mW / 8 - 1 k

DIN :  0-500 mV/6.8 k

Power Supply:  120 / 220 / 240 V, 50/60 Hz

Power Consumption:  5 watts

Dimensions (W x H x D)):  426 x 126 x 277 mm (16-3/4" x 4-15/16" x 10-7/8")

Weight:  5,5 kg  (12,1 lbs)


 

JVC KD-720 cassette deck

Features:

Separate Bias/EQ Switches

Full Automatic Stop Mechanism

Slanted Operation Panel

A High Value Investment in Hi-Fi

The Dolby noise reduction system, a popular and widely used feature, is incorporated in the JVC KD-720 to effectively reduce tape hiss. Then, since we provide separate Bias/EQ Tape Select switches on this high-value deck, you are assured of an outstanding dynamic range and a wide frequency response from any tape you use.

For tape protection, the KD-720's Full Auto-Stop mechanism automatically shuts itself off several seconds after a tape reaches its end in any mode. Reliability and durability are much improved over those of conventional mechanical type stop devices. This new and special JVC mechanism uses a reed switch and a rotating magnet.

The control panel is slanted to facilitate operation and improve visibility of VU meters, controls and tape running Level controls are easy-to-adjust sliders, while Vus are large for easy adjustment.

 


Specifications

Heads:

Record/Playback :  Cronios Head

Erase :  Two-Gap Ferrite Head

Motor:  Electronic Governor DC Motor

Fast Forward / Rewind Time:  85 sec. (with C-60 cassette)

Bias and Erase System:  AC-95 kHz

Frequency Response  (typical)

Chrome Tape :  40 - 15,000 Hz

Normal Tape :  40 - 14,000 Hz

Signal-to-Noise Ratio:  56 dB (from Peak Level Weighted) without Dolby. The S/N is improved by 5 dB at 1 kHz and 10 dB above 5 kHz with Dolby on

Wow and Flutter:  0,07% (WMRS); 0,17% (DIN 45 500)

Crosstalk:  60 dB (1 kHz)

Channel Separation:  35 dB (1 kHz)

Total Harmonic Distortion :  1,3%

Input Sensitivity/Impedance

Mic  :  0,4 mV/600 - 10 k

Line In  :  80 mV/470 k

DIN :  0,14 mV/k  

Output Level/Impedance

Line Out  :  390 mV/4 k

Headphone :  0,3 mW / 8 - 1 k

DIN :  390 mV/4 k

Power Supply:  120 / 220 / 240 V, 50/60 Hz

Power Consumption:  5 watts

Dimensions (W x H x D)):  390 x 128 x 250 mm (15-3/8" x 5" x 10")

Weight:  3,6 kg  (8 lbs)


 

JVC DD-9 cassette deck

Direct-Drive Cassette Deck. The Performance Approaching Open-Reel Quality

The JVC DD-9 is truly a deck worthy to be termed "professional", if there ever was one. Thanks to our own JVC-manufactured quartz-lock Pulse Servo motor, we've succeeded in practically eliminating wow/flutter; it's only 0,055% (DIN 45 500), the lowest figure ever achieved in a consumer cassette deck. This and other features help you get the highest level of performance - open-reel quality recording performance - from the compact cassette format.

Direct-Drive plus quartz-lock Pulse Servo motor equals (0,055% wow/flutter)

By linking our capstan directly to the motor shaft, we've eliminated all the linkages - belts, cams, pulleys, etc. - found in lesser decks that can create unwanted speed variations known as Wow and Flutter. The low-rpm motor, designed and manufactured by JVC, is used for capstan drive, it has completely eliminated tiny rotational fits and starts known as "cogging" that can audibly tarnish musical reproduction. A quartz-referred servo circuit has been added so that absolute speed accuracy is impeccable.

Computerized B.E.S.T. tuning system - the matchmaker

You can obtain flat response from 40 to 12,500 Hz with a tolerance of only ±1 dB, using just about any tape, all at the touch of a button. The built-in computer matches deck parameters - bias, equalization, and sensitivity - for each specific tape. Distortion and dynamic range are both optimized.

 



 Three-head design specially configured for B.E.S.T.

As you tune the deck to the tape, you can actually attest to the system's effectiveness, for the DD-9 has separate record and play heads (JVC X-cut SA combination Rec/Play heads), allowing you to monitor the tape while you're recording. You can also witness the unusually extended highs, for each head is given an optimized gap.

Dolby C-type noise reduction: Inaudible hiss and distortion free "hot" passages

The newest circuitry from Dolby Laboratories is incorporated in the DD-9 - Dolby C-type noise reduction. At high frequencies, noise (hiss) is reduced by an additional 10 dB (to a full 20 dB of noise reduction)

Two-colour digital fluorescent level meters with peak-hold function.

They are electronically accurate and have a peak-hold function so that instantaneous transients may be analysed for proper level setting during recording.

Other features:

Two-motor full-logic control transport

Touch input volume control

Convenient Memory and Auto Rewind functions

DC amps

Lockable timer standby

Output level control adjusts headphone level as well

Recording mute, Output level control, Optional remote control (R-50E)

 


Specifications

Type: Compact cassette tape deck, 2-channels stereo

Heads:

Record/Playback :  Combination X-Cut Sen-Alloy Head

Erase :  Two-Gap Sen-Alloy Head

Motors:  Quartz-Lock Pulse Servo Motor and DC Motor

Fast Forward / Rewind Time:  85 sec. (with C-60 cassette)

Frequency Response  (at -20 VU)

Metal Tape :  25 - 18,000 Hz (±3 dB) [40 - 12,500 Hz ±1 dB]

SA/Chrome Tape :  25 - 18,000 Hz (±3 dB) [40 - 12,500 Hz ±1 dB]

Normal Tape :  25 - 17,000 Hz (±3 dB) [40 - 12,500 Hz ±1 dB]

Frequency Response  (at 0 VU)

Metal Tape :  25 - 12,500 Hz (±3 dB)

SA/Chrome Tape :  25 - 8,000 Hz (±3 dB)

Signal-to-Noise Ratio:  60 dB (Metal)

Wow and Flutter:  0,055% (DIN 45 500)

Crosstalk:  65 dB (1 kHz)

Channel Separation:  40 dB (1 kHz)

Total Harmonic Distortion (0 VU, 1 kHz) :  1,0% (Metal)

T.H.D. K3 (0 VU, 1 kHz) :  0,4% (Metal)

Input Sensitivity/Impedance

Mic (x2) :  0,2 mV/600 - 10 k

Line In (x2) :  80 mV/100 k

Output Level/Impedance

Line Out (x2) :  0 -500 mV/5 k

Headphone :  0 -0,6 mW (Matching Impedance 8 - 1 k )

Power Supply:  120 / 220 / 240 V, 50/60 Hz

Power Consumption:  40 watts

Dimensions (W x H x D)):  450 x 110 x 325 mm

Weight:  8,4 kg


 

JVC KD-95 cassette tape deck

The best of JVC's new lineup of high-performance cassette decks, the KD-95 features nearly all the JVC exclusives introduced on preceding pages. Its electronics and mechanism are truly sophisticated and provide the widest dynamic range, lowest distortion and least noise yet achieved in a stereo cassette configuration. Its outstanding specifications are ample evidence of a JVC engineering triumph.

 

Mechanical Accuracy

The JVC KD-95 employs two motors - a precision frequency-generator (FG) servomotor for capstan drive and a DC motor for reel drive, all operations are undertaken electronically by the JVC developed TTL (Transistor-Transistor Logic) IC which activates three electromagnetic plungers; a light touch of any control button allows you to move from one mode to another without having to go through Stop. Also, the deck's large flywheel - 80 mm in diameter - is coupled to the capstan to help reduce wow and flutter. And finally, a professional touch has been added to the KD-95; its head assembly has screws which allow the user to adjust the head azimuth, height and tilt.

 


Sophisticated Electronics

We used the best of JVC electronics technology in designing our top-of-the-line KD-95. first, its recording amp is formed of the 2-stage direct-coupled NPN configuration featuring high linearity. Second, its equalized circuit is of the DC feedback type for excellent transient characteristics and unmuddiet lows. Third, convenient Recording Equalizer and 400 Hz Signal Oscillator circuits are included.

 


Recording Conveniences

Inn JVC's "Real Time" pause mechanism, the heads are in contact with the tape even in the pause mode. The Timer Standby facility inside the KD-95 permits repeated, interrupted record and play - a feature rarely found on cassette decks. Also offered are two recording circuits, one for Mic/DIN input and the other for Line input, which allow you to mix microphone sounds with other sources. Plus a pair of rack-mounting brackets, which is a standard accessory in every KD-95.

 


Specifications

Type:  Stereo cassette deck

Track System:  4-track, 2-channel

Cassettes:  C-30; C-60; C-90

Frequency Response:

Chrome Tape

Nominal :  20 - 18,000 Hz

Typical :  30 - 16,000 Hz

SF Tape

Nominal :  20 - 17,000 Hz

Typical :  30 - 15,000 Hz

Signal-to-Noise Ratio:  56 dB (from peak level, weighted)

The Signal-to-Noise Ratio is improved by 5 dB at 1 kHz and by 10 dB above 5 kHz with ANRS On

Effect of ANRS (Normal Tape)

Improvement of SN :  the same with ANRS

Improvement of Frequency Response :  6 dB at 10 kHz (0VU recording); 12 dB at 10 kHz (+5VU recording)

Improvement of Distortion : 3% at 10 kHz (0VU recording)

Wow and Flutter:  0,05% (WRMS); ±0,2% (DIN 45500)

Crosstalk:  65 dB

Harmonic Distortion:  1,2 %

Bias:  AC bias (95 kHz)

Erasure:  AC erasure (95 kHz)

Heads:

Recording/Playback :  Sen-Alloy head

Erasure :  Double gap, Ferrite head

Motors:

1 x FG servo DC motor

1 x DC motor

Tape Speed:  4,8 cm/sec

Fast Forward and Rewind Time:  90 sec. With C-60 cassette

Playback Equalizer Time Constant

Normal/SF Tape :  3180 µs/ 120 µs

CrO₂ Tape :  3180 µs/ 70 µs

Semiconductors:  8 ICs; 88 Transistors;  71 Diodes

Input Terminals

Mic Jack (sensitivity/Impedance):  0,2 mV/600  - 10 k

Input Jack (level/impedance) :  78 mV/100 k

Output Terminals

Output Jack (level/Impedance) :  0 - 0,5 V / 2 - 7 k

Matching Load Impedance :  50 k  or more

Headphone Jack (level/impedance) :  0,6 mW/ 8  - 1 k

DIN Socket

Min. Input Level :  0,1 mV /k

Input Impedance :  11 k

Output Level :  0 - 0,5 V

Output Impedance :  2 - 7 k

Matching Load Impedance :  50 k  or more

Power Requirements:  AC 100, 120, 220, 240 V 50/60 Hz

Power Consumption:  35 W

Dimensions (W x H x D):  420 x 211 x 321 mm (16-1/2" x 8-1/4" x 12-5/8")

Weight:  11 kg (24,2 lbs)


 

Nakamichi Dragon cassette deck

The ultimate innovation in cassette technology - precise, fully automatic playback head azimuth adjustment. Optimum reproduction quality in both forward and reverse playback modes.

In a slightly different genere than the luxurious 1000ZXL, the Dragon is undoubtedly the finest cassette deck available. It represents the culmination of Nakamichi's vast technical resources and experience, retaining the basic uncompromising Nakamichi standards of performance through use of such innovations as an Asymmetrical, Dual-Capstan Double-Direct-Drive Transport, a Discrete Three-Head configuration, very high quality record/playback amplifier circuitry and, of particular interest to perfectionists, our unique NAAC (Nakamichi Auto Azimuth Correction) for the ultimate in playback performance from both sides on any tape.

 


Proper azimuth alignment is one of the most important factors in achieving the best possible cassette reproduction quality. For this reason, several Nakamichi cassette decks offer either automatic or manual adjustment of record head azimuth. Ideally, however, playback head azimuth should be adjustable so that even tapes recorded on other decks will be reproduced with the recorded frequency response and sound quality fully intact. Commercially available music tape, tapes borrowed from a friend, tapes in which the shell has warped slightly (a common occurrence) - all actually require some degree of playback head azimuth alignment to provide the best possible reproduction quality. Further, inaccuracies in cassette shell symmetry result in completely different azimuth alignment requirements in forward and reverse on auto-revers decks, often causing a significant variation in sound quality. All these points and problems LED Nakamichi to the development of the world's first fully automatic playback head azimuth alignment system NAAC, and its incorporation into this fine deck.

The Dragon's unique double direct drive system employs two Nakamichi quartz PLL servo Super Linear Torque DD motors (one for each capstan) so that wow and flutter are essentially eliminated while maintaining perfect transport stability in both forward and reverse directions. Auto reverse operation has been made available only in the playback mode so that the superb performance of the Discrete Three-head System is not compromised. Of course, full provision is made for left and right channel bias and record/playback level adjustment. All the Dragon's performance features also mean that the built-in Dolby C-type noise reduction system operates under ideal conditions for the best performance. Likewise, heads, mechanism and amplifiers are all the best available, as are features such as the microcomputer-controlled, real-time mechanism control system proven in other Nakamichi decks. Convenience features include Auto Rec Pause, where the deck automatically enters the pause mode during recording if a blank interval of 30 seconds or longer is detected in the source, switchable MPX and subsonic filters, easy cueing, and a dual-speed auto fader function, for customized recording with professional fade-in/fade-out results.

 


Specifications

System Configuration:  4-track, 2-channel stereo

Heads:  3; erase head x 1; record head x 1; 4-track, 4-channel playback head x 1

Motors Transport :

 Two Quartz PLL DC brushless, slotless coreless Super Linear  Torque DD Motor for Capstan drive

 one DC Motor for reel drive

Auto Azimuth Correction :  DC Motor

Mechanism :  DC Motor

Tape Speed: 1-7/8 ips (4,8 cm/sec)

Wow and Flutter: less than 0,019% WTD RMS; less than ±0,04%  WTD Peak

Frequency Response:

20 Hz - 22,000 Hz ±3 dB (recording level -20 dB , ZX tape)

20 Hz - 21,000 Hz ±3 dB (recording level -20 dB , SX, EX II tape)

Signal-to-Noise Ratio:

Dolby C-Type NR On [70 µs, ZX tape] :  better than 72 dB (400 Hz, 3% T.H.D., IHF A-WTD RMS)

Dolby B-Type NR On [70 µs, ZX tape] :  better than 66 dB (400 Hz, 3% T.H.D., IHF A-WTD RMS)

Total Harmonic Distortion :  less than 0,8% (400 Hz , 0 dB, ZX tape)

Less than 1% (400 Hz, 0 dB, SX, EX II tape)

Erasure:  better than 60 dB (100 Hz, 0 dB)

Separation:  better than 37 dB (1 kHz, 0 dB)

Crosstalk:  better than 60 dB (1 kHz, 0 dB)

Bias Frequency:  105 kHz

Input Line Sensitivity/Impedance :  50 mV/50 k

Output Level/Impedance

Line  :  1 V (400 Hz, 0 dB, output level control at max.)/ 2,2 k

Headphone :  45 mW (400 Hz, 0 dB, output level control at max.)/ 8

Black Box Series DC Output:  ±10 V, 125 mA max.

Power Requirements:  100,120, 220, 240 V AC 50/60 Hz

Power Consumption:  45 W max.

Dimensions (W x H x D):  450 x 135 x 300 mm (17-3/4" x 5-5/16" x 11-13/16"

Weight:  9,5 kg (21 lbs)


 

Sanyo RD-4028UM cassette deck

Stereo cassette deck with Dolby Noise Reduction and CrO₂ /  FeCr / Normal Tape selector

Hiss-less audio reproduction with Dolby Noise Reduction

Separate equalizer and bias switches are provided for optimum use of any kind of tape

Wow and flutter is 0,12% WRMS, S/N ratio is 50 dB with the Dolby switch ON

Automatic shut-off in playback and record modes

Illuminated VU meters

Piano key tape function controls

Slide type recording level controls with level indexes

Jacks for microphones, headphone, line in, line out and DIN connectors

3-digit tape counter

 


Specifications

Recording System:  AC bias, 70 kHz

Erasing System:  AC erase, 70 kHz

Tape Speed:  1,7/8 ips (4,75 cm/sec)

Fast Forward and Rewind Time:  110 sec.

Wow and Flutter:  0,12% WRMS

Frequency Response:

Normal Tape :  30 - 13,000 Hz ±6 dB

CrO₂ Tape :  30 - 16,000 Hz ±6 dB

FeCr Tape :  30 - 15,000 Hz ±6 dB

Signal-to-Noise Ratio

Dolby ON :  50 dB

Dolby OFF :  58 dB

Inputs Sensitivity/Impedance

Mic :  0,3 mV/10 k

Line In :  55 mV/50 k

Output Level/Impedance

Line Out :  0,4 mV/3 k

Headphone :  8  - 10 k

Semiconductors:  3 ICs; 8 Transistors; 10 Diodes

Power Requirements:  AC 110/125/220 V 50/60 Hz

Power Consumption:  7 W

Dimensions (W x H x D):  385 x 130 x 260 mm

Weight:  3 kg (6 lbs 10 oz)