Search this site

Labels

4-channel ACCUPHASE ACOUSTIC ENERGY ADC ADCOM ADS ADVENT AIFAI AIWA AKAI AKG ALIANTE ALLISON ALTEC LANSING AMPEX AMPLIFON ANCIENT AUDIO AR ARCAM ARISTON ARMONIA AUDIA AUDIO ACADEMY AUDIO ANALOGUE AUDIO DYNAMICS AUDIO INNOVATIONS AUDIO NOTE AUDIO RESEARCH AUDIO-TECHNICA AUDIOLAB AUGUSTA AVALON AVID AXIOM Alchemist Audiostatic B-I-C BASF BASSOCONTINUO BEVERIDGE BEYER-DYNAMIC BOSE BOSTON BOWERS-WILKINS BOZAK BRAUN BRIONVEGA BSR Bang & Olufsen Bell Belt-Drive CAMBRIDGE CANTON CARVER CASTLE CD Player CD Transport CEC CELESTION CEMARK CERWIN-VEGA CHARIO CHARTWELL CIZEK CLARION CONRAD-JOHNSON COPLAND CORAL CORAL ELECTRONIC CREEK CROWN CYBERNET CYRUS California Audio Labs Centrex DAC DAHLQUIST DALI DAT DBX DECIBEL DENON DIAPASON DOKORDER DOMA DUAL DYNACO DYNAUDIO DYNAVECTOR Ditton EISA ELAC ELECTRO-VOICE EMPIRE EMT EPI EPICURE EPOS ES Series ESB ESOTERIC ESS EUMIG Esotec FAIRCHILD FOSTEX GALACTRON GALE GARRARD GENELEC GENESIS GIUSSANI RESEARCH GOLDENOTE GOODMANS GRAAF GRUNDIG H.H. SCOTT HAFLER HARBETH HARMAN/KARDON HEATHKIT HECO HIRTEL HITACHI HPM INDIANA LINE INFINITY JAMO JANSZEN JBL JEFF ROWLAND JENSEN JMLAB JVC KEF KENWOOD KLH KLIPSCH KOSS KRELL KYOCERA LAE LEAK LECTOR LENCO LESA LINN LOWTHER LUXMAN LYNGDORF Lafayette MAGNEPLANAR MARANTZ MARK LEVINSON MARTEL MARTINLOGAN MARUNI MASH MAXELL MBL MERIDIAN MERITON MICRO SEIKI MICRO-ACOUSTICS MIRAGE MISSION MITSUBISHI MONITOR AUDIO MONRIO MORDAUNT-SHORT MUSICAL FIDELITY MYRYAD McIntosh McLAREN NAD NAGRA NAKAMICHI NHT NIKKO NORESCO NOVA ONKYO OPERA OPTONICA ORTOFON PANASONIC PARADIGM PATHOS PEARL PHASE LINEAR PHILIPS PICKERING POLK AUDIO PSB Power-amplifier Pre-amplifier Pre-phono Pro-Ject QUAD RADFORD RCF REK-O-KUT REVOX ROGERS ROKSAN ROTEL ROYD RUARK Reel to Reel SACD SAE SANYO SENNHEISER SHARP SHERWOOD SHURE SIARE SIGNET SME SOMA SONAB SONUS FABER SONY SOTA SPECTRAL STANTON STAX STILE ITALIANO STRUSS SUGDEN SUPERSCOPE Soundcraftsmen Spica Stereo 8 Synthesis TAC TAD TAMON TANDBERG TANNOY TASCAM TDK TDL TEAC TECHNICS THE FISHER THIEL THORENS TOSHIBA TRANSCRIPTOR TRIO ULIX UNISON RESEARCH UREI UTAH Uni-Q VANDERSTEEN VOCE DIVINA VPI WADIA WHARFEDALE XAVIAN YAMAHA ZENITH ZINGALI amplifier cartridge direct-drive headphones idler italian lathe linear loudspeaker pioneer quadraphonic receiver sansui tangential tonearm tuner turntable unitra

What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





Showing posts with label vintage audio. Show all posts
Showing posts with label vintage audio. Show all posts

Lineage CP100 preamplifier

Many decades of leadership in American audio electronics.

Saul Marantz and John Curl create Lineage

Perhaps no man can be better said to represent the philosophy of excellence in audio than Saul Marantz. Many audiophiles and journalists consider him the father of high performance audio. The electronic components he created during the 1950's and 60's are considered classics - respected and in demand in the U.S., Europe and Japan.

In the 1970's, when Saul Marants was introducing the first Phased Array loudspeaker, a young electronics designer named John Curl was gaining international recognition for his innovative solid state electronics. These designs were also destined to become classics.

Some years later, Saul Marantz and John Curl have joined together in a new endeavor - one whose name, Lineage, reflects not only a distinguished history, but also a future of continued leadership in the American audio industry.

To create new classics for the 1980's and 90's, Lineage has brought together a multi-generational group of talented audio professionals. Their design brief is startlingly simple; To develop quality products of lasting value.

 

The CP100 Control Preamplifier, shown above, is the first of these new classics. The CP100 employs an innovative all-FET circuit topology and precision parts to assure true audiophile sound quality. It also offers a full complement of features, ease of operation and an integrity of construction that will provide years of musical pleasure.

Lineage components are made available through a network of experienced audio/video specialist. They are knowledgeable professionals who offer quality products, proper demonstration facilities and a commitment to after-sale service and support.

The first Lineage products will be available in late 1987. we hope that you'll take the opportunity to audition Lineage, the innovative audio company with many decades of experience.


 

Leak 3080 speakers

The new Leak Time Delay Compensated loudspeakers series is the result of an intensive research program, which attempted to isolate, measure and evaluate the audible effects of all known loudspeaker distortions. The research undertaken evaluated four key areas of performance:

Intermodulation distortion

Delayed resonance

Time distortion doppler distortion

From the data accumulated, Leak were able to establish minimum levels of audibility for each type of distortion and then design a loudspeaker whose distortions are unquestionably below these figures. The result is the 3000 series of Leak time delay compensated loudspeakers.

 


Time Delay Compensation

In conventional loudspeakers all drive units are mounted on a flat baffle which means a time delay occurs between the sound radiated from the woofer and that radiated from the treble unit. The stepped baffle on the 3000 series allows for the physical position of the drive units to be changed in order to compensate for time delay differences. This gives the sound an added depth and realism.

 

Bass - Midrange

The research work on doppler distortion enabled the use of combined bass - midrange drive units in the 3020; 3030, and 3050 models,  thus making unnecessary the extra band-pass filter normally associated with the midrange unit. The result is a significant improvement in the realism of this part of the audio spectrum. The 3030 and 3050 models have two combined bass - midrange units which allow them to achieve the bass reproduction of much larger units.

 

3080 Specifications

Power Handling:  80 watts

Suitable for amplifiers from (rms/channel):  12 - 90 watts

Sensitivity (1 W/1 m):  85 dB

Nominal Impedance:  8 Ω

Typical Frequency Response:  38 Hz to 22,000 Hz (±3 dB)

Drive Units

Bass :  1 x 250 mm (10") woofer

Midrange :  1 x 170 mm (6-3/4") driver

Treble : 1 x 19 mm (3/4") dome tweeter

Bass Loading:  acoustic suspension

Drive Unit Response:

Bass :  36 Hz at -3 dB point

Treble :  22 kHz at -3 dB point

Crossover Points and Rates:  450 Hz, 3,5 kHz (6, 12 , 18 dB/oct; 11 element)

Cabinet:  Natural walnut veneer on high density particle board

Grille Cloth:  Semi opaque acoustically transparent

Nominal Enclosure Volume:   60 Litres (Bass) 12 Litres (Midrange)

Dimensions (H x W x D):  845 x 340 x 438 mm

Weight:  33 kg (72 lbs)


 

Leak 3050 loudspeakers

The new Leak Time Delay Compensated loudspeakers series is the result of an intensive research program, which attempted to isolate, measure and evaluate the audible effects of all known loudspeaker distortions. The research undertaken evaluated four key areas of performance:

Intermodulation distortion

Delayed resonance

Time distortion doppler distortion

From the data accumulated, Leak were able to establish minimum levels of audibility for each type of distortion and then design a loudspeaker whose distortions are unquestionably below these figures. The result is the 3000 series of Leak time delay compensated loudspeakers.

 

Time Delay Compensation

In conventional loudspeakers all drive units are mounted on a flat baffle which means a time delay occurs between the sound radiated from the woofer and that radiated from the treble unit. The stepped baffle on the 3000 series allows for the physical position of the drive units to be changed in order to compensate for time delay differences. This gives the sound an added depth and realism.

 

Bass - Midrange

The research work on doppler distortion enabled the use of combined bass - midrange drive units in the 3020; 3030, and 3050 models,  thus making unnecessary the extra band-pass filter normally associated with the midrange unit. The result is a significant improvement in the realism of this part of the audio spectrum. The 3030 and 3050 models have two combined bass - midrange units which allow them to achieve the bass reproduction of much larger units.

3050 Specifications

Power Handling:  50 watts

Suitable for amplifiers from (rms/channel):  12 - 60 watts

Sensitivity (1 W/1 m):  85 dB

Nominal Impedance:  8 Ω

Typical Frequency Response:  48 Hz to 22,000 Hz (±3 dB)

Drive Units

Bass/Midrange :  2 x 170 mm (6-3/4") driver

Treble : 1 x 19 mm (3/4") dome tweeter

Bass Loading:  acoustic suspension

Drive Unit Response:

Bass :  48 Hz at -3 dB point

Treble :  22 kHz at -3 dB point

Crossover Points and Rates:  4 kHz (18 dB/oct; 11 element)

Cabinet:  Natural walnut veneer on high density particle board

Grille Cloth:  Semi opaque acoustically transparent

Nominal Enclosure Volume:   40 Litres

Dimensions (H x W x D):  640 x 300 x 348 mm

Weight:  19 kg (42 lbs)


 


 

Leak 3030 loudspeakers

The new Leak Time Delay Compensated loudspeakers series is the result of an intensive research program, which attempted to isolate, measure and evaluate the audible effects of all known loudspeaker distortions. The research undertaken evaluated four key areas of performance:

Intermodulation distortion

Delayed resonance

Time distortion doppler distortion

From the data accumulated, Leak were able to establish minimum levels of audibility for each type of distortion and then design a loudspeaker whose distortions are unquestionably below these figures. The result is the 3000 series of Leak time delay compensated loudspeakers.

 

Time Delay Compensation

In conventional loudspeakers all drive units are mounted on a flat baffle which means a time delay occurs between the sound radiated from the woofer and that radiated from the treble unit. The stepped baffle on the 3000 series allows for the physical position of the drive units to be changed in order to compensate for time delay differences. This gives the sound an added depth and realism.

 


Bass - Midrange

The research work on doppler distortion enabled the use of combined bass - midrange drive units in the 3020; 3030, and 3050 models,  thus making unnecessary the extra band-pass filter normally associated with the midrange unit. The result is a significant improvement in the realism of this part of the audio spectrum. The 3030 and 3050 models have two combined bass - midrange units which allow them to achieve the bass reproduction of much larger units.

 


3030 Specifications

Power Handling:  35 watts

Suitable for amplifiers from (rms/channel):  12 -35 watts

Sensitivity (1 W/1 m):  85 dB

Nominal Impedance:  8 Ω

Typical Frequency Response:  60 Hz to 22,000 Hz (±3 dB)

Drive Units

Bass/Midrange :  2 x 130 mm (5") driver

Treble : 1 x 19 mm (3/4") dome tweeter

Bass Loading:  acoustic suspension

Drive Unit Response:

Bass :  60 Hz at -3 dB point

Treble :  22 kHz at -3 dB point

Crossover Points and Rates:  4 kHz (18 dB/oct; 11 element)

Cabinet:  Natural walnut veneer on high density particle board

Grille Cloth:  Semi opaque acoustically transparent

Nominal Enclosure Volume:   20 Litres

Dimensions (H x W x D):  520 x 250 x 283 mm

Weight:  11 kg (24 lbs)


 

Leak 3020 loudspeakers

The new Leak Time Delay Compensated loudspeakers series is the result of an intensive research program, which attempted to isolate, measure and evaluate the audible effects of all known loudspeaker distortions. The research undertaken evaluated four key areas of performance:

Intermodulation distortion

Delayed resonance

Time distortion doppler distortion

From the data accumulated, Leak were able to establish minimum levels of audibility for each type of distortion and then design a loudspeaker whose distortions are unquestionably below these figures. The result is the 3000 series of Leak time delay compensated loudspeakers.

 

Time Delay Compensation

In conventional loudspeakers all drive units are mounted on a flat baffle which means a time delay occurs between the sound radiated from the woofer and that radiated from the treble unit. The stepped baffle on the 3000 series allows for the physical position of the drive units to be changed in order to compensate for time delay differences. This gives the sound an added depth and realism.

 

Bass - Midrange

The research work on doppler distortion enabled the use of combined bass - midrange drive units in the 3020; 3030, and 3050 models,  thus making unnecessary the extra band-pass filter normally associated with the midrange unit. The result is a significant improvement in the realism of this part of the audio spectrum. The 3030 and 3050 models have two combined bass - midrange units which allow them to achieve the bass reproduction of much larger units.

 


3020 Specifications

Power Handling:  25 watts

Suitable for amplifiers from (rms/channel):  12 watts

Sensitivity (1 W/1 m):  85 dB

Nominal Impedance:  8 Ω

Typical Frequency Response:  62 Hz to 22,000 Hz (±3 dB)

Drive Units

Bass/Midrange :  1 x 130 mm (5") driver

Treble : 1 x 19 mm (3/4") dome tweeter

Bass Loading:  reflex Fourth Order Chebyshev high-pass filter

Drive Unit Response:

Bass :  62 Hz at -3 dB point

Treble :  22 kHz at -3 dB point

Crossover Points and Rates:  3 kHz (18 dB/oct; 11 element)

Cabinet:  Natural walnut veneer on high density particle board

Grille Cloth:  Semi opaque acoustically transparent

Nominal Enclosure Volume:  12 Liters

Dimensions (H x W x D):  440 x 210 x 270 mm

Weight:  7,5 kg (16 lbs)


 

Fisher 500-TX receiver

AM/FM Stereo Receiver, with Four methods of Tuning

Engineering leadership of thirty two years in creating the finest receiving equipment has reached its culmination in the Fisher 500-TX. This powerful AM-FM Stereo Receiver is truly the connoisseur's dream, incorporating every state-of-the-art. Feature,

 

Four method of Tuning

Manual - Fisher's ultra-smooth flywheel mechanism assures effortless AM and FM tuning across the large, illuminated, easy-to-read dial scale

Pushbutton - Fisher's Tune-O-Matic Memory Tuning provides instant selection of any one of your four favourite FM stations, simply by pushing a button. This is accomplished by four separate tuning mechanisms and four individual dials with separate control knobs on the front panel. Perfectly matched varactor diodes (variable capacitance or "tuning" diodes) select the exact frequency to which each memory is pre-set, assuring precise tuning each time the station is selected. Drift or deviation from the pre-set position is avoided, since the signal frequency is "locked-in" by AFC.

AUTOSCAN Touch Tuning - is the remarkable FM tuning mode which affords effortless scanning of the FM band in both directions, at the touch of a button. Completely electronic with no motors or moving parts, this unique circuit uses the same varactors previously described to tune either one station at a time, or station after station in continuous sequence. Autoscan tunes in complete silence and will lock onto each station with unerring accuracy, to  degree unmatched by any conventional tuning method.

Remote Control - Station selection using the Autoscan circuit may also be accomplished by means of an accessory unit (Fisher RK-30) which provides convenient tuning from a remote position in the listening area. The RK-30 is a hand-held remote control with 20 feet of flexible cable which permits the user to select stations without leaving his seat.

 


Highest Sensitivity

The sensitivity of the 500-TX, is rated at 1,7 µV, representing the all-important factor in the outstanding ability of the tuner to provide strong and clear reception of even the weakest signals. The FM front end consists of a 4-gang circuit incorporating four newly developed varactor diodes plus dual-gate MOSFETs in the RF and mixer stages. A highly efficient AGC circuit effectively prevents overload and distortion in very strong signal areas, such as cities, even though signals as high as one volt are received.

 


Highest Selectivity

Clean reception of weak, distant stations located adjacent in frequency to very strong local stations is provided by a crystal filter in the FM-IF stage of the tuner. Previously available only in the most expensive communications and military receivers, this filter is utilized to its fullest advantage in the 500-TH to pull in distant stations with "crystal" clearness. A distinct advantage of crystal filters, as compared with conventional filter coils, is that they never need alignment.

The AM-IF section is equipped with a 4-resonator ladder-type ceramic filter of exceptionally high selectivity. This filter assures vastly improved reception of distant AM stations and, in addition, eliminates annoying whistles. It provides optimum bandwidth for vastly superior AM reception

The AM section also features a 3-gang variable capacitor, a tuned RF and a mixer section using a newly developed dual-transistor circuit to minimize noise and prevent overloading.

 

Specifications

FM Tuner Section

Usable Sensitivity (IHF Standard):  1,7 µV

Harmonic Distortion (at 400 Hz, 100% Mod.):  less than 0,4%

Signal-to-Noise Ratio (at 100% Mod. 1 mV input):  65 dB

Selectivity Alternate Channel:  70 dB

Spurious Response rejection (at 100 MHz):  100 dB

Image Frequency Rejection (at 100 MHz):  65 dB

IF Frequency Rejection (at 100 MHz):  80 dB

FM Stereo Separation (at 400 Hz):  38 dB

Capture ratio (IHF at 1 mV):  1,5 dB

AM Tuner Section

Sensitivity:  10 µV

Selectivity (at 1 MHz and ±10 kHz):  80 dB

Image Frequency Rejection (at 1 MHz):  70 dB

IF Frequency Rejection (at 1 MHz):  65 dB

Amplifier Section

Music Power (at 1 kHz, 8 Ω ):  200 watts ±1 dB

IHF Dynamic Power (8 Ω ):  75/75 watts

RMS Power (at 1 kHz, 8 Ω ):  65 /65 watts

Total Harmonic Distortion (at 1 kHz):  0,5%

Intermodulation DIstortion (60/7000 Hz, 4;1, smpte):  0,8%

Power bandwidth (IHF, 8 Ω ):  8 to 35,000 Hz

Sensitivity (rated output at 8 Ω )

Phono Low :  2,5 mV

Phono High :  10,0 mV

Auxiliary :  250 mV

Monitor :  300 mV

Recorder Output (30% FM Mod.):  400 mV

Hum and Noise (below rated output)

Volume at Minimum :  -90 dB

Phono Low (6-mV ref.):  -60 dB

Auxiliary (400-mV ref.):  -65 dB

Frequency Response

Phono Low :  30 to 15,000 Hz ±2 dB

Auxiliary :  20 to 25,000 Hz ±1,5 dB

Power Amplifier Section :  15 to 40,000 Hz ±1,5 dB

Maximum Input Signal (at 1% T.H.D.)

Phono Low :  50 mV

Auxiliary :  4,5 volts

Input Impedance

Phono Low :  50 k Ω

Auxiliary :  175 k Ω

Damping Factor (1 kHz, 8 Ω ):  better than 30

Control Tracking Error (0 to -50 dB):  less than 2 dB

Separation (at 1 kHz)

Phono :  better than 45 dB

Auxiliary :  better than 50 dB

Controls

Bass :  24 dB at 50 Hz

Treble :  24 dB at 10 kHz

Subsonic Filter:  12 dB /pcatve below 10 Hz

Low-Frequency Filter (12 dB/octave):  -3 dB at 50 Hz

High-Frequency Filter (12 dB/octave):  -3 dB at 5,000 Hz

General

Power Supply:  100-120 AC, 50/60 Hz

Power Consumption:  Max. 240 watts / 320 VA

Dimensions (W x H x D):  16-7/8" x 4-13/16" x 14-1/2"

Weight:  30 lbs


 

Kenwood KX-700 cassette deck

Stereo cassette deck with Dolby noise reduction system

A state-of-the-art. Cassette deck with reel-to-reel quality featuring

Luxurious in every respect, the KX-700 combines reel-to-reel quality with cassette convenience. Its patented Dolby Noise Reduction System (Type B) virtually eliminates high frequency background noise without affecting high frequency signals. The superferrite record-and-play head, with its precision micro-gap, utilizes bias frequencies to optimum advantage for top quality reproduction, and a three-way Tape Selector permits a choice of the correct bias for Regular, Low Noise or Chromium Dioxide tapes. A measure of the unit's fine performance is indicated by a few of its excellent specs.

 

Special features

Patented Dolby Noise Reduction System - will filter out high frequency background noises (hiss sounds) inherent in the recording process, or will play back pre-recorded Dolbyized tapes with an almost silent background, improving Signal-to-Noise Ratio by approximately 10 dB for all tape types.

Super-Ferrite Core head - is made of high density and extremely hard ferrite magnetic material to provide exceptional long life. The material permits the fabrication of an extremely narrow, precise head gap that allows bias frequencies to be utilized to optimum advantage in the recording and reproduction of high frequency sounds. The unit also incorporates an erase head.

Three-Way Tape Selection Push-Button Switch - permits a choice of the correct bias frequency for Regular, Low Noise or Chromium Dioxide Tapes, providing maximum flexibility in achieving the finest sound reproduction from each tape type.

Slide Lever Volume Controls - two separate left and right slide Lever Controls for Record and Play offer easy accurate level adjustment.

Two Large VU Meters - one for each channel are easy to read for accurate level check

Three Digit Counter - with re-set button provides tape location at a glance

Piano Key Controls - provide feather-touch control for Eject; Stop; Reverse; Play, Fast Forward, Record and Pause. The Pause function is particularly convenient for tape editing

Input/Output Terminals - provide maximum convenience, with 2 Microphone jacks, Phone jack for 8 Ω  stereo headphones; DIN connector, and Line-IN/Line-Out Terminals.

Low-Distortion, High S/N Preamp - use of 2 FETs in the first stage of preamplification and 14 silicon transistors having low noise, high gain characteristics assure low distortion and a high Signal-to-Noise Ratio.

Automatic Stop - at tape's end in any mode recording, playback fast forward, or reverse, the KX-700 will automatically stop, with the pinch roller lifted away from the capstan to prevent any capstan displacement.

 


Specifications

Type:  4-track, 2 channel stereo and monauraal

Heads:  Super ferrite Core - Record/Play and Erase

Motor:  Double drive, Hysteresis Synchronous

Adaptable Tape:  regular, Low Noise, Chromium  Dioxide C-30; C-60; C-90; C-120

Tape Speed:  1-7/8 ips

Amplifier:  2 FETs, 14 Silicon Transistors

Wow and Flutter:  less than 0,13%

Frequency Response:

Chromium Dioxide tape :  25 - 15,000 Hz

Regular Tape :  25 - 13,000 Hz

Signal-to-Noise Ratio with Dolby

Chromium Dioxide tape :  58 dB

Regular Tap :  55 dB

Signal-to-Noise Ratio without Dolby

Chromium Dioxide tape :  48 dB

Regular Tap :  45 dB

Recording Bias:  85 kHz

Separation

Between Tracks :  better than40 dB

Between Channels :  better than 40 dB

FF/Rewind Time :  less than 75 sec. C-60 tape

Inputs Sensitivity/Impedance

2 Mix :  0,3 mV/600 Ω

2 Line 77,5 mV/680 k Ω

Output level/Impedance:

2 Line :  0,775 V /100 k Ω

Headphone :  8-16 Ω

DIN Connectors

Input :  9,8 mV (min. Input Level)

Output :  0,775 V (below 100 k ohms

Power Supply:  110 - 120 V AC, 50/60 Hz

Power Consumption:  20 W

Dimensions (W x H x D):  15-1/2" x 4-1/2" x 11-1/4"

Weight:  13 lbs

Kenwood KR-70 receiver

Stereo Receiver, the best in FM reception. The finest in stereo sound

New from Kenwood, stereo receiver designed for the FM buff who demands the finest in broadcast reception and who also enjoys the luxury of a complete stereo system. Two integrated circuits IF stage and 2 FETs in the FM front-end, coupled with a 4-gang tuning condenser, provide better than average sensitivity, superior alternate channel selectivity and freedom from noise and interference. Silent, automatic switching from mono to stereo activates a stereo indicator light. A power output of 75 watts (IHF) at 4 Ω  and 56 watts at 8 Ω , inputs to accommodate phonograph, tape deck, and auxiliary, 2 pairs of stereo speaker terminals, plus center channel output, with output switch to control speakers individually or together, and Kenwood's famous U.S. patented power transistor protection circuit are among the features that account for the high performance characteristics of the KR-70. the best in broadcast reception, the highest standards in stereo componentry - all at the delightfully low price, including cabinet.

 

Special features

2 Integrated Circuits FM IF Stages

2 Field Effect Transistors (FET)

4-gang Tuning Condenser Super-sensitive Front-end

New "Luminous Dial";

Tuning Meter and FM Stereo Indicator

Solid State Time Switching FM Multiplex Demodulator and Automatic Stereo Mode Silent Switching Circuit

Unique keyboard Controls Regulate Loudness Control

Noise Filter

Tape Monitor and Mode

Front Panel Dubbing/Tape Recording Jack and Stereo headphone Jack

Silicon Power Transistor Amplifier (U.S. Pat. 3277385)

Power Transistor Protection Circuit

2 pair of Stereo Speaker Output Terminals for 2 Sets of Stereo Speakers and Front Panel Speaker Selector Switch (A speakers, B speakers, A-B speakers, Headphones)

Center Channel Output

Handsome Simulated Walnut Finish Cabinet Included in the price of Unit

 


Specifications

FM Tuner Section

Sensitivity (IHF):  1,9 µV

Total Harmonic Distortion: less than 0,8% (400 Hz, 100% Mod.)

Signal-to-Noise Ratio: better than 60 dB

Capture Ratio:  2,5 dB

Image Rejection:  better than 70 dB

IF Rejection:  better than 80 dB

Selectivity:  45 dB (alt. Channel)

Stereo Separation:  better than 35 dB at 1,000 Hz

IF Stage:  2 ICs, 2 Transistors

Front-end:  2 FETs, 4-gang tunig condenser

Spurious Radiation:  less than 34 dB (50 µV)

Antenna Impedance:  300 Ω  balanced

Amplifier Section

Total Music Power (IHF):

75 watts at 4 Ω

56 watts at 8 Ω

Continuous Power Each Channel Driven:

33/33 watts at 4 Ω

24/24 watts at 8 Ω

Both Channel Driven:  18/18 watts at 8 Ω 

Total Harmonic Distortion :  less than 0,5% at rated output

Intermodulation Distortion :  less than 0,5% at rated output

Frequency Response

High Level Input:  20 Hz to 30,000 Hz ±1,5 dB

Power Bandwidth (IHF):  20 Hz to 30,000 Hz

Input Sensitivity (for rated output)

Mag :  2,0 mV

Aux :  200 mV

Tape Play (PIN) :  200 mV

Tape Play (DIN) :  200 mV

Recording Output:

PJN :  200 mV

DIN :  35 mV

Dubbing :  200 mV

Max. Input Signal:  180 mV (p-p 1,000 Hz) at mag Input

Hum and Noise (below rated output)

Phono 9Mag) :  60 dB

Aux :  70 dB

Tape Play :  70 dB

Noise at Minimum Volume Control:  less than 1,5 mV at 8 Ω  or 0,26 microwatt

Damping Factor:  23 at 8 Ω

Speaker Impedance:  4, 8, 16 Ω

Bass Control:  ±10 dB at 100 Hz

Treble Control :  ±10 at 10,000 Hz

Noise Filter:  3,000 Hz cut-off

Loudness Control (at -30 dB):  +8 dB at 100 Hz, +3 dB at 10,000 Hz

Power Requirements:  AC 110 - 120 V, 50/60 Hz

Power Consumption:  113 watts at full power (20 watts at no signal)

Dimensions (W x H x D):  16-1/2" x 5-1/2" x 12-1/2"

Weight:  21 lbs


 

Toshiba KT-805 8-track deck

8-Track Record/Playback Deck, features:

8-track stereo recording device

Convenient automatic shut off mechanism

Repeat button for repeat reproduction of same channel

Fast forward, four times faster than recording speed

Push-button cartridge ejection for easy cartridge removal

Professional slide type level controls

Large, easy-to-see, accurate level meter.

 


Specifications

Usable Tape:  8-track cartridge

Tape Speed:  9,5 cm/sec. (3-3/4 ips)

Track and Channel:  8 tracks, 2 channels

Bias and Erasure:  AC 60 kHz

Input Jack:  Microphone, Line-in, DIN

Output Jack:  Line-out, Stereo headphone, DIN

Motor: Long life DC motor

Frequency Response:  50 - 10,000 Hz

Wow and Flutter:  0,15% WRMS

Crosstalk:  55 dB

Channel Separation:  50 dB

Signal-to-Noise Ratio:  45 dB

Erasure:  55 dB

Input Level/Impedance:

Line-in :  0,1 mV/1 M Ω

DIN-in :  10 mV/100 k Ω

MIC :  0,5 mV/10 k Ω

Output Level/Impedance

Line-out :  0,5 V/10 k Ω

DIN-out :  o,5 V/10 K Ω

Headphone:  0,2 mW/8 Ω

FF Time:  9,5 cm/sec. X3

Controls:  Slide recording level, power switch

Operations:  F.F., Repeat, Eject, Program Select

Auxiliary Device:  2-recording level meter

Semiconductors:  10 Transistors; 8 Diodes

Power Requirements:  AC 100/120/220/240 V, 50/60 Hz

Dimensions (W x H x D):  391 x 139 x 255 mm (15-3/8" x 5-1/2" x 10")

Weight:  5,8 kg (12-13/16 lbs)


 

Toshiba KT-403D cassette deck

 

Stereo cassette deck, features:

All silicon transistorized circuitry, including push-pull bias oscillator expand frequency characteristics

Noise suppress switch for noise-free reproduction

Quiet 4-pole hysteresis synchronous motor insures stabilized revolution

Tape counter simplifies indexing

Large twin VU meters aid in monitoring recording level

Slide volume controls improve operating ease.

 


Specifications

Usable Tape:  Compact cassette

Track and Channel: 4-track, stereo/monaural

Tape Speed: 4,8 cm/sec (1-7/8 ips)

Bias and Erasure:  AC 55 kHz

Input Jack:  Line-input, DIN, Mic

Output Jack :  Line-output, Headphones, DIN

Motor:  4-pole hysteresis synchronous motor

Output Level/Impedance:  0,5V/10 K Ω

Frequency Response:  50 - 10,000 Hz

Tape Speed Tolerance:  +2%, -1%

Wow and Flutter:  0,25% WRMS

Signal-to-Noise Ratio:  40 dB

Erasure:  55 dB

Input Level/Impedance:

Mic :  -65 dB /10 K Ω

Line-in :  -20 dB/1 m Ω

FF Time:  120 sec. (C-60)

Rewind Time:  80 sec. (C-60)

Controls:  Power switch, volume control, noise suppression switch, cassette up, REC

Operations:  Rotary (Play, Stop, Rew, F.F.)

Auxiliary Device:  2-VU meter, 3-digit tape counter

Semiconductors:  11 Transistors; 6 Diodes

Power Requirements:  AC 100/120/220/240 V, 50/60 Hz

Cabinet:  Natural walnut

Dimensions (W x H x D):  300 x 105 x 200 mm (11-13/16" x 4-1/8" x 7-7/8")

Weight:  2,5 kg (5,5 lbs)

 

Pilot Pilotuner FM-607

The famous FM Pilotuner brought up to date with the latest advances in FM design at an amazing price for a true High Fidelity Tuner. This new Model FM-607 incorporates many features of the most expensive tuners and is built to Pilot's high standard of quality. Enjoy FM at its best with this Pilotuner.

 


General Features

Self-contained power supply for use on 117 volt, 60 cycle AC lines

Slide rule dial with illuminated scale

Audio input for Phono or Auxiliary TV operation controlled by selector switch

Two-stage audio amplifier, cathode follower output, to permit up to 100 feet of interconnecting leads for remote operation of audio amplifier without loss of fidelity.

Self-contained and fully enclosed front panel assembly, beautiful gold-finish completely impervious to fingerprints. Unit may be left open on shelf or table or front escutcheon may be readily dismounted for cabinet installation.

 

Special Features

Built-in power line antenna

2 Gang Condenser Tuning System

Automatic frequency control (AFC) for case in running

One position of selector switch provides for turning off the AFC to allow tuning to a weak station adjacent to a strong station.

Tuned RF Amplifier stage for improved sensitivity and selectivity

Temperature compensated oscillator for negligible drift

Fully shielded against oscillator radiation to conform with FCC radiation specifications

Convenience Outlet, controlled by On-Off Switch

 

Tube Complement

6BA6-RF amplifier

6BA6 - 1st IF amplifier

6AB4 - automatic frequency control

6AL5 = FM Ratio Detector

6U8 - oscillator , mixer

6AU6 - 2nd IF amplifier

12AU7 - Audio amplifier, cathode follower

6X4 - power rectifier

 


Specifications

Frequency Range:  88 to 108 MC

Hum Level: 70 dB (below 1,0 volt)

Maximum Audio Output:  5 Volts

Audio Distortion:  0,2% at 1 V output

Sensitivity:  5 mV for 20 dB quieting

Audio Frequency Response:  20 cps to 20,000 cps   ±0,5 dB

Audio Output Impedance:  500 Ω  cathode follower

Selectivity:  6 dB, down at 200 KC

Ratio Detector Peak to Peak Separation:  320 KC

Ratio Detector Response is Linear for 190 KC

Antenna Input:  300 Ω  Balanced; or built-in line cord antenna

Power Consumption:  50 watts, 117 Volts, 60 cycles

Overall Dimensions (W x H x D):  10-1/2" x 7-3/8" x 7-1/4", behind mounting panel

Shipping Weight:  10 pounds