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What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





Visualizzazione post con etichetta McIntosh. Mostra tutti i post
Visualizzazione post con etichetta McIntosh. Mostra tutti i post

McIntosh XL10 loudspeakers

The XL10 is a three way loudspeaker system with two active drives and one passive. It can accurately reproduce a three dimensional sound space with smooth response. The McIntosh anechoic chamber provided the ability to adjust response, amplitude and arrival time. As a result, the XL10 can recreate stereo sound for you with full depth and spaciousness.

The XL10 has a one inch dome tweeter, a carefully matched, high power handling eight inch woofer and a ten inch controlled mass passive radiator. It has an extensive and meticulously designed crossover network.

The eight inch woofer has a copper wire voice coil wound on a black anodized aluminum voice coil form. This form, radiates heat effectively. Excessive heat is always destructive to electronic circuit elements so this design feature is very important to the long life of the XL10. the windings are attached with a high temperature, thermal setting adhesive.

The voice coil assembly is joined directly to the rigid cone. It moves in the magnetic field of a critically sized magnet and magnet structure. This assembly is cantered and suspended in the magnetic field by a special cloth spider. The compliance of the spider is controlled by the careful impregnation of the cloth with phenolic resins. Diligent engineering, decades of experience and continuous testing determined the selection of the right mass of the cone assembly to ideally match the energy capability of the magnetic structure. The total of the cone, voice coil, and suspension assembly is attached to the speaker basket with a critically formed, closed cell urethane surround.

The inch passive radiator has an accurately adjusted moving mass and compliance which complements the design characteristics of the eight inch woofer and the volume of air in the Xl10 enclosure. In the lower bass frequency range, this rigid cone is driven in phase, acoustically, by the woofer, extending the system acoustic output. The cone assembly is attached to the speaker basket by a special cloth spider and a closed cell surround.

The one inch high frequency dome tweeter is made of a specially formulated textile which is driven by a copper wire voice coil wound on a high temperature voice coil form. The assembly is centered and suspended in the magnetic field by a special surround. Both dome and surround are coated with a proprietary material to make an air tight seal. The surround is connected to an intermediate ring which is fastened to the magnet assembly.

The frequency directing crossover network directs all musical information below a designed frequency to the woofer and all frequencies above to the dome tweeter. The McIntosh crossover network, however, has additional tasks to perform. It must smooth the response in the active area of sound. A loudspeaker that can deliver ideal depth, spaciousness and three dimensional sound space, requires a crossover network that is a product of particular and comprehensive examination of the multitude of mathematical potentials to include the exact circuit components in order to provide smoothest response and correct arrival time. Exhaustive measurements in the McIntosh Full Sized Anechoic Chamber assures the exactness of the circuit and of the components selected for the crossover.

 


Specifications

Frequency Response:  45 Hz - 20,000 Hz

Max. Power:  the XL10 can be driven with peaks up to 200 watts but the high frequency fuse may occasionally blow.

Woofer :  100 watts program noise

Tweeter :  60 watts program noise

Minimum Power:  As little as 30 watts can be used for smaller rooms and lower listening levels. An adequate power reserve is recommended, however, to handle occasional peaks. Most damage to speaker system is from underpowered amplifiers driven into clipping. McIntosh amplifiers equipped with Power Guard automatically prevent clipping.

Impedance:  8 Ω  nominal

Fuse protection:  the tweeter is protected by an 0,6 amp fast acting fuse. Replace only with the same type and rating. Do not use Slo-Blo fuses.

Reference Output Level:  89 dB at 1 m and 1 watt input

Crossover Frequencies:  90 Hz and 1 kHz

Speaker Sizes

1 x 254 mm (10") lower bass PR

1 x 203 mm (8") bass driver

1 x 25,4 mm (1 ") dome tweeter

Construction:  19 mm (3/4") high density particle board with airtight glueing and internal bracing

Dimensions (H x W x D):  632 x 361 x 201 mm (24-15/16" x 14-3/16" x 7-13/16")

System Weight:  12,5 kg (27,5 lbs)


 

McIntosh C-30 preamplifier

The McIntosh C 30 Preamplifier

McIntosh continues research into user desires consistent with high quality music reproduction.

Engineering that is aggressively inquisitive in the search for better ways to bring these user dictated requirements to a technologically superior, innovative and clearly useful result.

Appearance design that has long life, complements the living style, is complimentary to the owner, and is made of materials, whose characteristics permit a like new always appearance.

Easy, to operate; the unique McIntosh designed panels are always easily readable in your choice of home lighting. They are obviously designed by human beings for human beings.

Manufactured of carefully specified and selected component parts that have high quality and long predicted life.

Assembled by highly trained craftspeople who are dedicated to quality, accuracy and perfection.

Thorough verification of the desired capabilities and quality of performance by constant and complete setting throughout the entire manufacturing process.

Here is the latest advanced technology instrument that adds to the already formidable McIntosh reputation.

Five separate tone shaping controls provides musical spectra tone shaping. Each control adjusts two octave band segments to satisfy your personal preference or the demands of the program material. At the detent in the center of the rotation of each control the equalizer circuits are disconnected, completely removed from the operating circuits.


 

Loudness controls in ordinary equipment are usually simple, passive circuits connected to a portion of the rotation range of the volume control. As a consequence, loudness compensation accuracy is dependent on many variables such as speaker efficiency amplifier gain and differences in input level. The C30 loudness control is continuously variable, operates independently of the volume control, and its contour is accurately modelled after the family of "Equal Loudness" curves developed by Drs. Fletcher and Munson.

Ideal volume control tracking accuracy and noise free performance are two of the considerable benefits of the McIntosh Precision Step Attenuator. It is a thirty-two step, 70 dB range control with unheard of tracking accuracy within 1 dB. The extreme accuracy is obtained through special electronically controlled resistance element trimming. The accuracy and quiet operation are maintained because the switch commutator touches only the switch contact pad and not the precision resistor elements.

Headphone loudness is adjusted using the same type of Precision Step Attenuator. The loudness of the program when using headphones is controlled by this front panel control. The control adjusts the output to the headphone jacks only and does not affect the program loudness from the loudspeakers. Then, while wearing the headphones, adjust the headphone level controls to the desired loudness level.

The appearance of a McIntosh speaker eloquently of precision, quality, premier performance and long, trouble-free life. Consider the construction and materials used in the front panel and knobs. Each constituent part is selected for long, wear-resistant life and stable attractive styling. The panel itself is select white flint glass, free from bubbles, flow marks and other faults. It is silk screened on the reverse side with thermal setting epoxy screen inks which practically become a part of the glass. Then it is built into a brightly polished and anodized frame. The knobs used are meticulously machined of solid aluminum then anodized and thermally isolated.

 


Specifications

Frequency Response:  20 - 20,000 Hz +0 -0,5 dB

Max. Voltage Output: 

Main and Tape Output :  10 V from 20 - 20,000 Hz

Line/Headphone Output :  9 V (1,3 V with 8 Ω  headphones) from 20 - 20,000 Hz

Total Harmonic Distortion :  0,007% max. 20 -20,000 Hz at 2,5 V rated output

Sensitivity

Phono :  2 mV for 2,5 V rated output (0,4 mV IHF)

High Level :  200 mV for 2,5 V rated output (40 mV IHF)

Signal-to-Noise Ratio

Phono :  90 dB below 10  mV input (84 dB IHF)

High Level :  100 dB below rated output (86 dB IHF)

Maximum Input Signal

Phono :  100 mV

High Level :  10 V

Input Impedance

Phono :  47 k Ω  and 65 pF capacitance

High Level :  22 k Ω

Voltage Gain

Phono to Tape :  40 dB

Phono to Main :  62 dB

Phono to Headphone/line :  58 dB (51 dB with 8 Ω  headphones)

High Level to Tape :  0 dB

High Level to Main :  22 dB

High Level to Headphone/Line :  28 dB

(11 dB with 8 Ω  headphones)

Equalization Control:  Variable 12 dB boost to 12 dB cut at center frequencies of 30, 150, 500, 1500, 10 k Hz

LF-HF Filter:  Flat or roll-off at 12 dB per octave below 50 Hz and above 7,000 Hz

Semiconductor Complement:  28 Bipolar Transistors; 66 Field Effect Transistors; 15 Integrated Circuits; 91 Diodes; 1 Silicon Controlled Rectifier (SCR)

Power Requirements:  120volts, 50/60 Hz , 25 watts

Weight:  8,2 kg (18 pounds) net


 

McIntosh C-100 preamplifier

Controller and Preamplifier

 

The McIntosh C100 Preamplifier/Controller is without question the finest audio preamplifier ever created. No design compromises were allowed in the quest for a preamplifier with absolute accuracy, total sonic purity and virtual elimination of distortion and audible noise. For those who have been searching for their "Last Preamplifier" your search is over.

 

Full features Remote Control

Full featured RC is included that will allow complete control of all front panel controls and switches

 

Power Control Output

A Power Control connection for convenient turn on of McIntosh power amplifiers and accessories is included.

 

Dual Chassis Design

Dual-Chassis design completely separates all power supply, microprocessor and control circuits from the pure audio circuits for total noise isolation

 

Balanced and Unbalanced Inputs/Outputs

Three balanced high level inputs, three balanced main outputs and one balanced tape output, are provided. Eight unbalanced inputs, three unbalanced outputs as well as listen and record processor loops are included.

 

Precision Tracking Volume Control

Volume levels are controlled by a microprocessor controlled logarithmic attenuator with a tracking accuracy of 0,1 dB. Levels change in 213 individual 0,5 dB steps.

 

Precision Volume Display

The front panel digital Volume display indicates the preamplifier gain in dB or percentage of available volume

 

Precision Parts

Only the finest precision 1% tolerance resistors and polypropylene capacitors are used throughout

 

Moving Coil and Moving Magnet Phono Input

Separate shielded precision RIAA phono preamplifier for low output moving coil phono cartridges, utilizes two double mu metal shielded, silver wire, step-up transformers. Precision RIAA phono preamplifier for moving magnet cartridges.

 

Ultra Low Distortion

Distortion levels of all types are less than 0,002%. Music is amplified with total transparency and accuracy

 



Specifications

Frequency Response:  10 Hz - 40,000 Hz +0 -0,5 dB

Total Harmonic Distortion :  0,002% (from 10 Hz to 40,000 Hz)

Signal-to-Noise Ratio : 

Phono :  86 dB

High Level :  100 dB

Max. Voltage Output:

Balanced :  25 V rms

Unbalanced ;  12 V rms

Output Impedance:  50 Ω 

Sensitivity

Phono MM :  4,4 mV for 2,5 V rated output (1mV IHF)

Phono MC :  100 µV for 2,5 V rated output

High Level:  450 mV for 2,5 V rated output

Input Impedance

Phono MM :  47 k Ω  (65 pF)

Phono MC :  10 Ω

High Level :  22 k Ω  (unbalanced), 44 k Ω  (balanced)

Max. Input Signal:

Phono MM :  50 mV

High Level :  5 V (unbalanced), 5 V (balanced)

Power Requirements:  100, 110, 120, 220, 230, 240 V, 50/60 Hz at 30 watts

Dimensions (W x H x D):  445 x 137 x 445 mm (17-1/2" x 5-3/8" x 17-1/2")

Weight:  31,8 kg (70 lbs)shipping


 

McIntosh MC 2002 power amplifier

Power Amplifier. 

 The MC 2002 amplifier is designed for the Real world of 10 decibel overloads from compact disc players. It combines: 200 watts of extremely low distortion power at 8 ohms; 300 watts of the same power at 4 ohms. The greatest reliability in modern amplifiers to protect your investment. And most important today, design for 10 decibels of overload stress with the greatest Spectral Fidelity.

Spectral Fidelity is one of the most meaningful characteristics of an amplifier. The harmonic distortion and the two tone intermodulation measurements are important criteria in predicting the sonic performance. However to obtain better correlation with human hearing response, we need to know not only the energy in the distortion spectrum, but also the number of discords and their frequency spacing from the desired tones. This is what the Spectral Fidelity testing can do, enlarging the scope of the data and showing its meaning more fully.


Spectral Fidelity Protection

The threshold for human hearing shows a pronounced sensitivity in the region of 1500 Hz. At low levels of music, during pianissimo passages for example, is where we hear most intermodulation discords. But during the periods of sonic overload, this sensitivity characteristic changes. Under this condition, the sensitivity of the human ear becomes more uniform over most of the range of hearing. Thus all of the discords from sonic overload combine to reduce the musicality of instruments and voices, their clarity and definition. This loss of the order, the structure, and harmony, remebered from live musical experience, is frustrating and disappointing to the human psycho=physical hearing phenomenon. This frustration is the major cause of unacceptable  Listening Fatique.

Of all the amplifiers tested for Spectral Fidelity under stress, the McIntosh alone could accept the compact disc overload without exceeding 3/10 of 1% distortion. The others produced high levels of distortion, distortion from 20% to 30%. Some designs blew fuses. Others suffered output stage device failures.

 


Specifications

Power Output: 

Stereo :  200 watts into 8 Ω  loads or 300 watts into 4 Ω  loads is the minimum sine wave continuous average power output per channel for 20 Hz to 20,000 Hz with both channels operating, which is:

40,0 volts RMS across 8 oh or 34,6 volts RMS across 4 Ω

Mono :  600 watts into an 8 Ω  load, is the minimum sine wave continuous average power output from 20 Hz to 20,000 Hz, which is 69,3 volts RMS across 8 Ω

Output Load Impedance

Stereo :  4 Ω  to 8 Ω

Mono :  8 Ω  obtained by connecting across the output terminals of both channels

Rated Power Band:  20 Hz to 20,000 Hz

Total Harmonic Distortion

Stereo :  0,01% maximum harmonic distortion at any power level from 250 milliwatts to rated power per channel from 20 Hz to 20,000 Hz, both channels operating

Mono :  0,01% maximum harmonic distortion at any power level from 250 milliwatts to rated power from 20 Hz to 20,000 Hz

Intermodulation Distortion

Stereo :  0,01% maximum at any power level from 250 milliwatts to rated power with both channels operating, for any combination of frequencies from 20 Hz to 20,000 Hz

Mono :  0,01% maximum at any power level from 250 milliwatts to rated power for any combination of frequencies, 20 Hz to 20,000 Hz

Frequency Response (at 1 watt output):

20 Hz to 20,000 Hz  +0 -0,25 dB

10 Hz to 100,000 Hz +0 -3,0 dB

Hum and Noise:  100 dB below rated output 90 dB IHF

Ratings IHF Dynamic Headroom:

2,1 dB at 4 Ω  load

1,7 dB at 8 Ω  load

Damping Factor:  greater than 100

Input Impedance:  20,000 Ω

Input Sensitivity:  Switchable for either 1,4 Volt or 2,5 Volt

Power Requirements:  120 Volts, 50/60 Hz 0,6 to 15 ampers

Dimensions

Front Panel (W x H) :  411 mm x 181 mm (16-3/16" x 7-1/8")

Chassis :  375 x 165 x 368 mm (14-3/4" x 6-1/2" x 14-1/2")

Finish:  Front panel is anodized gold and black with special gold/teal nomenclature illumination. Chassis is black

Weight (net):  22,7 hg (50 pounds)

McIntosh MC2500 power amplifier

 

Input Amplifier 

Each channel input contains  a  complete  seven  transistor low power  amplifier.  A  differential transistor  pair  provides  high input  impedance  and  low  noise.  The differential  signals are combined  in  a cur-rent  mirror  circuit  which  drives  a  class  A  amplifier  stage.  The  following  output  stage  is  a  complementary  pair  of  transistors  with  class  AB  biasing.  The  output  signal  drives  the  metering  circuit,  headphone  jack, and the high power output amplifier. This discrete  transistor  amplifier design  was  selected  for  low noise, low  distortion, adequate power  output  capability  to  drive headphones,  and  freedom  from  turn  on  and  turn  off  transients.

The  Input  Level  selector  and  Gain  controls  are  passive attenuators which precede the input amplifier circuitry. Therefore,  the  input  system to the amplifier  cannot  be  overloaded  when  the  controls  are  correctly  set.

In  the  Mono  mode  of  operation  the  input  signal  feeds only the right input amplifier via the Right/Mono  Gain  control.  The  output  of  the  right  input amplifier feeds both output power amplifier  sections.  When  Mono Bridge  Mode is  selected  the  left channel  input amplifier is used as a phase  inverter  before  the left output  amplifier.  The  output  channels are therefore 180° out of phase with respect  to  each  other  which  is  the  correct  arrangement  for  bridge  output  connections.  When Mono Parallel Mode  is  selected  the  channels  operate in  phase.  The  channels,  of  course,  also  operate  in phase  for  the  Stereo Mode

 


Output Power Amplifier 

The  power  amplifier  inputs  are  coupled  to  the  input  amplifier  outputs  through  an  electronic  switch.  The  switch  eliminates  turn-on  and  turn-off transients and  is  used  for  speaker  switching.  A  junction  FET  and LED/light  dependent  resistor  network  make  up  the switch. This combination allows the lowest possible distortion  when the amplifier is on  and  high  isolation  when  the  output  power  amplifier  is  off.  The control signal to  the  switch is  held  off  during  the  turn-on  delay  period.  Therefore,  transients  that  may  come  into  the  amplifier  from  source  equipment  will  not  be  amplified  or reach  the  loudspeaker.  Since  the headphone output  and  meters  are  powered  by the input  amplifier,  their operation  is  not  affected  by the Speaker switch  or  turn  on  delay  system. The  first  stage  of  the  output  power  amplifier  is  a  differential  transistor  pair  biased  for  best  linearity.  The  offset  to  the  differential  pair  is  adjustable.  Correct  adjustment  allows  the lowest possible  distortion  at  low  frequencies.  A  current  mirror circuit combines  the  differential  outputs  into  one  signal  which  is then amplified by a following class A voltage  amplifier. Both the differential transistors and the  voltage amplifier are supplied by active current sources. The  results are  lower distortion  and cleaner turn  on  characteristics. 

The  driver  stage  consisting of  a  complimentary  pair  of  power  transistors  biased  class  AB  follow  the  voltage  amplifier.  Next,  six  complimentary  pairs  of  rugged  power  transistors  make  up  the  power  output stage.  All  power  transistors  are  mounted  on  conservatively sized anodized aluminum heat sinks. Because  of a unique connection  of the  bias  network, the output transistors operate class  B  and  exhibit  no crossover  distortion  often  associated  with  class  B  operation. The heat sinks, therefore remain cool when there is no  output. During heavy  demands,  temperature controlled fans keep the heat sinks cool.

The  amplifier output  signal  is  fed  to the  output  terminals through the output autotransformer. The Mclntosh designed interleaved multifilar wound autotransformer is used to properly match the amplifier to  stereo  output  load  taps  for  1,  2,  4  and  8  ohms.  The  MC  2500  will  deliver  full  power  over  the  entire audio  frequency  range at any  of  these impedances. The autotransformer also protects speakers from damage in the event of amplifier failure.  Should  a direct  current  component  appear  in the  output  it  is  shunted  by  the  autotransformer  and  DC  cannot  damage  the  speaker. 

A Mclntosh patented Sentry Monitoring circuit constantly  monitors  the  output  signal  and  instantly  reacts  to  prevent  overload  of  the  output  transistors.  At  signal levels  up  to  rated  output  this  circuit  has  high  impedance  and  has  no  effect  upon  the  output.  If  the  power  output  exceeds  design  maximum,  the  Sentry  Monitoring  circuit  operates  to  limit  the  signal to  the  output  transistors.  In  the  event  of  a  short  circuit across the amplifier output or severe impedance  mismatch  the  Sentry  Monitoring  circuit  will protect the output transistors from failure. Both positive  and  negative  halves  of the  output  signal  are  monitored  and  protected  independently

 


Power Guard  Protection  Circuit 

The Mclntosh patented Power Guard circuit eliminates  amplifier  clipping  due  to  overdrive.  The  circuit also illuminates red Limit indicator lamps  when the  amplifier  is  driven beyond its  maximum  output  capacity.  Power  Guard  prevents  loudspeaker  damage and eliminates harsh output distortion caused  by  amplifier  clipping.

The  Power  Guard  circuit  consists  of  a  waveform  comparator  which  monitors  the  wave  shape  of  the amplifier  input  and  output  signals.  Normally  there  is  no  disparity between these  signals  and the  comparator  produces  no  output.  When  the  amplifier  is  driven beyond its  maximum power  capacity  a  difference  will  developed.  If  the  disparity  exceeds  0.5% (equivalent to  0.5% total harmonic  distortion)  the  comparator  output  causes  the  red  Limit  indicators  to  light.  If  there  is  a  further  increase  in  the  disparity  the comparator output controls an electronic attenuator at the amplifier input to reduce the amplifier  gain,  thus  holding  the  amplifier  output  to  its maximum undistorted value regardless of the degree  of  overdrive  to  the  amplifier.  The  amplifier  may  be  overdriven  by 20  dB  before the  output  distortion  exceeds  2% .

The comparator is an especially compensated operational  amplifier  integrated  circuit.  Its  output  is  detected  by  a  full  wave  bridge  that  feeds  signals  to  the  control  circuitry  for  the  Limit  and  Normal  indicators and to the electronic attenuator at the amplifier input. The attenuator is a light emitting  diode/light dependent resistor network selected especially  for  its  low  distortion  and  time  constant  characteristics

 

Meter Circuit 

The  meter circuit  has  three  basic  sections:  a  logarithmic amplifier, a full wave rectifier,  and a DC amplifier.  In  the Watts  ranges,  the  logarithmic amplifier is used.  In the  DECIBEL ranges,  the signal  bypasses this  amplifier  and  goes  directly  to  the  full  wave  rectifiers  through  an  attenuator  which  is  controlled  by  the  Meter Range  switch. 

The  logarithmic  amplifier  consists  of  a  high  gain  operational  amplifier  with  a  biopolar  connected  silicon  diode  pair  as  feedback  elements.  These  diodes  have  a  uniform  logarithmic  characteristic  over an  80 dB  range.  Only 60  dB  of  this  logarithmic  range  is  used  in  the  MC  2500. 

The  full  wave  rectifier  circuit  uses  an  operational  amplifier with  silicon  diode  feedback  networks.  This amplified  diode  circuit  has  nearly  perfect  rectification  characteristics.  One  rectifier  detects  only  positive signals. The other responds only to negative signals  and  produces  a  positive  output.  The  outputs of the rectifiers are combined at the operational amplifier output, so the highest signal, either positive  or  negative,  is  the  one  that  is  indicated  by  the  meters.  Gate  diodes  are  used  to  charge  a  low  leakage  capacitor  which  attains  and  holds  a  charge  during  signal  peaks.  The  operational  amplifier  provides  a  large  amount  of  current  so  the  capacitor  can charge  suddenly.  The  charge  on  the  peak  holding  capacitor is amplified in a two transistor DC amplifier which  is  used  to  drive  the  meter.  From  the  output  of  this  amplifier  there  is  a  DC  feedback  network  that  connects  back  to  the  detector  to  assure excellent  overall linearity  and  frequency  response.  The current drive to the meters has a peaking capacitor  to  accelerate  the  upscale  response  of  the  meter  needle.  The  meters  also  have  a  parallel  shunt  resistor to correctly damp their action.  In  the Watts mode  the  discharge  of the  peak  holding  capacitor  is  controlled  by  a  resistor  current  source.  In Watts Hold, the resistor is disconnected so the peak reading  is  retained.  The  rate  of  decay  is  about  6  dB  per  minute. 

 

Power Supply 

The power supply is a conventional full wave bridge rectifier arrangement providing plus and minus  50  volts  DC.  Electronic  regulators  step  down and  regulate  plus  and  minus  15  volt  sources  for  low  level circuits. Thermistors are used in the power transformer  primary  circuit  to  limit  the  turn-on  current.

 

Specifications

Power  Output 

Stereo :  500  watts  minimum  sine  wave  continuous  average  power  output,  per  channel,  both  channels operating 

into  1,  2,  4  Ω  ,  or  8 Ω  load  impedance,  which  is: 

22.4  volts  RMS  across  1 Ω 

31.6  volts  RMS  across  2 Ω 

44.7  volts  RMS  across  4 Ω 

63.2  volts  RMS  across  8 Ω 

Mono :  1000  watts  minimum  sine  wave  continuous  average  power output into 0.5; 1; 2; 4; 8;  or  16 Ω  load  impedance,  which  is: 

22.4  volts  RMS  across  0.5 Ω 

31.6  volts  RMS  across 1 Ω 

44.7  volts  RMS  across 2 Ω 

63.2  volts  RMS  across 4 Ω 

89.4  volts  RMS  across 8 Ω 

126.5  volts  RMS  across 16 Ω 

Output  Load  Impedance 

Stereo : 

1 Ω ,  2 Ω ,  4 Ω ,  and  8 Ω  ;  separate  terminals  are  provided  for  each  output. 

Mono-Parallel :

0.5 Ω ,  1 Ω ,  2 Ω ,  and  4 Ω  ;  obtained  by  connecting  in  parallel  the  appropriate  terminals  of  both  channels. 

Mono-Bridged :

2 Ω ,  4 Ω ,  8 Ω ,  or  16 Ω  ;  obtained  by  connecting  to the  output  terminals  of  both  channels.  The  bridged  output  is  balanced  to  ground.  Neither  side  is  grounded. 

Rated  Power  Band:  20  Hz  to  20,000  Hz 

Total Harmonic Distortion  

Stereo :  0.02% maximum  harmonic  distortion  at  any  power level  from 250  milliwatts  to 500  watts  per  channel 

from  20 Hz to 20,000  Hz,  both  channels  operating.

Mono :  0.02% maximum  harmonic  distortion  at  any  power  level  from 250  milliwatts  to 1000 watts from  20  Hz to 20,000  Hz.

Intermodulation Distortion

Stereo :  0.02% maximum if  instantaneous  peak  power  output  is 1000  watts  or  less  per channel  with  both  channels  operating  for  any  combination  of  frequencies,  20 Hz  to  20,000 Hz. 

Mono :  0.02% maximum if  instantaneous  peak  power  output  is  2000  watts  or  less  for any  combination  of  frequencies,  20 Hz to 20,000 Hz. 

Frequency Response  (at  one  watt  output) :

20  Hz  to  20,000  Hz  +0  - 0.25 dB. 

10  Hz  to  100,000  Hz  + 0.25  - 1 dB. 

Noise and Hum:  95  dB  below  rated  output

Damping Factor:  Greater  than  30 

Input Impedance:  50,000  Ω 

Input Sensitivity (Switchable):  0.75  volt  or  2.5 volts, Level  control  provided  for  higher  input  voltages. 

Power Guard: THD not to exceed 2%  with  up to 20 dB overdrive at  1 kHz.

Power Requirements: 120  Volts  50/60  Hz

Power Consumption:  0.7 to  22 amps.,  15 amps  UL/CSA 

Semiconductors:  91 silicon  transistors;  35 silicon  rectifiers  and  diodes; 6 integrated  circuits

Dimensions 

Front  Panel (W x H):  19" x 10½" (48,26 x 26.67 cm).

Chassis (w H x D) :  17" x 10" x 17" (43,18 x 25,4 x 43,18  cm), including connectors. 

Clearance in front of mounting panel including knobs  2"  (5.08  cm) 

Finish:  Front  panel  is  anodized  gold  and  black.  Chassis  is  black  baked  enamel. 

Mounting:  Standard  19"  (48.26  cm)  rack  mounting 

Weight:  129  pounds  (58.5  kg)  net, 144  pounds  (65.3  kg)  in shipping