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What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





Showing posts with label TECHNICS. Show all posts
Showing posts with label TECHNICS. Show all posts

Technics RS-858US 8-track deck

Technics 4-Channel 8-Track Cartridge Deck

RS-858US Features:

2/4-Channel Record/Playback Cartridge Deck

4-channel record

4 VU meters

Pana-Ject/Continuous play

2/4-channel selector and indicator

Program selector

Direct read-out program indicator

Minute/second program timer

Locking fast forward

4 microphone inputs

Front/rear headphone changeover

4 separate volume controls

AC outer rotor motor

Record indicators for each channel

 


Specifications

Recording System:  AC bias and AC erase

Motor:  Electronic Speed Control Motor

Track System:  8-track; 4-channel/2-channel stereo rac and play

Tape Speed:  3-3/4 rpm

Frequency Response:  30 - 12,000 Hz

Wow and Flutter: less than 0,20%

Signal-to-Noise Ratio:  better than 45 dB

Inputs Sensitivity/Impedance:

4 Mic :  0,15mV/200-600 Ω

4 Line :  45 mV/100 k Ω

Output Level/Impedance:

4 Line:  0,8 V/50 k Ω

2 Headphone ;  50 mV/8 Ω

Power Requirements:  AC 90-109; 110 - 125; 200-219; 220-250 Volts, 50/60 Hz

Power Consumption:  12W

Dimensions (W x H x D):  21-1/8" x 4-3/4" x 11-1/4"

Weight:  19 3/4 lbs

 


 

Technics SB-G500 loudspeakers

For more realistic sound reproduction today's stereo integrated amplifiers and stereo receivers are going for bigger and bigger power and must be complemented by speaker systems with high power handling capacity. The speaker system must also be designed to handle the problem that occurs when even relatively low power amps are used with their tone controls all the way up. Even if volume is less than maximum, a low power amp operated in this way can damage a speaker unit. To meet these needs Technics developed the SB-G500 with its tremendous 300 watt power handling capacity.

The SB-G500 uses six units symmetrically arranged on the fight and left for an even dispersion pattern in both directions and for excellent sound localization. Without the grille the effect is quite mechanical showing a nose of diffuser but with the grille on this speaker system takes on an elegant look that will match the decor of any room.

Gigantic 41 cm Woofer for Rich Bass

Rich bass is, of course, needed for contemporary as well as classical music. If you like disco sound, the bass from the gigantic 41 cm woofer will really impress you. If you prefer classical music, you'll be surprised at the rich lows from the bass instruments in the orchestra. The heat resistant high polymer film bobbin used in this woofer is one reason for the high power handling capacity. The bass reflex enclosure also contributes to outstanding bass.

Other High performance Speaker Units

Two 12 cm cone-type midrange units take care of the range from 1,500 Hz to 4,000 Hz. They also use a high polymer film bobbin with high heat resistance for excellent high power handling capacity.

10 cm Tweeter with Diffuser

The all-important range from 4,000 Hz to 10,000 Hz uses a tweeter with an aluminum bobbin for improved power handling capacity. A diffuser assures wide dispersion of sound to all parts of the room

Two Dome-Type Super Tweeters

Super high sound above 10,000 Hz is the work of two 14 mm dome-type super tweeters with thin metallized polyester film diaphragm that feature superior sound dispersion.

 

Thermal Relay Protection and Level Control

The system has a resettable thermal relay protection against overload. This protective device does not interfere with the sound under normal conditions but should there be heat build-up for some reason, it is easily and quickly reset by pushing a button. A red LED indicator lights up to indicate that the thermal relay protection has cut off the input to the tweeter. There is also a level control for the tweeter and super tweeters to tailor high frequencies to individual tastes and room conditions.

 


Specifications

Configuration:  4-way; 6-speaker bass-reflex

Speaker Units

1 x 410 mm (16-1/8") Cone type woofer

2 x 120 mm (4-3/4") Cone type midrange

1 x 100 mm (4") Dome type tweeter with diffuser

2 x 14 mm (5/8") Dome type Super tweeter

Impedance:  8 Ω

Input Power :  300 W

Output Level:  99 dB/1 W/1 m

Frequency Range:  20 Hz - 25,000 Hz

Crossover Frequencies:  1,500 Hz ; 4,000 Hz; 10,000 Hz

Dimensions (Hx W xD):  710 x 464 x 296 mm (28" x 18-1/4" x 11-5/8")

Weight:  21,2 kg (46,7 lb)


 

Technics SB-G800 loudspeakers

Super Bass Speaker System

4-way bass reflex speaker system, with

410 mm (16-1/8") Super Bass Woofer delivers double the bass power compared with conventional woofers of equivalent size.

160 mm (6-15/16") midrange driver operates in its own hermetically sealed cavity,preventing mutual interference between midrange and woofer.

65 mm (2-1/2") tweeter is equipped with diffuser (acoustic lens) to assure wide dispersion of treble sound.

Dome-type super tweeter (114 mm diameter) provides extra high range clarity, and is also equipped with acoustic equalizer and diffuser plate.

High range response can be fine-adjusted with tweeter level control. Tuned, vented design contributes to high sensitivity (98 dB/watts) sound pressure level at 1 meter.

Frequency Response:  35 Hz - 25 kHz

Power handling Capacity:  250 watts music

Resettable thermal relays with overload indicator, 8 Ω  impedance

Crossover Frequencies:  250 Hz; 2,5 kHz; 10 kHz

Dimensions (W x H x D):  464 x 720 x 310 mm (18-1/4" x 28-11/32" x 12-7/32")

Weight:  17 kg (36,3lb)

Walnut grain cabinet


 

Technics SA-626 receiver

Technics quartz-synthesized receivers

No tuning system on earth is more precise than quartz.

Tune in an FM station with a Technics SA-626 quartz-synthesized receiver and you can be absolutely sure that it will be perfectly in tune. And that station will stay in tune because the chance of encountering FM drift is 0,00% thanks to the crystalline accuracy of technics quartz-synthesized tuning.

Technics synthesized quartz also eliminates the hassle of tuning. Just push a button and you can preset and instantly retrieve seven AM and seven FM stations. And with Auto-scan, you can sample FM stations automatically.

The amplifier in the SA-626 will give you clean, crisp and dynamic sound because of Technics synchro-bias circuitry which completely eliminates switching distortion. By sending minute amounts of current to the amplifier transistors, synchro-bias never allows them to switch on or off. So there's absolutely no switching distortion.

Listen to the SA-626 and hear the sonic purity of synchro-bias circuitry and the crystaline tuning precision of Technics synthesized quartz.

 


Specifications

Amplifier Section

Rated Minimum Sine Wave RMS Power Output 20 Hz - 20 kHz,( both channels driven):

2 x 65 W at 8 Ω , 0,005% T.H.D.

Total Harmonic Distortion (rated power at 20 Hz - 20 kHz):  0,005% (8 Ω )

Frequency Response:  5 Hz - 100 kHz -3 dB

Signal-to-Noise Ratio (IHF - A)

Phono :  78 dB (87 dB , IHF '66)

Aux, Tape :  82 dB (100 dB , IHF '66)

Max. Input Voltage

Phono :  130 mV (150 mV, 1 khz0

Tone Controls

Bass :  ±10 dB at 50 Hz

Treble :  ±10 dB at 20 kHz

FM Tuner Section

Frequency Range:  87,9 - 107, MHz (200 kHz step); 87,5 - 108,0 (50 kHz step)

Sensitivity:  10,8 dBf (1,9 µV, IHF '58)

Total Harmonic Distortion (1 kHz)

Mono :  0,09%

Stereo :  0,15%

Signal-to-Noise Ratio

Mono :  75 dB

Stereo :  70 dB

Frequency Response:  20 Hz - 15 kHz +1 dB -2 dB

Stereo Separation (1 kHz):  45 dB

Alternate Channel Selectivity:  75 dB

AM Tuner Section

Frequency Range:  522 - 1611 kHz (9 kHz step); 530 -1620 kHz (10 kHz step)

Sensitivity:  30 µV , 300 µV/m

Selectivity:  55 dB

General

Power Requirements: Ac 50 Hz / 60 Hz 110 V, 120 V, 220 V, 240 V

Power Consumption:  626 W

Dimensions (W x H x D):  430 x 120 x 330 mm (16-15/16" x 4-23/32" x 14-31/32")

Weight:  11,1 kg (24,5 lb)


 

Technics SA-818 receiver

Technics new Class A receivers

Give you so much because they give you so little. 0,00% switching distortion. 0,00% FM drift

 

Technics SA-818, uncommon receiver, because he has it too, synchro-bias circuitry and quartz-synthesized tuning. Together they give you that special something you've come to expect from Technics : sonic excellence.

Synchro-bias. What it does may seem complicated, but it sounds simply beautiful. With conventional amplifier designs, the output transistors constantly switch omn and off as the input waveform goes from positive to negative. Technics synchro-bias eliminates switching distortion because it constantly sends minute amounts of current to the transistor not in use. And since the transistors don't switch on or off, distortion is eliminated.so is FM drift because both receivers include our quartz-synthesized tuning system. With its quartz-crystal oscillator both the frequencies broadcast and those received are quartz-synthesized so tuner drift is completely eliminated. So is the hassle of tuning because SA-818 can be preset to receive eight AM and eight FM stations.

You'll also like Technics acoustic control because its high and low range boost and filter switches can attenuate or boost two different frequency ranges.

Technics New Class A receivers. They give you more what you want and less of what you don't.

 


Specifications

Amplifier Section

Rated Minimum Sine Wave RMS Power Output 20 Hz - 20 kHz both Channels Driven :

110 W per channel at 8 Ω  : 0,005% T.H.D.

150 W per channel at 4 Ω  : 0,008% T.H.D.

1 kHz Continuous Power Output both Channels Driven (0,001% T.H.D.

120 W per channel at 8 Ω

170 W per channel at 4 Ω

Dynamic Headroom:

1,5 dB at 8 Ω

2,0 dB at 4 Ω

Total Harmonic Distortion

Rated Power at 20 Hz to 20 kHz

0,005% at 8 Ω

0,008% at 4 Ω

Half Power at 20 Hz - 20 kHz :  0,005 % at 8 Ω

Half Power at 1 kHz : 0,001% at 8 Ω

SMPTE Intermodulation Distortion:  0,01% at 8 Ω

Frequency Response

Phono :  RIAA standard curve ±0,3 dB

Aux, Tape : 20 Hz - 20 kHz +0 dB, -0,3 dB  (5 Hz - 100 kHz -3 dB)

Input Sensitivity

Phono :  0,28 mV (2,5 mV IHF '66)

Aux, Tape :  16 mV (150 mV IHF '66)

Signal-to-Noise Ratio (IHF A)

Phono :  74 dB (82 dB IHF '66)

Aux, Tape :  79 dB (100 dB IHF '66)

Maxi.  Input Voltage :

Phono :  180 mV (190 mV, 1 kHz)

Input Impedance

Phono :  47 k Ω

Aux, Tape :  33 k Ω

Tone Controls

Bass :  ±10 dB at 50 Hz

Treble :  ±10 dB at 20 kHz

Middle :  ±6 dB at 1 kHz

Acoustic Controls (at tone "0" position)

Low Boost :  100 Hz +6 dB

High Boost :  10 kHz +6 dB

Low Cut :  70 Hz, -6 dB/oct

High Cut :  7 kHz, -6 dB/oct

Loudness Control (Volume at -30 dB):  50 Hz +9db

Muting :  -20 dB

Output Voltage

Rec Out :  150 mV

Low Frequency Damping Factpor:  50 (8 Ω ); 25 (4 Ω )

Load Impedance

Main or Remote :  4 - 16 Ω

Main and remote :  8 - 16 Ω

FM Tuner Section

Frequency Range:  87,9 - 107,9 MHz

Sensitivity:  10,3 dBf (1,8 µV, IHF '58)

50 dB Quieting Sensitivity

Mono :  13,2 dBf (2,5 µV IHF '58)

Stereo :  36,2 dBf (35,4 µV IHF '58)

Total Harmonic Distortion (Normal)

100 Hz :  0,15% (mono); 0,25% (stereo)

1 kHz :  0,1% (mono); 0,15% (stereo)

6 kHz :  0,.25% (mono); 0,3% (stereo)

Signal-to-Noise Ratio

Mono :  76 dB

Stereo ;  72 dB

Frequency Response:  20 Hz - 15 kHz +0,2 dB -0,8 dB

Alternate Channel Selectivity: 

Normal ±400 kHz :  65 dB

Narrow ±400 kHz :  85 dB

Narrow ±300 kHz ;  75 dB

Capture Ratio (Normal) :  1,2 dB

Image Rejection at 98,1 MHz ;  80 dB

IF Rejection at 98,1 MHz :  90 dB

Spurious Response Rejection at 98,1 MHz :  100 dB

AM Suppression:  60 dB

Stereo Separation (Normal)

45 dB at 1 kHz

35 dB at 10 kHz

Carrier Leak

-65 dB at 19 kHz

-70 dB at 38 kHz

FM De-emphasis:  25 µs, 50 µs, 75 µs

Antenna Terminals:  300 Ω  (balanced), 75 Ω  (unbalanced)

AM Tuner Section

Frequency range:  530 - 1620 kHz

Sensitivity:  30 µV, 250 µV/m

Selectivity:  55 dB

Image Rejection at 1000 kHz ;  50 dB

IF Rejection at 1000 kHz :  45 dB

General

Power Requirements:  AC 120 V 60 Hz

Power Consumption:  590 W, 740 VA

Dimensions (W x H x D):  566 x 172 x 396 mm (22-9/32" x 6-25/32" x 15-19/32")

Weight:  18,5 kg (40,6 lb)
 


 

Technics RS-AZ6 cassette tape deck

Amorphous -Z 3-head Cassette Deck

Features

Amorphous-Z Head significantly improves playback performance

ATC (Auto Tape Calibration) for optimum performance from each tape

Advanced tape transport mechanism - Hi-Speed FF/REW and Power Loading

Linear Magne-Field Class AA record EQ/amp

Anti-vibration THCB (Technical Hybrid Construction base)

Dolby HX Pro & Dolby B/C NR systems

Hi-speed TPS (Tape Program Search)

Linear electronic counter with memory stop

Auto tape/source monitor select

MPX filter on/off

Wireless remote control capability with selected Technics Amplifiers and receivers

 


Specifications

Deck System:  Stereo cassette deck

Track System:  4-track 2-channel

Recording System Frequency:  AC Bias 210 kHz

Erasing System:  AC erase

Heads:

Recording : Permalloy head

Playback :  Thin-Film type head

Erasing : Double-gap ferrite head

Motors:

Capstan Drive :  DC servo motor

Reel Drive :  DC motor

Tape Speed:  4,8 cm/sec

Wow and Flutter:  0,07% WRMS ±0,2 % (DIN)

Frequency Response:

Normal Tape :  20 Hz - 17 kHz  ±3 dB (20 Hz - 18 kHz DIN)

CrO₂ Tape :  20 Hz - 18 kHz ±3 dB (20 Hz - 19 kHz DIN)

Metal Tape :  22 Hz - 23 kHz ±3 dB (20 Hz - 24 kHz DIN)

Signal-to-Noise Ratio

Dolby NR Off :  62 dB A-weighted)

Dolby B NR On :  71 dB (A-weighted)

Dolby C NR On :  78 dB (A-weighted)

Input Sensitivity/Impedance:

Rec Out :  100 mV/47 k Ω

Output Level/Impedance

Play :  500 mV/500 Ω

Headphones:  190 mV/ 8 - 600 Ω

Power Requirements:  230 -240 V AC 50/60 Hz

Power Consumption:  26 W

Dimensions (W x H x D):  430 x 125 x 290 mm

Weight:  3,9 kg

Technics RS-BX501 cassette deck


Auto-Reverse 2-Motor Cassette Deck

Features

ATC (Auto Tape Calibration) for Bias, EQ and Rec-level

Auto-reverse 2-motor tape transport

Hi-speed FF/Rew - approx. 50 seconds with C-60 tape)

Direct operation with power loading

Dolby HX-Pro and Dolby B-C NR systems

Wireless reomte control capability with selected Technics amplifiers and receivers

MPX filter on/off switch

Linear electronic counter with memory stop

2-color FL peak-hold meters

Auto tape selector and auto rec-mute

Master rec level and independent balance controls

Headphone output level control

 


Specifications

Deck System:  Stereo cassette deck

Track System:  4-track 2-channel

Recording System Frequency:  AC Bias 80 kHz

Erasing System:  AC erase

Heads:

Recording/Playback : Permaloy head

Erasing : Double-gap ferrite head

Motors:

Capstan Drive :  DC servo motor

Reel Dreive :  DC motor

Tape Speed:  4,8 cm/sec

Wow and Flutter:  0,07% WRMS ±0,2 % (DIN)

Frequency Response:

Normal Tape :  30 Hz - 15 kHz  ±3 dB (30 Hz - 16 kHz DIN)

CrO₂ Tape :  30 Hz - 15 kHz ±3 dB (30 Hz - 16 kHz DIN)

Metal Tape :  30 Hz - 16 kHz ±3 dB (30 Hz - 17 kHz DIN)

Signal-to-Noise Ratio

Dolby NR Off :  56 dB A-weighted)

Dolby B NR On :  66 dB (A-weighted)

Dolby C NR On :  74 dB (A-weighted)

Input Sensitivity/Impedance:

Rec Out :  100 mV/47 k Ω

Output Level/Impedance

Play :  500 mV/500 Ω

Headphones:  190 mV/ 8 - 600 Ω

Power Requirements:  230 -240 V AC 50/60 Hz

Power Consumption:  19 W

Dimensions (W x H x D):  430 x 125 x 293 mm

Weight:  3,8 kg

Technics SL-D3 turntable

Features:

Front panel controls provide exceptional convenience

Integral rotor/platter structure for stable rotation

"TNRC" (Technics Non-Resonance Compound) base material provides an acoustic shield

Low-mass, low-friction gimbal suspension tonearm

Pitch control with illuminated stroboscope

Viscous-damped cueing

Anti-skating control

Hinged, detachable dust cover

Auto-start, auto-stop, auto-return and programmable repeat play make the SL-D3 a pleasure to use.

Since everything is automatic, you don't need to touch the tonearm unless you want to move too a particular cut on the record. The "memo-repeat" feature allows you to repeat a rcord up to six times, or indefinitely if you prefer.

 


Ask any disc jockey about direct-drive specifications as accurate as these and he'll tell you how important they are. He'll also tell you how expensive they are. Unless he's heard about Technics D-3 turntables. You'll use our D Series turntables for the same reasons radio stations and discos use our professional turntables; the performance of Technics direct drive. Yet perhaps the best part about all this performance is the prices you can have it for.

And with Technics, the price includes our B-FG servo-speed control which constantly monitors and instantaneously corrects turntable speed. So even if the power fluctuates, your Technics direct-drive performance won't. that's an important feature.

So is having all the electronic controls on the front panel. You can turn the power on, change speed, change record size, program Memo-Repeat, even vary the pitch by 10%, all without ever lifting the hinged, detachable dust cover. But when you do, you'll discover Technics universal S-shaped statically balanced tonearm. It not only has an anti-skate control but oil-damped cueing , too.

And the Base is made from Technics unique THRC base material. So even if you play your music loud, there's little chance of acoustic feedback.

 


Specifications

Tunrtable Section

Type:  Automatic turntable

Drive Method:  Direct drive

Motor:  Brushless DC motor

Drive Control Method:  B-FG servo control

Turntable Platter:  Aluminum die-cast

Plater Diameter:  312 mm (12-9/32")

Speeds:  33-⅓ and 45 rpm

Pitch Control:  10% adjustment range

Wow and Flutter:  0,014% WRMS

Rumble (IEC 98A)

Unweighted :  -53 dB

Weighted :  -75 dB

Tonearm Section

Type:  Universal Tonearm

Effective Length:  230 mm (9-1/16")

Trcaking Error Angle: 

Within 2°32' at the outer groove of 30 cm (12") record

Within 0°32' at the inner groove of 30 cm (12") record

Offset Angle:  22°

Stylus Pressure Adjustment Range:  0 - 2,5 g

Applicable Cartridge Weight Range:  6 - 9,5 g (13,5 - 17 g including headshell)

Headshell Weight:  7,5 g

Cartridge Section

Model No.:  EPC-270 C

Type:  Moving magnet

Frequency Response:  20 Hz to 25 kHz (20 Hz to 15 kHz ±2 dB)

Output Voltage: 

3,2 mV at 1 kHz (5 cm/s, zero to peak lateral velocity

9 mV at 1 kHz, (10 cm/s zero to peak 45° velocity ) DIN 45 500

Channel Separation:  25 dB at 1 kHz

Channel Balance:  within 2 dB at 1 kHz

Compliance (dynamic):  10 x 10¯⁶ cm/dyne at 100 Hz

Stylus Pressure:  1,75 ± 0,25 g (17,5 ± 2,5 mN)

Load Impedance:  47 k Ω  to 100 k Ω

Weight:  6,0 g

Genaral

Power Requirements:  110-120 / 220-240 V, 50/60 Hz

Power Consumption:  4,5 W

Dimensions (W x H x D):  430 x 130 x 375 mm (16-59/64" x 5-7/64" x 14-49/64")

Weight:  7 kg (15,4 lb)


 

Technics SU-V500 amplifier

New Class A Stereo Integrated Amplifier

New Class A circuitry for clear, undistorted sound

New Technics Remote Control System designed for high sound quality

6-position input selectors

Quiet phono EQ circuitry

A and/or B speaker selection

Bass, Treble tone controls and Loudness switch

Large insulating feet

Balance control

Headphone input jack

 


Specifications

Continuous Power Output (both channel driven

DIN :  2 x 50 W at 4 Ω , 2 x 38 W at 8 Ω

20 Hz - 20 kHz :  2 x 30 W at 8 Ω

Total Harmonic Distortion (Rated Power at 20 Hz to 20 kHz):  0,1% (8 Ω )

Frequency Response

Phono MM (RIAA standard curve) :  30 Hz - 15 kHz ±1 dB

CD, Aux, Tuner, Tape 1, Tape 2/DCC :  3 Hz - 80 kHz (+0 -3 dB)

Signal-to-Noise Ratio (Rated Power 4 Ω )

Phono MM :  76 dB

CD, Aux, Tuner, Tape 1, Tape 2/DCC :  90 dB

Input Sensitivity/Impedance:

Phono MM :  2,5 mV/47 k Ω

CD, Aux, Tuner, Tape 1, Tape 2/DCC :  150 mV/22 k Ω

Dimensions (W x H x D):  430 x 125 x 310

Weight:  6,0 kg

Technics SU-V300 amplifier


Stereo Integrated Amplifier New Class A

Undistorted and clear sound thanks to New Class A circuitry

Six-position input selectors Tuner, Phono, Aux, CD, Tape 1 and Tape 2/DCC

Quiet phono EQ circuitry

A and/or B speaker selection

Loudness switch

Bass and treble tone controls

Large insulating feet

Balance control

Headphone Jack

 


Specifications

Continuous Power Output (both channel driven

DIN :  2 x 40 W at 4 Ω , 2 x 33 W at 8 Ω

20 Hz - 20 kHz :  2 x 27 W at 8 Ω

Total Harmonic Distortion (Rated Power at 20 Hz to 20 kHz):  0,1% (8 Ω )

Frequency Response

Phono MM (RIAA standard curve) :  30 Hz - 15 kHz ±1 dB

CD, Aux, Tuner, Tape 1, Tape 2/DCC :  3 Hz - 80 kHz (+0 -3 dB)

Signal-to-Noise Ratio (Rated Power 4 Ω )

Phono MM :  76 dB

CD, Aux, Tuner, Tape 1, Tape 2/DCC :  90 dB

Input Sensitivity/Impedance:

Phono MM :  2,5 mV/47 k Ω

CD, Aux, Tuner, Tape 1, Tape 2/DCC :  150 mV/22 k Ω

Dimensions (W x H x D):  430 x 125 x 310

Weight:  5,4 kg

Technics SU-C1000 preamplifier

Stereo Control Amplifier

 


Specifications

Total Harmonic Distortion (Vol. Max 20 Hz- 20 kHz):  0,01%

Input Sensitivity/Impedance

Phono MM :  2,5 mV/47 k Ω

Phono MC :  170 µV/220 Ω

Tuner, CD, Aux, Tape 1, 2/DCC :  200 mV/22 k Ω

Phono Maximum Input Voltage (1 kHz, RMS)

Phono MM :  130 mV (IHF '66)

Phono MC :  10 mV (IHF '66)

Signal-to-Noise Ratio

Phono MM :  78 dB (86 dB, IHF '66)

Phono MC :  64 dB (S _ 260 µV, 66 dB IHF '66)

Tuner, CD, Aux, Tape 1, 2/DCC :  91 dB (100 dB, IHF '66)

Frequency Response

Phono MM :  RIAA standard curve ±0,8 dB (30 Hz - 15 kHz)

Tuner, CD, Aux, Tape 1, 2/DCC :  3 Hz - 80 kHz (+0 _3 dB);  20 Hz - 20 kHz (+0 -0,3 dB)

Tone Controls

Bass :  50 Hz +10 dB -10 dB

Treble :  20 kHz +10 dB -10 dB

Output Voltage

Tape 1, Tape 2 Rec Out :  200 mV

Pre Out :  1 V

Channel Balance (Aux, 250 Hz - 6,3 kHz):  ±1 dB

Channel Separation (Aux, 1 kHz) :  50 dB

Power Consumption:  10 W
 Power Requirements:  AC 120 V, 230 - 240 V, 50/60 Hz

Dimensions (W x H x D):  430 x 69,3 x 307 mm (16-15/16" x 2-23/32" x 12-3/32")

Weight:  3,3 kg (7,3 lb)

Technics SE-A1000 power amp

Stereo Power Amplifier

 


Specifications

Continuous Power Output (both channels driven)

From 20 Hz to 20 kHz :  2 x 70 W at 8 Ω 

At 1 kHz (T.H.D. 1%) :  2 x 85 W at 8 Ω ; 2 x 120 W at 4 Ω 

From 63 Hz to 12,5 kHz (T.H.D. 0,7%) :  2 x 80 W at 8 Ω  ; 2 x 105 W at 4 Ω

Total Harmonic Distortion (rated power at 20 Hz - 20 kHz):  0,01 at 8 Ω

Intermodulation Distortion (50 Hz : 7 kHz = 4 : 1 SMPTE):  0,007% at 8 Ω

Residual Hum and Noise:  0,3 mV

Damping Factor:  70 at 8 Ω ; 35 at 4 Ω 

Headphone Output Level/Impedance:  540 mV/330 Ω

Load Impedance

A or B, Bi Wiring :  4 - 16 Ω

A and B :  8 - 16 Ω

Input Sensitivity/Impedance:  1 V/33 k Ω

Signal-to-Noise Ratio (rated power at 4 Ω ):  95 dB (110 dB, IHF '66)

Frequency Response

Power Amp Direct :  5 Hz - 70 kHz (+0 -3 dB); 20 Hz - 20 kHz (+0 -0,5 dB)

Power Consumption:  280 W

Power Requirements:  AC 120 V, 220 - 240V 50/60 Hz

Dimensions (W x H x D):  430 x 136 x 344 mm (16-59/64" x 5-23/64" x 13-35/64")

Weight:  9,8 kg (21,6 lbs)