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What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





Visualizzazione post con etichetta Soundcraftsmen. Mostra tutti i post
Visualizzazione post con etichetta Soundcraftsmen. Mostra tutti i post

Soundcraftsmen AE2420-R analyzer/equalizer


Soundcraftsmen's  AE2420-R  Analyzer/Equalizer is claimed to be a "revolutionary breakthrough" in enabling accurate analusis of a room's "imperfections", as ell as compensating for system imperfections. A new concept is used to apply differential/comparator circuitry  to equalization analysis. By sampling the complex waveshapes of a pink noise input signal on the one hand, and the speaker output signal on the other hand, the circuitry of the device converts the complex wave shapes to DC levels; these are then compared through the differential/comparator circuit to provide readout of the exact differential between these two complex waves shapes with an accuracy of 1/1oth dB. Even if the pink noise input amplitude is variable across the spectrum, there is no effect on the analyzer's dB readings because the analyzer is actually looking at both the selected frequency spectrum signals simultaneously, without regard to amplitude. Any good quality low- or high-impedance microphone may be used, regardless of the mike's response curve. The calibrated curve supplied by the microphone manufacturer can be programmed into the obtained flat response curve through use of the "computer charts" the maker of this device provides.

Specifications:
Analyzer Section
Differential Comparator: 
Minimum Input :  75 mV
Differential Measurement accuracy :  ±0,1 dB
Hi Level Input:
Input Impedance :  47 k Ω
Gain :  30 dB max (adjustbetter than)
Frequency Response :  ±0,1 dB 20 to 20,000 Hz
Mic Preamp: 
Input Impedance :  200 Ω or 20 k Ω (switchable Lo or Hi Z)
Gain :  80 dB max.
Frequency Response :  ±0,1 dB 20 Hz to 20,000 Hz
Pink Noise Source: 
Internal Generator Level :  approx. 300 mV
Bandpass Filter:
Center Frequencies :  30,60, 120, 240, 480, 960 Hz; 1,92; 3,84; 7,68; 15,36 kHz
Selectability:
11-position switch for selecting each of the 10 individual Bandpass Fiters, or All pass, for initial LED balancing.
Equalizer Section
Harmonic Distortion:  less than ,01% at 2 V
IM Distortion:  less than ,01% at 2 V
Signal-to-Noise Ratio: 
105 dB at 10 V output
100 dB at 2 V output
Octave Controls:
±16 dB boost or cut-each octave (all octaves set at max)
±12 dB boost or cut-each octave 9all octaves set at zero)
Gain Cut Capability:  +22 dB / -23 dB (all controls at maximum)
Zero gain Controls:  18 dB range
Filter Type:  Op-Amp synthesized inductors
Dimensions (W x H x D):  19" x 5-3/4" x 11-3/4"
Weight:  21 lbs