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What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





Showing posts with label receiver. Show all posts
Showing posts with label receiver. Show all posts

Toshiba SA-500 receiver

Stereo Receiver Toshiba SA-500 Features:

2-channel FM/AM/FM stereo receiver

Pure-complementary symmetry circuit, OCL output section with balanced two power supply circuit

Coupling condenserless main amplifier

ICs for IF, equalizer and tone control amplifier circuit to assure uniformity of performance between the set

4-gang linear scale tuning condenser for FM

Equalization amplifier for condenser cartridge

MFR tone control with switch-selected hinge points

2 FET's at FM front end

Wood cabinet

 


Specifications

Tuner Section

FM Tuning Range:  88 - 108 MHz

Sensitivity:  1,8 µV 300  (IHF)

Signal-to-Noise Ratio:  66 dB

Capture Ratio:  1,5 dB (IHF)

Selectivity:  80 dB

Image Rejection:  80 dB

IF Rejection:  80 dB

Spurious Rejection:  100 dB

AM Suppression:  50 dB (IHF)

Frequency Response:  20 - 15,000 Hz ±1 dB

T.H.D.

Mono :  0,2% at 400 Hz, 100% modulation

Stereo :  0,5% at 400 Hz, 100% modulation

FM Stereo Separation:  35 dB at 1,000 Hz

19 kHz, 38 kHz Suppression:  50 db

SCA Rejection:  50 dB

Antenna Terminals:  300   / 75  

AM Tuning Range:  530 - 1605 kHz

Sensitivity:  15 µV (IHF)

Signal-to-Noise Ratio:  45 dB

Image Rejection:  70 dB

Selectivity:  30 dB (+10 kHz)

IF Rejection:  70 dB

Over Load:  126 dB (µV) at 1,000 kHz

Total Harmonic Distortion:  1%

Antenna:  Ferrite core antenna, external antenna terminals

Audio Section

Total Music Power (0,4%) :  30 W (4 ); 90 W (each channel driven at 8 )

Total Continuous Power (0,4%) :  70 W (each channel driven at 8 );

Total Harmonic Distortion:  0,4% (at rated or less output)

Frequency Response:  20 - 40,000 Hz ±1 dB (Aux, Input)

Power Bandwidth:  8 - 80,000 Hz (IHF, 0,4%)

Signal-to-Noise Ratio

Phono :  65 dB

Aux :  75 dB

Input Sensitivity/Impedance (for rated output)

Phono :  2,5 mV/47 k (CC 40 mV/70 k )

Tape Play :  150 mV/100 k  

Aux :  150 mV/100 k

Damping Factor:  20 at 8 hm

Tone Controls:

Bass :  ±10 dB at 100 Hz

Treble :  ±10 dB at 10 kHz

Loudness:  +10 dB at 100 Hz, +4 dB at 10 kHz

Residual Noise:  0,8 mV at 8  

Speaker Impedance:  from 4  to 16  

General Section

Controls:  Volume, bass, treble, balance, selector AM/FM-mono / FM-auto / Phono MAG-CC / Aux; Mode Rev/Stereo/L/R/L+R' FM muting, Tape monitor, AFC, 2-ch/4-ch, Loudness, MFR, Tuning

Connector :  13 PIN jack, 2-speaker terminal, 2-AC outlet; DIN connector,  FM-AM antenna connection, headphone jack

Indicator:  FM-ST indicator, FM/AM tuning meter

Semiconductors:  3 ICs; 5 FET, 51 Transistors; 29 Diodes

Power Requirements:  AC 100/120/220/240 V, 50/60 Hz

Cabinet:  natural walnut  cabinet

Dimensions (W x H x D):  450 x 125 x 356 mm (17-5/8" x 4-7/8" x 14")

Weight:  9,5 kg (21 lbs)


 

Toshiba SA-400 receiver

Features:

2-channel FM/AM/FM stereo receiver

IC power output section

FET FM front end

MFR tone control with switch-selected hinge points

 


Specifications

Tuner Section

FM Tuning Range:  88 - 108 MHz

Sensitivity:  2,5 µV 300  (IHF)

Capture Ratio:  2 dB (IHF)

Selectivity:  60 dB

Image Rejection:  50 dB

IF Rejection:  80 dB

Spurious Rejection:  40 dB

FM Stereo Separation:  35 dB

SCA Rejection:  50 dB

Antenna Terminals:  300  / 75  

AM Tuning Range:  530 - 1605 kHz

Sensitivity:  20 µV (IHF)

Image Rejection:  35 dB

IF Rejection:  30 dB

Antenna:  Ferrite core antenna, external antenna terminals

Audio Section

Power Output (each channel driven, Total):

Music Power (IHF) at 0,8% distortion :  30 W (4 ); 37 W (8 ); 20 W (16 )

Continuous Power at 0,8% distortion :  22 W (4 ); 30 W (8 ); 17 W (16 )

Frequency Response:  20 - 40,000 Hz -3 dB

Power Bandwidth:  20 - 40,000 Hz (IHF, 0,8%)

Signal-to-Noise Ratio

Phono :  65 dB

Aux :  75 dB

Input Sensitivity/Impedance (for rated output)

Phono :  3,0 mV/47 k

Aux :  200 mV/100 k

Tape :  200 mV/100 k

Hum

Phono :  50 mV

Aux :  10 mV

Damping Factor:  26 at 8 hm

Tone Controls:

Bass :  ±10 dB at 100 Hz

Treble :  ±10 dB at 10 kHz

Loudness:  +10 dB at 100 Hz

Residual Noise:  0,8 mV at 8  

General Section

Controls:  Volume, bass, treble, balance, selector AM/FM-mono / FM-auto / Phono / Aux

Connector :  Phono; Aux, inputs (phono jack); tape input and output via PIN jacks and parallel, single-connection 5-pin DIN jack; screw terminals for main speakers plus screw terminals for extension speakers; headphone jack; unswitched AC outlet; 300  and 75  FM antenna connection; input and output for 4-channel adaptor

Indicator:  FM-ST indicator, FM/AM tuning meter

Semiconductors:  5 ICs; 1 FET, 7 Transistors; 10 Diodes

Power Requirements:  AC 100/120/220/240 V, 50/60 Hz

Cabinet:  Walnut finished wood cabinet

Dimensions (W x H x D):  420 x 125 x 285 mm (16-1/2" x 4-7/8" x 11-1/4")

Weight:  8,2 kg (18 lbs)


 

Kenwood TK-140X receiver

IC-FET-Solid State AM/FM Stereo Receiver

A delectable treat for the sagacious sound connoisseur; the ineffable TK-140X

Kenwood's superior sensitivity and astonishing selectivity starts with 3 FET's 4-gang tuning condenser, 4 ICs IF circuit super sensitive front-end. Sensitivity of the TK-140X is a remarkable 1,7 microvolt - but even more important is Kenwood's selectivity, especially in major metropolitan areas. Where there are two FM stations on the same frequency, a mere 1 dB difference is all that is necessary for the TK-140X to capture one station and utterly reject the other.

The abundant power  - 200 watts - of the TK-140X permits you to drive the least efficient speaker systems with ample power to spare, (in fact, the Kenwood TK-140X gives you two sets of stereo speaker outputs, plus stereo headphone jack.)

But most important is the way the TK-140X reproduces music. Every delicate little tone, every subtle note, every nuance of the original sound is clean, pure, crisp and transparent.

 

New Luminous-Dial

The dial of the Kenwood TK-140X is new. Even the large tuning meter with stereo indicator is new. When the set is on, the dial illuminates in a beautiful blue hue, with every FM and AM frequency clearly visible. Turn the set off, and all the numbers disappear leaving an elegant opaque decorator panel.

200 Watts Undistorted Music Power

Kenwood invites comparison of the TK-140X's power amplifier output characteristics against those of any other stereo tuner-amplifier. The figures should speak for themselves in the TK-140X's favor. It delivers 200 watts in music power at 4 ; 170 watts at 8 , IHF standard. Also in terms of continuous power: 80watts/80 watts at 4 ohms; 60 watts/60 watts at 8 ohms. Distortion factor at rated output; less than 0,5%. Power bandwidth: 15 Hz to 30,000 Hz. These superior specifications are the result of special complementary Darlington circuits and heavy duty silicon transistors, both in its driver and power amplifiers. These silicon transistors also assure long lasting, excellent performance.

FET, Supersensitive Front End

The TK-140X boasts an FM Front End that also vies comparison with the most expensive FM Tuners. Take the 3 FET used in two stages of RF amplification, and the Mixer. Also the 4-gang variable capacitor, and stable oscilator, (Frequency drift within 0,015% over temperature variations between -10 to 50 Centigrade). They all add up to a super-sensitive, distortion-free FM front end with selectivity characteristics that are hard to beat. Sensitivity (IHF): 1,7 µV. Image Rejection, Cross Modulation, IF Rejection; all better than 100 dB. Alternate Channel Selectivity: 45 dB. T.H.D. less than 0,5% at 400 Hz, 100% modulated signal.

The TK-140X has an FM antenna coupling transformer which provides perfect matching at its 75 . Input for single wire or coaxial cable antenna leading, or at its 300 . Input for parallel feeder lines. This eliminates any possibility of line-to-tuner coupling losses due to impedance mismatch.

New Integrated Circuits

Use of new , high-gain Integrated Circuits (IC) in all 4 IF Amplifiers has permitted the TK-140X's Limiter Circuit to react to extremely minute input voltages. This has LED to the exceptional Signal-to-Noise Ratio of better than 65 dB and an FM Capture Ratio of 1,0 dB. This means that where there are two FM stations on the same frequency, a mere 1 dB difference is all that's necessary to capture one station and utterly reject the other.

 


Specifications

Amplifier Section

Total Music Power (IHF):  200 watts at 4 ; 170 watts at 8

Continuous Power (IHF)

Each Channel Driven :  80/80 watts at 4 ; 60/60 watts at 8

Both Channel Driven :  53/53 watts at 8

Total Harmonic Distortion :  less than 0,5% at rated output

Intermodulation Distortion : less than 0,5% at rated output (less than 0,2% at -3 dB rated output)

Frequency Response:

Main Input :  8 Hz to 120,000 Hz ±1,5 dB

Aux Input :  20 Hz to 30,000 Hz ±1,5 dB

Power bandwidth (IHF):  15 Hz to 30,000 Hz

Channel Separation:  better than 50 dB

Input Sensitivity (for rated output)

MAG :  2,0 mV

Tape HD :  2,2 mV

Aux :  160 mV

Tape Play (Pin) :  160 mV

Tape Play (DIN) :  160 mV

Main :  100 mV

Recording Output:  160 mV (Pin); 32 mV (DIN)

Maximum Input Signal (at mag Input):  180 mV (p-p 1,000 Hz)

Hum and Noise (below rated output):

Phono Mag :  65 dB

Tape HD :  63 dB

Aux :  75 dB

Tape Play :  75 dB

Noise at minimum volume control :  less than 1,5 mV at 8  or 0,28 micro watts (83 dB)

Damping Factor:  28 at 8  (Output impedance of speaker terminal is 0,286 )

Speaker Impedance: 4, 8 and 16 ohms

Controls

Bass :  ±10 dB at 100 Hz

Treble ;  ±10 at 10,000 Hz

High Filter ;  3,000 Hz cut-off

Low Filter ;  200 Hz cut-off

Loudness Control:  +6 dB at 100 Hz, +2 dB at 10 kHz ( at -30 dB)

Output Switch:  Power off, A speaker, B speaker, A+B speakers and Phones

Mode Switch:  left, Right, Stereo, Rev., Mono

Selector Switch:  AM, FM Auto, Phono, Tape HD & Aux

Keyboard Type Switch:  Loudness, tape Monitor, Muting, Low Filter and High Filter

Outputs:  2 pairs of stereo speaker terminals, Center channel output (low level), Pre-amp, output, Tape recording output, headphone jack , AC outlet

FM Tuner Section

Antenna Impedance:  300  balanced, 75  unbalanced

Sensitivity (IHF): 1,7 µV

Total Harmonic Distortion:  less than 0,5% 400 Hz 100% mod.

Signal-to-Noise Ratio:  better than 65 dB

Capture Ratio:  1,0 dB

Image Rejection:  better than 100 dB

Cross Modulation Ratio:  better than 100 dB

IF Rejection:  better than 100 dB

Selectivity (Alt. Channel):  45 dB

Stereo Separation:  better than 35 dB at 1,000 Hz

FM IF Stage:  4 ICs

FM Front End:  3 FETs 4-gang tuning condenser

Inter-Station Muting:  keyboard switch

FM Spurious Radiation:  less than  34 dB (50 µV)

AM Tuner Section

Sensitivity (IHF):  15 µV at 1,000 kHz

Image Rejection:  90 dB at 1,000 Hz

Selectivity:  better than 25 dB

Semiconductors:  4 ICs; 3 FETs; 52 Transistors; 35 Diodes; 5 Thermister

Power Requirements:  100 - 120 V, 220 - 240 V 50/60 Hz

Power Consumption:  250 watts at full power 34 watts at no signal

Dimensions (W x H x D):  16-1/2" x 5-1/2" x 12-1/4"

Weight:  28,5 lbs (net)


 

Kenwood KR-6170 receiver

Jumbo Stereo Receiver KR-6170

High fidelity, to most people, still means authentic reproduction of broadcast or pre-recorded sound. A sophisticated electronic device for increasing one's listening pleasure. Advent of Kenwood's epoch-making KR-6170 Jumbo Stereo Receiver, however, has completely changed this concept. Stereo today is for playing as well as for listening. A completely new field of stereo enjoyment. Play or practice your favourite musical instrument to the accompaniment of Electronic Rhythm Composer which produces 12 different rhythms. Five electronic percussions are also at your beck and call. It can make your party. But that's not why it's a Jumbo

KR-6170 is also equipped with Reverberation Unit; Echo-Sound Output terminals for 4-channel reproduction; 4-sets of speaker terminals (A, B, C, D and any combination0; 2-Hour Timer for automatic shut-off; 2 jacks for both Guitar and Microphone (with Mike-Mixing Volume Control); 2 pairs of tape Monitor circuits; Foot-Start Switch for Rhythm Composer and Dynamic Mike; etc.

All this housed in a single Jumbo unit with a power output of 180 watts. This is the New Stereo, geared to listening and playing pleasure.

 

Reverberation Unit

The KR-6170 features exclusive Reverberation Unit offering echo effect. Thanks to the strictly selected materials for spring and damper. It has no unnaturalness. The reverberating time can be controlled up to maximum 2 seconds by the Level Adjustor.

The another extraordinary feature is Reverberation Mode Switch which enables selecting input sources to be reverberated. At "source" position the reverberation is added to all the sources. Guitar, Microphone and Rhythm can be independently reverberated. The listening and playing pleasure is greatly enhanced.

 


Electronic Rhythm Composer

12 different rhythm varieties can be produced by 5 electronically composed percussions. KR-6170 has clearly changed the concept of a receiver with adding the enjoyment of "play along" besides that of listening. The built-in features are:

Tempo Control - offering tempo variety slow to quick

Rhythm Mode Switch - reproducing mode of a rhythm is selectable according to the situation

Rhythm Tone Control - booth of high and low tone volume can be independently increased or decreased in order to obtain the most suitable rhythm balance

Rhythm Selector - by the pushbuttons 12 rhythms are selectable

Foot Switch - as an accessorised part the foot remote pedal is attached for easy use while the hands are occupied.

 


Specifications

Continuous Power Output:

50/50 watts each channels at 4  

40/40 watts each channels at 8

Total Harmonic Distortion :  0,5% (at rated); 0,1% (at -3 dB rated)

Intermodulation Distortion:   0,5% (at rated); 0,2% (at -3 dB rated) 

Frequency Response:

High Level (Aux) Input :  20 - 40,000 Hz ±1,5 dB

Power bandwidth (IHF):  17 - 30,000 Hz

Input Sensitivity/Impedance (for Rated Output)

Phono 1, 2 :  2,5 mV/50 k

Mic :  2,0 mV/10 kohm

Guitar :  15 mV/30 k

Aux 1, 2 :  150 mV/100 k

Tape Play A, B :  150 mV/100 k

Main Input :  100 mV

Hum and Noise

Phono 1, 2 :  65 dB

Mic :  58 dB

Aux, Tape Play :  75 dB

Damping Factor ( at 8 ):  50

Speaker Impedance: 4 - 16

Multi Presence Control:  Selector-Defeat/Loudness (at 100 Hz ; +10 dB, at 10,000 Hz ; +5 dB)/Tone/Jazz/Vocal/Mood

Bass Control:  ±10 dB at 100 Hz

Treble Control:  ±10 dB at 10,000 Hz

Electronic Rhythm Composer Section

Rhythm Selector: 1 - March; 2 - Fox Trot; 3 - Rock; 4 - R & B; 5 - Ballad; 6 - Shuffle; 7 - Boss nova 1; 8 - Boss nova 2; 9 - Latin Beat; 10 - Mambo; 11 - Waltz; 12 - jazz Waltz

Electronic Percussions:  5 different Sounds

Rhythm Mode Switch:  Left, Right; stereo, Reverse, Mono

Start Switch:  Off, Start

Tempo Control:  Slow to Quick

Rhythm Tone:  Low-bass Drum Level; high High Hat, Claves Level

Reveberation Section

Level Control:  0 to 2 seconds

Mode:  Off-source-Guitar-Mic-Rhythm

Timer Section:  2 hours

General

AC Outlets:  Switched x 1 ; Unswitched x 2

Power Requirements:  110 -120 V, 220 - 240 V, 50/60 Hz

Power Consumption:  at full power 240 watts, at no signal 45 watts

Dimensions (W x H x D):  552 x 171 x 425 mm (21-3/4" x 6-3/4" x 16-1/4")

Weight:  16 kg (35,2 lbs)


 

Harman/Kardon 930 receiver

Twin powered AM/FM and Stereo FM solid state receiver

Harman/Kardon engineering skill has been incorporated into a superb receiver; the 930. we say with full confidence that the Harman/Kardon 930 creates a new standard for stereo high fidelity receivers

 

The twin-powered amplifier section

The Harman/Kardon 930 is the first receiver in the world with two totally separate power supplies. Several manufacturers imply that their receivers incorporate two power supplies in reality, they employ a single supply with negative and positive voltages. The 930 also employs negative and positive voltages But, in addition, each chabnnel is completely isolated and has its own power transformer and electrolytics. Each channel has its own regulated voltages to permit that channel to respond to full RMS power output without being affected by the other channel. Thus, the 930 guaranteed flawless performance regardless of how much power the amplifier is called upon to deliver.

 

Power rating

Power rating is one of the most abused specifications in high fidelity. Despite the existance of standard procedures, it is often the manufacturer who determines the conditions under which power is rated. Harman/Kardon engineers believe that Continuous power, calculated from TMS voltage measurements, is the only meaningful way to rate power output.

But such a rating is still insufficient. Firstly, Continuous power output must be measured with both channels driven simultaneously at a specified distortion level. Secondly, the load impedance and power line voltage at which the measurement was taken must be given.

Finally, the measurements should be made across the entire frequency spectrum, rather than at 1,000 Hz. In short, the conditions under which the receiver is measured should be similar to those under which it will be used.

 

The preamplifier.

The 930's preamplifier delivers a signal so pure that its distortion cannot be measured with any degree of accuracy, even on the most sophisticated analysers. Only professional separate components can match this preamplifier section's hum noise and frequency response specifications.

One of the most important specifications of any high quality preamplifier is that of phono overload. The 930 specification is equal to or better than that of any receiver available. The 930 preamplifier can handle an input signal 50 times greater than that required to drive it to full output. This makes it virtually impossible to distort the preamplifier output.

What is more, absolute accuracy in playing back stereo records is assured as a result of the extremely tight tolerance of the RIAA playback curve.

 

The Tuner section

The tuner section of the 930 is a worthy companion to its superb amplifier. It employs high gain integrated circuits and matched ceramic filters. The result is hard limiting and excellent alternate channel selectivity. Hard limiting permits the detection of all FM stations - weak or strong - with equal clarity. Noise and distortion are completely eliminated. What's more, the excellent capture ratio and alternate channel selectivity mean that even weak stations will emerge free of interference from adjacent strong stations, impulse noise, and multipath interference. Precise alignment of the IF section is "frozen" into the circuitry and never requires realignment.

An FET front end, coupled with a four ganged tuning capacitor assures maximum sensitivity. The ultra-linear ratio detector delivers a precision composite signal to the multiplex section. Thus, even the highest frequencies are free of distortion.

The multiplex section employs balanced integrated circuitry which completely cancels SCA interference and high frequency phase distortion. It maintains maximum stereo separation throughout the entire audio range.

The FM muting circuit is of unique design which provides a smooth-as-velvet muting transition. In reality, it's simply go, no-go muting.

In short, the tuner section of the 930 assures unsurpassed sensitivity and selectivity and achieves a degree of excellence on a par with the receiver's amplifier.

 


Specifications

Amplifier Section

Power Output:  45/45 watts, RMS , both channels driven into an 8  load, from 20 - 20,000 Hz at less than 0,5% T.H.D. 120 volts, 50/60 Hz AC (same specification applies to 220 volts, 50 Hz model)

Power Bandwidth:  From less than 10 Hz to beyond 40 kHz at less than 0,4% T.H.D. into 8 , both channels driven simultaneously.

Total Harmonic Distortion :  less than 0,5% at 45/45 watts. Power output into 8 , 20 - 20,000 Hz, both channels driven simultaneously (typically runs 0,2% from 20 - 20,000)

00,7% (10 - 40,000 Hz) at 1 watt both channels driven simultaneously

Intermodulation DIstortion :  Less than 0,15% at full rated output

Input Sensitivity:  1,5 volts for full output

Hum and Noise:  better than 85 dB below rated output (Unweighted)

Damping Factor:  30:1 below 20 Hz

Input Impedance:  33,000

Frequency Response:  From below 4 Hz to beyond 70 kHz ±0,5 dB at normal power levels. From below 1 Hz to beyond 100 kHz ±1,0 dB at normal power levels

Square Wave Till:  less than 5% at 20 Hz. Typical tilt is less than 2%

Square Wave Rise Time:  less than 2 microseconds

Stability:  Absolutely stable with all types of speakers including electrostatic

Preamplifier Section

Audio Output:  0 to 2,5 V, RMS, minimum

Frequency Response:  from below 3 Hz to above 100 kHz ±0,5 dB

Total Harmonic Distortion :  less than 0,05% at 2 V output, 20 - 20,000 Hz

Square Wave Tilt:  less than 5% at 20 Hz, Typical 2% at 20 Hz

Square Wave Rise Time:  less than 1,5 microseconds

Noise (Unweighted): 

Low level:  65 dB below 2 volts at 10 millivolts input reference.

High level:  80 dB below 2 volts, Volume control wide open

Residual :  90 dB below 2 volts

Input Impedance: 

Phono :  47 k

Aux :  20 k

Output Impedance:  less than 1,000

Phono Overload:  90 millivolts

Tone Controls:  ±12 dB boost and cut, bass and treble

Tuner Section

FM sensitivity:  1,8 mV , IHF

Limiter Saturation:  less than 1,5 mV

Ultimate Signal-tonoise:  70 dB

Capture Ratio:  less than 2 dB

Alternate Channel Selectivity:  better than 50 dB

Image Rejection:  90 dB

Spurious Response Rejection:  90 dB

IF Rejection:  90 dB

Fundamental Plus Half IF:  90 dB

AM rejection:  better than 60 dB

Level Meter Sensitivity:  50 mV (25%); 1000 mV (100%)

Audio Frequency Response :  Below 15 Hz to beyond 30 kHz ±1,0 dB

Total Harmonic Distortion :

Mono :  0,5%

Stereo :  0,6%

Multiplex Separation:

100 Hz :  33 dB

1 kHz :  38 dB (40 dB typical)

10 kHz  :  30 dB

Antenna Impedance:  75 and 300

AM Loop Sensitivity:  better than 200 mV /1m

Selectivity:  35 dB average of lower and upper selectivities

Image Rejection:  better than 60 dB

IF Rejection:  better than 60 dB

Dimensions (W x H x D):  432 x 349 x 120 mm (17" x 13-3/4" x 4-3/4")

Weight:  13,1 kg (29 lbs)


 

Tandberg TR-1040 receiver

The FM Receiver

The FM receiver has MOSFET transistors giving good reception for weak and strong stations. Extra linear phase response and high selectivity with 4-pole ceramic filters. A good performance is obtained from the integrated IF amplifier and detector. The FM stereo decoder has integrated circuits that include a phase-locked-loop oscillator giving good channel separation over the complete frequency range. The stereo decoder has automatic or manual change-over between mono and stereo. Active filters remove the stereo systems pilot tone and auxiliary carrier wave. Precise tuning is easy with the two large tuning meters, a big advantage, especially with stereo transmissions. The FM receiver is equipped with a muting circuit that removes inter-station noise.

 

Power amplifier

The amplifier has been designed to handle extremely heavy loads. Automatic protection circuits keep watch over it constantly. tR-1040 has a direct coupled, short-circuit proof output stage. Complementary output transistors give very low distortion. An electronic controlled relay protects the loudspeakers from accidental d.c. damage. Automatic thermal protection disconnects the amplifiers if they are overheated (from bad ventilation) and connects them again immediately the temperature has fallen.

 

Pre-amplifier

The pre-amplifier is designed for a transcription unit or record player with a magnetic pick-up. All the inputs are adjustable. Three effective filters (1 Low and 2 High) attenuate disturbing noise from program sources. An extra refinement is the separate bass and treble controls for each channel which permits equalization for bass and treble differences resulting from asymmetrical positioning of loudspeakers.

 


Specifications

Audio Section

Power Output:  average continuous sinewave power is 40 watts minimum rms per channel, both channels driver into 8 ohms load, from 20 to 20,000 Hz with no more than 0,2% t.h.d from 1/4 watt to 40 watts as specified herein.

Total Harmonic Distortion :maximum 0,2% at any power from 1/4 watt up to rated power.

Intermodulation Distortion:  0,2%

Damping Factor:  50 at 8 , 20 - 20,000 Hz

Frequency Range:  Linear inputs from 7 to 70,000 Hz (-1,5 dB)

Controls

Treble :  ±15 dB at 10,000 Hz

Loudness Comp. : +7 dB at 10,000 Hz

Bass :  ±16 dB at 50 Hz

Loudness Comp. : +12 dB at 50 Hz

Low Filter:  -3 dB at 70 Hz (-12 dB /oct.)

High Filer 1 :  -3 dB at 8000 Hz (-12 dB/octave)

High Filter 2 :  -3 dB at 8000 Hz (-6 dB /octave)

Channel Separation: 

Phono :  52 dB (at 1 kHz)

Tape :  56 dB (at 1 kHz)

Signal-to-Noise Ratio (IHF)

Phono :  68 dB

Tape 1, 2 :  82 dB

Sensitivity:

Phono :  1,8 to 6,0 mV

Tape 1, 2 :  130 to 500 mV

Main Amplifier Sensitivity:  200 mV

Input Impedance :  10 k

Outputs

Tape 1 and Tape 2 Outputs (Unloaded)

DIN Socket :  200 mV

Phono Socked :  1 V

Pre-Amplifier Output:  1 V / 1 k  

FM Section

Tuning Range:  87,5 to 108 MHz

Sensitivity IHF:  2,0 µV at 300

50 dB Quieting:  3,5 µV at 300

Selectivity:

Carrier down (alternate channel) 100 dB at ±400 kHz

IHF Dynamic (alternate channel) 80 dB at ±400 kHz

Carrier Down  (adjacent channel) 40 dB at ±200 kHz

IHF Dynamic  (adjacent channel) 10 dB at ±200 kHz

Spurious Response:  better than 95 dB

Capture Ratio (at 1 mV ant. volt, selectively measured):  0,9 dB

Total Harmonic Distortion (at 100% modulation)

Mono :  0,2%

Stereo :  0,3%

Channel Separation (at 100 Hz to 10,000 Hz, selectively measured):  better than 40 dB

Pilot Tone Suppression: better than 68 dB

38 kHz Suppression:  better than 60 dB

SCA Suppression: better than 70 dB

General:

Main Voltage:  120 V (Internal Connections for 120/220/240 V ) 50/60 Hz

Dimensions (W x H x D):  440 x 132 x 310 mm (17-1/2" x 5-3/16" x 12-1/4") + knobs 20 mm (3/4")

Weight:  9 kg (20 lbs)


 

Rotel RX-802 receiver

We've the fine wood-grain cabinet off of the RX-802 to give you a perfect picture of what performance in a high-quality AM/FM stereo receiver looks like. So see for yourself. It's all here. A masterful blend of the very latest circuitry. Low-noise, long-life silicon transistors integrated circuits. An AM/FM front end that's out front in sensitivity and performance. A power amplifier section that's - well, we'll let you decide for yourself what it is after hearing the giant 6,800 mfd block capacitors in action. And an advanced NF and IC equalizer amplifier. This and more, all within the good looking RX-802 enclosure. And all there for one reason. To give you the most satisfying experience in stereo dynamics that you've had to date. Inside and out, the RX-802 is not only the sweetest looking receiver on the music market, it's the sweetest sounding sweetest looking.

 

The performance begins here

With a high-performance, high-sensitivity FM front end. The RX-802 has dual-gate MOS FET's and a 4-gang linear-frequency tuning capacitor, the latter largely contributes to sensitivity and performance which you will translate directly into musical enjoyment. If you.ve thought all along that all receivers were basically the same, you'll stop where RX-802 performance begins.

 


FM IF and AM IF sections

In the FM IF section, 2 high-gain ICs housing 6 differential amplifiers and two linear-phase ceramic filters get together to achieve brilliant selectivity and rejection characteristics. In the AM IF section, a hard working ceramic filter provides equally efficient selectivity. Together with an RF stage in the AM front end, the sum of RX-802 AM features is performance that perks up all ears, no matter how tired.

 

A tower of power

A stable, split-power supply high-lights the amplifier section, which includes to 6,800 midblock capacitors and an oversized power transformer. That's a lot of satisfaction. It's also a lot of power which the RX-802 maintains constantly. This section also has directly-coupled OCL complementary circuitry to keep the power up and the distortion down, from one end of the audio spectrum to the other - 50 watts per channel, min. RMS, both channels driven simultaneously into 8 ohms from 20 to 20,000 Hz with no more than 0,5% Total Harmonic Distortion. And "steady she goes" doesn't only apply to ships. Now it describes the dampening factor and output characteristics which achieve superb transient response throughout the very low frequency range.

 

NF and IC equalizer amplifier

Genuinely outstanding RIAA characteristics are achieved through low-distortion, directly coupled NF (negative Feedback) circuitry combined with high voltage IC. Reproduction is more transparent than ever before. And added bonus is that tone control circuitry benefits from the same directly coupled NF circuitry.

 

PLL MPX section

Phase Lock Loop integrated circuitry and other new circuitry innovations in the MPX section result in improved stereo separation and frequency response. Distortion goes way down and stays there.

 


Specifications

Amplifier Section

Continuous Power Output (min. RMS)

50 watts per channel, both Channel Driven into 8  from 20 to 20,000 Hz with no more than 0,5% t.h.d

60 watts per channel, both Channel Driven into 8 at 1 kHz with no more than 0,5% t.h.d

Harmonic Distortion:  less than 0,05% (8 , 1 kHz, 90% rated power)

Intermodulation Distortion :  less than 0,15% (8 , 90% rated power)

Power Bandwidth (IHF):  5 to 50,000 Hz (8 )

Frequency Response:  10 to 100,000 Hz ±3 dB, 1W/1W

Damping Factor:  40 (8 , 1 kHz)

Input Sensitivity/Impedance:

Main IN :  100 mV/ 34 k

Tape Monitor :  140 mV / 26 k

Aux 1, 2 :  140 mV / 26 k

Phono 1, 2 :  2,4 mV / 40 k

Tape Output Level:  280 mV/ 1,7 k

Phono Overaload:  150 mV (1 kHz)

Phono Equalization:  RIAA standard ±0,5 dB

Controls

Bass :  ±10 dB at 100 Hz

Treble :  ±10 dB at 10 kHz

Loudness Contour:  ±6 dB/100 Hz +4 dB/10 kHz

Crosstalk:  50 dB / 10 kHz

Hum and Noise (Continuous Power Output)

Phono :  65 dB

Tape :  80 dB, Residual 0,5 mV

Speaker Impedance:  4 to 16 ohms

FM Tuner Section

Frequency Range:  88 to 108 MHz

Sensitivity (IHF):  1,5 microvolts

Signal-to-Noise Ratio :  70 dB

Harmonic Distortion: 

Mono :  0,2%

Stereo :  0,4%

Selectivity:  80 dB ±400 kHz

Capture Ratio:  1,0 dB

Stereo Separation:  40 dB at 100 Hz, 40 dB at 1 kHz, 35 dB at 10 kHz

IF Rejection:  100 dB

Image Rejection:  100 dB

Spurious Response Rejection:  100 dB

SCA Suppression:  70 dB

AM Suppression:  55 dB

AM Tuner Section

Frequency Range:  520 to 1650 kHz

Sensitivity:  15 microvolts

Selectivity:  50 dB ±10 kHz

IF Rejection:  80 dB

Image Rejection:  80 dB

Signal-to-Noise Ratio:  55 dB

General

Power Requirements:  AC 100, 120, 220, 240 V, 50/60 Hz

Power Consumption:  450 W max

Dimensions (W x D x H):  24" x 15" x 5-3/8"

Weight:  13,5 kg (35,2 lbs)