McIntosh LS360 loudspeakers
McIntosh LS340 loudspeaker
McIntosh LS320 loudspeakers
McIntosh MT-2 turntable
The McIntosh MT2 Precision Turntable combines the latest in turntable technology and design to deliver both superb performance and accurate playback.
Its advanced electronic and mechanical design will give you many years of smooth, trouble-free operation.
Virtually ready to use out of the box as tracking force, anti-skate force, cartridge overhang and arm height are all preset from the factory for maximum performance. The remaining setup steps are simple and you’ll be enjoying your vinyl in no time.
Comes with a Sumiko Moonstone cartridge, a next-gen moving magnet phono cartridge that transcribes sonic imagery with weight, richness, depth, and keenly realistic texture.
The DC motor is driven by an external voltage-stabilized power supply and is completely decoupled from the chassis, olating your records from any mechanical interference.
Sturdy plinth has a resonance optimized and highly compressed wood base with black lacquer finish, while the top and middle acrylic plates help absorb unwanted vibrations.
A subtle green glow emanates from under the platter and the outside edges of the plinth for a touch of refined ambiance.
Performance Features
The McIntosh MT2 Precision Turntable with the Sumiko Moonstone Moving Magnet Cartridge offers the latest in playback of vinyl recordings. A full complement of performance features allows for the enjoyment of all recordings reproduced with flawless realism. The advanced electronic and mechanical design ensures many years of smooth trouble free operation.
Advanced Technology Turntable
The MT2 combines the latest technology in Phono Cartridges, Tone Arms, Mechanical Suspensions and Record Platter Rotation for superb performance and accurate operation.
Moving Magnet Cartridge
The Sumiko Moonstone Moving Magnet Cartridge uses only the finest quality high purity copper wire, and together with its higher output ensures low noise, high resolution music playback. This features an alloy cantilever, elliptical diamond stylus with exceptional tracking capability. The ruler-flat frequency response from 20Hz to 20kHz provides solid realistic bass, uncolored midrange and natural high frequencies.
Tone Arm
The MT2 tonearm is made from dural aluminium with special damping material. The tonearm is both light in weight and highly rigid. The noise free vertical bearings are made from two high precision ceramic surfaces with damping fluid. The horizontal bearing is a gimballed sapphire design.
Turntable Platters
The full size outer platter is made from a special dynamically balanced polyoxymethylene (POM), weighs 5.07 pounds, 1.18 inches thick. This helps to resist and absorb external vibrations from reaching the record during playback and its large mass provides the perfect flywheel action for stable playback speed. The inner platter is made of CNC-precision milled aluminium, weighs 0.96 pounds and is six and one quarter inches in diameter.
Precision Motor and Drive Electronics
The DC motor is fed by an external voltage-stabilized power supply and is completely decoupled from the chassis, isolating the record from any mechanical interference.
Two Playback Speeds with fine Adjustments
The MT2 Turntable has two playback speed, 33 rpm and 45 rpm. There is a separate trim adjustment allowing for accurate music reproduction for each of the two speeds.
Bearing
The MT2 Turntable Platter rotates on a Polished and Tempered Steel Shaft in a sintered bronze bushing and is coated with Teflon.
Multi-Layered Dampened Chassis
The MT2 Turntable Chassis has a resonance optimized and highly compressed wood chassis with black lacquer. The top and middle plate which is made of acrylic also absorb vibrations.
Fiber Optic Solid State Illumination
The even illumination of the top panel and the turntable platter is accomplished by the combination of custom designed fiber optic light diffusers and extra long life light emitting diodes (LEDs)
MT2 Turntable Specifications
Drive System: Belt-drive system
Playback Speeds: 33 1/3 rpm and 45 rpm
Motor Type: DC Stainless Steel Brushes
Speed Control: Servo System
Platter: Dynamically balanced polyoxymethylene (POM)
Platter Bearing: Polished and tempered steel shaft in sintered bronze bushings
Signal To Noise Ratio: 35 dB - 40 dB
Wow & Flutter: 0,15% - 0,25%
Tonearm
Bearing: Sapphire and Ceramic
Adjustments: Vertical Tracking Angle, Antiskate, Azimuth
Arm Tube: Dural-Aluminum
Counterweight: Eccentric
Cartridge Type: Moving Magnet
Output Level: 3,0 mV at 5 cm/s
Load Impedance: 47 K Ω recommended (Preamp MM Input)
Frequency Response: 12 Hz to 33 KHz
Channel Separation: 30 dB at 1 kHz
Channel Balance: 0.5 dB at 1 kHz
Tracking Force Range: 1,8 to 2,2 grams
Recommended Tracking Force: 2,0 grams
Compliance: 12 x 10-6 cm/dyne
Total Mass: 6,5 grams
Stylus: Elliptical Diamond
Cantilever Material: Aluminum
General
Overall Dimensions (W x H x D): 452 x 127 x 432 mm (17-13/16" x 17") (without Dust Cover);
Note: The Turntable Height is affected by the type of Cartridge installed and the required Tone Arm Height Adjustment.
Height is 152 mm (6") with Dust Cover
Weight: 13,2 kg (29 pounds) net,
McIntosh XL10 loudspeakers
The XL10 is a three way loudspeaker system with two active drives and one passive. It can accurately reproduce a three dimensional sound space with smooth response. The McIntosh anechoic chamber provided the ability to adjust response, amplitude and arrival time. As a result, the XL10 can recreate stereo sound for you with full depth and spaciousness.
The XL10 has a one inch dome tweeter, a carefully matched, high power handling eight inch woofer and a ten inch controlled mass passive radiator. It has an extensive and meticulously designed crossover network.
The eight inch woofer has a copper wire voice coil wound on a black anodized aluminum voice coil form. This form, radiates heat effectively. Excessive heat is always destructive to electronic circuit elements so this design feature is very important to the long life of the XL10. the windings are attached with a high temperature, thermal setting adhesive.
The voice coil assembly is joined directly to the rigid cone. It moves in the magnetic field of a critically sized magnet and magnet structure. This assembly is cantered and suspended in the magnetic field by a special cloth spider. The compliance of the spider is controlled by the careful impregnation of the cloth with phenolic resins. Diligent engineering, decades of experience and continuous testing determined the selection of the right mass of the cone assembly to ideally match the energy capability of the magnetic structure. The total of the cone, voice coil, and suspension assembly is attached to the speaker basket with a critically formed, closed cell urethane surround.
The inch passive radiator has an accurately adjusted moving mass and compliance which complements the design characteristics of the eight inch woofer and the volume of air in the Xl10 enclosure. In the lower bass frequency range, this rigid cone is driven in phase, acoustically, by the woofer, extending the system acoustic output. The cone assembly is attached to the speaker basket by a special cloth spider and a closed cell surround.
The one inch high frequency dome tweeter is made of a specially formulated textile which is driven by a copper wire voice coil wound on a high temperature voice coil form. The assembly is centered and suspended in the magnetic field by a special surround. Both dome and surround are coated with a proprietary material to make an air tight seal. The surround is connected to an intermediate ring which is fastened to the magnet assembly.
The frequency directing crossover network directs all musical information below a designed frequency to the woofer and all frequencies above to the dome tweeter. The McIntosh crossover network, however, has additional tasks to perform. It must smooth the response in the active area of sound. A loudspeaker that can deliver ideal depth, spaciousness and three dimensional sound space, requires a crossover network that is a product of particular and comprehensive examination of the multitude of mathematical potentials to include the exact circuit components in order to provide smoothest response and correct arrival time. Exhaustive measurements in the McIntosh Full Sized Anechoic Chamber assures the exactness of the circuit and of the components selected for the crossover.
Specifications
Frequency Response: 45 Hz - 20,000 Hz
Max. Power: the XL10 can be driven with peaks up to 200 watts but the high frequency fuse may occasionally blow.
Woofer : 100 watts program noise
Tweeter : 60 watts program noise
Minimum Power: As little as 30 watts can be used for smaller rooms and lower listening levels. An adequate power reserve is recommended, however, to handle occasional peaks. Most damage to speaker system is from underpowered amplifiers driven into clipping. McIntosh amplifiers equipped with Power Guard automatically prevent clipping.
Impedance: 8 Ω nominal
Fuse protection: the tweeter is protected by an 0,6 amp fast acting fuse. Replace only with the same type and rating. Do not use Slo-Blo fuses.
Reference Output Level: 89 dB at 1 m and 1 watt input
Crossover Frequencies: 90 Hz and 1 kHz
Speaker Sizes
1 x 254 mm (10") lower bass PR
1 x 203 mm (8") bass driver
1 x 25,4 mm (1 ") dome tweeter
Construction: 19 mm (3/4") high density particle board with airtight glueing and internal bracing
Dimensions (H x W x D): 632 x 361 x 201 mm (24-15/16" x 14-3/16" x 7-13/16")
System Weight: 12,5 kg (27,5 lbs)
McIntosh C-30 preamplifier
The McIntosh C 30 Preamplifier
McIntosh continues research into user desires consistent with high quality music reproduction.
Engineering that is aggressively inquisitive in the search for better ways to bring these user dictated requirements to a technologically superior, innovative and clearly useful result.
Appearance design that has long life, complements the living style, is complimentary to the owner, and is made of materials, whose characteristics permit a like new always appearance.
Easy, to operate; the unique McIntosh designed panels are always easily readable in your choice of home lighting. They are obviously designed by human beings for human beings.
Manufactured of carefully specified and selected component parts that have high quality and long predicted life.
Assembled by highly trained craftspeople who are dedicated to quality, accuracy and perfection.
Thorough verification of the desired capabilities and quality of performance by constant and complete setting throughout the entire manufacturing process.
Here is the latest advanced technology instrument that adds to the already formidable McIntosh reputation.
Five separate tone shaping controls provides musical spectra tone shaping. Each control adjusts two octave band segments to satisfy your personal preference or the demands of the program material. At the detent in the center of the rotation of each control the equalizer circuits are disconnected, completely removed from the operating circuits.
Loudness controls in ordinary equipment are usually simple, passive circuits connected to a portion of the rotation range of the volume control. As a consequence, loudness compensation accuracy is dependent on many variables such as speaker efficiency amplifier gain and differences in input level. The C30 loudness control is continuously variable, operates independently of the volume control, and its contour is accurately modelled after the family of "Equal Loudness" curves developed by Drs. Fletcher and Munson.
Ideal volume control tracking accuracy and noise free performance are two of the considerable benefits of the McIntosh Precision Step Attenuator. It is a thirty-two step, 70 dB range control with unheard of tracking accuracy within 1 dB. The extreme accuracy is obtained through special electronically controlled resistance element trimming. The accuracy and quiet operation are maintained because the switch commutator touches only the switch contact pad and not the precision resistor elements.
Headphone loudness is adjusted using the same type of Precision Step Attenuator. The loudness of the program when using headphones is controlled by this front panel control. The control adjusts the output to the headphone jacks only and does not affect the program loudness from the loudspeakers. Then, while wearing the headphones, adjust the headphone level controls to the desired loudness level.
The appearance of a McIntosh speaker eloquently of precision, quality, premier performance and long, trouble-free life. Consider the construction and materials used in the front panel and knobs. Each constituent part is selected for long, wear-resistant life and stable attractive styling. The panel itself is select white flint glass, free from bubbles, flow marks and other faults. It is silk screened on the reverse side with thermal setting epoxy screen inks which practically become a part of the glass. Then it is built into a brightly polished and anodized frame. The knobs used are meticulously machined of solid aluminum then anodized and thermally isolated.
Specifications
Frequency Response: 20 - 20,000 Hz +0 -0,5 dB
Max. Voltage Output:
Main and Tape Output : 10 V from 20 - 20,000 Hz
Line/Headphone Output : 9 V (1,3 V with 8 Ω headphones) from 20 - 20,000 Hz
Total Harmonic Distortion : 0,007% max. 20 -20,000 Hz at 2,5 V rated output
Sensitivity
Phono : 2 mV for 2,5 V rated output (0,4 mV IHF)
High Level : 200 mV for 2,5 V rated output (40 mV IHF)
Signal-to-Noise Ratio
Phono : 90 dB below 10 mV input (84 dB IHF)
High Level : 100 dB below rated output (86 dB IHF)
Maximum Input Signal
Phono : 100 mV
High Level : 10 V
Input Impedance
Phono : 47 k Ω and 65 pF capacitance
High Level : 22 k Ω
Voltage Gain
Phono to Tape : 40 dB
Phono to Main : 62 dB
Phono to Headphone/line : 58 dB (51 dB with 8 Ω headphones)
High Level to Tape : 0 dB
High Level to Main : 22 dB
High Level to Headphone/Line : 28 dB
(11 dB with 8 Ω headphones)
Equalization Control: Variable 12 dB boost to 12 dB cut at center frequencies of 30, 150, 500, 1500, 10 k Hz
LF-HF Filter: Flat or roll-off at 12 dB per octave below 50 Hz and above 7,000 Hz
Semiconductor Complement: 28 Bipolar Transistors; 66 Field Effect Transistors; 15 Integrated Circuits; 91 Diodes; 1 Silicon Controlled Rectifier (SCR)
Power Requirements: 120volts, 50/60 Hz , 25 watts
Weight: 8,2 kg (18 pounds) net
McIntosh C-100 preamplifier
Controller and Preamplifier
The McIntosh C100 Preamplifier/Controller is without question the finest audio preamplifier ever created. No design compromises were allowed in the quest for a preamplifier with absolute accuracy, total sonic purity and virtual elimination of distortion and audible noise. For those who have been searching for their "Last Preamplifier" your search is over.
Full features Remote Control
Full featured RC is included that will allow complete control of all front panel controls and switches
Power Control Output
A Power Control connection for convenient turn on of McIntosh power amplifiers and accessories is included.
Dual Chassis Design
Dual-Chassis design completely separates all power supply, microprocessor and control circuits from the pure audio circuits for total noise isolation
Balanced and Unbalanced Inputs/Outputs
Three balanced high level inputs, three balanced main outputs and one balanced tape output, are provided. Eight unbalanced inputs, three unbalanced outputs as well as listen and record processor loops are included.
Precision Tracking Volume Control
Volume levels are controlled by a microprocessor controlled logarithmic attenuator with a tracking accuracy of 0,1 dB. Levels change in 213 individual 0,5 dB steps.
Precision Volume Display
The front panel digital Volume display indicates the preamplifier gain in dB or percentage of available volume
Precision Parts
Only the finest precision 1% tolerance resistors and polypropylene capacitors are used throughout
Moving Coil and Moving Magnet Phono Input
Separate shielded precision RIAA phono preamplifier for low output moving coil phono cartridges, utilizes two double mu metal shielded, silver wire, step-up transformers. Precision RIAA phono preamplifier for moving magnet cartridges.
Ultra Low Distortion
Distortion levels of all types are less than 0,002%. Music is amplified with total transparency and accuracy
Specifications
Frequency Response: 10 Hz - 40,000 Hz +0 -0,5 dB
Total Harmonic Distortion : 0,002% (from 10 Hz to 40,000 Hz)
Signal-to-Noise Ratio :
Phono : 86 dB
High Level : 100 dB
Max. Voltage Output:
Balanced : 25 V rms
Unbalanced ; 12 V rms
Output Impedance: 50 Ω
Sensitivity
Phono MM : 4,4 mV for 2,5 V rated output (1mV IHF)
Phono MC : 100 µV for 2,5 V rated output
High Level: 450 mV for 2,5 V rated output
Input Impedance
Phono MM : 47 k Ω (65 pF)
Phono MC : 10 Ω
High Level : 22 k Ω (unbalanced), 44 k Ω (balanced)
Max. Input Signal:
Phono MM : 50 mV
High Level : 5 V (unbalanced), 5 V (balanced)
Power Requirements: 100, 110, 120, 220, 230, 240 V, 50/60 Hz at 30 watts
Dimensions (W x H x D): 445 x 137 x 445 mm (17-1/2" x 5-3/8" x 17-1/2")
Weight: 31,8 kg (70 lbs)shipping
McIntosh MC 2002 power amplifier
Power Amplifier.
The MC 2002 amplifier is designed for the Real world of 10 decibel overloads from compact disc players. It combines: 200 watts of extremely low distortion power at 8 ohms; 300 watts of the same power at 4 ohms. The greatest reliability in modern amplifiers to protect your investment. And most important today, design for 10 decibels of overload stress with the greatest Spectral Fidelity.
Spectral Fidelity is one of the most meaningful characteristics of an amplifier. The harmonic distortion and the two tone intermodulation measurements are important criteria in predicting the sonic performance. However to obtain better correlation with human hearing response, we need to know not only the energy in the distortion spectrum, but also the number of discords and their frequency spacing from the desired tones. This is what the Spectral Fidelity testing can do, enlarging the scope of the data and showing its meaning more fully.
Spectral Fidelity Protection
The threshold for human hearing shows a pronounced sensitivity in the region of 1500 Hz. At low levels of music, during pianissimo passages for example, is where we hear most intermodulation discords. But during the periods of sonic overload, this sensitivity characteristic changes. Under this condition, the sensitivity of the human ear becomes more uniform over most of the range of hearing. Thus all of the discords from sonic overload combine to reduce the musicality of instruments and voices, their clarity and definition. This loss of the order, the structure, and harmony, remebered from live musical experience, is frustrating and disappointing to the human psycho=physical hearing phenomenon. This frustration is the major cause of unacceptable Listening Fatique.
Of all the amplifiers tested for Spectral Fidelity under stress, the McIntosh alone could accept the compact disc overload without exceeding 3/10 of 1% distortion. The others produced high levels of distortion, distortion from 20% to 30%. Some designs blew fuses. Others suffered output stage device failures.
Specifications
Power Output:
Stereo : 200 watts into 8 Ω loads or 300 watts into 4 Ω loads is the minimum sine wave continuous average power output per channel for 20 Hz to 20,000 Hz with both channels operating, which is:
40,0 volts RMS across 8 oh or 34,6 volts RMS across 4 Ω
Mono : 600 watts into an 8 Ω load, is the minimum sine wave continuous average power output from 20 Hz to 20,000 Hz, which is 69,3 volts RMS across 8 Ω
Output Load Impedance
Stereo : 4 Ω to 8 Ω
Mono : 8 Ω obtained by connecting across the output terminals of both channels
Rated Power Band: 20 Hz to 20,000 Hz
Total Harmonic Distortion
Stereo : 0,01% maximum harmonic distortion at any power level from 250 milliwatts to rated power per channel from 20 Hz to 20,000 Hz, both channels operating
Mono : 0,01% maximum harmonic distortion at any power level from 250 milliwatts to rated power from 20 Hz to 20,000 Hz
Intermodulation Distortion
Stereo : 0,01% maximum at any power level from 250 milliwatts to rated power with both channels operating, for any combination of frequencies from 20 Hz to 20,000 Hz
Mono : 0,01% maximum at any power level from 250 milliwatts to rated power for any combination of frequencies, 20 Hz to 20,000 Hz
Frequency Response (at 1 watt output):
20 Hz to 20,000 Hz +0 -0,25 dB
10 Hz to 100,000 Hz +0 -3,0 dB
Hum and Noise: 100 dB below rated output 90 dB IHF
Ratings IHF Dynamic Headroom:
2,1 dB at 4 Ω load
1,7 dB at 8 Ω load
Damping Factor: greater than 100
Input Impedance: 20,000 Ω
Input Sensitivity: Switchable for either 1,4 Volt or 2,5 Volt
Power Requirements: 120 Volts, 50/60 Hz 0,6 to 15 ampers
Dimensions
Front Panel (W x H) : 411 mm x 181 mm (16-3/16" x 7-1/8")
Chassis : 375 x 165 x 368 mm (14-3/4" x 6-1/2" x 14-1/2")
Finish: Front panel is anodized gold and black with special gold/teal nomenclature illumination. Chassis is black
Weight (net): 22,7 hg (50 pounds)
McIntosh MC2500 power amplifier
Input Amplifier
Each channel input contains a complete seven transistor low power amplifier. A differential transistor pair provides high input impedance and low noise. The differential signals are combined in a cur-rent mirror circuit which drives a class A amplifier stage. The following output stage is a complementary pair of transistors with class AB biasing. The output signal drives the metering circuit, headphone jack, and the high power output amplifier. This discrete transistor amplifier design was selected for low noise, low distortion, adequate power output capability to drive headphones, and freedom from turn on and turn off transients.
The Input Level selector and Gain controls are passive attenuators which precede the input amplifier circuitry. Therefore, the input system to the amplifier cannot be overloaded when the controls are correctly set.
In the Mono mode of operation the input signal feeds only the right input amplifier via the Right/Mono Gain control. The output of the right input amplifier feeds both output power amplifier sections. When Mono Bridge Mode is selected the left channel input amplifier is used as a phase inverter before the left output amplifier. The output channels are therefore 180° out of phase with respect to each other which is the correct arrangement for bridge output connections. When Mono Parallel Mode is selected the channels operate in phase. The channels, of course, also operate in phase for the Stereo Mode
Output Power Amplifier
The power amplifier inputs are coupled to the input amplifier outputs through an electronic switch. The switch eliminates turn-on and turn-off transients and is used for speaker switching. A junction FET and LED/light dependent resistor network make up the switch. This combination allows the lowest possible distortion when the amplifier is on and high isolation when the output power amplifier is off. The control signal to the switch is held off during the turn-on delay period. Therefore, transients that may come into the amplifier from source equipment will not be amplified or reach the loudspeaker. Since the headphone output and meters are powered by the input amplifier, their operation is not affected by the Speaker switch or turn on delay system. The first stage of the output power amplifier is a differential transistor pair biased for best linearity. The offset to the differential pair is adjustable. Correct adjustment allows the lowest possible distortion at low frequencies. A current mirror circuit combines the differential outputs into one signal which is then amplified by a following class A voltage amplifier. Both the differential transistors and the voltage amplifier are supplied by active current sources. The results are lower distortion and cleaner turn on characteristics.
The driver stage consisting of a complimentary pair of power transistors biased class AB follow the voltage amplifier. Next, six complimentary pairs of rugged power transistors make up the power output stage. All power transistors are mounted on conservatively sized anodized aluminum heat sinks. Because of a unique connection of the bias network, the output transistors operate class B and exhibit no crossover distortion often associated with class B operation. The heat sinks, therefore remain cool when there is no output. During heavy demands, temperature controlled fans keep the heat sinks cool.
The amplifier output signal is fed to the output terminals through the output autotransformer. The Mclntosh designed interleaved multifilar wound autotransformer is used to properly match the amplifier to stereo output load taps for 1, 2, 4 and 8 ohms. The MC 2500 will deliver full power over the entire audio frequency range at any of these impedances. The autotransformer also protects speakers from damage in the event of amplifier failure. Should a direct current component appear in the output it is shunted by the autotransformer and DC cannot damage the speaker.
A Mclntosh patented Sentry Monitoring circuit constantly monitors the output signal and instantly reacts to prevent overload of the output transistors. At signal levels up to rated output this circuit has high impedance and has no effect upon the output. If the power output exceeds design maximum, the Sentry Monitoring circuit operates to limit the signal to the output transistors. In the event of a short circuit across the amplifier output or severe impedance mismatch the Sentry Monitoring circuit will protect the output transistors from failure. Both positive and negative halves of the output signal are monitored and protected independently
Power Guard Protection Circuit
The Mclntosh patented Power Guard circuit eliminates amplifier clipping due to overdrive. The circuit also illuminates red Limit indicator lamps when the amplifier is driven beyond its maximum output capacity. Power Guard prevents loudspeaker damage and eliminates harsh output distortion caused by amplifier clipping.
The Power Guard circuit consists of a waveform comparator which monitors the wave shape of the amplifier input and output signals. Normally there is no disparity between these signals and the comparator produces no output. When the amplifier is driven beyond its maximum power capacity a difference will developed. If the disparity exceeds 0.5% (equivalent to 0.5% total harmonic distortion) the comparator output causes the red Limit indicators to light. If there is a further increase in the disparity the comparator output controls an electronic attenuator at the amplifier input to reduce the amplifier gain, thus holding the amplifier output to its maximum undistorted value regardless of the degree of overdrive to the amplifier. The amplifier may be overdriven by 20 dB before the output distortion exceeds 2% .
The comparator is an especially compensated operational amplifier integrated circuit. Its output is detected by a full wave bridge that feeds signals to the control circuitry for the Limit and Normal indicators and to the electronic attenuator at the amplifier input. The attenuator is a light emitting diode/light dependent resistor network selected especially for its low distortion and time constant characteristics
Meter Circuit
The meter circuit has three basic sections: a logarithmic amplifier, a full wave rectifier, and a DC amplifier. In the Watts ranges, the logarithmic amplifier is used. In the DECIBEL ranges, the signal bypasses this amplifier and goes directly to the full wave rectifiers through an attenuator which is controlled by the Meter Range switch.
The logarithmic amplifier consists of a high gain operational amplifier with a biopolar connected silicon diode pair as feedback elements. These diodes have a uniform logarithmic characteristic over an 80 dB range. Only 60 dB of this logarithmic range is used in the MC 2500.
The full wave rectifier circuit uses an operational amplifier with silicon diode feedback networks. This amplified diode circuit has nearly perfect rectification characteristics. One rectifier detects only positive signals. The other responds only to negative signals and produces a positive output. The outputs of the rectifiers are combined at the operational amplifier output, so the highest signal, either positive or negative, is the one that is indicated by the meters. Gate diodes are used to charge a low leakage capacitor which attains and holds a charge during signal peaks. The operational amplifier provides a large amount of current so the capacitor can charge suddenly. The charge on the peak holding capacitor is amplified in a two transistor DC amplifier which is used to drive the meter. From the output of this amplifier there is a DC feedback network that connects back to the detector to assure excellent overall linearity and frequency response. The current drive to the meters has a peaking capacitor to accelerate the upscale response of the meter needle. The meters also have a parallel shunt resistor to correctly damp their action. In the Watts mode the discharge of the peak holding capacitor is controlled by a resistor current source. In Watts Hold, the resistor is disconnected so the peak reading is retained. The rate of decay is about 6 dB per minute.
Power Supply
The power supply is a conventional full wave bridge rectifier arrangement providing plus and minus 50 volts DC. Electronic regulators step down and regulate plus and minus 15 volt sources for low level circuits. Thermistors are used in the power transformer primary circuit to limit the turn-on current.
Specifications
Power Output
Stereo : 500 watts minimum sine wave continuous average power output, per channel, both channels operating
into 1, 2, 4 Ω , or 8 Ω load impedance, which is:
22.4 volts RMS across 1 Ω
31.6 volts RMS across 2 Ω
44.7 volts RMS across 4 Ω
63.2 volts RMS across 8 Ω
Mono : 1000 watts minimum sine wave continuous average power output into 0.5; 1; 2; 4; 8; or 16 Ω load impedance, which is:
22.4 volts RMS across 0.5 Ω
31.6 volts RMS across 1 Ω
44.7 volts RMS across 2 Ω
63.2 volts RMS across 4 Ω
89.4 volts RMS across 8 Ω
126.5 volts RMS across 16 Ω
Output Load Impedance
Stereo :
1 Ω , 2 Ω , 4 Ω , and 8 Ω ; separate terminals are provided for each output.
Mono-Parallel :
0.5 Ω , 1 Ω , 2 Ω , and 4 Ω ; obtained by connecting in parallel the appropriate terminals of both channels.
Mono-Bridged :
2 Ω , 4 Ω , 8 Ω , or 16 Ω ; obtained by connecting to the output terminals of both channels. The bridged output is balanced to ground. Neither side is grounded.
Rated Power Band: 20 Hz to 20,000 Hz
Total Harmonic Distortion
Stereo : 0.02% maximum harmonic distortion at any power level from 250 milliwatts to 500 watts per channel
from 20 Hz to 20,000 Hz, both channels operating.
Mono : 0.02% maximum harmonic distortion at any power level from 250 milliwatts to 1000 watts from 20 Hz to 20,000 Hz.
Intermodulation Distortion
Stereo : 0.02% maximum if instantaneous peak power output is 1000 watts or less per channel with both channels operating for any combination of frequencies, 20 Hz to 20,000 Hz.
Mono : 0.02% maximum if instantaneous peak power output is 2000 watts or less for any combination of frequencies, 20 Hz to 20,000 Hz.
Frequency Response (at one watt output) :
20 Hz to 20,000 Hz +0 - 0.25 dB.
10 Hz to 100,000 Hz + 0.25 - 1 dB.
Noise and Hum: 95 dB below rated output
Damping Factor: Greater than 30
Input Impedance: 50,000 Ω
Input Sensitivity (Switchable): 0.75 volt or 2.5 volts, Level control provided for higher input voltages.
Power Guard: THD not to exceed 2% with up to 20 dB overdrive at 1 kHz.
Power Requirements: 120 Volts 50/60 Hz
Power Consumption: 0.7 to 22 amps., 15 amps UL/CSA
Semiconductors: 91 silicon transistors; 35 silicon rectifiers and diodes; 6 integrated circuits
Dimensions
Front Panel (W x H): 19" x 10½" (48,26 x 26.67 cm).
Chassis (w H x D) : 17" x 10" x 17" (43,18 x 25,4 x 43,18 cm), including connectors.
Clearance in front of mounting panel including knobs 2" (5.08 cm)
Finish: Front panel is anodized gold and black. Chassis is black baked enamel.
Mounting: Standard 19" (48.26 cm) rack mounting
Weight: 129 pounds (58.5 kg) net, 144 pounds (65.3 kg) in shipping





















