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What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





Showing posts with label omnidirectional. Show all posts
Showing posts with label omnidirectional. Show all posts

Sansui SF-1

Omni-Radial Sound Field Speaker System

The sound-in-theround speaker system. For the person who wishes his 4-channel sound system to truly be be sound-in-the-round, Sansui is pround to introduce a system that takes this new music form to its thrilling sound pinnacle. The SF-1 Omni-Radial Sound Field Speaker System is not just another omnidirectional speaker, but a completely new concept in 360 degree sound, for it employs speakers facing both upwards and downwards and makes use of specially-designed reflectors to diffuse the reproduced sound in complete horizontal and broad vertical directions. 

This 2-way 3-speaker system produces a vibrant and reverberant 4-channel system. Among its virtues, it has been designed to accurately reflect the very important, but often overlooked "indirect" sound waves of music reproduction. And these indirect waves are the vital element of the live concert hall sound field. The authentic "live" sound effect that so many speaker systems promise but so few deliver. In addition, sound diffusion is extended in the SF-1 by the use of a new porous foam acoustic diffuser placed behind the Kumiko fretwork grille, a device which also helps to attain ideal dispersion of sound in the very high frequency range. Beautifully designed and finished (like its larger twin speaker system,the SF-2), the SF-1 cabinet is made of solid natural wood and hard chipboard, specially treated to resist heat or stains. The system is actually an expensive piece of fine furniture - and looks it. From the most respected name is stereo, Sansui.

Sansui's Sf-1 system is designed to achieve rich ambience by radiating sound in a full 360 degrees so that it will be reflected off of more surfaces, and so that the distinctively directional signals in the sound will intermingle with the reflected sounds with fine time or phase lags.
How does it achieve this sound radiation?

The SF-1 features a unique tetrahedron construction. Its two woofers and single tweeter are on the same vertical axis.
Sounds emanating by them are dispersed in complete 360-degree horizontal directions - and in broad vertical directions as well - by a top and bottom reflector. When the sounds reach the grilles located on the four sides of the system's enclosure, their vertical distribution is broadend even more by a newly developed porous foam acoustic diffuser.
The result of this new technology is something totally unique in sound. No matter where you place the SF-1, sound literally envelops you from all directions, in a sense, you swim in sound, and it's an experience that does indeed make you wonder why someone hasn't thought of this speaker idea before. Another advantage of the SF-1: you may place it anywhere. No longer are you confined to the corners of your room as you decide where to place your speakers. Freedom, unlimited, for one thing. Sound unlimited, for another. And wouldn't you know that Sansui discovered it.

Two Woofers:  There is one 165 mm (6-1/2") woofer that faces upwards and another that faces downwards. Sound from them is dispersed by top and bottom reflectors in all directions, the better to reflect off of more surfaces (walls, ceiling, floor) and the better to enhance the great sense of ambience and naturalness which the SF-1 provides.
Sealed Tweeter:  This is a 58 mm (2-1/4") diameter unit completely sealed in the back by an over-sized cover to prevent it from interfering with the woofer located directly beneath it. The usually narrow dispersion of the tweeter sound is dispersed in a full 360 degrees by the top reflector above it. Overall, the speaker boasts excellent transient response and sound transparency.
Crossover Network:  The SF-1, despite its compact size, is truly an advanced system, far more versatile than any other omnidirectional speaker in its class or price range. Its crossover network possesses a 6 dB/oct. cut-off characterictic that enables the speaker system to prevent phase deviations between the woofers and tweeter and to provide a very smooth transition between these two different types of speakers. This network is equipped with a volume-type attenuator for the tweeter so that you may adjust that speaker's output level to suit room acoustics and your own listening taste.
Porous Foam Acoustic Diffuser:  This new type of material replaces the usual speaker system cloth cover. It is advantageous for any number of reasons, but especially because it enhances the sounds taht are vertically dispersed by the top and bottom reflectors and helps to diminish their harshness and bite. The end result is a mellow, natural, evenly distributed sound field that you would usually experience only during a live musical performance. 

Heat and Stain Resistant Cabinet:  The SF-1 is a beautiful piece of furniture as well as a beautiful sound experience. Built of solid natural wood and hard chipboard, its cabinet is specially finished on the surface to resist heat and stains. It will not discolor or fade if you accidentally place a coffee cup on it. In form and function, it is very near the peak of omnidirctional speaker systems, and is only exceeded in quality by Sansui's large system , the SF-2.
8-Meter (26-Foot) Long Connection Cable:  To allow you to position the speaker system anywhere in your room, the SF-1 comes with an 8-meter long connection cable. This is the expensive soild cabtyre type cable that gives added strength and effectively shields out noise.

Specifications:
Speaker:
Woofer :  2 x 165 mm (6-1/2") cone type
Tweeter :  1 x 58 mm (2-1/4") cone type
Power Rating:  45 W (Peak)
Impedance:  8 Ω
Sensitivity:  90 dB/W at 1 m
Frequency Range:  55 - 20,000 Hz ( in anechoic chamber)
Crossover Frequency:  2,000 Hz
Crossover Network:  2-way 6 dB/oct.
Dimensions (W x H x D):  370 x 563 x 370 mm (14-9/16" x 22-3/16" x 14-9/16")
Weight:  12,0 kg (26,5 lbs) net; 14,3 kg (31,5 lbs) packed
Finish:  Solid natural wood open pore.

Sansui SF-2

 Omni-Radial Sound Field Speaker System
New breakthroughs in 4-channel stereo sound have created a demand for a new kind of speaker system, and now Sansui is pround to introduce a system that takes 4-channel to its thrilling sound pinnacle. The SF-2 Omni-Radial Sound Field Speaker System is not  just another omnidirectional speaker, but a completely new concept in sound-in-the-round, for it employs speakers facing both upwards and downwards sound in a full 360 degrees. 
 This 2-way 3-speaker system produces a vibrant and reverberant 4-channel sound field, for it has been designed to accurately reflect the very important, but often ignored, "indirect" sound waves of music reproduction. And these indirect waves are the vital element of the live concert hall sound field, the authentic "live" sound effect that so many speaker systems promise but so few deliver. With the SF-2, sound waves emanate with fine time differences and reach out to each corner of your listening room. No longer are these "indirect" waves overwhelmed and dissipated by the more "direct" soundwaves, thus leading to the harsh masking effect of sound reproduction. The SF-2 delivers greater sound reflection, in fact an ambience effect that adds depth and liveliness to your music - and comes very close to actually recreating the warmth and presence of the acoustically perfect concert hall. Four-channel sound reproduction is improved, for the unique top and bottom speaker arrangement does stereo wonders to bring out the best in the indirect sound of the recording.
In addition, sound diffusuion is extended in the SF-2 by the use of a new porous foam acoustic diffuser placed behind the Kumiko fretwork grille, a device which also helps to attain ideal dispersion of sound in the very high frequency range. Beautifully designed and finished, the SF-2 cabinet is made of solid natural wood and hard chipboard, specially treated to resist heat or stains. The system is actually an expensive piece of fine furniture - and looks it.  From the most respected name in stereo Sansui.
Specifications
Speaker
Woofer :  two 200 mm (8")cone type
Tweeter :  one 58 mm (2 ¼") cone type
Max. Power Input:  65 W (Peak)
Impedance:  8 Ω
Sensitivity:  90 dB (new JIS at 1 m /W)
Frequency Range:  50 - 20,000 Hz
Crossover Network:  2-way 6 dB/pct
Crossover Frequency:  2,000 Hz
Dimensions (W x H x D):  400 x 627 x 400 mm (15-3/4" x 24-11/16" x 15-3/4")
Weight:  15,5 kg (34.1 lbs) Net

FinIsh:  Open Pore

Pioneer CS-05

Excellent Directional properties
One of the most desirable features of the CS-05 is its 360° dispersion of sound, something that conventionnal speakers cannot provide.
The CS-05 incorporates an 8" woofer that faces downward, above a highly efficient diffuser, and three tweeters positioned to make the sound radiate in all directions.
This characterisctic permits you to enjoy really stereophonic in natural balance wherever in the room you may sit, without listening fatigue.

Newly Developed Cone Paper
A new process (the "FB" process) results in a harder, lighter paper, with longer fibres and greater stability. This improved cone paper results in clearer sound.

A Wide Range of Applications
The omnidirectional characteristic of the CS-05 gives it great versatility, when used in a home entertainment system or in public places, such as hotels or restaurants. It's perfect for listenable, unobtrusive background music, too.

Convenient Level Control
The level control for high frequency range provided on the bottom of the enclosure allows you to adjust the tonal quality to the room acoustic or to your taste.

Elegant, Natural Wood Styling
The enclosure is of high quality walnut. The CS-05 blends well with other furniture and its refined appearance adds a luxurious touch to any room.


Specifications
Enclosure:  Omnidirectional, bass-reflex type
Speakers:
1 x woofer 8" cone type
3 x tweeter 3" cone type
Frequency Range:  60 Hz to 20,000 Hz
Input Impedance:  8 Ω
Sensitivity:  90 dB/W (a distance of 1 m)
Maximum Input Power:  40 W
Crossover Frequency:  3,000 Hz
External Dimensions (Dia.  x H) : 362 x 509 mm (14 ¼ x 20 inches)
Weight:  12 kg  (26 lb 6 oz)

Decibel Modus 3


E' un diffusore di concezzine originale, ma affatto nuova. Nata su un brevetto di un costruttore di Brescia,questa cassa ha la sua maggiore qualità nella assenza di problemi di dispersione orizzontale, in quanto la sistemazione dei due trasduttori all interno della cassa cilindrica rendono l'emissione perfettamente omnidirezionale, come è possibile pure rilevare dalla risposta in camera anecoica eseguita a diverse angolazioni. Questa caratteristica fa si che risultino più importanti del solito le caratteristiche dell'ambiente d'ascolto ed il suo trattamento in quanto l'emissione è appunto uguale nelle varie direzioni. Appaiono carenti le gamme media ed alta, in particolare quest'ultima, (anche per la griglia fitta) che però può essere compensata in parte agendo su una regolazione del tweeter.
Diversa da tutte le altre, questa cassa acustica cilindrica realizza un'idea non certo nuova ma sempre affascinante: quella di costruire un diffusore che sia esente dal problema della direzionalità (almeno sul piano orizzontale), in mode che l'ascolto non dipenda dalla posizione dell'ascoltatore nell'ambiente. La simmetria cilindrica è una struttura che soddisfa questa richiesta e per questo, all'interno di essa i due trasduttori per le basse e le alte frequenze sono rivolti verso l'alto cosi da non dipendere dalla posizione della cassa sul pavimento. la risposta in camera d'ascolto con rumore rosa evidenzia un calo costante della curva all'aumentare della frequenza; la stessa carenza sui medio-alti è stata notata all'ascolto, anche se compensata in parte agendo sull'apposito trimmer a vite posto sotto al mobile assieme ai morsetti per il collegamento all'amplificatore. Non emerge una chiara individualità di questo diffusore all'ascolto, il cui giudizio è stato compromesso anche dalla posizione non ottimale nell'ambiente d'ascolto, che proprio in vitrù della omnidirezionalità agisce sensibilimente sulla resa; la possiamo tuttavia ritenere più adatta alla riproduzione di musica da camera e classica in genere, con una buona timbrica in caso di pochi strumenti ma una tendenza ad "impastare" nei pezzi orchestrali e pieni.
La realizzazione del mobile è accurata e può essere richiesta sia la versione noce che quella laccata in bianco; la sistemazione è da pavimento. La Modus 3 è nominalmente una 40 Watt e pesa ben 30 kg.
Non ha piedini di appoggio ma la parte centrale della base è sollevata rispetto al bordo per permettere l'alloggio dei morsetti di collegamento, che non è dei più comodi; i cavi possono essere fatti passare attraverso delle scanalature. Per la sua prerogativa che la contraddistingue ( e brevettata dal costruttore bresciano) il diffusore è battezzato Sistema 360, come i modelli che utilizzano il medesimo principio.
La potenza sopportabile da questa cassa è senz'altro superiore a quella prudenzialmente dichiarata dal costruttore.

Caratteristiche:
Sistema: omnidirezionale
Numero vie: 2
Altoparlanti: 1 woofer, 1 tweeter a compressione
Impedenza nominale: 8 ohm
Potenza nominale: 40 Watt
Potenza consigliata: 100 Watt
Dimensioni: 800 x 425 mm (altezza x diametro)
Peso: 30 kg