Search this site

Labels

4-channel ACCUPHASE ACOUSTIC ENERGY ADC ADCOM ADS ADVENT AIFAI AIWA AKAI AKG ALIANTE ALLISON ALTEC LANSING AMPEX AMPLIFON ANCIENT AUDIO AR ARCAM ARISTON ARMONIA AUDIA AUDIO ACADEMY AUDIO ANALOGUE AUDIO DYNAMICS AUDIO INNOVATIONS AUDIO NOTE AUDIO RESEARCH AUDIO-TECHNICA AUDIOLAB AUGUSTA AVALON AVID AXIOM Alchemist Audiostatic B-I-C BASF BASSOCONTINUO BEVERIDGE BEYER-DYNAMIC BOSE BOSTON BOWERS-WILKINS BOZAK BRAUN BRIONVEGA BSR Bang & Olufsen Bell Belt-Drive CAMBRIDGE CANTON CARVER CASTLE CD Player CD Transport CEC CELESTION CEMARK CERWIN-VEGA CHARIO CHARTWELL CIZEK CLARION CONRAD-JOHNSON COPLAND CORAL CORAL ELECTRONIC CREEK CROWN CYBERNET CYRUS California Audio Labs Centrex DAC DAHLQUIST DALI DAT DBX DECIBEL DENON DIAPASON DOKORDER DOMA DUAL DYNACO DYNAUDIO DYNAVECTOR Ditton EISA ELAC ELECTRO-VOICE EMPIRE EMT EPI EPICURE EPOS ES Series ESB ESOTERIC ESS EUMIG Esotec FAIRCHILD FOSTEX GALACTRON GALE GARRARD GENELEC GENESIS GIUSSANI RESEARCH GOLDENOTE GOODMANS GRAAF GRUNDIG H.H. SCOTT HAFLER HARBETH HARMAN/KARDON HEATHKIT HECO HIRTEL HITACHI HPM INDIANA LINE INFINITY JAMO JANSZEN JBL JEFF ROWLAND JENSEN JMLAB JVC KEF KENWOOD KLH KLIPSCH KOSS KRELL KYOCERA LAE LEAK LECTOR LENCO LESA LINN LOWTHER LUXMAN LYNGDORF Lafayette MAGNEPLANAR MARANTZ MARK LEVINSON MARTEL MARTINLOGAN MARUNI MASH MAXELL MBL MERIDIAN MERITON MICRO SEIKI MICRO-ACOUSTICS MIRAGE MISSION MITSUBISHI MONITOR AUDIO MONRIO MORDAUNT-SHORT MUSICAL FIDELITY MYRYAD McIntosh McLAREN NAD NAGRA NAKAMICHI NHT NIKKO NORESCO NOVA ONKYO OPERA OPTONICA ORTOFON PANASONIC PARADIGM PATHOS PEARL PHASE LINEAR PHILIPS PICKERING POLK AUDIO PSB Power-amplifier Pre-amplifier Pre-phono Pro-Ject QUAD RADFORD RCF REK-O-KUT REVOX ROGERS ROKSAN ROTEL ROYD RUARK Reel to Reel SACD SAE SANYO SENNHEISER SHARP SHERWOOD SHURE SIARE SIGNET SME SOMA SONAB SONUS FABER SONY SOTA SPECTRAL STANTON STAX STILE ITALIANO STRUSS SUGDEN SUPERSCOPE Soundcraftsmen Spica Stereo 8 Synthesis TAC TAD TAMON TANDBERG TANNOY TASCAM TDK TDL TEAC TECHNICS THE FISHER THIEL THORENS TOSHIBA TRANSCRIPTOR TRIO ULIX UNISON RESEARCH UREI UTAH Uni-Q VANDERSTEEN VOCE DIVINA VPI WADIA WHARFEDALE XAVIAN YAMAHA ZENITH ZINGALI amplifier cartridge direct-drive headphones idler italian lathe linear loudspeaker pioneer quadraphonic receiver sansui tangential tonearm tuner turntable unitra

What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





Heathkit AR-1500A

 We've improved upon the Classic receiyer.
The tradition of heathkit stereo receiver superiority began in 1967 with the heathkit AR-15. then in 1971 came the Ar-1500. now, it's the AR-1500A, the world's classic receiver, improved once again. Design advancements include.

Phase lock Loop (PLL) multiplex demodulator with only one simple adjustment, your assurance of maximum separation, droft-free performance and long-term stability. Simplification of the AGC circuit resulting in significant improvements in AM performance. Improved output protection for better drive capability over taday's wider range of speaker impedances.

Now Easier To Build
In redesigning the AR-1500A, special care was given to making the kit even easier to build than before. A separate check-out meter is used to check out each step as assembly progresses. Factory-installed cable connectors are another new kitbuilding aid.
 Still tops in performance.
The precedent-setting performance specifications of the AR-1500 have, of course, been retained. Conservatively rated, the Ar-1500A puts out 180 watts, 90 per channel, into 8 ohms, with both channels driven, with less than 0,25% harmonic distortion. Two computer designed five pole LC filters and the 4-gang, front end combine for an FM selectivity beter than 90 dB with 1,8 µV sensitivity. And here are some things the specs won't show you. There are outputs for two separate speaker systems, two sets of headphones, preamp output, and monitoring of FM with an ascilloscope such as the Heathkit Audio-Scope. Standard inputs - all with individual level controls. Electronically monitord amplifier overload circuitry.
Specifications
Tuner FM Section
Monophonic:
Sensitivity:  1,8 µV
Selectivity:  90 dB
Image rejection:  100 dB
IF Rejection:  100 dB
Capture ratio:  1,5 dB
Harmonic Distortion: 0,5% or less
Intermodulation Distortion:  0,1% or less
Stereophonic:
Channel Separation:  40 dB or greater at midfrequencies; 35 dB at 50 Hz; 25 dB at 10 kHz; 20 dB at 15 kHz
Tuner AM Section
Sensitivity:  50 µV with external input; 300 µV per meter with radiated input
Selectivity:  20 dB at 10 kHz;60 dB at 20 kHz
Image Rejection:  70 dB at 600 kHz; 50 dB at 1400 kHz
IF Rejection:  70 dB at 1000 kHz
Amplifier Section
Dynamic Power Output per Channel:
Music Power Rating:  90 watts (8 Ω load);  1200 watts (4 Ω load);  50 watts (16 Ω load)
Continuous power Output per Channel:  60  watts ( 8 Ω load);  100 watts (4 Ω load); 40 watts (16 Ω load)
Power Bandwidth (for constant .25% THD):  less than 8 Hz to greater than 30 kHz
Frequency Response (1 watt level):  9 Hz to 80 kHz,  -1 dB
Harmonic Distortion:  less than 0,25% from 20 Hz to 20 kHz at 60 watts output
Intermodulation Distortion:  less than 0,1% with 60 watts output
Damping Factor:  Greater than 60
Channel Separation:  55 dB (Phono)
Output Impedance (each channel):  4 Ω through 16 Ω
Dimensions (W x H x D):  18-1/2" x 5-1/8" x 13-7/8"
Weight (less cabinet):  53 lbs

No comments:

Post a Comment