JVC KD-95 cassette tape deck

The best of JVC's new lineup of high-performance cassette decks, the KD-95 features nearly all the JVC exclusives introduced on preceding pages. Its electronics and mechanism are truly sophisticated and provide the widest dynamic range, lowest distortion and least noise yet achieved in a stereo cassette configuration. Its outstanding specifications are ample evidence of a JVC engineering triumph.

 

Mechanical Accuracy

The JVC KD-95 employs two motors - a precision frequency-generator (FG) servomotor for capstan drive and a DC motor for reel drive, all operations are undertaken electronically by the JVC developed TTL (Transistor-Transistor Logic) IC which activates three electromagnetic plungers; a light touch of any control button allows you to move from one mode to another without having to go through Stop. Also, the deck's large flywheel - 80 mm in diameter - is coupled to the capstan to help reduce wow and flutter. And finally, a professional touch has been added to the KD-95; its head assembly has screws which allow the user to adjust the head azimuth, height and tilt.

 

Sophisticated Electronics

We used the best of JVC electronics technology in designing our top-of-the-line KD-95. first, its recording amp is formed of the 2-stage direct-coupled NPN configuration featuring high linearity. Second, its equalized circuit is of the DC feedback type for excellent transient characteristics and unmuddiet lows. Third, convenient Recording Equalizer and 400 Hz Signal Oscillator circuits are included.

 

Recording Conveniences

Inn JVC's "Real Time" pause mechanism, the heads are in contact with the tape even in the pause mode. The Timer Standby facility inside the KD-95 permits repeated, interrupted record and play - a feature rarely found on cassette decks. Also offered are two recording circuits, one for Mic/DIN input and the other for Line input, which allow you to mix microphone sounds with other sources. Plus a pair of rack-mounting brackets, which is a standard accessory in every KD-95.

 

Specifications

Type:  Stereo cassette deck

Track System:  4-track, 2-channel

Cassettes:  C-30; C-60; C-90

Frequency Response:

Chrome Tape

Nominal :  20 - 18,000 Hz

Typical :  30 - 16,000 Hz

SF Tape

Nominal :  20 - 17,000 Hz

Typical :  30 - 15,000 Hz

Signal-to-Noise Ratio:  56 dB (from peak level, weighted)

The Signal-to-Noise Ratio is improved by 5 dB at 1 kHz and by 10 dB above 5 kHz with ANRS On

Effect of ANRS (Normal Tape)

Improvement of SN :  the same with ANRS

Improvement of Frequency Response :  6 dB at 10 kHz (0VU recording); 12 dB at 10 kHz (+5VU recording)

Improvement of Distortion : 3% at 10 kHz (0VU recording)

Wow and Flutter:  0,05% (WRMS); ±0,2% (DIN 45500)

Crosstalk:  65 dB

Harmonic Distortion:  1,2 %

Bias:  AC bias (95 kHz)

Erasure:  AC erasure (95 kHz)

Heads:

Recording/Playback :  Sen-Alloy head

Erasure :  Double gap, Ferrite head

Motors:

1 x FG servo DC motor

1 x DC motor

Tape Speed:  4,8 cm/sec

Fast Forward and Rewind Time:  90 sec. With C-60 cassette

Playback Equalizer Time Constant

Normal/SF Tape :  3180 µs/ 120 µs

CrO₂ Tape :  3180 µs/ 70 µs

Semiconductors:  8 ICs; 88 Transistors;  71 Diodes

Input Terminals

Mic Jack (sensitivity/Impedance):  0,2 mV/600 Ω  - 10 k Ω

Input Jack (level/impedance) :  78 mV/100 k Ω

Output Terminals

Output Jack (level/Impedance) :  0 - 0,5 V / 2 - 7 k Ω

Matching Load Impedance :  50 k Ω  or more

Headphone Jack (level/impedance) :  0,6 mW/ 8 Ω  - 1 k Ω

DIN Socket

Min. Input Level :  0,1 mV /k Ω

Input Impedance :  11 k Ω

Output Level :  0 - 0,5 V

Output Impedance :  2 - 7 k Ω

Matching Load Impedance :  50 k Ω  or more

Power Requirements:  AC 100, 120, 220, 240 V 50/60 Hz

Power Consumption:  35 W

Dimensions (W x H x D):  420 x 211 x 321 mm (16-1/2" x 8-1/4" x 12-5/8")

Weight:  11 kg (24,2 lbs)

 

Jensen G-610B Triaxial loudspeaker

Triaxial - 15-inch 3-way Unitary Loudspeakers

 

The famous Jensen G-610B (and G-600) are genuine 3-way unitary loudspeakers, the only 15" speakers made with three electrically and acoustically independent L-F , M-F and H-F radiating and driving systems. These superb 15" speakers represents the ultimate in balance, efficiency, smoothness and tonal purity. They have no equal.

 

G-610B

Unquestionably the world's finest unitary loudspeaker. A precision combination of a 15" woofer with powerful 6-1/2 lb. Damping Factor-Alnico 5-magnet for bass notes to below 25 cycles; low 600 cycle crossover to a thru-bore compression mid-channel horn (whose final section is the entire woofer cone); and compression-driver super-tweeter for response from 4,000 to beyond 20,000 cps.

Heavy cast frame. Separate dual crossover network provided with individual M-F and H-F controls.

Impedance 16 ohms.

Power Rating 40 watts program, 80 watts peak.

Woofer Resonance 50 cps.

Weight: 46 lbs

 

 

Jensen G-600 Triax loudspeaker

 Triax - 15-inch 3-way Unitary Loudspeakers

 

The famous Jensen G-600 (and G-610B) are genuine 3-way unitary loudspeakers, the only 15" speakers made with three electrically and acoustically independent L-F , M-F and H-F radiating and driving systems. These superb 15" speakers represents the ultimate in balance, efficiency, smoothness and tonal purity. They have no equal.

 

G-600

True 3-way performance at moderate cost is yours with the G-600 Triax. Lows from below 30 cycles to 900 cycles are handled by the 15" edge-damped woofer with heavy duty 3-1/2 lb. Damping Factor-Alnico-5 magnet; compression-driver horn-loaded thru-bore midchannel for 900 - 4,000 cycle range, and compression horn phase-balanced super-tweeter for frequency extension beyond 20,000 cps.

Separate dual crossover network, M-F and H-F balance controls.

Impedance: 16 ohms

Power Rating: 35 watts program; 70 watts peak

Woofer Resonance:  35 cps

Weight:  33 lbs

 

Jensen 1200-XL loudspeakers

Contemporary Jensen 1200-XCL 7-speaker, 4-way decor-styled loudspeaker system

Jensen's new 1200-XL four-way loudspeaker systems blend the ultimate in high-fidelity sound reproduction with finest furniture styling.

Seven, speakers, uniquely arranged in a solid acoustic enclosure, provide sound magnificence for the most discriminating ear. Crisp, clear high notes. Pure, bold midrange. Full, rich bass notes. The entire sound spectrum - from 15 to 25,000 cycles - comes to life as never before. Controls for both mid-range and high-frequency permit exact musical balance for room conditions. This Contemporary model with pleated, textured grille fabric, is of open-grain oiled walnut. Mediterranean and Early American cabinets on following page are of select distressed pecan.

The 1200 XL series represents the finest loudspeaker systems Jensen has ever built.

 

Specifications

Components:

Four 15" FLEXAIR® woofers with a combined magnet weight ot 14,4 lbs; a compression-driver horn-loaded midrange; a compression-driver horn super-tweeter and a direct radiating Sono-Dome® ultra-tweeter

Frequency Range:  15 - 25,000 cps.

Crossover Frequencies:  500, 4000 and 10,000 cpe

Power Rating:  100 watts

Total Magnet Weight:  17-1/2 lbs

Impedance:  8 Ω

Controls:  Mid-frequency and high-frequency balance controls on rear of cabinet

Dimensions (W x H x D):  40" x 30-1/2" x 22-3/4"

Shipping Weight:  243 lbs

 

1200-XLM Mediterranean

The cabinet - select pecan with textured grille fabric high-lighted by screened patterns. Reflects the warmth of Mediterranean styling.

Cabinet dimensions: 31-1/4" Height; 40" Width and 22-3/4 Depth

Shipping Weight:  245 lbs

 

1200-XLE Early American

The cabinet - distressed pecan with textured grille fabric. Solid pecan spindles recreate the Traditional look.

Cabinet dimensions: 31-1/4" Height; 40" Width and 22-3/4 Depth

Shipping Weight:  240 lbs

 

Magneplanar MG-II loudspeakers

We'd like to have a word with you. It's about Magneplanar loudspeakers. The word is "revolutionary". Revolutionary design concept; revolutionary sound reproduction, revolutionary beauty. In fact the Magneplanar system is patented because of the unique principles on which it operates. The Speaker are designed to be seen and not heard. So if you're listening to music, all you hear is music, not annoying vibrations from speaker cabinets and cavities. The first time you see Magneplanars you'll know something new is going on. They look like beautiful decorator screens. Or handsome room dividers. We know you've heard the word "revolutionary" before. But you've never heard anything like Magneplanars before.

 

What is Magneplanar?

The Magneplanar loudspeakers is a totally new type of loudspeaker. It is neither a cone type speaker, nor is it an electrostatic. The actual speaker itself is only about 1/8th inch thick. Its construction consist of a large area (planar) permanent magnetic field with a very thin film diaphragm stretched over it. The audio current is carried by conductors which are attached to the diaphragm in a zig-zag fashion.

As the audio current passes through the conductors, the interaction between the magnetic field around the conductors and the permanent planar magnetic field under them causes the entire diaphragm to pulsate. This creates sound waves in the air which is the sound your hear.

 

A few of the important characteristics of Magneplanars

Purely resistive impedance for ideal amplifier loading

Puts out same sound front and back (bi-polar radiator)

No cavity or cabinet wall resonance to colour sound.

Superior transient response throughout entire audio range due to low mass of diaphragm

Distortion level far below other loudspeakers because of complete control of diaphragm

Can be placed to look more like part of furnishings than a loudspeaker

56" long, 1-1/2" wide tweeter section provides horizontal sound dispersion previously unattainable

Fantastic power handling capability

Large radiating area provides width and height and depth of sound only equalled by live performances

The bi-polar radiation of Magneplanas provides a means of optimizing stereophonic and quadraphonic sound imaging.

 

Specifications

System:  Two-way full-range Magneplanar

Midrange/Bass Radiating Area:  500 sq. In

Tweeter Radiating Area:  85 sq. In

Frequency Response:  60 Hz to 18,000 Hz ±4 dB

Power Handling:  up to 200 watts RMS per channel (without equalization)

Minimum Power Required:  Depends of type of listening. If you are a background music listening, 15 - 25 watts might be sufficient. In most cases 40-50 watts is recommended

Efficiency:  85 dB SPL

Impedance:  6 Ω

Crossover System:  2400 Hz

Finish:  Walnut hard wood and light colored fabric

Dimensions (W x H x D):  22" x 71" x 2"

Weight:  41 pounds each

 

Sony TC756-2 reel-to-reel

The Sony TC756 set new records for performance of home tape decks.

Hirsch-Houck Laboratories further noted. "The dynamic range, distortion, flutter and frequency response performance are so far beyond the limitations of conventional program material that its virtues can hardly be appreciated".

 

The Sony TC756-2 features a closed loop dual capstan tape drive system that reduces wow and flutter to a minimum of 0,03% , logic controlled transport functions that permit the feather-touch control buttons to be operated in any sequence, at any time without spilling or damaging tape: an AC servo control capstan motor and an eight-pole induction motor for each of the two reels; a record equalization selector switch for maximum record and playback characteristics with either normal or special tapes; microphone attenuators that eliminate distortion caused by overdriving the microphone pre-amplifier stage when using sensitive condenser mics; tape/source monitoring switches that allow instantaneous comparison of program source to the actual recording; a mechanical memory capability that allows the machine to turn itself on and off automatically for unattended recording; and a full, two-year guarantee.

In addition, the TC756-2 offers 15 and 7-1/2 ips tape speeds; Ferrite & Ferrite 2-track/2-channel stereo three-head configuration; and symphase recording that allows you to record FM matrix or SQ** 4-channel sources for playback through a decoder-equipped 4-channel amplifier with virtually non-existent phase differences between channels.

The Sony TC756-2 is representative of the prestigious Sony 700 Series - the five best three-motor 10-1/2" reel home tape decks that Sony has ever engineered.

 

Specifications

Track System:  2-track 2-channel stereo (TC756-2); 4-track 2-channel stereo (TC756)

Reels:  270 mm (10-1/2 inches) or smaller

Tape Speed:  19 cm/s (7-1/2 ips), 38 cm/s (15 ips)

Recording Time:  with 1,100 m (3360 ft) tape of 270 mm (10-1/2 inch) reel

3-hours stereo recording at 19 cm/s (7-1/2 ips) :  TC756

1,5 hours stereo recording at 19 cm/s (7-1/2 ips) :  TC756-2

Heads:

TC576 Model

Record :  RF140-2902

Playback :  PF142-4202

TC756-2 Model

Record :  RF142-2202A

Playback :  PF142-2202A

Motors:

Capstan :  IC-624G (AC servo controlled)

Reel :  IC-638R (2)

Frequency Response (with Sony SLH tape):

20 - 35,000 Hz at 38 cm/s (15 ips)

30 - 30,000 Hz ±3 dB at 38 cm/s (15 ips)

20 - 30,000 Hz at 19 cm/s (7-1/2 ips)

30 - 25,000 Hz ±3 dB at 19 cm/s (7-1/2 ips)

Signal-to-Noise Ratio

TC756 Model

Sony SLH Tape :  56 dB

Standard Tape :  53 dB

TC756-2 Model

Sony SLH Tape :  59 dB

Standard Tape :  56 dB

Wow and Flutter

0,04% (RMS) weighted at 38 cm/s (15 ips)

0,06% (RMS) weighted at 19 cm/s (7-1/2 ips)

Overall Distortion:  1,2%

Record Bias Frequency:  approx 160 kHz

Input Sensitivity/Impedance

Mic :  0,19 mV (-72 dB) / low

Line In :  60 mV (-22 dB) / 100 k Ω

Output Level/Impedance

Line Out :  0,44 V (-5 dB) with 100 k Ω load  / 100 k Ω

Headphone :  8 Ω  Impedance

Rec/Power Bandwidth Connector (AEP, UK)

Input Impedance :  3,9 k Ω

Output Impedance :  8,2 k Ω

Semiconductors:  1 ICs; 2 FETs; 58 Transistors; 46 Diodes

AC Outlet (USA):  Unswitched, 300 W maximum

Power Requirements:  AC 120 V, 60 Hz (USA, Canada); AC 110, 127, 220 0r 240 V 50/60 Hz (AEP, UK)

Power Consumption:  100 W (USA); 110 W (AEP, UK, Canada)

Dimensions (W x H x D):  435 x 451 x 221 mm (17-1/8" x 17-3/4" x 8-3/4")

Weight:  24 kg (52 lb 14 oz)

 

Sansui SR-535 turntable

Automatic Direct-Drive Turntable

Sansui wants everyone to enjoy hi-fi music with the minimum possible noise, distortion and inconvenience. That's why the Sansui SR-535 automatic direct-drive turntable puts the emphasis on pure hi-fi performance and true handling ease. Accuracy of platter rotation, and a strong, anti-howl construction characteristics in the musical department. The direct-drive motor is a high-torque type and the special tonearm has a unique support to ensure delicate performance. Record reproduction is always clean and pure.

One simple control, the Auto/Manual Play Lever, does all the work. Put a record on the platter, set the record-size selector and pull the lever once; the tonearm is lifted, moved and gently lowered to the lead-in groove, when the record ends, the arm is returned to its rest and power shuts off automatically. The same lever permits manual play when desired. More convenience is offered in the Repeat facility permitting you to select one to five replays, or infinite replay.

 

Automatic Operation

One control knob does it all. The jumbo-sized Auto/Manual Play Lever has three positions of Manual On, Off, Auto Start/Stop. For a single automatic play, you simply place a record on the platter and gently pull the Auto/Manual lever into the Auto Start/Stop position. The tonearm lifts automatically as the platter begins to spin, the stylus is placed over the lead-in groove of the record, and the tonearm descends to begin play. If you desire to interrupt play at any time, simply pull the lever again, or you may wait till the record ends. In either case, the arm is automatically lifted  and returned to its rest, and power is switched off, all without your assistance.

When manual play is desired, simply set the control lever to the Manual On position. When the platter begins to rotate, move the stylus to over the part of the record you want to hear. An oil-damped Cueing Lever is provided to help you avoid damaging your valuable records. As in Auto Play, the Manual position on the lever allows the automatic return mechanism to return the tonearm to its rest.

Additional convenience Auto Repeat control on the SR-535.

In the Off position if sets the turntable in auto-return mode. Or, you can select from "1" to "5" repeat plays, or "infinite" which allows the automatic mechanism to continuously repeat its simple job until you change the repeat control settings.

 

Accurate Drive System

Sansui engineers have done if again. The platter of the Sr-535 never shows any appreciable slow-down under reasonable loads. This means that your 33-⅓ and 45 rpm records are always played at the correct speeds for best musical performance. This accuracy is assured by an advanced, high-torque, 20-pole/30-slot brushless DC type servo motor for direct drive. Speed drift is effectively eliminated by the Sansui-exclusive rotor position sensor mechanism, coupled with the motor's bias-controlled saturable core (Sansui Pat. Pend). Thanks to the dependable power supply, the drive voltage is kept constant for accuracy under any conditions.

Mechanically, as well as electrically, the SR-535 has impressive precision. All components and parts are designed, machined and assembled under very careful super-vision to live up to Sansui's strict quality control standards. The bearing sleeve is mirror finished for complete roundness, for instance. The motor shaft/center spindle is formed of the finest polished carbon-chrome steel and rides in a thrust bearing of tough friction-resisting synthetic polyamide. We've used a special lubricant, one developed by the aerospace industry, to ensure low friction in the motor over long years of operation.

Smoother rotation is also ensured by the heavy (1,4 kg ) aluminum die-cast platter. This, plus Sansui's attention to every minor point in design and construction, gives the Sr-535 impressive specifications low 0,038% wo/flutter and better than 67 dB rumble.

Fine speed adjustment with strobe

On the edge of the oversized (31,8 cm or just over 12-inch) platter there are four rows of stroboscopic patterns, two each for both speeds to permit fine adjustment when your electrical power is either 50 Hz or 60 Hz. The strobe light illuminates the platter edge so that you can visually check its rotation speed for accuracy. Once the correct speed is reached, the speeds will continue to spin accurately, or you can use two fine speed controls to vary platter by as much as ±3,5% from the standard speeds. By the way, these controls are recessed to avoid accidental speed change.

 

Stabilized Tonearm

Exceptionally high tonearm stability is one of the reasons the Sansui Sr-535 performs with such high musicality. Despite the attractive price of this fully automatic turntable, the tonearm has the same stability and resistance to resonance found in much more expensive models. Spurious vertical travel and harmful torsion or twisting are avoided by a special support with two vertical pivots. The mass of the arm is concentrated at these points to clearly define the unit's fulcrum for better mechanical advantages, particularly in the bass frequencies which are delivered from your record free of "mud".

Low-resonance design

Resonance is further suppressed by the special acoustic absorbent, we use inside the highly rigid tonearm tubing. Then, we've decoupled the balance weight from the arm shaft vis a newly designed rubber damper. All types of vibration whether  transmitted through the air or through the physical structure, are shut out before reach the stylus.

Other tonearm features:

Zinc-alloy die-cast arm base; a massive heavy structure to improve bass response by firmly securing the arm to the cabinet.

Direct readout tracking force dial; precision-calibrated markings every 0,25grams one rotation covers 0-to-3 gram range

Gold-plated connection pins; free from all forms of rust to ensure maximum transfer of the tiny electrical signals from cartridge to your amplifier

Arm lifter lever; oil damped for smooth operation

Anti-skate knob; adjustable even as the record is played, another bonus in this attractively priced turntable.

 

Cabinet

Sansui designers take special pride in the clean, modernistic looks of the SR-535 turntable. The silver metallic finish sets off the precision lines of the cabinet and is just "flat" enough to resist glare from room lights without appearing too dull. The clean lines are more than good looking, advanced computer technology and time-tested carpentry techniques alike were used in designing the Sr-535 to resist acoustic feedback or "howling". The automatic mechanism is mounted on a separate chassis inside the cabinet for instance while the low-profile of the base and its complex suspension system further ensure good sound.

Complex-suspension

To defeat all types of vibration before they can harm your music, the SR-535 is suspended in a complex system of rubber and spring devices. Air-borne vibration, such as sound-waves from your speakers, and structure-borne vibrations, such as originating from your operation of amplifier or receiver controls, from footsteps, etc. Are effectively damped so that your music retains its tight bass, clean mids and crisp highs.

 

Specifications

Type:  two-speed, direct-drive automatic turntable

Motor:  20-pole, 30-slot DC brushless

Drive System:  Direct spindle drive electronically servo controlled

Platter:  318 mm aluminum alloy die-cast

Platter Weight:  1,4 kg (3,1 lbs)

Wow and Flutter:  less than 0,038% WRMS

Signal-to-Noise Ratio (IEC-B) :  better than 57 dB

Rumble (DIN-B) :  better than -67 dB

Speeds:  33-⅓ and 45 rpm

Fine Speed Adjustment:  ±3,5%

Tonearm:  Statically-balanced S-shaped tonearm with two-point pivot support

Length:  220 mm pivot to stylus tip

Overhang:  17,5 mm

Offset Angle:  24,5°

Minimum Tracking Force Setting:  0,8g (when using cartridge guaranteed to operate at 0,8g stylus pressure)

Acceptable Cartridge Weight:  4 to 10 g

Cabinetry: Slim line cabinet with anti-howling insulators and hinged free-stop dust cover

Cartridge:  Sc-50

Type :  Intermodulation Distortion type

Frequency Response:  10 to 20,000 Hz

Output Voltage:  3 mV per channel (1,000 Hz , 35,4 mm/sec)

Optimum Load:  47 k Ω

Tracking Force:  2,5 g ±0,4 g

Stylus:  0,6 mil diamond spherical (SN-50)

Power Requirements:  100, 120, 220, 240 V, 50/60 Hz

Power Consumption:  less than 9 watts

Dimensions (W x H x D):  460 x 166 x 370 mm (18-1/8" x 6-3/16" x 14-9/16")

Weight:  9,2 kg (23,6 lbs) packed

 

Sanyo RD-4028UM cassette deck

Stereo cassette deck with Dolby Noise Reduction and CrO₂ /  FeCr / Normal Tape selector

Hiss-less audio reproduction with Dolby Noise Reduction

Separate equalizer and bias switches are provided for optimum use of any kind of tape

Wow and flutter is 0,12% WRMS, S/N ratio is 50 dB with the Dolby switch ON

Automatic shut-off in playback and record modes

Illuminated VU meters

Piano key tape function controls

Slide type recording level controls with level indexes

Jacks for microphones, headphone, line in, line out and DIN connectors

3-digit tape counter

 

Specifications

Recording System:  AC bias, 70 kHz

Erasing System:  AC erase, 70 kHz

Tape Speed:  1,7/8 ips (4,75 cm/sec)

Fast Forward and Rewind Time:  110 sec.

Wow and Flutter:  0,12% WRMS

Frequency Response:

Normal Tape :  30 - 13,000 Hz ±6 dB

CrO₂ Tape :  30 - 16,000 Hz ±6 dB

FeCr Tape :  30 - 15,000 Hz ±6 dB

Signal-to-Noise Ratio

Dolby ON :  50 dB

Dolby OFF :  58 dB

Inputs Sensitivity/Impedance

Mic :  0,3 mV/10 k Ω

Line In :  55 mV/50 k Ω

Output Level/Impedance

Line Out :  0,4 mV/3 k Ω

Headphone :  8 Ω  - 10 k Ω

Semiconductors:  3 ICs; 8 Transistors; 10 Diodes

Power Requirements:  AC 110/125/220 V 50/60 Hz

Power Consumption:  7 W

Dimensions (W x H x D):  385 x 130 x 260 mm

Weight:  3 kg (6 lbs 10 oz)

 

Harman/Kardon 930 receiver

Twin powered AM/FM and Stereo FM solid state receiver

Harman/Kardon engineering skill has been incorporated into a superb receiver; the 930. we say with full confidence that the Harman/Kardon 930 creates a new standard for stereo high fidelity receivers

 

The twin-powered amplifier section

The Harman/Kardon 930 is the first receiver in the world with two totally separate power supplies. Several manufacturers imply that their receivers incorporate two power supplies in reality, they employ a single supply with negative and positive voltages. The 930 also employs negative and positive voltages But, in addition, each chabnnel is completely isolated and has its own power transformer and electrolytics. Each channel has its own regulated voltages to permit that channel to respond to full RMS power output without being affected by the other channel. Thus, the 930 guaranteed flawless performance regardless of how much power the amplifier is called upon to deliver.

 

Power rating

Power rating is one of the most abused specifications in high fidelity. Despite the existance of standard procedures, it is often the manufacturer who determines the conditions under which power is rated. Harman/Kardon engineers believe that Continuous power, calculated from TMS voltage measurements, is the only meaningful way to rate power output.

But such a rating is still insufficient. Firstly, Continuous power output must be measured with both channels driven simultaneously at a specified distortion level. Secondly, the load impedance and power line voltage at which the measurement was taken must be given.

Finally, the measurements should be made across the entire frequency spectrum, rather than at 1,000 Hz. In short, the conditions under which the receiver is measured should be similar to those under which it will be used.

 

The preamplifier.

The 930's preamplifier delivers a signal so pure that its distortion cannot be measured with any degree of accuracy, even on the most sophisticated analysers. Only professional separate components can match this preamplifier section's hum noise and frequency response specifications.

One of the most important specifications of any high quality preamplifier is that of phono overload. The 930 specification is equal to or better than that of any receiver available. The 930 preamplifier can handle an input signal 50 times greater than that required to drive it to full output. This makes it virtually impossible to distort the preamplifier output.

What is more, absolute accuracy in playing back stereo records is assured as a result of the extremely tight tolerance of the RIAA playback curve.

 

The Tuner section

The tuner section of the 930 is a worthy companion to its superb amplifier. It employs high gain integrated circuits and matched ceramic filters. The result is hard limiting and excellent alternate channel selectivity. Hard limiting permits the detection of all FM stations - weak or strong - with equal clarity. Noise and distortion are completely eliminated. What's more, the excellent capture ratio and alternate channel selectivity mean that even weak stations will emerge free of interference from adjacent strong stations, impulse noise, and multipath interference. Precise alignment of the IF section is "frozen" into the circuitry and never requires realignment.

An FET front end, coupled with a four ganged tuning capacitor assures maximum sensitivity. The ultra-linear ratio detector delivers a precision composite signal to the multiplex section. Thus, even the highest frequencies are free of distortion.

The multiplex section employs balanced integrated circuitry which completely cancels SCA interference and high frequency phase distortion. It maintains maximum stereo separation throughout the entire audio range.

The FM muting circuit is of unique design which provides a smooth-as-velvet muting transition. In reality, it's simply go, no-go muting.

In short, the tuner section of the 930 assures unsurpassed sensitivity and selectivity and achieves a degree of excellence on a par with the receiver's amplifier.

 

Specifications

Amplifier Section

Power Output:  45/45 watts, RMS , both channels driven into an 8 Ω  load, from 20 - 20,000 Hz at less than 0,5% T.H.D. 120 volts, 50/60 Hz AC (same specification applies to 220 volts, 50 Hz model)

Power Bandwidth:  From less than 10 Hz to beyond 40 kHz at less than 0,4% T.H.D. into 8 Ω , both channels driven simultaneously.

Total Harmonic Distortion :  less than 0,5% at 45/45 watts. Power output into 8 Ω , 20 - 20,000 Hz, both channels driven simultaneously (typically runs 0,2% from 20 - 20,000)

00,7% (10 - 40,000 Hz) at 1 watt both channels driven simultaneously

Intermodulation DIstortion :  Less than 0,15% at full rated output

Input Sensitivity:  1,5 volts for full output

Hum and Noise:  better than 85 dB below rated output (Unweighted)

Damping Factor:  30:1 below 20 Hz

Input Impedance:  33,000 Ω

Frequency Response:  From below 4 Hz to beyond 70 kHz ±0,5 dB at normal power levels. From below 1 Hz to beyond 100 kHz ±1,0 dB at normal power levels

Square Wave Till:  less than 5% at 20 Hz. Typical tilt is less than 2%

Square Wave Rise Time:  less than 2 microseconds

Stability:  Absolutely stable with all types of speakers including electrostatic

Preamplifier Section

Audio Output:  0 to 2,5 V, RMS, minimum

Frequency Response:  from below 3 Hz to above 100 kHz ±0,5 dB

Total Harmonic Distortion :  less than 0,05% at 2 V output, 20 - 20,000 Hz

Square Wave Tilt:  less than 5% at 20 Hz, Typical 2% at 20 Hz

Square Wave Rise Time:  less than 1,5 microseconds

Noise (Unweighted): 

Low level:  65 dB below 2 volts at 10 millivolts input reference.

High level:  80 dB below 2 volts, Volume control wide open

Residual :  90 dB below 2 volts

Input Impedance: 

Phono :  47 k Ω

Aux :  20 k Ω

Output Impedance:  less than 1,000 Ω

Phono Overload:  90 millivolts

Tone Controls:  ±12 dB boost and cut, bass and treble

Tuner Section

FM sensitivity:  1,8 mV , IHF

Limiter Saturation:  less than 1,5 mV

Ultimate Signal-tonoise:  70 dB

Capture Ratio:  less than 2 dB

Alternate Channel Selectivity:  better than 50 dB

Image Rejection:  90 dB

Spurious Response Rejection:  90 dB

IF Rejection:  90 dB

Fundamental Plus Half IF:  90 dB

AM rejection:  better than 60 dB

Level Meter Sensitivity:  50 mV (25%); 1000 mV (100%)

Audio Frequency Response :  Below 15 Hz to beyond 30 kHz ±1,0 dB

Total Harmonic Distortion :

Mono :  0,5%

Stereo :  0,6%

Multiplex Separation:

100 Hz :  33 dB

1 kHz :  38 dB (40 dB typical)

10 kHz  :  30 dB

Antenna Impedance:  75 and 300 Ω

AM Loop Sensitivity:  better than 200 mV /1m

Selectivity:  35 dB average of lower and upper selectivities

Image Rejection:  better than 60 dB

IF Rejection:  better than 60 dB

Dimensions (W x H x D):  432 x 349 x 120 mm (17" x 13-3/4" x 4-3/4")

Weight:  13,1 kg (29 lbs)

 

Aiwa AS-S30 amplifier

Stereo Integrated Amplifier

Fifteen big Watts per channel of honest-to-goodness high fidelity sound from a 2-stage differential SEEP-OCL integrated amplifier an incredibly compact 7,1 cm high by 21 cm wide. Yet, the A30 has plenty of room to accommodate up to 4 external components including tape, deck, tuner and record turntable.

Power output has been boosted by use of a new extra-stable power transformer with independent coils for power and preamplifier sections, and enlarged heat sinks aid in efficient heat dissipation.

For low noise and dynamic performance from high quality MM phono cartridges, the improved phono equalizer IC has boosted Signal-to-Noise Ratio to an excellent 82 dB, with very low 0,005% distortion at 1 kHz. RIAA equalization is a remarkably precise ±0,2 dB throughout the 20 to 20,000 Hz frequency range. For well-balanced listening at low output volumes a switchable loudness compensation circuit is provided.

 

 

Plus features:

5-LED logarithmic peak output indicator [0,1 - 40 watts]

AUX component terminals

Stereo headphone jack

Power On LED indicator

Bass, treble, balance controls

Quick one-touch speaker connection terminals

Rack handles included

 

Specifications

Type:  Stereo integrated amplifier

Semiconductors:  5 ICs; 5 Transistors; 12 Diodes, 6 LEDs

Power Amp Section

Effective Output Power:  20 W + 20 W (8 Ω ) U model

15 Watts per channel , Min. RMS at 8 Ω , from 20 Hz - 20 kHz, with no more than 1% T.H.D.

Tdh :  0,1% (1 kHz, 5 W + 5 W) U model

Total Harmonic Distortion from 20 to 20 kHz at 250 mW to 15 W power at 8 Ω  , 1 % Max

Output Bandwidth:  10 Hz to 20,000 Hz (less than1%)both channel driven, 8 Ω

Frequency Response:  20 to 20,000 Hz

Pre-Amp Section

Signal-to-Noise Ratio (IHF A curve, short circuit, Weighted):

Phono :  better than 76 dB

Tuner, Aux :  better than 90 dB

Tone Controls

Bass :  ±10 dB at 100 Hz

Treble :  ±8 dB at 10 kHz

Loudness:

6,5 dB at 100 Hz (±1,5 dB)

3,5 dB at 10 kHz (±1,5 dB)

RIAA Deviation: ±0,2 dB (20 Hz - 20,000 Hz)

Channel Separation: better than 40 dB

Phono Overload Level:  better than 100 mV (MM, at 1 kHz)

Channel Balance:  less than 3 dB

Residual Noise:  less than 2 mV

Input Sensitivity/Impedance:

Phono :  2,5 mV/47 k Ω

Tuner :  150 mV/47 k Ω

Aux :  150 mV/47 k Ω

Tape :  150 mV/47 k Ω

Output Level/Impedance:

Tape :  120 mV/47 k Ω

Headphones Load Impedance :  8 to 16 Ω

Speakers Impedance :  8 to 16 Ω

Power Requirements:  AC 110 / 220 / 240 V, 50/60 Hz

Power Consumption:  40 W

Dimensions (W x H x D):  210 x 71 x 200 mm (8-1/4" x 2-3/4" x 7-7/8")

Weight:  3,15 kg (6,9 lbs)