Castle Harlech speakers

Rather than sacrifice the superb stereo imaging that result from a narrow cabinet, Castle has employed two small polypropylene coned mid/bass drive units in the Harlech -  on the top and one on the front face - instead of a larger mid/bass drive unit.

Each driver works with its own Quarter Wave pipe tuned to different frequencies but which join in a common vent at the speaker's base. The two drive units give exceptional bass extension and superior control but also radiate midrange energy into the room in a way that produces a large, spacious sound with very low distortion.

 

Quarter Wave

Competing speaker systems set themselves apart by the techniques with which bass extension is achieved. For the largest models in its range of floor-standing speakers Castle has adopted Quarter Wave loading. This technique can be traced back to the work of the legendary Paul Voigt inn the 1930s and has more in common with vibrating columns of air in organ pipes and folded horns that with alternative methods of bass extension like reflex or transmission line loading.

Designer Roger Loughton's execution of Quarter Wave techniques for Castle uses the latest measurement and optimisation techniques. The open, natural quality of attuned pipe has been retained in a tapered version that, with the drive unit at an optimum position along the pipe, reduces unwanted excitation at the fundamental frequency of the pipe and associated harmonics by natural acoustic filtering. Tapering the pipe also allows it to be folded inside the cabinet that not only brings it down to domestic size but enables the internal structure considerably to add to the rigidity of the enclosure.

The superiority of the Quarter Wave technique, correctly executed, over orthodox reflex loading with a cabinet of the same or bigger size is higher bass efficiency, maintained down to a lower frequency. Quarter Wave systems have the natural power and character of true, deep bass.

 

Specifications

Frequency Response:  40 Hz - 22,000 Hz

Nominal Impedance:  8 Ω

Sensitivity:  88 dB for 1 W at 1 m

Amplifier Requirements:  25 - 150 watts

System Type:  Quarter Wave

Bass Unit:  Twin 130 mm in a cast chassis with injection moulded cone

Treble Unit:  25 mm metal dome

Dimensions (W x H x D):  200 x 940 x 320 mm

Weight:  48 kg (packed)

 

Castle Howard S2 speakers

The Howard S2 is the largest member of the Castle Quarter Wave family. The narrow fronted cabinet coupled with a 25 mm metal dome tweeter guarantees stable stereo imagery with excellent presentation of depth and separation

The two 165 mm plasticised paper pulp drivers were developed especially for the Howard. They have massive high energy magnets, stiffer than usual suspensions and are built into substantial die-cast chassis.

These drive units excite the tapered and folded Quarter ave pipe inside the rigid cabinet. Exceptionally clean, extended bass with low distortion, high energy mid and sweet treble are the hallmarks of the Howard S2.

 

Our largest Quarter Wave system loudspeaker, the Castle Howard S2, is tuned to roll of below 35 Hz, making the system larger than the Harlech, and requiring an extra bass driver to load its longer horn and increased internal volume. Thanks to the high efficiency inherent in Quarter Wave systems, the increased cabinet volume also produces increased sound volume which remain slow in distortion and high in accuracy, the two key parameters for true high fidelity sound. Higher register are delicately handled by our proven 25 mm metal dome treble unit. As beautiful to look at as it is to listen to, the new Castle Howard S2 is engineered for a lifetime's enjoyment.

 

The room filling spaciousness in the Howard S2's sound is aided by careful positioning of the bass/mid drivers on both the front and top surfaces of the cabinet, so you can enjoy more of the music, in more locations within the room.

 

Specifications

Frequency Response:  35 Hz - 22,000 Hz

Nominal Impedance:  8 Ω

Sensitivity:  88 dB for 1 W at 1 m

Amplifier Requirements:  25 - 130 watts

System Type:  Quarter Wave

Bass Unit:  Twin 165 mm in a cast chassis with doped paper cone

Treble Unit:  25 mm metal dome

Dimensions (W x H x D):  230 x 1030 x 360 mm

Weight:  52 kg (packed)

 

Cybernet SRC-80 receiver

SRC-80 Integrated Stereo Receiver - The Slimline Series SL-80

Amplifier Section Features:

Direct coupled OCL circuitry

Wide, dynamic range phono equalizer amplifier

Loudness compensation

High and low filters

Moving magnet and moving coil cartridge capability

Detented tone controls

41 detent volume control

Two tape monitors with 2-way dubbing

Instant audio mute switch

 

Tuner Section Features

Quartz controlled frequency synthesized tuning

Fluorescent digital display

14 programmable preset station selection and indicators

Automatic scanning

Sensitive dual gate MOS FET in FM front end

Highly selective IF section with 3 dual element ceramic filters

PLL multiplex decoder

LED signal strength and auto stereo indication

Last channel memory circuit

 

Specifications

Amplifier Section

Power Output:  50 W + 50 W (20 - 20,000 Hz) at 8 Ω

Total Harmonic Distortion (rated power at 20-20,000 Hz):  0,08% at 8 Ω

SMPTE Intermodulation Distortion:  0,08%

Frequency Response:  20 - 20,000 Hz ±0,5 dB

Power Bandwidth:  7 - 35,000 Hz _3 dB

Input Sensitivity/Impedance

Phono MM :  2,5 mV/47 k Ω

Phono MC :  100 µV/47 K Ω

Others :  150 mV/47 k Ω

Huma and Noise Ratio

Phono MM :  73 dB

Phono MC :  62 dB

Others :  93 dB

Maximum Input Voltage

Phono MM :  150 mV

Phono MC :  6 mV

Damping Factor:  40 (8 Ω , 1 kHz)

Tone Controls

Bass :  ±10 dB at 100 Hz

Treble :  ±10 dB at 10 kHz

Loudness Compensation +7 dB (at 100 Hz) +3,5 dB (at 10 kHz)

Filters

High :  10 kHz (6 dB/oct)

Low :  40 Hz (6 dB/oct)

Audio Mute:  -20 dB

Tape Recording Output :  130 mV (at rated input sensitivity)

FM Section

Tuning Range:  87,5 to 108 MHz

Usable Sensitivity: 

Mono :  10,9 dBf

Stereo :  20 dBf

50 dB Quieting Sensitivity

Mono :  18 dBf, 4,4 µV (IHF)

Stereo :  40 dBf, 54,7 µV (IHF)

Total Harmonic Distortion

Mono :  0,15%

Stereo :  0,3%

Alternate Channel Selectivity:  60 dB (±400 kHz)

Capture Ratio:  2 dB

Selectivity )±400 Hz):  60 dB

Stereo Separation(at 1 kHz):  45 dB

Audio Frequency Response:  30 Hz - 15 kHz (±0,5 dB)

Signal-to-Noise Ratio: 

Mono :  70 dB (A-weighted)

Stereo :  65 dB (19/38 kHz filtered)

Spurious and IF Rejection:  70 dB

Image Rejection:  45 dB

Subcarrier Ratio:  65 dB

Tuning Frequency Space:  50 kHz

Antenna:  75 /300 Ω

AM Section

Tuning Range:  531 to 1,602 kHz

Sensitivity (loop Antenna):  350 µV/m (S/N=20 dB)

Image Rejection:  45 dB (600 kHz)

Alternate Channel Selectivity:  45 dB (20 kHz)

Distortion: 0,5%

Signal-to-Noise Ratio:  45 dB

Antenna:  Built-in adjustable ferrite bar, and provision for ext. Antenna

Power Requirements:  120 V, 220 V, AC 50/60 Hz

Dimensions (W x H x D):  430 x 106 x 390 mm (16-15/16" x 4-3/16" x 15-3/8")

Weight:  12,3 kg

 

Cybernet SDC-80 cassette deck

SDC-80 Dual Cassette Deck - The Slimline Series SL-80

 

 

Features:

Two independent stereo cassette deck, one for recording and playback, one for playback mode only

Integrated dubbing from Deck A to Deck B

Dual deck play mode for extended playback

Metal tape capability

Dolby Noise Reduction circuitry on both decks

4-position bias and equalization tape type selector for each deck

Fluorescent level indicators

LED indicators for record, play and pause modes

3-position monitor selection

Separate digital indicators

Individual illuminated direct cassette loading compartments

Feather touch tape mode controls

 

Specifications

Tape A (Playback only)

Frequency Response

At 70 µSec :  31,5 Hz /+6 dB, 14 kHz/+3,5 dB

At 120 µSec :  31,5 Hz /+3 dB, 14 kHz/+4,5 dB

Signal-to-Noise Ratio:  56 dB  (A-weighted)

Total Harmonic Distortion:  1,2%

Tape B (record/Playbac)

Frequency Response (-25 dB Record)

Metal Tape :  30 Hz - 17,000 Hz ±3 dB

Special/FeCr Tape :  30 - 16,000 Hz ±3 dB

Normal tape :  30 - 14,000 Hz ±3 dB

Signal-to-Noise Ratio (CCIR weight, Dolby On):  up to 64 dB

Input Sensitivity

MIC (10 k Ω ) :  0,3 mV

Line (50 k Ω )  :  60 mV

DIN (20 k Ω  :  6 mV

T.H.D. (1 kHz 0VU level):  1,7%

Wow and Flutter:  0,06%

Channel Separation:  35 dB

AC Bias Frequency:  100 kHz

Headphone Output:  30 mV

Power Requirements:  120 V, 220 V  AC 50/60 Hz

Power Consumption:  15W

Dimensions (W x H x D):  430 x 106 x 390 mm (16-15/16" x 4-3/16" x 15-3/8")

Weight:  9,5 kg

 

Sony APM-22ES loudspeakers

Acoustically Rounded Enclosure

2-way bookshelf loudspeakers with Bass-reflex enclosure

APM (Accurate Pistonic Motion) - drivers for lower distortion and excellent sound,

ABR (Accurate Bass Radiator) - provided rich and deep bass

honeycomb Construction - resists the split vibrations of conventional paper cones.

Flat Design - eliminates "cavity effect" caused by cone shaped drivers.

 

 

Specifications

Speaker System:  2-way system

Enclosure Type:  Bass-reflex type

Speaker Units: APM type

Woofer:  290 cm² (45 in²)

Tweeter :  9 cm² (1,4 in²)

Power Handling Capacity: 

Nominal :  80 W [DIN 45500]

Maximum :  160 W [DIN 45500]

Nominal Impedance:  6 Ω

Sensitivity:  88 dB (1 W/ 1m)

Frequency Range:  40 Hz - 20,000 Hz

Crossover Frequency: 2,000 Hz

Enclosure Volume:  34 liters

Finish:  Grained vinyl of walnut, ebony or black vinyl

Dimensions (W x H x D):  290 x 515 x 320 mm (11-1/2" x 20-3/8" x 12-3/8") including front grille

Weight (per speaker): 

AEK, UK model : 10,5 kg (23 lb 3 oz)

E model :  14,0 kg (31 lb 14 oz)

 

Sony APM-707 loudspeakers

2-way bookshelf loudspeakers with APM design

Accurate Pistonic Motion (APM) - drivers for lower distortion and excellent sound, first used in $8,000 Sony monitor speakers

Accurate Bass Radiator (ABR) - provided rich and deep bass

Aluminium honeycomb construction - resists the split vibrations of conventional paper cones.

Flat design - eliminates "cavity effect" caused by cone shaped drivers.

High efficiency for wide dynamic range digital program material

"Digital Ready" design - with high power handling ability and excellent dynamic range.

Compact size with full, rich bass

 

Key Selling Feature: APM Drivers

The wide dynamic range, flat frequency response, and low distortion of digital sound sources have forced audio designers to rethink the basic principles of cone shaped speaker construction. The APM-707 is a product of that reexamination. Sony 's APM speakers compensate for the coloration created by the "cavity effect" - which is caused by the cone shape design of traditional speakers. The "cavity effect" is created by a mid-air collision of sound immediately above the opposing surfaces of the speaker cone. APM drivers are flat - so the "cavity effect" is automatically eliminated. Most traditional cone shaped drivers are also made of paper which is not rigid enough to handle the peaks created by highly dynamic program material. Sony conquers this problem by using an aluminum honeycomb material, which is powered at exactly the right points to eliminate distortion. All these factors create a speaker which is ideal for digital audio - but which will improve the sound of any source.

 

Key Demonstration

Anyone in the market for an excellent speaker is a good prospect for the APM-707 - but customers who have purchased a Compact Disc player or a beta Hi-FI Betamax are already particularly well qualified. Start your demonstration with a brief audition. Demo the APM-707 with Sony Compact Disc Player and wide dynamic range digital material which your customer knows well. When musical peaks arrive, make sure to point out that the speakers are designed to reproduce just these type of passages. Emphasize the clarity of the sound. Then, take off the grille cover. Point out the APM drivers and the resilient honeycomb construction to your customer. Conclude your demonstration by continuing the audition with another piece of digital program material. As your customer

 listens, point out the deep, rich bass produced by the Accurate Bass Radiator; the wide dynamic range, and the low distortion

 

Specifications

Enclosure Type:  Accurate Bass Radiator APM 2-way

Driver Size and Type:

APM Tweeter

APM Woofer

Nominal Impedance:  6 Ω

Frequency Range:  40 Hz to 20,000 Hz

Sensitivity:  90 dB SPL (1 Watt/ 1 meter)

Power handling Capacity:  160 Watts (Music)

Dimensions (W x H x D):  230 x 645 x 265 mm (13" x 25,5" x 10,5")

Weight:  12,5 kg (27 lbs, 8 oz)

 

Tannoy Dover loudspeakers

Dual Concentric Time Compensated Loudspeaker System

The famous Tannoy Dual Concentric in a modestly sized cabinet that can be floor standing on its own plinth, mounted on speaker stands or a bookshelf.

A 10-inch (254 mm) version of the Dual Concentric drive unit is used in an infinite baffle (unported) cabinet, with rigid bracing and graded acoustic foam damping, to give the best possible sound reproduction in a loudspeaker of this size.

Each Dover is supplied with a separate plinth. If used as a floor standing loudspeaker this plinth can be attached to the base of the cabinet with the screws provided. When used on stands or shelves this plinth is not required.

The Dover is designed to provide the high quality sound of the Tannoy Dual Concentric system in a size of loudspeaker to suit smaller listening rooms.

The high quality of sound reproduction is matched by the standard of cabinet construction. Every Dover is finished in genuine walnut veneers, oiled by hand and the baffle is covered in real cork.

 

The Tannoy Dual Concentric is, therefore, a true single point sound source loudspeaker system which eliminates unnatural time delay, and provides the smooth consistent intensity of sound necessary to create a precise stereo image.

 

Specifications

Recommended Amplifier Power (RMS per channel into 8 Ω ):  30 - 150 watts

Peak Power Handling:  250 watts

Impedance:  8 Ω  (Nominal):  5,5 Ω  (minimum)

Sensitivity (for 1 W at 1 m):  93 dB (domestic); 90 dB (Anechoic)

Frequency Response;  50 Hz - 20,000 Hz ±3 dB

Phase Response:  ±18° between 150 Hz - 8 kHz

Time Compensation:  better than ±20 µ sec 150 Hz - 8 kHz

Dispersion:  90° conical (including angea at -6 dB points at 10 kHz)

Crossover Frequency:  1,2 kHz

Crossover Type:  Passive, low loss, time compensated type 1040

Drive Type: 254 mm (10") Tannoy Dual Concentric high compliance type 2558

Distortion:

Less than 5% 3rd harmonic at half power 150 Hz - 20 kHz

Less than 0,6% 3rd harmonic for 85 dB 80 Hz - 20 kHz

Cabinet Type:  Infinite baffle

Cabinet Volume:  31 litres (1,1 cu.ft)

Cabinet Construction:  18 mm particle board with rigid bracing with internal damping

Finish :  Real walnut veneers

Grille :  Woven cloth over wooden frame

Dimensions (H x W x D):  580 x 310 x 285 mm (23" x 12" x 11")

System Weight:  18 kg (39,5 lb)

Shipping Weight:  20 (44 lb)

Tannoy Mercury MkII speakers

The Mercury MkII loudspeakers share the advantage of high power handling and sensitivity with low distortion and smooth frequency response - qualities which have ben the hallmark of Tannoy high fidelity loudspeaker systems for many years.

 

 Loudspeaker Enclosures

To provide optimum performance a loudspeaker cabinet must be rigidly constructed and acoustically treated. The Mercury MkII is constructed from high density particle board lined with an acoustic material to absorb internal reflections and eliminate standing waves. The cabinet is internally braced at antinodal points to minimise cabinet resonance and colouration and the narrow front profile ensures good horizontal dispersion. Low frequency loading of the system is provided by a carefully designed ducted port which reduces distortion and extends the bass response. Each loudspeaker is fitted with a detachable grille of acoustically transparent cloth stretched over a wooden frame.

 

 Drive Units

High frequencies are produced by a polyamide dome treble unit which combines a very smooth response with low distortion and wide dispersion and gives a finely detailed sound. A magnetic cooling Ferrofluid is incorporated and combines high power handling capacity with reliability and protection against sudden overload transients. The asymmetrical front plate is sculptured to improve reproduction by reducing diffraction effects.

Low and midrange frequencies are reproduced by a 200 mm polyolefin cone unit. This cone material gives a very smooth frequency response with negligible colouration. A newly developed cone/coil apex configuration provides a very rigid construction at the point where the cone is driven by the 4 layer high temperature voice coil.

 

Crossover Network

The crossover network receivers the electronical signal containing the fill frequency spectrum from the amplifier and divides it between the bass/midrange unit and the soft dome treble unit. We use only high quality components, including low loss solid dielectric capacitors and generously rated resistors and inductors. All components are hard wired and internal wiring is by heavy duty cable to minimise signal loss. All components are securely mounted to ensure maximum reliability and freedom from resonance.

 

Amplifier Power

In our loudspeaker specifications we recommend a suitable range of amplifier powers. The peak power handling capability of all Tannoy Loudspeakers will allow higher amplifier powers to be used with wide dynamic range material. Care must be taken with all amplifiers, irrespective of power output, to avoid abnormal conditions such as switch on surges or amplifier overloading (clipping and distortion) which may result in peaks of power greatly in excess of the specified ratings, and possible subsequent damage to the loudspeaker.

 

Specifications

Recommended Amplifier Power (RMS per channel into 8 Ω ):  10 - 120 watts

Peak Power Handling:  120 watts

Impedance (Nominal):  8 Ω

Sensitivity (for 1 W at 1 m):  93 dB (domestic); 90 dB (Anechoic)

Frequency Response;  52 Hz - 23,000 Hz ±3 dB

Phase Response:  better than ±45° between 120 Hz - 10 kHz

Crossover Frequency:  3 kHz

Crossover Type:  First order low pass , Second order high pass, Hard wired low loss

Apparent Acoustic Source: 59 mm behind front surface of baffle

Bass/Mid-range Unit:  200 mm (8") 2088G

Treble Unit:   28 mm (1,1") 0248G Polyamide

Horizontal Dispersion:  Greater than 150° up to 12 kHz

Cabinet Volume:  19,5 litres (0,72 cu.ft)

Cabinet Construction:  12/15 mm high density particle with 12 mm shelf brace

Bass Loading:  Overdamped offset ducted port

Cabinet Damping:  Specialist acoustic product

Grille Construction:  Acoustically transparent cloth over wooden frame

Dimensions (H x W x D):  498 x 249 x 300 mm (21,5" x 23" x 11,8")

System Weight:  7,1 kg (15,6 lb) each

Shipping Weight:  16 kg (35,2 lb) pair

 

kenwood KR-2300 receiver

AM/FM Stereo Receiver

The Component That proves Quality Need not Be Expensive

Kenwood has designed the KR-2300 to prove that a quality component need not be beyond the reach of the budget-minded audiophile. With specifications and control features that are truly astounding, the KR-2300 looks and performs like a far more expensive unit, even down to such luxury features as "mike mixing" in any mode. Compare its specifications. Compare its fine features with other, more expensive units. Then, listen to the KR-2300 yourself.

You'll really appreciate how much receiver Kenwood offers for the price.

 

"Mike Mixing" In any mode

A unique features that will certainly add to your stereo enjoyment, Mike Mixing permits you to blend your own voice or instrumental accompaniment with sound from any other program source. Microphone jack and level control are positioned on the front panel for convenience

 

Specifications

FM Tuner Section

Usable Sensitivity (IHF):  2,5 µV

Signal-to-Noise Ratio (IHF):  better than 60 dB

Capture Ratio (IHF):  4.0 dB

Selectivity, Alt Ch. (IHF):  40 dB

Stereo Separation: 30 dB at 1 kHz

Total Harmonic Distortion (400 Hz, 100% Mod.)

Mono :  0,8%

Stereo :  1,0 %

Image Rejection:  50 dB

IF Rejection Ratio:  95 dB

Spurious Signal Rejection:  80 dB

AM Suppression Ratio:  45 dB

Sub-Carrier Suppression:  40 dB

Antenna Impedance:  300 Ω (balanced) 75 Ω  (unbalanced)

Front End:  1 FET, 3 Gang

AM Tuner Section

Usable Sensitivity (IHF):  25 µV

Signal-to-Noise Ratio:  45 dB

Selectivity (IHF):  25 dB

Image Rejection Ratio:  45 dB

IF Rejection Ratio:  35 dB

Antenna:  Built-in ferrite bar antenna and external antenna

Front End:  2 gang

IF Stage:  2 Gang

Amplifier Section

RMS Power Output

Both Channels Driven

2 x 14 watts into 8 Ω  at 1 kHz

2 x 15 watts into 4 Ω  at 1 kHz

Each Channel Driven

2 x 17 watts into 8 Ω  at 1 kHz

2 x 22 watts into 4 Ω  at 1 kHz

Dynamic Power Output

44 watts into 8 Ω

64 watts into 4 Ω 

Total Harmonic Distortion

1% at rated power output, 0,2% at 1/2 rated power into 8 Ω  at 1 khz

Intermodulation Distortion:  1% at rated output

Frequency Response:  25 - 50,000 Hz ±2 dB

Power Bandwidth (IHF):  30 - 50,000 Hz

Damping Factor:  30 at 8 Ω

Input Sensitivity/Impedance (for rated output)

Phono :  3 mV/50 K Ω

Aux, Tape Play:  120 mV/30 k Ω

Mic. :  4,5 mV/20 K Ω 

Signal-to-Noise Ratio

Phono :  65 dB

Aux, Tape Play :  70 dB

Mic :  60 dB

Tone Controls

Bass :  ±8 dB at 100 Hz

Treble :  ±8 dB at 10 kHz

Loudness Control (at -30 dB):  +8 dB at 100 Hz

General

Switches speakers:  Power Off, A, B, A + B, Phones

Mode:  Mono, Stereo

Selector:  AM, FM Auto, Phono, Aux

Others Switches:  Tape Mon, Loudness, Mic Jack with VR

AC Outlets:  1 switched and 1  unswitched

Power Requirements:  110-120 V, AC 50/60 Hz

Power Consumption:18 watts at no signal,  (110 watts at full power output)

Dimensions (W x H x D):  450 x 133 x 335 mm (17-3/4" x 5-5/8" x 13-7/8")

Weight:  9,4 kg (20,7 lbs)

 

Kenwood KR-2200 receiver

FM/AM Stereo Receiver

Brilliant Stereo performance, Amazing Stereo Value.

Ideal for den, dorm, or as the electronic center of a second stereo system in your home, Kenwood's KR-2200 receiver boasts performance specifications and control features that belie its budget price. Convinced that a lower powered receiver need not sacrifice sound quality within its ratings, Kenwood engineers have come up with a receiver whose technical specifications and features will truly astound you. If 30-watts of dynamic )IHF) power is all you need or can afford, the KR-2200 will give you the most for your stereo investment.

 

Power Amplifier Section

Harmonic and intermodulation Distortion of the power amplifier section of the KR-2200 is less than 0,8% at rated output, and the amplifier can handle any speaker impedance from 4 Ω  to 16 Ω . At normal listening levels, distortion is actually less than 0,2%

Mike Mixing In any mode

A unique features that will certainly add to your stereo enjoyment, Mike Mixing permits you to blend your own voice or instrumental accompaniment with sound from any other program source. Microphone jack and level control are positioned on the front panel for convenience

Sophisticated Controls for your sound system

The KR-2200 provides a broad range of controls to give you complete mastery over your sound system. Beside the individual bass and treble tone controls, a dual concentric Volume/Balance Control enables you to set up precise channel balance in addition to controlling overall loudness. A Speaker Selector Switch activates two pairs of stereo speaker systems, either individually or simultaneously , to let you enjoy stereo in different locations. An input Selector chooses AM, FM Auto, FM Mono, Phone, or Tape/Aux, while a Loudness Compensation Switch permits low-level listening.

FM Tuner Section

A FET (Field Effect Transistor) in the specially-designed front end, a three-section tuning system, and a permanently aligned mechanical IF filter give the KR-2200 an IHF sensitivity of 2,5 µV with a Signal-to-Noise Ratio of better than 60 dB. With an FM stereo separation of 30 dB at 1000 Hz and a spurious signal rejection of 80 dB, you can be sure of clean, interference-free FM reception of all your favorite FM stations.

Other Features

Front Panel Jack for Stereo headphones;

Signal Strength Tuning Meter

Luminous Dial Pointer for easy tuning

Pin and DIN Connector for Tape Deck

1 Switched AC Outlet

 

Specifications

FM Tuner Section

Sensitivity (IHF):  2,5 µV

Signal-to-Noise Ratio:  60 dB

Capture Ratio (IHF):  4.0 dB

Selectivity, Alt Ch. (IHF):  40 dB

Stereo Separation: 30 dB at 1 kHz

Total Harmonic Distortion (400 Hz, 100% Mod.)

Mono :  0,8%

Stereo :  1,0 %

Image Rejection:  50 dB

IF Rejection Ratio:  95 dB

Harmonic Spurious Rejection:  80 dB

AM Suppression Ratio:  45 dB

Sub-Carrier Suppression:  40 dB

Antenna Impedance:  300 Ω

AM Tuner Section

Sensitivity (IHF):  25 µV

Signal-to-Noise Ratio:  45 dB

Selectivity:  25 dB

Image Rejection Ratio:  45 dB

IF Rejection Ratio:  35 dB

Amplifier Section

Continuous Power Output

Both Channels Driven

16 watts :  8 W + 8 W at 8 Ω  from 50 - 20,000 Hz

17 watts :  8,5 W + 8,5 W at 4 Ω  at 1 kHz

Each Channel Driven

11/11 watts at 4 Ω  at 1 kHz

10/10 watts at 8 Ω  at 1 kHz

Dynamic Power Output (IHF)

Both Channel Driven

30 watts at 4 Ω

26 watts at 8 oh

Total Harmonic Distortion

0,8% at rated output

0,2% at -3 dB

Intermodulation Distortion

0,8% at rated output

0,2% at -3 dB

Frequency Response:  25 - 35,000 Hz ±2 dB

Power bandwidth (IHF):  30 - 20,000 Hz

Input Sensitivity/Impedance (for rated output)

Phono :  3 mV/50 K Ω

Aux, Tape Play:  120 mV/30 k Ω

Mic. :  4,5 mV

Hum and Noise

Phono :  60 dB

Aux, Tape Play :  70 dB

Mic. :  60 dB

Tone Controls

Bass :  ±8 dB at 100 Hz

Treble :  ±8 dB at 10 kHz

Loudness Control"  +8 dB at 100 Hz

Damping Factor:  45 at 8 Ω

General

Switches speakers:  Power Off, A, B, A + B, Phones

Tone Controls:  2 dB Step-Type, Bass, Treble

Selector:  AM, FM Auto, FM Mono, Phono, Tape/Aux

Front Panel Jacks: Phones, Microphone

Level Control: Microphone Mixing

AC Outlets:  1 unswitched

Power Requirements:  110-120 V, AC 50/60 Hz

Power Consumption:  56 watts at full power output

Dimensions (W x H x D):  17-5/8" x 4-3/4" x 15-1/8"

Weight:  13,4 lbs

Walnut Cabinet:  Included