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What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





Showing posts with label pioneer. Show all posts
Showing posts with label pioneer. Show all posts

Pioneer CT-7R cassette deck

Auto-Reverse Playback/Recording Cassette Deck

The CT-7R records and plays back both sides of a tape, automatically. Now you can record up to 90 minutes of music (with C-90 cassette) without interruption and play it back over and over as long as you like. This may be a rare feature but what's even rarer is that the CT-7R is direct-drive.

As in the more expensive models, the transport in the CT-7R uses three-direct-drive-motor, each a Pioneer brushless Hall type. This contributes to the low wow and flutter of this deck, 0,04% (WRMS) or less.

The recording/playback head is constructed of Pioneer-developed Ribbon Sendust that is three to four times thinner than those used in conventional sendust heads. This explains the extended high frequency response of this deck - to 20,000 Hz. Transient response is superior and bass response is solid. The :Small-Window" Erase Head assures total erasure of previous recordings.

And like the more expensive models, the CT-7R is endowed with a full complement of Computer-Aided Conveniences. It's easy to find the end of recorded program material on a tape, cue in on any desired selection, return to the very beginning of the start of the next selection, hear the same selection over and over again, and skip the blank, programless section at the end of the tape and start play right at the beginning of the first selection of the flip side - without even touching the operating controls.

A 4-bit microcompuer, programmed to order, controls every operation for sure and quick tape transport motion. The three-direct-drive-motor tape transport means operational ease such as fast direct change of modes and flying-start recording.

In addition to standard Dolby-B noise reduction, the CT-7R has Dolby Labs newest circuit, Dolby-C. the Dolby-C provides an additional 10 dB of noise reduction (at 5 kHz) over standard Dolby-B's. that's a total of 20 dB of noise reduction. It also has increased MOL (Maximum Output Level) to assure an extended high end.

The Auto Tape Selector detects coded recesses along the edge of each cassette casing and automatically sets the deck to the proper bias and equalization settings. An 8-LED bar-graph display )one per channel) is accurate and responsive. Other features are; One-Touch Recording, Recording Mute, Timer-assisted record/playback, wired remote control and two-way Memory Stop.

 


 Subfunctions:

Auto-reverse, auto repeat functions

MS/SKIP (Music Search/Skip) system

Music Repeat system

Blank Search system

Index Scan system

Rec Mute switch

Dolby NR system (B type/ C type / OFF) with LED indicator lamp

Stand-by mechanism with unattended recording and playback

3 position Auto tape selector (Norm/CrO₂/Metal)

Full automatic stop mechanism

Memory Stop function (FF, REW)

2 color digital level meter

3 digit mechanical tape counter

IC-based logic control

Cassette compartment illumination

 


Specifications

Systems:  Compact cassette, 2-channel stereo

Motor: 

1 x DC servo motor (for driving the capstan); 2 x DC high-torque motor (for driving the reel)

Heads: 1 x "Ribbon Sendust" record/playback head; 1 x Erasing Ferrite head

Fast Winding Time:  approx.. 90 sec C-60 tape

Wow and Flutter:  no more than 0,04% (WRMS). No More than 0,15% (DIN)

Frequency Response -20 dB Recording

Normal, LH Tape :  20 - 16,000 Hz (25 to 14,000 Hz ±3 dB)

CrO₂ Tape :  20 - 18,000 Hz (25 to 16,000 Hz ±3 dB) [0 dB rec; 25 to 10,000 Hz]

Metal Tape :  20 - 20,000 Hz (25 to 17,500 Hz ±3 dB) [0 dB rec; 25 to 15,000 Hz]

Signal-to-Noise Ratio

Dolby NR Off :  more than 59 dB

Dolby NR On :  more than 69 dB (Dolby-B); more than 79 dB (Dolby-C)

Total Harmonic Distortion:  no more than 1,2% (0 dB)

Input Sensitivity/max. Allowable Input/impedance

Mic (L, R) :  0,3 mV/ 30 mV/ 12 k Ω  (ref. MIC Impedance: 250 Ω  to 10 K Ω )

Line (input) :  50 mV/ 25 v/ 100 K Ω  (ref. Level/Load Impedance)

Output Level/ Impedance

Line (x2) :  450 mV/50 k Ω

Headphones :  60 mV/ 8 Ω 

Power Supply:  AC 120 V, 220 - 240 V 50/60 Hz

Power Consumption:  36-45 watts

Dimensions (W x H x D):  420 x 99,5 x 270 mm (16-9/16" x 3-15/16" x 10-5/8")

Weight:  5,3 kg (12 lb)


 

Pioneer CT-6R cassette deck

A full-featured cassette deck

You'll find in the CT-6R all the essential technology of the finest Pioneer decks. Features like the Ribbon Sendust Head, 3-motor direct drive design, C.A.C. (Computer-Aided Convenience), ans so forth. It's priced, however, within the reach of any audiophile.

Just as in our finest decks, you'll find a Pioneer-exclusive head design - the Ribbon Sendust Head - for recording and playback in this model. This laminated head uses a dozen ultra-fine sendust "ribbons" to reduce eddy currents and therefore reduce core loss. This results in extended high-frequency response, all the way to the limits of audiobility. Transient response and treble clarity are improved for better still reproduction quality. During playback this same head is used for either direction of tape travel, assuring matched response regardless of direction. During recording the "Small-Window" Erase Head is also at work wiping old recordings completely clean.

Another design feature found in our more expensive models is the three-direct-drive-motor system. One motor drives the capstan and the other two drive the reels. These brushless Hall motors are largely responsible for the low wow and flutter of this deck - a mere 0,04% (WRMS). This transport design also improves head-to-tape contact for fewer dropouts and variations in recording or playback levels

Hiss and MOL-limited saturation distortion have become problems of the past. New Dolby-C noise reduction has reduced noise by 20 dB at 5 kHz, while improving high-frequency response by expanding the MOL (Maximum Output Level). Now, the usable dynamic range - up to 90 dB - is sufficiently wide to match even digital or direct-cut recordings.

The C.A.C. (Computer-Aided Convenience) features that the CT-6R offers include index Scan, Music Search and Blank Skip and Reverse. And the three-direct-drive-motor tape transport offers quick and direct change of modes and flying-start recording.

Program peaks are shown by a responsive 8-LED bar-graph display (one per channel) Other advanced deck features include the Auto Tape Selector, one-Touch Recording, Recording Mute, a wired remote control and more.

 


Subfunctions:

Auto-reverse, auto repeat functions

MS/SKIP (Music Search/Skip) system

Index Scan system

Rec Mute switch

Dolby NR system (B type/ C type / OFF) with LED indicator lamp

Stand-by mechanism with unattended recording and playback

3 position Auto tape selector (Norm/CrO₂/Metal)

Full automatic stop mechanism

2 color digital level meter

3 digit mechanical tape counter

IC-based logic control

Cassette compartment illumination

 


Specifications

Systems:  Compact cassette, 2-channel stereo

Motor: 

1 x DC servo motor (for driving the capstan); 2 x DC high-torque motor (for driving the reel)

Heads: 1 x "Ribbon Sendust" record/playback head; 1 x Erasing Ferrite head

Fast Winding Time:  approx.. 90 sec C-60 tape

Wow and Flutter:  no more than 0,04% (WRMS). No More than 0,15% (DIN)

Frequency Response -20 dB Recording

Normal, LH Tape :  20 - 16,000 Hz (25 to 14,000 Hz ±3 dB)

CrO₂ Tape :  20 - 18,000 Hz (25 to 18,000 Hz ±3 dB) [0 dB rec; 25 to 10,000 Hz]

Metal Tape :  20 - 20,000 Hz (25 to 17,500 Hz ±3 dB) [0 dB rec; 25 to 15,000 Hz]

Signal-to-Noise Ratio

Dolby NR Off :  more than 59 dB

Dolny NR On :  more than 69 dB (Dolby-B); more than 79 dB (Dolby-C)

Total Harmonic Distortion:  no more than 1,2% (0 dB)

Input Sensitivity/max. Allowable Input/impedance

Mic (L, R) :  0,3 mV/ 30 mV/ 12 k Ω  (ref. MIC Impedance: 250 Ω  to 10 K Ω )

Line (input) :  50 mV/ 25 v/ 100 K Ω  (ref. Level/Load Impedance)

Output Level/ Impedance

Line (x2) :  450 mV/50 k Ω

Headphones :  60 mV/ 8 Ω 

Power Supply:  AC 120 V, 220 - 240 V 50/60 Hz

Power Consumption:  36-45 watts

Dimensions (W x H x D):  420 x 99,5 x 270 mm (16-9/16" x 3-15/16" x 10-5/8")

Weight:  5,3 kg (12 lb)


 

Pioneer SA-5500II amplifier

Popular Power Output Rating with Low Distortion Circuitry in Basically Beautiful Stereo Integrated Amplifier

Pioneer stays ahead in the creation of highly musical high fidelity components for all budgets. The SA-5500II is a popularly-priced stereo integrated amplifier which employs many of the same futuristic advances as found in our more expensive models. Its power output is ideal for small to medium-sized listening rooms; it delivers continuous 15 watts per channel, min. At 8 Ω , from 20 to 20,000 Hz, with no more than 0,5% T.H.D. its main volume control has 41 contact point with click-stop so that you can control the power output with precision. The tone control section employs CR elements to avoid noise and equalization error in Bass and Treble ranges. And other features like the tape monitor, two-system speaker selection and more make it truly useful for the stereo music fan.

 


Tone Control Amplifier with CR Elements

Pioneer's SA-5500II takes advantage of the many futuristic electronic developments featured in our larger and more expensive integrated amplifiers. An example is the precision tone control amplifier circuit. It uses high-grade CR type elements to avoid noise and distortion. The bass and Treble controls can be used to help you compensate for irregular acoustic in your listening room

Professional Feel for main Volume Control

The precision operation of the SA-5500II is evident even in the feel of the master volume control. It has 41 click stops, representing 41 contact  points, so that you can re-adjust the output level exactly when required.

Phono Equalizer Provides Less Distortion

Today's records contain a high degree of dynamic range and therefore must be equalized with precision for top musicality. The phono equalizer in the SA-5500II provides a very precise RIAA equalization so that dynamic range is preserved white noise and distortion are lessened.

Power Output Perfect for Musical Sound

Small to medium sized listening rooms don't always require high-powered amplifiers. In fact,, the 15 watts per channel output, of the SA-5500II is ideal for such rooms when you want top musicality . This power output is never affected by excess distortion or noise, thanks to Pioneer's advanced circuitry.

 


Other Features:

Loudness Contour to provide aurally flat-adjusted response at low volume

Tape Monitor for stereo tape deck

Two-System Speaker Selection System A or B or A + B

Three-Position Function Selector : Phono; Tuner; Aux

 


Specifications

Amplifier Section

Circuitry:  2-stage differential amplifier, direct-coupled OCL

Continuous Power Output:  15 watts per channel (min. At 8 Ω  from 20-20,00 Hz with no more than 0,5% T.H.D.)

Total Harmonic Distortion (20 - 20,000 Hz from Aux)

Continuous Rated Power Output :  No More than 0,5%

1 watt/ch. Power Output, 8 Ω  :  No more than 0,1%

Intermodulation Distortion (50 Hz : 7 kHz = 4:1, from Aux)

Continuous Rated Power Output :  No More than 0,5%

1 watt/ch. Power Output, 8 Ω  :  No more than 0,1%

Output speaker : A, B, A +B

Output Headphones:  Low impedance

Damping Factor:  30 (20 Hz - 20 kHz, 8 Ω )

Input Sensitivity/Impedance

Phono :  2,5 mV/50 K Ω

Tuner :  150 mV/50 K Ω

Aux :  150 mV/50 K Ω

Tape Play :  150 mV/50 K Ω

Phono Overload Level (T.H.D. 0,3%)

Phono :  130 mV (1 kHz)

Output Level/Impedance

Tape Rec :  150 mV

Frequency Response

Phono (RIAA Equalization):  20 to 20,000 Hz ±0,5 dB

Tuner, Aux, Tape Play :  20 to 20,000 Hz ±1 dB

Tone Control

Bass :  ±7 dB at 100 Hz

Treble :  ±7 dB at 10 kHz

Loudness Contour:  +6 dB at 100 Hz (Vol. Control set at -40 dB position)

Hum and Noise (IHF, short-circuited A network)

Phono :  71 dB

Tuner, Aux, Tape Play :  87 dB

Semiconductors:  2 ICs; 7 Transistors; 7 Diodes

General

Power Supply:  120 V, 60 Hz

Pc :  70 watts (UL), 100VA (CSA)

Dimensions (W x H x D):  380 x 124 x 269 mm (14-31/32" x 4-7/8" x 10-19/32")

Weight:  5,2 kg (10 lb 13 oz)


 

Pioneer TX-5500II tuner

Truly High Fidelity Performance in Amand FM Stereo in An Advanced IC-Equipped Tuner in Attractive Price Range

Pioneer stays ahead in rich musical performance and interference-free reception when it comes to AM/FM stereo tuners in every price category. The TX-5500II is no exception, despite its attractively low price. The latest Pioneer advances in circuitry as perfected by our research and development teams are employed, often in microcircuit IC forms, to increase sensitivity and selectivity, reduce the Signal-to-Noise and Distortion irregularities, and improve overall tonal quality. An example is the PLL (Phase-Locked Loop) IC used in the FM stereo multiplex demodulator section. Another is the FET and 3-gang variable capacitor construction of the FM front end for more sensitivity. Still another is the use of the ceramic filter-plus-IC from of the FM IF section to provide pinpoint selectivity. All this pays off in better tonal quality, less distortion and more precise station selection in a functional, versatile tuner at a popular price. It's the TX-5500II from Pioneer, a good way to stay ahead in hi-fi.

 


FM Front End is stable but highly sensitive

You won't find better performance for the price. Pioneer boosts FM sensitivity to 10,7 dBf (1,9 µV) IHF. In the TX-5500II by using a low-noise FET and a 3-gang variable capacitor in the stable FM front end. Interference is rejected and the Signal-to-Noise Ratio is improved

Exclusive IF circuit uses ceramic filters and IC

Stability and limiter characteristics are improved while at the same time selectivity and capture ratio are boosted. This results from Pioneer's use of an exclusive high-performance IC and only those ceramic filters which can deliver the best phase linearity in the IF circuit.

Stereo separation is more stable with PLL

Outside influences such as changes in temperature and moisture can never affect the stereo FM multiplex demodulator because we use a Phase-Locked-Loop (PLL) circuit in IC form. The circuit has distinguished Automatic Gain Control (AGC) characteristics and stable detector output, factors which pay off in better stereo FM performance in strong signal areas.

Super-simple tuning system for more accuracy

The clean looks of the Pioneer TX-500II are functional, too. The FM-linear dial scale, a smooth-turning, flywheel balanced tuning mechanism and a combination signal-strength (FM/AM) and center-of-channel (FM only) meter make precision tuning simple.

A valuable investment in versatility

FM muting is automatically provided when you switch to FM Auto. The FM Mono positions lets you select more distant stations. And in the AM position, a high-integration AM circuit goes on line to bring you low-noise AM performance.

 


Specifications

FM Section

Circuitry:  1 FET; 1-stage RF amplifier; 3-gang variable capacitor, 5-stage limiter, PLL MPX

Usable Sensitivity

Mono :  10,7 dBf (1,9 µV)

50 dB Quieting Sensitivity

Mono :  14,0 dBf (2,8 µV)

Stereo :  38,0 dBf (44 µV)

Signal-to-Noise Ratio (st 65 dBf)

Mono :  72 dB

Stereo :  68 dB

Distortion (at 65 dBf)

100 Hz :  0,15% (Mono); 0,3% (Stereo)

1 kHz :  0,15% (Mono); 0,3% (Stereo)

10 kHz :  0,2% (Mono); 0,6% (Stereo)

Frequency Response

Mono :  30 - 10,000 Hz (+0,2 dB; -0,5 dB)

Stereo :  20 - 15,000 Hz (+0,2 dB; -1,0 dB)

Capture Ratio:  1,0 dB

Alternate Channel Selectivity:  50 dB

Spurious Response Ratio:  75 dB

Image Response Ratio:  60 dB

IF Response Ratio:  90 dB

AM Suppression Ratio:  50 dB

Muting Threshold: 10,0 dBf (1,7 µV)

Stereo Separation:  35 dB (1 kHz); 30 dB (30-15,000 Hz)

Subcarrier Product Ratio:  40 dB

SCA Rejection Ratio:  62 dB

Antenna Input:  300 Ω  (Balanced); 75 Ω  (Unbalanced)

AM Section

Circuitry:  1-stage RF amplifier, 2-gang variable capacitor

Sensitivity:

IHF (Ferrite Antenna) :  300 µV/m

IHF (External Antenna) :  15 µV

Selectivity:  35 dB

Signal-to-Noise Ratio:  50 dB

Image Response Ratio:  40 dB

IF Response Ratio:  70 dB

Antenna:  Built-in ferrite loopstick antenna

Audio Section

Output Level/Impedance

FM (100% Mod.) :  650 mV/3,5 k Ω

AM (30% Mod.) :  150 mV/5,1 k Ω

Semiconductors:  1 FET: 3 ICs: 6 Transistors; 6 Diodes

General

Power Supply:  120 V 60 Hz

Power Consumption:  11 watts

Dimensions (W x H x D):  380 x 124 x 269 mm (14-31/32" x 4-7/8" x 10-19/32")

Weight:  3,5 kg (7 lb 11 oz)


 

Pioneer CT-5 cassette deck

Designed for Easy Operation

The CT-5 is designed for utmost ease of operation and control. Its IC logic-controlled tape transport provides touch operation and direct change of modes. The ALC - Automatic Level Control - may be switched in for fuss-free wide-dynamic-range recording. Music Search lets you find the song you want to hear easily.

The tape transport of the CT-5 is controlled by a logic circuit contained in a specially programmed IC . It determines the sequence in which "events" happen. To set the deck in the appropriate button. And we mean touch, because these are all light-touch mode buttons.

The record/play and erase heads are specially designed to match the exacting requirements of metal tape. Sendust reinforced permalloy is used for the former because of its excellent wear characteristics (over 1,000 abrasive hours of use), its resistance to saturation and its high reliability. The latter is a double-gap ferrite type, especially chosen for its high saturation magnetic flux density and high efficiency.

The bulit-in Dolby-C noise reduction system lets you enjoy truly dynamic musical reproduction, free of audible hiss. A switchable MPX (Multiplex) filter eliminates carrier leakage from a faulty tuner so that noise reduction is achieved correctly. Of note to convenience-oriented recordists are ALC and Music Search. ALC automatically adjust an incoming signal to its optimum level during recording so that on playback the program sounds dynamically full and free of objectionable distortion. If desired, the circuit may be switched out and the correct recording level manually set with assistance from the 6-LED bar-graph level display (one per channel). Music Search is a convenient feature that lets you easily locate the beginning of the program you 're presently listening to or the beginning of the next program.

Borrowed from the more expensive models, are such features as Auto Tape Selector, one-Touch recording and timer-assisted recording/playback.

 


Specifications

Systems:  Compact cassette, 2-channel stereo

Motor:  DC servo motor

Heads: 1 x record/playback Hard Permalloy heads; 1 x Erasing Ferrite head

Fast Winding Time:  approx.. 100 sec C-60 tape

Wow and Flutter:  no more than 0,05% (WRMS)

Frequency Response -20 dB Recording

Normal, LH Tape :  20 - 15,000 Hz (30 to 14,000 Hz ±3 dB)

CrO₂ Tape :  20 - 17,000 Hz (30 to 16,000 Hz ±3 dB)

Metal Tape :  20 - 18,000 Hz (30 to 17,000 Hz ±3 dB)

Signal-to-Noise Ratio

Dolby NR Off :  more than 50 dB

Dolny NR On :  more than 68 dB (Dolby-B); more than 78 dB (Dolby-C)

Total Harmonic Distortion:  no more than 1,2% (0db)

Input Sensitivity/impedance

Mic (L, R) :  0,3 mV/ 10 k Ω 

Maximum allowable Input Sensitivity :  57 mV (Ref. Mic impedance: 250 Ω  - 10 k Ω )

Line (x2) :  50 mV/ 100 k Ω

Maximum allowable Input Sensitivity :  22 V

Output Level/ Impedance

Line (x2) :  450 mV/50 k Ω

Headphones :  65 mV/ 8 Ω 

Maximum allowable Level :  160 mV

Power Supply:  AC 120 V, 220 - 240 V 50/60 Hz

Power Consumption:  23 watts

Dimensions (W x H x D):  420 x 99,5 x 243,5 mm (16-916" x 3-15/16" x 9-9/16")

Weight:  4,5 kg (9 lb 15 oz)


 

Pioneer CT-4 cassette deck

A Basic Cassette Deck

The CT-4 from Pioneer is an exemplary cassette deck for novice recordists. It's loaded with features to facilitate recording and playback. A case in point is its "power-assisted" tape transport, a feature unusual in a deck in this price range.

Despite being Pioneer's least expensive model, the CT-4 offers touch-operated control buttons, not old-fashioned piano-key type levers. Making this feature possible is the "power-assisted" tape transport, an ingenious Pioneer design that exploits the natural inertia of the rotating flywheel to provide power for mode changes. Heavy-duty, pwer-consuming plungers have been entirely replaced by this simple and dependable mechanism.

As in the more expensive model, a special sendust-reinforces permalloy record/play head is combined with a double-gap ferrite erase head to form a perfect match for metal tape. Each features high wear resistance, low distortion and high reliability. Here's a description of some more features that prove that Pioneer's "basic" deck is not so basic. Set the deck in the play mode and touch the fast forward button.

You're automatically whisked to the beginning of the next selection. Touch the rewind button instead of fast forward and you're back at the beginning of the song currently playing. This amazing feature we call "Music Search". Recording begins by merely touching the record button; you don't need to push the play button at the same time. Recording Mute lets you make blanks between selections without touching the record level controls. If you so desire, you can couple this deck with an optional timer to make unattended recordings or wake up to taped music.

Last but far from least, two electronic features make your recordings sound better. One is the Dolby-C noise reduction system that reduces hiss and expands high-frequency response. The other is the 6-LED bar-graph display (one per channel) that warns of impending tape saturation distortion with electronic responsiveness. As you can see, Pioneer expects a lot from even their basics.

 


Specifications

Type: Single cassette tape deck

Track System:  4-track, 2-channel stereo

Tape Speed:  4.76 cm/s

Heads:  1 x record/playback, 1 x erase

Motor:  Electronically controlled DC Servo Motor

Tape Type:  type I (Normal), CrO2, Metal

Noise Reduction:  B, C

Frequency Response:

Normal Tape : 25 - 14,000 Hz

CrO₂ Tape : 25 - 16,000 Hz

Metal Tape : 25 - 17,000 Hz

Signal to Noise Ratio:  57 dB

Wow and Flutter:  0.05%

Total Harmonic Distortion:  1.2%

Input:

Line : 60 mV

Mic :  0.3 mV / 30 k ohm

Output

Line:  450 mV / 50 k Ω

Headphones :  63-90 mV / 8 Ω  

DIN Play/Rec Socket :  12 mV

Power consumption: 16 W

Dimensions (WxHxD): 420 x 120 x 245 mm

Weight:  4.4 kg


 

Pioneer CS-66G loudspeakers

40-watt, 10-inch 3-way speaker system for low-distortion natural sound reproduction

Balanced sound reproduction from  a compact, highly-versatile speaker system is now yours with the Pioneer CS-66G. This smooth, clear-voiced system features three cone type speaker units in a three-way design. Its 10-inch (25 cm) woofer, 6,5-inch (16 cm) midrange and 3-inch (7,7 cm) tweeter reproduce the entire sound spectrum with natural fidelity. Low-distortion/rich performance is assured from any power input up to a maximum of 40 watts , thanks to its high efficiency and sensitivity. This multi-purpose sound system is perfect for use in the average-sized home or office setting for stereo or 4-channel. Its handsome enclosure with walnut grain finish is fitted with a removable, carved wooden grille. Thanks to its compact size, the CS-66G can be placed horizontally or vertically in bookshelf or cabinet-top locations to provide maximum sound dispersion.

 


10-ibch Woofer

A wide range of musical program sources, including those with heavy bass sounds, are handled with ease by the 10-inch woofer in the CS-66G. The so-called "clipping" of low-frequency sound is suppressed to reduce distortion and enhance richness. Since this woofer is especially designed to respond faithfully to signals as low as 35 Hz, it ranks among units in the 12-inch and larger class. It features a large power input capacity and delivers excellent transient response.

6,5-inch Midrange

The brilliance of brass and precision instruments, the richness of the human voice and the all-important middle frequency sound of a full orchestra come through with natural clarity and realism, thanks to the midrange speaker unit in the CS-66G. The back of the midrange is sealed tight to prevent interference with the other two speaker units.

3-inch Tweeter

Distinguished by its fidelity and linear high frequency response characteristics, the 3-inch tweeter in the CS-66G adds a clean, crisp feeling to all music. The overall sound of the CS-66G is further brightened by the exceptionally smooth transient response of this essential unit.

 

Crossover Network

As in all-multi-way speaker systems, the crossover network in the CS-66G goes a long way in determining overall quality. Pioneer has employed selected quality parts, including a large ferrite core, to create a special crossover network to handle the full audio spectrum with a minimum of distortion and damping loss.

Walnut-Grain-Finished Enclosure

The easily-removable, carved wooden grille of the CS-66G permits instant inspection of the interior of this advanced high-fidelity speaker system. The oiled walnut-grain side and end panels of the sturdy enclosure harmonize with any decor.

 


Specifications

Enclosure:  Infinite baffle type

Speakers

1 x 250 mm (10") cone type woofer

1 x 160 mm (6-1/2") cone type mid-range

1 x 77 mm (3") cone type tweeter

Impedance:  8 Ω

Frequency Response:  35 to 20,000 Hz

Sensitivity:  92,5 dB/W/1m

Max. Input Power:  40 watts

Crossover Frequencies:  1,000 Hz and 7,000 Hz

Dimensions (W x H x D):  319 x 551 x 290 mm (12-1/2" x 21-5/8" x 11-3/8")

Weight:  12 kg (26 lb 6 oz)


 

Pioneer SE-L15 headphones

Lightweight Stereo Headphones

The latest ideas in headphone technology are incorporated into our top-of-the-line SE-L15 Lite-Phones. Pioneer's exclusive "Variable Chamber" design, provides rich, full-bodies bass response. A corrosion-free gold-plated plug reduces contact resistance for less signal loss. For your convenience, the SE-L15 is provided with two interchangeable cords, one for portable cassette players and one for home hi-fi systems,. In addition, a muting switch on the cord socket lets you listen to outside sound without removing the headphones.

 


Cross-section Diagram of Variable Chamber Design

  1. Air control path
  2. Damping diagram
  3. Damping mesh
  4. 4 Back air port
  5. 5 Tangential-edge dome diaphragm

 

Specifications

Impedance:  50 Ω

Sensitivity:  101 dB/mW (1 kHz)

Max. Input Power:  100 mW (each channel)

Frequency Range:  10 - 22,000 Hz

Connection Cords:  3 m with gold-plated standard plug, 1,5 m with gold-plated mini plug

Weight:  75 g (2,7 oz) without connection cord


 

Pioneer CS-A500 loudspeakers

3-way Multi-Amp Speaker System

The CS-A500 incorporates an FB (special Paper) 10" cone woofer, a $-3/4" mid-range and 3" tweeter in an infinite baffle enclosure-reproduction is exceptionally clear. It is also provided with inputs for use in a multi-amp system as well as full-range speaker system use. An easy operation level control for mid range and highs is on the walnut front baffle. The cabinet itself, of lustrous walnut, adds a gracious touch to any interior.

 

Speakers

Here is a smooth and powerful speaker system with woofer, mid-range speaker and cone tweeter this combination provides wide frequency response, clean sound, better directivity and transient response.

FB Cone Paper

For particularly fine separation of highs and lows, and improved efficiency, the paper of the speaker cones is manufactured with Pioneer's newly developed "Free Beating" process. Specially selected plant and animal fibres are combined to create a cone paper that ensures lower distortion and higher efficiency.

Level Control

The CS-A500 has a level control for mid-range and high frequencies, to allow acoustic adjustment to your particular room. There are 3 positions: - Increase, - Normal, - Decrease, with a 2 dB difference between steps. This control is on the front baffle, and the grille frame can be removed without tools for easy operation.

Multi-Amp Inputs

In addition to the full-range speaker system inputs, the CS-A500 is provided with inputs for operation in a multi-amp speaker system. You can use your present electronic crossover network, or for best result. Pioneer's electronic crossover network Model SF-700, preamplifier Model S.C.-700 and main amplifier Model SM-700. you have a choice of either a 2-channel or 3-channel multi-amp system with the selector switch on the back of the enclosure.

Crossover Network

One of the most important parts of any 3-way speaker system is the crossover network. To ensure high performance here, the CS-A500 employs the finest quality coil and ferrite core for excellent transient response. And the crossover points are set at lower frequencies for lower distortion and superior directivity. The damping is excellent and it is free from Intermodulation Distortion.

Cabinet

The CS-A500 cabinet is an infinite baffle, bookshelf type of oil-finished walnut - it blends in beautifully with existing decor. Oil-finished walnut is also used for the front baffle, to preserve the handsome appearance even when the grille frame is removed.

 


Specifications

Enclosure: Infinite Baffle enclosure

Mounted Speakers

Woofer :  10" Cone-type woofer

Mid-Range :  4-3/4" Cone speaker

Tweeter:  3" Cone tweeter

Impedance:  8 Ω

Frequency Response:  40 to 20,000 Hz

Sensitivity:  94 dB/wat

Max. Power Input :  50 watts

Crossover Frequency

Low-Midrange :  800 Hz

Midrange - high :  6,000 Hz

When Used In Multi-Amp System

At 2 channel ; 

Low - midrange - high :  500 to 1,000 Hz

At 3 channel :

Low - midrange :  500 to 1,000 Hz

Midrange - high :  4,000 to 6,000 Hz

Dimensions (H x W x D):  570 x 330 x 320 mm (22-1/2" x 13" x 12-3/4")

Weight:  14,6 kg ( 32 lbs)


 

Pioneer SX-9000 receuver

Solid State AM/FM MPX Stereo Receiver

Highest quality, low-noise silicon transistor are used in the advanced circuitry of the new SX-9000, the world's first receiver to include its own reverberation amplifier. There's plenty of power - 240 big watts (at 4 ohms) to handle any program material with ease. Sensitivity is 1,6 µV, a figure that ensures you'll get more stations, more clearly, always. The high-performance SX-9000 isreally versatile; you can use two tape decks with it, two record players, two headsets, two microphones. The microphone mixing feature makes this a receiver that invites your participation, in mono or stereo. You,, too, make music with the SX-9000. there's also a switch for selection of tone colors, in addition to the normal bass and treble controls. Tape-to-tape dubbing is simplicity itself.

The SX-9000 is the receiver that gives you circuitry on a par with professional designs plus the greatest variety of audio enjoyment available anywhere.

 


Features

A Multi-Purpose, Easy-to-Use Design

The SX-9000 was designed to give you a high degree of versatility in operation. You can, for example, use two microphones, tape decks and two headsets, with the SX-9000. all controls are rationally placed for easy use. The circuitry is quite advanced, on a par with professional designs.

Clean-Lined, Contemporary Appearance

The SX-9000 looks good, too. The front incorporates a folding panel that adds to its distinctive design. When in operation, the smoked glass dial window lights up with subdued illumination, and the source also lights up for quick identification.

High Performance Tuner

The SX-9000 employs the latest circuitry, including FET and ICs. The result is a professional receiver of exceptional sensitivity and stability.

Pre-Set Tone Colors

In addition to the normal bass and treble controls, there is a 4-position tone color selector knob. This provides quick switching from "flat" to "soft", "bass" or "vivid". These characteristics are symbolized in an illuminated window in the dial face.

Tape-to-Tape Monitoring

Two buttons on the front panel allow easy, one-touch monitoring of tapes "A" or "B" when you use the SX-9000 to copy directly from one tape to another.

Foolproof Microphone Use

When either microphone knob is set to Off, the unit operates in parallel to provide monophonic signals for both speakers without having to set the mode switch.

Reverberation Effect.

Also included is a reverberation effect knob. The degree of "echo" is easily read in the "Reveberation" window in the dial face.

Special "Overload Protection"

You can play up to three different pairs of speaker systems through the SX-9000 in combinations A, B, C, A+B, A+C, B+C.  If all three are accidentally turned on, however, the "Overload Protection" goes into action and the speakers are automatically shut off.

Earphone versatility

Because the SX-9000 has two "Earphones" output jacks, two people may listen simultaneously with earphones withpout having to go through an accessory junction box.

 


Specifications

Audio Section

Music Power Output

150 Watts total at 8 Ω  (IHF rating)

240 Watts total at 4 Ω

Continuous Power Output (Each Channel Driven)

62 W / 62 W at 8 Ω  (1 kHz)

85 W / 85 W at 4 Ω  (1 kHz)

Continuous Power Output (Both Channel Driven)

50 W / 50 W at 8 Ω  (1 kHz)

60 W / 60 W at 4 Ω  (1 kHz)

Total Harmonic Distortion:  less than 0,5% (at 1 kHz, Continuous power output)

Damping Factor:  30 (at 8 Ω , 1 kHz)

Frequency Response:  10 Hz to 35 kHz ±1 dB

Power bandwidth:  10 Hz to 35 kHz (IHF rating)

Hum and Noise

Phono Mag :  better than 80 dB

Aux :  better than 100 dB

Input Sensitivity/Impedance

Phono Mag 1, 2 :  2,5 mV/50 k Ω

Aux 1, 2 :  160 mV/50 k Ω

Tape Monitor A, B :  160 mV/50 k Ω

Microphone A, B :  1,6 mV/50 k Ω

Main Input :  500 mV/180 k Ω

Output Jacks and Terminals

Pre Output :  500 mV/13 k Ω 

Speakers A, B, C :  4 to 16 Ω

Stereo headphone Jacks A, B

Tape Rec jacks A, B

Tape Rec/P.b. Connector (DIN type)

Equalization Curve:  Phono RIAA

Controls

Bass :  +12,5 dB -14 dB at 50 Hz

Treble :  +9 dB -11 dB at 10 kHz

Filters

Low :  6 dB at 50 Hz

High :  12 dB at 10 kHz

Loudness Contour:  switchable to On-Off +12 dB at 50 Hz +7 dB at 10 kHz, with Volume control set at -40 dB

Reverberation:  easily controllable

Tone Color Switch:  4-position knob for "Vivid", "Bass", "Flat", and "Soft"

Microphone Mixing

Stereo :  through both "A" and "B" channels

Monophonic :  through either "A" or "B" channel

Semiconductors:  41 Transistors; 11 Diodes

FM Tuner Section

Frequency Range:  87,5 MHz to 108 MHz

IHF Sensitivity:  1,6 µV (at 98 MHz)

Capture Ratio:  1 dB (at 98 MHz)

Selectivity:  40 dB (at 98 MHz)

Image Rejection:  90 dB (at 98 MHz)

Signal-to-Noise Ratio better than 65 dB

Antenna Input:  300 Ω  balanced

FM MPX Section

Circuit:  Time-switching type demodulator; FM Mono-Stereo automatic selection

Channel Separation:  40 dB (at 1 kHz)

Harmonic Distortion:  0,8% (at 1 kHz) 100% Mod.

AM Tuner Section

Frequency Range:  525 kHz to 1,605 kHz

IHF Sensitivity:  9,5 µV

Image Rejection:  78 dB (at 1,000 kHz)

Antenna Input:  Built-in ferrite loopstick antenna

Semiconductors:  12 Transistors; 11 Diodes;  1 FET; 5 ICs

Miscellaneous

Power Requirements:  110, 120, 130, 220 and 240 V

Power Consumption:  350 VA (310 W) Max

Dimensions (W x H x D):  522 x 194 x 344 mm (20-9/16" x 7-5/8" x 10-3/16")

Weight:  15,7 (34 lb 8 oz)