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What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





Visualizzazione post con etichetta CREEK. Mostra tutti i post
Visualizzazione post con etichetta CREEK. Mostra tutti i post

Creek T40 tuner


The idea of an FM only tuner is to receive broadcasts over the air that can be described as having truly hifi performance. Only Frequency Modulation can offer this, so it is therefore not desirable to offer AM in a budget design.
The simple ergonomics of the T40 , the complex control, and advanced radio and audio circuitry within. An advanced digital frequency readout, and display brightness level couple to signal strength make the operation of the tuner as simple as possible, every effort has been made front panel. What is left can be descibed as functional, but it is in the search for the ultimate in the state of the art. Of tuner design which has made this product the bench mark at its price.
martinCollams in hifi Choice (february 1988) described the earlier 3140 model thus "Giving fine results for sensitivity, Signal-to-Noise, pilot tone and AM rejection, selectivity, and capture ratio, the RF side of this fine tuner is beyond reproach". The latest version, renumbered t40 has been further improved and has added facilities, such as variable output level control.
With press and public, acclaim from around the world the T40 has become a modern classic.

Specifications:
Tuning Range: 88 - 108 MHz
Sensitivity (50db s/nRatio)
Mono :  3 µV
Stereo :  35 µV
Ultimate Signal-to-Noise (CCIR/ARM/1 kHz ref.)
Mono :  74 dB
Stereo :  65 dB
Muting Threshold (RF Level):  4 µV
Selectivity(Alternate Channel):  10 dB
Pilot Tone rejection:
6 dB at 19 kHz
100 dB at 38 kHz
AM Rejection:  67 dB
Capture ratio:  1,3 dB
Total Harmonic Distortion 9100% mod. At 1khz)
Mono :  65 bd
Stereo :  60 dB
Frequency Response:  25 Hz - 16 kHz (-1 dB)
Stereo Separation:  30 dB (1 kHz, 100 µV)
Output Level:   0 - 1 V RMS (100% mod. Variable)
Aerial Inputs Antenna:  300 Ω (balanced); 75 Ω (unbalanced)
Dimensions (W x H x D):  420 x 64 x 165 mm
Weigh:  3 kg

Creek 6060 amplifier

The 6060 is a sophisticated integrated amplifier of the highest calibre. Designet with the aid of CAD facilities, the 6060 is capable of producing 65 watts of power from each channel. A wealth of useful features and facilities are provided to please the audiophile and music lover alike.
Advanced circuit design is evident throughout the 6060. a generously rated power supply with excellent rejection capability forms the heart of the amplifier, while fine signal handling capability within the important pre-amplifier circuitry, and careful attention to inter-stage matching, result in unsurpassed clarity and resolution.

Among the many user features to be found on the appealing new 6060 are:
Simultaneous record and play on all inputs
Comprehensive tape copy facilities
Switchable tone controls
Switchable A B speaker selection
Separate access to power amplifier input
Bridge mode facility to enable 200 watts of power in mono
Short circuit protection
Specifications:
Power Output
One Channel at 8 Ω :  65 watts
One Channel at 4 Ω :  90 watts 
T.H.D. (at rated output): less than 0,05% (1 kHz, 8 Ω)
Noise (Referenced to rated output at 1 kHz, A weighted) :
Disc  MM: 70 dB
Disc MC :  65 dB
Tuner/CD/Video/Tape :  90 dB
Separation (Input at 1 kHz): 
Disc  MM : 45 dB
Disc MC :  50 dB
Tuner/CD/Video/Tape :  50 dB
Inputs Sensitivity/Loading:
Disc MM:  2 mV / 47 k Ω
Disc MC :  0,1 mV / 100 Ω
Tuner/Video/Tape :  400 mV
CD :  850 mV
Dimensions (W x H x D) : 420 x 70 x 345 mm
Weight:  10 kg

Creek CD43


Creek compact disc player CD43 Features:
Infra-red remote control
High precision 24 bit, ΔΣ digital to analogue conversion
128 FS filter
3-beam optical laser pick up
16 program memory
LCD display - back lit green
Shuffle fnction ( random selection)
Repeat facility
Intro scan facility
Auto space facility

Specifications:
Frequency Response:  1 Hz - 20 kHz ±0,5 dB
Output Level :  2,2 V RMS at 1 kHz
Output Impedance :  600 Ω, min. Load 10 k Ω
Laser Type:  Semiconductor ALGaAs
Wavelenght:  790 nm ±25 nm
Light Output (cw):  0,18 mW typical
Signal-to-Noise Ratio:  better than 96 dB
Dynamic Range:  better than 100 dB
Number of Channels :  2
Total Harmonic Distortion:  less than 0,01% at 1 kHz
Power Requirements:  AC 220-240 V 50 Hz or AC 110-120 V 60 HZ
Power Fuse Rating:  T 250 mA or T 500 mA
Power Consumption:  15 Watts max

Dimensions (W x H x D):  420 x 70 x 289 mm

Creek 4240


The Creek 4240 is an Integrated Amplifier of the highest caliber, designed and manufactured inthe U.K. The 4240 employs exclusive and novel circuit techniques believed by its elegantly simple appearance. The 4240 is the new benchmark for integrated  sound and value. With the 4240, Creek engineers used CAD (Computer Aided Design) to update the classic Creek 4040 and 4140. You have complete control of your system through four line inputs plus a tape loop. A high quality Creek phono stage (MM or MC) is an optional add-on for playback of conventional records.
External connections for access to the preamp or power amp stages provide unique possibilities. You can bi-amp your speakers by adding the matching Creek A42 power amp. Two pairs of  4 mm speaker sockets provide switched output when headphones are used, or direct output.  Jointly, the double connections make bi-wiring extremely convenient.

The superior sound quality of the 4240 comes from numerous design techniques including DC coupling of its preamp and power amp. This is achieved by removing all sound degrading capacitors from the signal path and using advanced DC servo circuitry. MOS-FET driver and output power transistors insure a high level of performance and reliability not found at this price.
With the 4240 Creek continues to prove that accurate, full bodied sound can be truly affordable.

Specifications
Power Output:
Both chanels driven :  40 Watts into 8 Ω
One channel :  45 Watts into 8 Ω
Total Harmonic Distortion:  less than 0,03% (20 Hz - 20 kHz)
Frequency Response:  3 Hz to 25 kHz -1 dB
Power Amp Rise Time:  +40 -30V's per µS
Input Sensitivity: 
Line On  :  380 mV
Signal-to-Noise Ratio:  -105 dB
Separation:  -80 dB at 1 kHz
Plug-In MM and MC Circuit:
MM Sensitivity and Impedance:  2,5 mV's / 47 k Ω
MC Sensitivity:  0,65 µV's / 1 kohm
MM Signal-to-Noise Ratio:  -70 dB
Power Consumption :
At aIdle :  40 Watts
At Full Power:  200 Watts (10% Total Harmonic Distortion)
Dimensions (W x H x D):  420 x 60 x 230 mm (16.5" x 2,4" x 9")
Weight:  4,5 kg ( 10 lbs)

Creek 3140 FM Tuner

 CONTROLS and FUNCTIONS
Creek  have designed the 3140 to have the performance of laboratory equipment without the penalty of laboratory looks or complexity of use. Our philosophy is to design products with facilities which benefit the user rather than the reviewer, and which are different from those of other manufacturers because we try to think our designs through from the beginning, rather than trying to copy all the unnecessary functions which are normally provided to fill up space on front panels. We are sure that the functions we have incorporated in this tuner will make it very easy to use, so that you will constantly obtain the high performance of which it is capable.

Switch-on Stabilisation Delay
When the 3140 is switched on, a delay circuit waits for the internal control functions to stabilise before operation will start. This normally takes between 15 and 20 seconds. A further 2 seconds delay then occurs before the AFC system is enabled, ensuring that the tuner will return to the last station tuned before switching off.
-
Muting, Mono/Stereo, Blend and Tuning Indicator
Tuning accuracy is very important for high fidelity reception of FM broadcasts. The 3140 uses specially developed integrated circuits to allow exceptional tuning accuracy with great simplicity for the user. The same circuits also control the operation of the entire tuner to ensure that the best possible quality of audio is obtained at all times, automatically.
The Tuning Indicator, Muting, Blend and Stereo/Mono functions are operated by control signals derived from ICs from three parameters of the received signal – Detuning, signal/Noise Ration and Signal Strength. The Stereo/Mono and Muting functions are not simple on/off switching functions, but are progressive, proportional and carefully balanced against the three control parameters to ensure optimum listening performance but with extreme ease of use.

The control signals are monitored continuously, and are derived and perform control as follows:

Signal-to-Noise information is obtained by extracting a DC signal proportional to the non-audio content of the received and demodulated signal. The signals present above 75kHz are a function of the noise content of the demodulator output, while those below 10Hz are a function of inter-modulation and cross modulation products between adjacent channels. The subsonic content is also used to trigger the blend circuits in the presence of aircraft flutter, momentarily forcing the tuner to mono to reduce the irritation of this interference.

Signal Strength is extracted from the IF limiter, and is linearised to give control signal proportional to the RF at the aerial socket over a range greater than 80dB. This control signal is also used to operate the Automatic Gain Control (AGC) in the RF tuner head to prevent overloading in the presence of very strong input signals, and a further control signal is derived to ‘gate’ (or switch) the AGC operation, described below. The brightness of the frequency display is controlled by a derivative of the signal Strength monitor to give a clear indication of relative signal strength to the user.
 Detuning is a measure of the amount that the tuner is off-station. It is derived from the Automatic Frequency Control (AFC) signals, with further processing to obtain a linear control voltage proportional to the magnitude of the difference between the required station and the actual tuning point of the tuner. The Detuning monitor is also used to disable the AFC action between stations, described in more detail below.
 These various control signals are then combined to provide progressive control of the muting circuits and the stereo decoder. The operation of the system as a whole is best understood by examining in detail what happens as the tuner is tuned from an empty part of the band onto a strong station…

When the tuner is completely off-tune, and receiving no signals at all, then the Signal Strength monitor is at zero, the detuning monitor is at zero (cannot be de-tuned from nothing) and the signal/noise monitor shows zero (no signal – all noise). Combining thse signals on a ‘voting’ basis gives two out of the three voting for no signal worthy of any attention, and the audio output is held firmly muted. The stereo decoder is also forced to mono, but as there is no pilot tone signal for it to lock onto it holds itself in mono, anyway.

As we tune towards a station the Signal Strength monitor starts to rise, as does the Signal/Noise monitor (since the supersonic content of the recovered audio falls rapidly as a station is approached). However the subsonic content of the audio is now very high (due to the amplitude modulation products of the FM signal operating in the non-linear ‘skirt’ region of the IF filters) and the Detuning monitor shows that we are strongly off-tune, and so the audio is still held firmly muted by a two-against-one vote as before.

As we now tune more into the range of the IF filters, within 150kHz of the centre of the desired station (75kHz in Narrow mode) the Signal Strength monitor reaches its maximum, and (if the signal is strong enough) operates the AGC in the front-end. At this point the Stereo Decoder is released from mono, to allow it to lock onto a pilot tone if one is present, thereby lighting the Stereo Indicator. The proportional Stereo/Mono Blend is set by the (now stable) Signal Strength monitor to give the ‘amount’ of stereo available once the mute is finally released.
This is described in ore detail below.
If AFC is switched On it is also now released to take control of tuning, accelerating the tuner circuits rapidly into the centre of the station frequency. At the exact centre of the desired station the Detuning monitor returns to zero, and this un-mutes the audio output fully, and lights the Tuning indicator.
If the AFC is Off, then the muting is progressively released as the station centre is approached, lighting the Tuning indicator at the exact centre frequency when the mute is fully open. The monitor circuits continue to operate, so that if a burst of noise or interference is detected the mute will close briefly to prevent these unwanted signals reaching the amplifier.

The effect of the progressive muting function is to make the tuning knob seem to operate as a ‘clickless’ rotary switch. As the knob is turned through each station the tuner un-mutes at the point where the station is perfectly tuned, lighting the Tuning Indicator. This ‘switch’ effect is much more pronounced with the AFC switched Off. With AFC operating the T40 tunes rather like an AM radio – the station is apparently loudest at the point of perfect tuning, and gets quieter as you tune away to either side of this point. This makes it easy for those users unfamiliar with FM tuners to achieve the perfect tuning essential to obtain full FM performance. It is quite possible to tune a station entirely by ear, although the Tuning Indicator lights exactly at the centre point so it may be a little silly not to use it!
 Frequency Display
The green, digital frequency display indicates the frequency to which the tuner is actually tuned and is calibrated in MHz to a resolution of 100kHz.
Although the display cannot therefore show the correct frequency for one or two European broadcast stations which do not transmit on exact multiples of 100kHz (e.g. 95.125MHz), the tuning system in your 3140 will ensure that the tuner locks accurately to the centre of any channel to which it is tuned.
 More about Mono/Stereo and Blend
As mentioned earlier, the effect of going from mono to stereo is to require 20dB more RF signal to achieve the same audio signal-to-noise ratio. The 3140 incorporates a progressive changeover stereo decoder, which is controlled by the Signal Strength and Signal/Noise monitor signals. The decoder operates by mixing or blending the Left and Right stereo signals to give partial mono over a 20dB range of signal strength. The effect of this is to maintain an almost constant audio signal/noise ratio during the transition from full Mono to full Stereo. Even partial Mono is still very pleasing, certainly much more listenable than full, but 20dB noisier, Stereo. When the decoder is in the fully Mono condition the Stereo Indicator is extinguished, although the pilot tone oscillator is left running to maintain stability. This ‘Monoing’ can happen very quickly and briefly during flutter conditions, effectively masking this irritating interference.
The Blend Function is also controlled by the Signal/Noise monitor, so that in the presence of Adjacent Channel Interference (birdies) a degree of blend is introduced regardless of signal strength, reducing the audibility of this interference considerably.
The decoder’s oscillator operates at 76kHz, and is divided down to 38kHz to obtain the stereo sub-carrier, phaselocked to the 19kHz pilot tone. This feature makes the 3140 immune to birdie-like interference problems which result from other transmitted signals such s for the German VWF/ARI traffic information system, which operates on a 56kHz sub-carrier and is used in many European countries.
 More about AGC and AFC
The 3140 incorporates two additional features using its other signal monitors to enhance performance – Gated AGC and Detuning-limited AFC.
In some areas there are one or two very powerful local transmitters which can prevent reception of weaker stations adjacent to them in the FM band by dominating the front-end AGC. Normally the AGC signals are derived from the first IF amplifiers, which look at a10.7MHz wide ‘window’ onto the band. Obviously, one very strong station within this wide window will cause the AGC to reduce the sensitivity of the front end, preventing it from detecting any weaker signals in the same window. In the T40 an extra monitor signal is obtained from the second IF circuits, which look through a window only 300kHz wide (150kHz in Narrow mode).
If this second signal indicates that the AGC is reducing front-end gain due to a strong station outside the second IF window, and therefore not of interest, the AGC circuits are turned off, or ‘gates’. This allows reception of any weaker transmitters being masked by the presence of one dominant station elsewhere in the band.
Normal AFC control can also sometimes be self-defeating, since the AFC system must be a compromise between holding on firmly to the tuned station, and allowing the tuner to be deliberately moved to another one when wished. The two extremes of this trade-off either allow the tuner to drift away from the desired station too easily, or alternatively hang on to it permanently, preventing selection of a different station without first disabling the (‘grim death’) AFC.
In the 3140 the AFC is itself controlled by the detuning monitor, so that we can achieve very firm AFC once the desired station is tuned, but while actually tuning along the band there is no AFC action at all. The prevents the tuner from ‘flipping’ from one strong station to the next as it is tuned, missing out any weaker signals in between. This Detuning-limited AFC allows the 3140 to eliminate the compromise and use both extremes when appropriate, ensuring both easy tuning and then very stable locking to the required station.
Specifictions:
Tuning Range:  88 - 108 MHz
 Input Signal (for -3dB limiting):  0.7 µV
 Mono:
(S+N)/N=26 dB:  0,9 µV
(S+N)/N=46 dB:  2,2 µV
Stereo (channel separation 32 dB):
(S+N)/N=46 dB:  20 µV
Input Signal to Light Stereo LED:  5 µV
For 40 dB Separation:  20 µV
Stereo Channel Separation (for Vin better than100 µV):  46 dB
AM Suppression (at Vin = 1mV):  better than 50 dB
Total Harmonic Distortion (with input signal ± 75kHz):  less than 0,2%
Audio Bandwidth (-1dB):  25 Hz – 15 kHz
Pilot Tone Suppression:   more than 64 dB
Aerial Input:  300 Ω balanced and 75 Ω  unbalanced
Dimensions (W x H x D):  420 x 165 x 64 mm (16 ½ x 6 ½ x 2 ½”)
Weight:  3,3 kg  (7 lbs)

Creek 4040s2


The deceptively simple exterior design of the 40 series conceals thoroughbred circuitry, which has been skilfully developed over the last few years by Creek engineers to give the highest possible performance for the least possible number of components. The purpose of this is to eliminate all unnecessary complication, giving a reproduction of sound with as little distortion of the signal as possible, or in other words, resulting in an output signal which is virtually identical to the original.

For those occasions when the original signal is imperfect, the 4040s2 is equipped with tone

The 4040s2 packs a punch. In its latest form it is capable of 40 W into 8 Ohm one channel driven, and will hold up well into more difficult loads. The build quality of the Series 2 is the highest yet. Low leakage electrolytics, polystyrene, and metallized stacked film capacitors are used in its signal paths. 20 Amp power transistors are clamped to a large finned heatsink that protrudes from the back panel, giving better dissipation for the increased power of the amp. The output circuitry is equipped with full over-voltage and current protection circuitry, making it virtually immune from outside abuse.

Specifications:
Power Output
Nominal Stereo:   35 watts (15,4 dBW)
One Channel at 8 Ω :  16 dBW at 20 Hz; 16,1 dBW at 1 kHz; 16 dBW at 20 kHz
Both Channel at 4 Ω :   12 dBW at 20 Hz; 13,1 dBW at 1 kHz; 13 dBW at 20 kHz
Instantaneous Peak Current =  11 Amps
Protected by current and voltage limiting in power amp.
Distortion: 
T.H.D. at rated power:   -50 dB at 20 Hz; -68 dB at 1 kHz; -66 dB at 20 kHz
Intermodulation Distortion 19/20 kHz Rated Power
AUX input :  -75 dB
Noise :
Disc  MM (IHF, CCIR weighted):  -76 dB
Tuner/CD (IHF, CCIR weighted):  -79 dB
Residual Unweighted , Vol. At min. :  -80 dB
Separation (Input at 1 kHz): 
Disc : - 50 dB
CD :  -60 dB
Output Impedance (measured at 1 kHz): 0,15 Ω
Tone Controls:  range at 20 Hz and 20 kHz  ±10 dB
Inputs Sensitivity/Loading:
Disc MM:  2 mV / 47 K, 60 pf
Tuner/Tape :  250 mV / 35 K, 25 pf
CD :  600 mV / 22 K, 25 pf
Output From  Tape :  10 Vmax / 1 K
Disc EQ Error:  20 Hz - 20 kHz ±0,5 dB
Dimensions (W x H x D) : 420 x 64 x 220 mm
Weight:  4 kg

Creek 4040s3


Our new range for the '90s retains the deceptively simple exterior which has become a Creek hallmark. The elegantly simple and instantly recognisable design of all creek products conceals thoroughbred circuitry, developed to ensure the highest standards of performance. Simple and elegant design solutions, honed to perfection, and bereft of unnecessary complication, have long been a cornerstone of the Creek philosophy, and have earned our products a place in the hearts of the most demanding audio critics.

Much new circuitry has been developed for the latest Creek range, and many performance benefits have been achieved. Above all else, however, Creek products maintain the integrity of purpose with which they have long been associated. Crek Audio Systems continue to provide owners with enjoyment satisfaction and pride of ownership.

Acclaimed as one of the best sounding budget amplifiers available, the CAS 4040S3 is capable of 30 watts of output power from each channel. Thoughtful design and superb build quality are much in evidence, with valuable polystyrene and stacked film caacitors positioned in critical circuit locations. A large finned haetsinl carries the output transistors and provides excellent heat dissipation to ensure reliable operation at high power levels, while short circuit output protection is provided to guard against inadverted user error.

The usefuul tone controls have been carefully designed to work only at the  frequency extremes, allowing gentle signal tailoring to be carried out with ease. Facilities include MM disk input, two separate line inputs, tape monitoring facilities and switching for mute and mono  operation.
  
Specifications:
Power Output:  one channel 30 watts at 8 Ω; 40 watts at 4 Ω
Distortion:  T.H.D. at rated output (1khz, 8 Ω) less than 0,1%
Noise Referenced to Rated Output at 1 kHz (weighted)
Disc :  -76 dB
Tuner/CD/ tape :  -85 dB
Separation:  Disc/Tuner/ CD/ Tape (1 kHz) = 50 dB
Tone Controls:  range at 20 Hz and 20 kHz  ±10 dB
Inputs Sensitivity:
Disc :  2 mV
Tuner/Tape :  250 mV
CD :  600 mv
Disc Loading :  47 k Ω 60 pF
Dimensions (W x H x D) : 420 x 64 x 220 mm
Weight:  4 kg