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What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





JVC DD-7 cassette-deck

Direct-Drive Cassette Deck DD-7 features:

Quartz-lock, direct-drive mechanism with Pulse Servo motor

Three-head configuration - Monitor capability with the X-cut SA combination Rec/Play head and extended highs

Two-colour digital fluorescent level meters - Choose peak-hold or VU modes

All-DC amp configuration = Low noise and sonic clarity

Full-logic control  - Foolproof operation and touch control

Super ANRS and Dolby-B compatible ANRS

 

Direct-drive system built around the JVC Quartz-lock Pulse Servo motor

Simple is better when it comes to tape transport design. The proof is in the figures - wow and flutter is only 0,06% (DIN 45 500). Our Pulse Servo motor takes a lot of the credit, being immune to cogging, voltage fluctuations, and changes in temperature and humidity. Speed is quartz-locked to assure unblemished accuracy over the years.

 

Three-head design with JVC exclusive SA heads

The material used in our SA (Sen-Alloy) heads is capable of providing optimum results from any tape, particularly metal tape. Furthermore, we've given the Play head a narrow 1-micron gap for efficiency and a contour-free surface for extended bass, while the Rec head has a wider 4-micron gap to pick up high frequencies without loss. Our X-cut Rec and Play heads - separate but combined in a single casing - are complemented by our two-gap erase head, also of SA.

 

Monitor peak or VU level depending on your needs.

Different recording situations require different recording levels. That's why we/ve equipped the DD-7 with meters having selectable modes - peak-hold reading or VU.

 

Recording EQ: For a flat high-frequency response

The Rec EQ control allows the deck to tune itself to any tape for flat response to 15 kHz and beyond and the separate playback head lets you confirm this as you are actually making recordings.

 

Lockable timer standby mechanism ends erroneous erasure

The timer standby is locked during power outage; it can't be nudged to Rec to prevent accidental erasure

 

Memory auto rewind: Both atop and play modes.

This is a convenience feature that you shouldn't be without. It lets you continuously repeat the tape from beginning end (or from 999-indexed portion to end), or rewind the tape at the end of play.

 


Specifications

Frequency Response (At -20 VU)

Metal Tape :  25 - 18,000 Hz (±3 dB)

SA/Chrome Tape :  25 - 18,000 Hz (±3 dB)

Normal Tape :  25 - 17,000 Hz (±3 dB)

Signal-to-Noise Ratio :  60 dB (Metal Tape)

Wow and Flutter :  0,06% (DIN 45 500)

Crosstalk:  65 dB (1 kHz)

Channel Separation :  40 dB (1 kHz)

Total Harmonic Distortion

Total (0 VU, 1 kHz) :  1,0% (Metal Tape)

K3 (0 VU,  1k Hz) :  0,4 % (Metal Tape)

Heads:

Record/Playback :  Combination X-Cut SA Sen-Alloy Head

Erase :  Two-Gap SA Head

Motors:

1 x Pulse Servo Motor

1 x DC Motor

Fast Forward/Rewind Time :  85 sec. C-60 cassette

Input Sensitivity/Impedance

Mic x 2 :  0,2 mV/600 - 10 k Ω

Line In x 2 :  80 mV. 100 k Ω

Output Level/Impedance

Line Out x 2 :  0 - 500 mV/ 5 k Ω

Headphones :  0 - 0,6 mW / 8 - 1 k Ω

Power Requirements:  120/ 220/ 240 V, 50/60 Hz

Power Consumption:  31 watts

Dimensions (W x H x D):  450 x 110 x 330 mm

Weight: 7,0 kg


 

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