Castle Isis loudspeakers

In this digital, computer age loudspeakers are often seen as poor relations of the electronics in a hi-fi or home cinema system. As electro-acoustic devices they are often, incorrectly thought of, as "old" technology - one design indistinguishable from another. You couldn't be more wrong.

 

The Castle Isis sets new performance standards for a speaker of its compact dimensions thanks to the use of castle designed and developed advanced technology drive units. Smooth high frequency detail is delivered by our 25 mm polyamide dome tweeter. Its shallow horn loading ensures good treble dispersion on and off-axis for a wide listening area.

The 130 mm mid/bass driver is built into a strudy die-cast chassis with a lightweight injection moulded plastic cone. A high temperature Kapton voice coil former is used to allow the driver to produce high levels of clean, undistorted sound. A simple crossover, employing audiophile quality components, integrates these exceptional drivers without sacrificing transparency or "slam"

The Castle Isis cabinet is pleasingly proportionated with a front-facing reflex port that suits it equally to bookshelf or stand use.

 

Specifications

Frequency Response:  60 Hz - 20,000 Hz

Nominal Impedance: 8 Ω

Sensitivity:  87 dB for 1W at 1m

Amplifier requirements:  20 - 80 watts

System type:  Reflex

Drivr Unit

Bass :  130 mm in a cast chassis with injection moulded cone

Treble :  25 mm composite soft dome

Dimensions (W x H x D):  170 x 350 x 195 mm

Weight (Packed):  11,6 kg

 

SAEC WE-506/30 tonearm

Concealed Double Knife Edge Precision System

The double knife edge system is the heart of this tone arm

Highly rigid knife edges facing up and knife edges facing down result in precise signal recovery with distortion free and eliminating vibration of tone arm.

 

The arm pipe itself is constructed of a special light alloy, a by-product of French aeronautical technology. The patent Double Knife Edge design along with such refinements as our high-purity, high-density headshell and a unique mechanism for gradually increasing tracking force toward the center of a record, make possible unprecedented tracking ability at very low stylus pressure, remarkably improved clarity of reproduction, lower distortion in the high range, greater dynamic range, reduced scratch and hysteresis noise and the virtual elimination of needle-talk. Moreover, at the first resonant frequency, crosstalk is improved by approximately 20 dB, depending on the efficiency of the cartridge in use.

 

Specifications

Effective Length:  295,0 mm

Overhang:  9,0 mm

Offset Angle:  14,4 degrees

Cartridge Weight Range:  23,5 g - 33,5 g

Height Range:  48,0 mm - 72,0 mm

Mounting Hole:  42,0 mm

 

SAEC WS-308 tonearm

SAEC - Sound of Audio Engineering Corp - Tone Arm

 

The SAEC's remarkable approach toward the perfection of disc sound is crystallized in the SAEC WE-308's unique construction, the Double Knife Edge. This newer construction covers up disadvantages of conventional knife edge type tonearms. The Double Knife Edge provides the lowest friction and high sensitive movement of the tonearm ever achieved. Therefore, the SAEC WE-308 with any advanced current cartridge tracks the record grove with less distortion than ever and reproduces clear directionality, pinpoint placement of instruments and phenomenal cleanness of the disc sound.

 

Specifications

Type:  Double Knife Edge Type, Dtaatic Balanced

Overall Length:  329 mm

Effective Length:  240 mm

Overhang:  5 mm

Tracking Error:  0° at inner most groove of the record

Tracking Force Adjustable Range:  0 - 2 grams

Inside Force:  0 - 4 grams. Rotates Two Times

Canceller:  String Type

Head Shell:  7,3 grams

Mounting Board:  2,5 mm - 35 mm

Elevation:  Oil Piston Elevator

 

Sansui SS-100 headphones

Omni-Dynamic Stereo Headphones

Sansui gives stereo music listeners the rich bass of dynamic acoustic transducers as well as the wide frequency range and brilliant musical reproduction qualities of the electrostatic types in these all-new, smartly designed SS-100 stereo headphones.

"Omni" means that the diaphragms inside the comfortably fitting earpieces each distribute a uniform driving force over its entire flat surface, avoiding split vibrations. The low mass of each diaphragm also means less total harmonic distortion and less phase distortion - the same advantages you have with electrostatic drivers. But since the SS-100 design is essentially dynamic , no electrostatic adaptor or special amplifier is required, and you enjoy a natural yet powerful bass reproduction as well.

With the Sansui Omni-Dynamic SS-100, frequency response is flat over the entire musical spectrum from superlows to ultrahighs. Harmonic distortion is minimal, impedance is flat with no trace of peaks or dips, and your amplifier or receiver is shown off at its best without overstraining.

 

Omni-Dynamic Principle

These handsome, Sansui-exclusive headphones employ an omni-dynamic transducer (diaphragm) in each earpiece. The units are made of polyester film, stretched to a uniform tautness and contained between two anisotropic magnet plates (Fig.1.) On the diaphragm film is etched a voice coil pattern (Fig. 2) And each of the magnet plates has a field (Fig. 3) which, when activated by the plus and minus pulsations of the musical input signal, moves the diaphragm to end from based on Fleming's left-hand rule as applies to current flow in coils.

 

Driver Construction

Omni-Dynamic Driver

As they are very thin and low in mass, the diaphragms offer excellent transient characteristics over a wider frequency range than can those shaped as cones or domes. This means you have a flat response from the superlows to ultrahighs with any musical input signal. Omni-dynamic drive means, too, that all sections of the diaphragm surfaces move in linear piston motion, without split vibrations, thus reducing harmonic distortion and extending dynamic range.

Powerful Magnets

The anisotropic magnet plates in the SS-100 each have high magnetic density to afford the headphones the very high sensitivity (efficiency) of 94 dB/mW.

Optimum Amplifier Load

Since the impedance of these headphones is literally constant at all frequencies, your amplifier or receiver is asked only to deliver an optimum load, meaning that you are assured of the best sound quality from your unit

No-Adaptor Design

To drive the SS-100 simply plug in the provided jack at the headphone outlet on your amplifier or receiver. No AC power booster or other adaptor is required.

 

Fatigue-Free Design

Comfortable Wearing

Eight neoprene supports separate the earpiece from the headband assembly, increasing wearing comfort. The earpads are soft and slim-silhouetted for further comfort, and the recess inside each is shaped to optimize air compliance for better musical reproduction, even into the very high frequency range.

Clear Channel Identification

You'll never confuse front and back or left and right two clearly-marked arrows point to the front of the headset, and only the left earpiece has a cable cord, both for channel identification and wearing comfort.

Slim Design Throughout

Since these Sansui-exclusive Omni-Dynamic drivers themselves are flat, thin and compact, the earpieces have been designed to present a slim silhouette. other design elements take up this low profile motif to result in a modern and quite comfortable stereo headphone set you'll enjoy for long years of hard use.

 

Specifications

Speaker:  Omni-dynamic driver 67 mm (2-5/8)") full-range type

Matching Amplifier Impedance:  4 - 100 Ω

Impedance:  60 Ω  nominal

Frequency Response Range:  20 - 20,000 Hz

Total Harmonic Distortion :  less than 0,3% (at 94 dB SPL)

Max. Input Power:  250 mW

Sensitivity:  94 dB/mW (at 200 Hz)

Cord Length:  2 m (6,5 ft) coiled

Weight (Headphones only):  380 g (13,2 oz)

 

Nakamichi Dragon cassette deck

The ultimate innovation in cassette technology - precise, fully automatic playback head azimuth adjustment. Optimum reproduction quality in both forward and reverse playback modes.

In a slightly different genere than the luxurious 1000ZXL, the Dragon is undoubtedly the finest cassette deck available. It represents the culmination of Nakamichi's vast technical resources and experience, retaining the basic uncompromising Nakamichi standards of performance through use of such innovations as an Asymmetrical, Dual-Capstan Double-Direct-Drive Transport, a Discrete Three-Head configuration, very high quality record/playback amplifier circuitry and, of particular interest to perfectionists, our unique NAAC (Nakamichi Auto Azimuth Correction) for the ultimate in playback performance from both sides on any tape.

 

Proper azimuth alignment is one of the most important factors in achieving the best possible cassette reproduction quality. For this reason, several Nakamichi cassette decks offer either automatic or manual adjustment of record head azimuth. Ideally, however, playback head azimuth should be adjustable so that even tapes recorded on other decks will be reproduced with the recorded frequency response and sound quality fully intact. Commercially available music tape, tapes borrowed from a friend, tapes in which the shell has warped slightly (a common occurrence) - all actually require some degree of playback head azimuth alignment to provide the best possible reproduction quality. Further, inaccuracies in cassette shell symmetry result in completely different azimuth alignment requirements in forward and reverse on auto-revers decks, often causing a significant variation in sound quality. All these points and problems LED Nakamichi to the development of the world's first fully automatic playback head azimuth alignment system NAAC, and its incorporation into this fine deck.

The Dragon's unique double direct drive system employs two Nakamichi quartz PLL servo Super Linear Torque DD motors (one for each capstan) so that wow and flutter are essentially eliminated while maintaining perfect transport stability in both forward and reverse directions. Auto reverse operation has been made available only in the playback mode so that the superb performance of the Discrete Three-head System is not compromised. Of course, full provision is made for left and right channel bias and record/playback level adjustment. All the Dragon's performance features also mean that the built-in Dolby C-type noise reduction system operates under ideal conditions for the best performance. Likewise, heads, mechanism and amplifiers are all the best available, as are features such as the microcomputer-controlled, real-time mechanism control system proven in other Nakamichi decks. Convenience features include Auto Rec Pause, where the deck automatically enters the pause mode during recording if a blank interval of 30 seconds or longer is detected in the source, switchable MPX and subsonic filters, easy cueing, and a dual-speed auto fader function, for customized recording with professional fade-in/fade-out results.

 

Specifications

System Configuration:  4-track, 2-channel stereo

Heads:  3; erase head x 1; record head x 1; 4-track, 4-channel playback head x 1

Motors Transport :

 Two Quartz PLL DC brushless, slotless coreless Super Linear  Torque DD Motor for Capstan drive

 one DC Motor for reel drive

Auto Azimuth Correction :  DC Motor

Mechanism :  DC Motor

Tape Speed: 1-7/8 ips (4,8 cm/sec)

Wow and Flutter: less than 0,019% WTD RMS; less than ±0,04%  WTD Peak

Frequency Response:

20 Hz - 22,000 Hz ±3 dB (recording level -20 dB , ZX tape)

20 Hz - 21,000 Hz ±3 dB (recording level -20 dB , SX, EX II tape)

Signal-to-Noise Ratio:

Dolby C-Type NR On [70 µs, ZX tape] :  better than 72 dB (400 Hz, 3% T.H.D., IHF A-WTD RMS)

Dolby B-Type NR On [70 µs, ZX tape] :  better than 66 dB (400 Hz, 3% T.H.D., IHF A-WTD RMS)

Total Harmonic Distortion :  less than 0,8% (400 Hz , 0 dB, ZX tape)

Less than 1% (400 Hz, 0 dB, SX, EX II tape)

Erasure:  better than 60 dB (100 Hz, 0 dB)

Separation:  better than 37 dB (1 kHz, 0 dB)

Crosstalk:  better than 60 dB (1 kHz, 0 dB)

Bias Frequency:  105 kHz

Input Line Sensitivity/Impedance :  50 mV/50 k Ω

Output Level/Impedance

Line  :  1 V (400 Hz, 0 dB, output level control at max.)/ 2,2 k Ω

Headphone :  45 mW (400 Hz, 0 dB, output level control at max.)/ 8 Ω

Black Box Series DC Output:  ±10 V, 125 mA max.

Power Requirements:  100,120, 220, 240 V AC 50/60 Hz

Power Consumption:  45 W max.

Dimensions (W x H x D):  450 x 135 x 300 mm (17-3/4" x 5-5/16" x 11-13/16"

Weight:  9,5 kg (21 lbs)

 

Vandersteen Model 3 loudspeaker

The Aligned Dynamic Design

The Model Three uses the proven Vandersteen Aligned Dynamic Design to optimize the dispersion and transient accuracy of the drivers while maintaining the input signal's time and phase integrity. The drivers, their positioning and their associated minimum baffles were developed with the aid of FFT computer analysis to minimise diffraction, cone break-up, multi-driver interference and out-of-band phase irregularities. The construction, alignment and positioning of the driven allow a point-source wave front and maximize the phase coherence of the loudspeaker at the listening position.

The Aligned Dynamic Design is used for the Model Three due to its many potential advantages:

Precise, more dimensional imaging and a wider listening area

A greater flexibility of placement options within the listening room and better "real word" transient response due to the lack of out-of-phase rear-wave cancellations.

A high level of genuine transparency and detail typical of planar speakers without the dege-clamping distortion that exist in all rectangular electrostatic and planar panels

Increased efficiency and improved dynamic range.

 

The components used in the Model Three combine durability and strength with innovative design and construction. The metal-alloy dome-tweeter is a dual-chamber design to improve range and linearity. It is critically damped to extend the high frequencies past audibility without the excessive ringing associated with open or underdamped metal dome tweeters. The alloy used for the dome was chosen for its superior strength and resistance to break-up compared to common dome materials.

With the application of years of experience in FFT computer analysis and research into the negative effects of diffraction, a unique, proprietary midrange driver has been developed that outperforms previous designs in several significant parameters. In conventional cone midrange, the acoustic energy from the back of the cone immediately strikes the front of the driver's magnet assembly and is reflected back through the cone and into the listening room.

This distorted secondary signal created by the internal diffraction smears the sound of the driver and inhibits true transparency. The frontal area of the magnet assembly on the Model Three midrange has been minimized through the use of advanced materials and construction techniques to reduce internal diffraction and the resultant distortion to inaudible levels. With the elimination of this distortion, the sound of the Model Three is cohesive and smooth with a level of inner resolution unequalled by other dynamic loudspeakers.

The active acoustic coupler and woofer use costly cast-metal baskets rather than more common stamped baskets. The cast-metal baskets inherent rigidity and superior vibration control increase cone movement accuracy and reduce sympathetic resonances for cleaner and more natural sound. Filled polycones are used on the woofer and midrange to insure higher internal stiffened and greater neutrality than woven plastic or treated paper cones. The stiff, low weight polycones resist flexing under all drive conditions for lower distortion and increased detail.

The dual-spider active acoustic coupler accurately complements the woofer to reduce box loss, thermodynamic loss and active/passive transfer nonlinearities. This novel Electro-Mechanically Optimized Woofer System provides powerful, detailed and extended bass response as the Model Three operates much more closely to the ideal than any conventional ported or passive design.

 

The crossover in the Model Three is comprised of transient-perfect, first-order networks designed to preserve the phase integrity of the music. It is compensated to allow the drivers to operate in absolute phase with each other for more precise and stable imaging than conventional multi-way speakers using out-of-phase drivers. The crossover's computer grade components, including low impedance air-core inductors and high-quality film capacitors in the signal path, are hand soldered on a double-sided, plated-through PC board tested to insure less than 0,1 dB deviation from a reference circuit. Custom 6N wire with polypropylene dielectric is used for internal wiring to maximize signal transfer.

The crossover is engineered for bi0wiring with a stereo amplifier or two monoblock amplifiers or passive vertical bi-amplification with two identical stereo amplifiers or four identical monoblock amplifiers. Inputs are heavy-duty screw terminals.

 

The baffles holding the drivers of the Model Three are as small as possible to eliminate virtually all of the early reflections that affect dynamic speakers with conventional flat or low diffraction baffles. Reducing both early reflections and edge diffraction improves the imaging and enhances the openness and transparency of the speaker.

The enclosure of the Model Three is constructed of MDF, a wood product far more dense and acoustically inhert than conventional particle-board. Broad-spectrum, low -Q resonances are controlled so as to cancel rather than become additive.

 

Specifications

Impedance:  6 Ω  nominal; 4 Ω  minimum

Efficiency:  89 dB with 1 watt of pink noise input at 1 meter on axis

Recommended Amplification:  100 to 200 watts per channel into 8 Ω .
The amplifier must be stable into a 4 Ω  load.

Frequency Response:

26 Hz to 30,000 Hz ±3 dB

30 Hz to 22,000 Hz ±1,5 dB by FFT step function

Dispersion:  26 Hz to 17 kHz ±3 dB 30degrees off axis

Crossover Frequencies:  600 Hz and 5 kHz First-order, 6 dB per octave

Input Connections:  2 pair of heavy duty screw terminals

Recommended Placement:  12-inches or more from the rear wall,

Cabinet Finish:  Hand-matched and finished natural oiled wood veneers

Dimensions (H x W x D):  48" x 16" x 10,25"

Weight:  88 lbs net

 

JBL 4430 monitor loudspeakers

Developed to meet the challenge of digital and advanced analog recording technology, the JBL Model 4430 {and Model 4435} represent a significant new approach to two-way studio monitor design. The incorporation of the unique JBL Bi-Radial ™ horn in a monitor loudspeaker provides constant vertical and horizontal polar coverage, control of the reverberant field, flat power response, image stability, and coherent sound. The two models also feature improvements in compression driver, low frequency transducer, and dividing network technology. Both systems exhibit the traditional )BL attributes of wide bandwidth, smooth frequency response, high efficiency, wide dynamic range, and exceptional reliability.

The practical benefits of the Bi-Radial monitors include stable stereo imaging that remains fixed over a wide range of horizontal positions, the result of unusually smooth off-axis response. The design allows considerable latitude in physical placement. The wide vertical response, identical to the horizontal, includes both standing and seated listeners within the coverage angle, even in proximity to the monitors.

 

THE JBL BI-RADIAL ™ HORN

The Models 4430 offer performance levels normally achieved by three- and four-way systems. The key to this performance is the JBL Bi-Radial ™ horn 1 and its integration in a monitor design.

Most horn designs compensate for the failing power response of the compression driver with directivity that increases with frequency. This provides flat axial response, but power response that typically falls by 6 dB per octave from as low as 3 kHz. The resulting decrease in coverage angle (as the frequency increases) gives generally poor control of the reverberant field and (in two-way designs) is not well matched to the coverage angle of the low frequency driver at the crossover frequency. By contrast, the JBL Bi-Radial ™ horn provides constant coverage over its operating bandwidth. Both on-axis and off-axis pressure response are flat, and the vertical coverage angle is identical to the horizontal. This angle is wide, 100° x 100°, but very tightly controlled, and it matches the coverage angle of the low frequency driver at the crossover frequency. Additionally, the horn's rapid flare rate reduces second harmonic distortion, and its reduced depth puts its driver in the same acoustic plane as the low frequency driver. The Bi-Radial ™ monitors present a coherent sound source, with extremely stable stereo imaging over a wide variety of listening positions. The monitors offer a high degree of placement flexibility, and the listening position can be quite close with no loss of stereo imaging.

Equalization of the 4430  will typically be needed only to correct for inherent room anomalies rather than for monitor response. This is the result of uniform frequency response within the coverage angle. The controlled power and polar response of the JBL Bi-Radial ™ monitors effectively removes them from the variables with which a recording engineer must contend.

 

HIGH FREQUENCY COMPRESSION DRIVER

The Bi-Radial ™ horn is coupled to a compression driver which is crossed over at I 000 Hz. The driver features a titanium diaphragm with a three-dimensional diamond-pattern suspension . Developed by JBL, this diamond surround offers an extended frequency response normally associated with exotic materials while retaining ruggedness and high power capacity. The diaphragm is pneumatically drawn to shape to eliminate stresses that cause fatigue, and a phasing plug of concentric exponential horns eliminates phase cancellation.

 

LOW FREQUENCY

The low frequency loudspeakers used in the Bi-Radial ™l monitors incorporate the latest technology to deliver smooth response, extended bandwidth, and extremely low distortion. The magnetic structures feature JBL's Symmetrical Field Geometry (SFGI design to reduce second harmonic distortion to inconsequential levels. New adhesives technology and coil former construction improve power handling. The coil itself, 100 mm (4 in) in diameter, is fabricated from edge-wound copper ribbon, and operates in a magnetic field having a flux density of 1.2 T (12,000 gauss). The 19 mm(% in) length of the voice coil allows increased linear excursion, and a careful choice of suspension elements helps to completely eliminate dynamic instabilities.

The 4430 differ chiefly in their low frequency capabilities. The 4430 uses a single 380 mm ( 15 in) low frequency driver and is 3 dB down at 32 Hz; it can handle full power input to 27 Hz.  The system is down 3 dB at 27 Hz and will handle full power down to 22 Hz. The systems use similar low frequency drivers, but the cone assemblies.

 

FREQUENCY DIVIDING NETWORK

The frequency dividing network of the Bi-Radial ™ monitors has a crossover frequency of I kHz and a nominal slope of 12 dB per octave. The cut-off slope and shape were chosen to provide the smoothest possible response over the widest bandwidth, restricting any off-axis anomalies to a very narrow portion. JBL has paid considerable attention to both the off-axis response and the total power response, and the network optimizes these parameters. While

the response is smooth at all angles, the flattest response is, by design, on-axis and above. This offers a greater number of listening positions when the system is mounted at or below ear level; for mounting above ear level, the system can be inverted to offer the same advantages. The network also provides equalization of the compression driver. Because the power response of the driver and the Bi-Radial ™ horn is greater in the midrange than at high frequencies, this equalization attenuates the lower end of the compression driver's response, lowering distortion and giving greater dynamic headroom. The equalization is provided in two stages, allowing separate adjustments (via front panel level controls) for the midrange and high frequencies.

A switch located adjacent to the connection terminals allows the monitor to be bi-amplified. A special crossover card is available for the IBL Model 5234A electronic frequency dividing network to provide the appropriate crossover characteristics.

 

Specifications

Frequency Response:  35 Hz - 16,000 kHz ±3 dB

Sensitivity:  93 dB SPL

Efficiency:  1,3%

Dispersion Angle

Horizontal :  100° (+10°; -30°)

Vertical :  100° (+0°, -30°)

Impedance:  8 Ω  nominal

Max. Power Input:  300 W

Continuous Sound Pressure Level:  119 dB

Crossover Frequency:  1,000 Hz

Driver Complement:

Low Frequency :  2235H

Compression Driver :  2425H

Horn :  2344

Enclosure Volume:  0,14m³ (5 cu. Ft)

Resonance Frequency:  34 Hz

Dimensions:  908 x 556 x 400 mm (480 mm deep w/horn)

Weight Net:  26 kg (57 lbs)

 

JBL4425 monitor loudspeakers

Bi-Radial Studio Monitor

The success of the models 4430 and 4435 Bi-radial studio monitor loudspeakers has prompted JBL to introduce a smaller model based on the same principles for use in smaller studios and for a variety of demanding audio production applications.

As in the case of the larger Bi-Radial monitors, the 4425 maintains a 100-degree-by-100-degree coverage pattern from its crossover frequency (1200 Hz) up to 16 kHz. Smooth power response is ensured from the lowest frequencies up to 1200 Hz, and flat power response is maintained above that frequency. At the same time, axial response is remarkably smooth, and the combination of controlled power and axial response ensures that the reflected sound field in the control room will be free of coloration. The model 4425 also addresses the requirement for accurate stereophonic imaging. The mirror imaged pair creates absolutely symmetrical sound fields, and this is the essential requirement for precise imaging. There is no lobbing for normal off-axis listening positions in the horizontal plane, and vertical lobbing is minimized over the preferred listening arc.

The model 4425 can handle program power inputs of 200 watts, more than enough to accommodate the high acoustical levels demanded in critical listening to today's digital recordings.

 

High-Frequency Horn and Driver

The BI-Radial horn used in the model 4425 is a scaled down version of the model 2344 horn used in the 4430 and 4435 monitor loudspeakers. It is made of high-impact structural foam and is acoustically inert. The high-frequency compression driver is a completely new design making use of a computer-machined phasing plug. Tolerances are held to a high degree, and unit-to-unit variation is small. The disphragm assembly is JBL's unique titanium design, with its advantages of extended frequency response relative freedom from mechanical fatigue, and high acoustical output capability. A copper shorting ring plated on the pole piece controls high-frequency impedance and improves high-frequency response.

As is the case with the larger Bi-Radial monitors, the 4425 system maintains precisely aligned phase response over a forty-gegree wide arc in the horizontal plane. The preferred listening arc in the vertical plane is between zero (on-axis) and ten degrees up.

 

Low-Frequency Transducer

A newly designed driver, the model 2214H, is used in the 4425 monitor loudspeaker. This transducer incorporates JBL's symmetrical field geometry (SFG) magnet structure for low distortion. The 76 mm (3-in) voice coil is made of edge-wound copper ribbon wire for highest sensitivity and power handling. The inner suspension of this transducer has been designed to exhibit a progressive increase in restoring force with increasing displacement. This controls dynamic offset for low-frequency, large excursion signals, and results in reduced distortion at low frequencies. A composite coating on the cone optimizes both damping and stiffness, resulting in smoother response and lower distortion.

 

Frequency Dividing Network

In addition to the normal function of frequency division, the network in the 4425 provides power response compensation for the high-frequency drier. Two controls allow the user to contour both mid and high frequencies to match various room characteristics. While the network slopes are 12 dB/octave, the combination of inherent roll-off characteristics in both high- and low-frequency components of the system with the electrical characteristics yields quite rapid transitions in the crossover frequency. Network components are of the most rugged, low-loss type, and high-quality bypass capacitors are placed in parallel with the larger capacitors in the signal path for increased linearity.

 

Specifications

Frequency Response:  40 Hz - 16,000 kHz ±3 dB

Sensitivity:  91 dB SPL

Efficiency:  0,8%

Dispersion Angle

Horizontal :  100° (+10°; -30°)

Vertical :  100° (+0°, -30°)

Impedance:  8 Ω  nominal

Max. Power Input:  200 W

Continuous Sound Pressure Level:  114 dB

Crossover Frequency:  1,200 Hz

Driver Complement:

Low Frequency :  2214H

Compression Driver :  2416H

Horn :  2342

Enclosure Volume:  53,8 l (1,9 cu. Ft.)

Resonance Frequency:  34 Hz

Dimensions:  406 x 635 x 311 mm (375 mm deep w/horn)

Weight Net:  26 kg (57 lbs)

 

Marantz Imperial 8 speakers

A Marantz Imperial 8 speaker can handle 125 watts of integrated program material, but reproduces full realism with a fraction of that.

The Marantz Imperial 8 speaker system is just one of two exciting Marantz floor-standing speaker models.

The step-up model Imperial 9 wit tow 10" woofers is designed for higher power handling capabilities as well as high efficiency and mirror imaging. Both models reflect the kind of technical expertise and engineering excellence that has made Marantz the choice of professionals world-wide. Stop by your local Marantz dealer and see the complete line of floor-standing and book-shelf speaker systems starting as low as $59,95

 

Specifications

Frequency Response:  40 Hz to 18,000 Hz ±2 dB (30 Hz to 20,000 Hz ±5 dB)

Sensitivity:  97 dB (1 Watt/0,5 meter, 1 kHz)

Power Rating:  75 watts Continuous (125 watts Integrated)

Distortion Under:  0,5% 100 dB SPL at 0,5 Meter Avg. Of 50/500/5,000/12,500 Hz 2nd and 3rd Harmonics

Nominal Impedance:  8 Ω

Dimensions (H x W x D):  27" x 18-3/4" x 14-1/2"

Marantz Imperial 9 speakers

Mirror imaging is a unique Marantz attraction not found elsewhere. It is achieved by placing the mid-range and tweeter array of both speaker systems in a mirrored position (either both inside or outside of the speaker). By doing this, the stereo image and overall dispersion is exactly symmetrical giving you the most precise stereo sound and separation possible. The Imperial 9 and 8 may be used in the vertical or horizontal position. And mirror imaging is made easy, since the Imperial 8 is designed with a rotatable array, and the Imperial 9 is designed symmetrically. Mirror imaging, a sound feature that speaks for itself.

 

Specifications

Frequency Response:  35 Hz to 17,000 Hz ±1,5 dB (30 Hz to 18,000 Hz ±3 dB)

Sensitivity:  97 dB (1 Watt/0,5 meter, 1 kHz)

Power Rating:  100 watts Continuous (150 watts Integrated)

Distortion Under:  0,5% 100 dB SPL at 0,5 Meter Avg. Of 50/500/5,000/12,500 Hz 2nd and 3rd Harmonics

Nominal Impedance:  8 Ω

Dimensions (H x W x D):  30-1/2" x 24" x 18"

 

Phase Linear 8000 turntable

Model 8000 Series Two Linear Motor Turntable

No other turntable can match the Phase 8000, because no other turntable has such advanced motors. You can't buy a quieter turntable. Or one with as low wow and flutter. Or one that tracks better.

The Phase 8000's tangential tracking tone arm keeps the stylus in perfect 90° tangent with the grooves. It's the same way the master disc was cut, so the motion of your stylus is identical to the cutterhead stylus. There's absolutely no tracking distortion. No crosstalk. No skating force that can actually re-cut your grooves.

 

New Linear Motor Eliminates Mechanical Linkage

Other manufacturers have tried to move tangential tone arms with worm gears. Belts. Rollers. All with the same sad result; Mechanical connections pass on the noise and vibration of the motor. The Phase 8000 solves this problem with an ingenious Linear Motor. The tone arm base is a permanently magnetized armature that glides along guide bars above electro-magnetic coils. The arm moves by direct induction - not mechanical connection. So there's virtually no noise. Inside the tonearm, an opto-electric detector cell senses the slightest tracking error, and instantly sends correcting signals to keep the arm on track.

 

New Quartz-PLL Direct Drive

Our new slotlles, coreless Stable Hanging Rotor DC motor virtually eliminates "platter wobble". Quick start/stop. Speed deviation is lower than 0,002%.

 

Specifications

Motor and Turntable Section

Drive System:  Direct drive

Motor:  Quartz PLL Hall motor

Platter:  310 mm diam. aluminum die-cast alloy

Inertial Mass:  330 kg-cm² (including platter mat mass)

Speeds:  33-⅓ and 45 rpm

Wow and Flutter: 

DIN :  less than 0,35%

WRMS :  less than 0,025%

Signal-to-Noise Ratio:  better than 78 dB (DIN-B)

Rotational Characteristics

Build-up Time:  with 90° rotation at 33-⅓ rpm

Speed Deviation:  less than 0,002%

Speed vs. Load Characteristics:  stable up to 220 grams drag load

Speed Drift: 

less than 0,00008% per hour at 33-⅓ rpm

Less than 0,00003% per degree of temperature change at 33-⅓

Tonearm

Type:  Linear motor direct-drive static-balance type; linear-tracking arm

Effective Arm Length:  190 mm

Overhang:  0 mm

Usable Cartridge Weight:  4 g to 24 g

Arm Height Adjust Range:  ±3 mm

Headshell Weight:  10,5 g

Semiconductors:  22 ICs; 17 Transistors; 16 Diodes; 3 Hall Elements; 14 LEDs; 5 Photo Transistors; 1 CdS

Miscellaneous

Power Requirements:  110 - 120 V AC, 40/60 Hz

Power Consumption:  35 watts

Dimensions (W x H x D):  494 x 154 x 456 mm (19-7/16" x 6-1/16" x 17-15/16")

Weight:  12 kg (26 lb 8 oz)

 

Yamaha NS-2000 speakers

Natural Sound Speaker System

Pure Carbon Fiber Woofer Cone

Improved Beryllium Midrange and tweeter Domes

Unique In-line Speaker Configuration and Rounded Baffle

Uncompromising Choice of Materials and Construction Throughout

Superbly Crafted Cabinetry

 

The lead in sound-oriented technology that has grown out of a hundred-year tradition has been purposefully expanded in this loudspeaker system. Although Yamaha sound transducers are "digital-proof" thanks to fast and precise signal processing, the NS-2000 system is a resounding testament to the fact that research has not rested in this area either.

 

Further refinement of the exclusive beryllium and carbon fiber technology, weight reduction of the membranes and unrivalled experience in processing valuable woods create the Yamaha system in a class of its own, with which digital progress can be heard.

 

The baffle with rounded edges reduces diffraction and ensures increased stereo definition. The precision housing was developed on the basis of irrefutable computer calculations, coupled with knowledge of sound. The bass membrane made of pure carbon fiber is super light and ultra-stable with a diameter of 33 cm. New beryllium domes have a drastically reduced weight of 0.028 g for the tweeter and 0.5 g for the midrange. The crossover is equipped with coils made of oxygen-free copper wire and large-dimensioned ferrite cores. Level controls for the tweeter and midrange are a matter of course in this class.

 

Specifications

Type:  Fully enclosed bookshelf type

Speakers:

Low Frequency :  JA3301 Woofer carbon diaphragm 330 mm (13") cone

Mid Frequency :  JA0802A Midrange Beryllium diaphragm 88 mm (3-1/2") dome

High Frequency :  JA0526A Tweeter Beryllium diaphragm 30 mm (1-3/16") dome

Nominal Input Power :  125 W

Music Input Power :  250 W

Impedance:  6 Ω

Sound Pressure Level :  90 dB/W/m

Crossover Frequencies:

Low/mid :  500 Hz (12 dB/oct)

Mid-high :  6 kHz (12 dB/oct)

Level Controls:

Mid :  +3 dB (Continuously variable)

High :  +2 dB (Continuously variable)

Enclosure:  Fully enclosed type

Volume :  80 l

Exterior:  American walnut Urethane open pore finish

Dimensions (W x H x D):  440 x 752 x 404 mm (17-5/8" x 29-5/8" x 15-7/8")with grille attached

Weight:  47 kg (103 lbs 6 oz)