Search this site

Labels

4-channel ACCUPHASE ACOUSTIC ENERGY ADC ADCOM ADS ADVENT AIFAI AIWA AKAI AKG ALIANTE ALLISON ALTEC LANSING AMPEX AMPLIFON ANCIENT AUDIO AR ARCAM ARISTON ARMONIA AUDIA AUDIO ACADEMY AUDIO ANALOGUE AUDIO DYNAMICS AUDIO INNOVATIONS AUDIO NOTE AUDIO RESEARCH AUDIO-TECHNICA AUDIOLAB AUGUSTA AVALON AVID AXIOM Alchemist Audiostatic B-I-C BASF BASSOCONTINUO BEVERIDGE BEYER-DYNAMIC BOSE BOSTON BOWERS-WILKINS BOZAK BRAUN BRIONVEGA BSR Bang & Olufsen Bell Belt-Drive CAMBRIDGE CANTON CARVER CASTLE CD Player CD Transport CEC CELESTION CEMARK CERWIN-VEGA CHARIO CHARTWELL CIZEK CLARION CONRAD-JOHNSON COPLAND CORAL CORAL ELECTRONIC CREEK CROWN CYBERNET CYRUS California Audio Labs Centrex DAC DAHLQUIST DALI DAT DBX DECIBEL DENON DIAPASON DOKORDER DOMA DUAL DYNACO DYNAUDIO DYNAVECTOR Ditton EISA ELAC ELECTRO-VOICE EMPIRE EMT EPI EPICURE EPOS ES Series ESB ESOTERIC ESS EUMIG Esotec FAIRCHILD FOSTEX GALACTRON GALE GARRARD GENELEC GENESIS GIUSSANI RESEARCH GOLDENOTE GOODMANS GRAAF GRUNDIG H.H. SCOTT HAFLER HARBETH HARMAN/KARDON HEATHKIT HECO HIRTEL HITACHI HPM INDIANA LINE INFINITY JAMO JANSZEN JBL JEFF ROWLAND JENSEN JMLAB JVC KEF KENWOOD KLH KLIPSCH KOSS KRELL KYOCERA LAE LEAK LECTOR LENCO LESA LINN LOWTHER LUXMAN LYNGDORF Lafayette MAGNEPLANAR MARANTZ MARK LEVINSON MARTEL MARTINLOGAN MARUNI MASH MAXELL MBL MERIDIAN MERITON MICRO SEIKI MICRO-ACOUSTICS MIRAGE MISSION MITSUBISHI MONITOR AUDIO MONRIO MORDAUNT-SHORT MUSICAL FIDELITY MYRYAD McIntosh McLAREN NAD NAGRA NAKAMICHI NHT NIKKO NORESCO NOVA ONKYO OPERA OPTONICA ORTOFON PANASONIC PARADIGM PATHOS PEARL PHASE LINEAR PHILIPS PICKERING POLK AUDIO PSB Power-amplifier Pre-amplifier Pre-phono Pro-Ject QUAD RADFORD RCF REK-O-KUT REVOX ROGERS ROKSAN ROTEL ROYD RUARK Reel to Reel SACD SAE SANYO SENNHEISER SHARP SHERWOOD SHURE SIARE SIGNET SME SOMA SONAB SONUS FABER SONY SOTA SPECTRAL STANTON STAX STILE ITALIANO STRUSS SUGDEN SUPERSCOPE Soundcraftsmen Spica Stereo 8 Synthesis TAC TAD TAMON TANDBERG TANNOY TASCAM TDK TDL TEAC TECHNICS THE FISHER THIEL THORENS TOSHIBA TRANSCRIPTOR TRIO ULIX UNISON RESEARCH UREI UTAH Uni-Q VANDERSTEEN VOCE DIVINA VPI WADIA WHARFEDALE XAVIAN YAMAHA ZENITH ZINGALI amplifier cartridge direct-drive headphones idler italian lathe linear loudspeaker pioneer quadraphonic receiver sansui tangential tonearm tuner turntable unitra

What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.



H.H. Scott '59





Shure M95 HE cartridge

Phono pickup
This is the next-to-the top-of the line Shure pick-up, which incorporates the same stylus as is used in the top-of-the-line model. Overall the sound quality is very good, with slightly hot highs, with user-replaceable stylus (which may also be used by those who now own the M95 pickup) .
A magnetic pickup with a "Hyper-elliptical" stylus and built-in "hinged" stylus guard. Recommended vertical tracking force is 3/4 to 1-1/2 grams and best rsults were attained in the 1-1/4 to 1-1/2 gram range.
The Frequency Response measured ±3 dB from 20 to 15,000 Hz, rising to +4,5 dB at 20,000 Hz. Overall channel balance was within 2 dB. The worst-case stereo separation was 23 dB at 1000 Hz; 20 dB at 15,000 Hz.
This pickup sounds a lot better than it measures.

Specifications
Frequency Response: 20 - 20,000 Hz
Output (at 1,000 Hz):  4,7 mV (at 5 cm/sec peak recorded velocity
Channel Separation:  25 dB at 1 kHz (minimum)
Channell Balance:  within 2 dB
Tip Tracking Force:  0,75 - 1,5 grams
Total Tone Arm Tracking Force (Destaticizer on record):  1,25 to 2,0 grams
Force Exerted by Destaticizer:  0,5 grams
Typical Trackability (in cm/sec. Peak recorded velocity)
400 Hz :  24 cm/sec
1,000 Hz :  33 cm/sec
10,000 :  19 cm/sec
Inductance:  700 millihenries
DC Resistance:  1550 Ω
Optimum Load:  47 Ω 9resistance in parallel with 200 to 300 picofarads capacitance per channel)
Net Weight:  6,4 grams
Labels: , ,

2 comments:

  1. UnknownMay 18, 2020 at 1:59 AM

    Con un peso de un gramo, es correcto aplicar una fuerza centrifuga de un gramo y medio. ?? para corregir la centripeta del surco del vinilo.?? Gracias por su atencion.

    ReplyDelete
    Replies
    1. Zeus GarcíaJuly 17, 2021 at 6:05 PM

      Desde aquí parece demasiado. Yo te recomendaría usar el método de SoundSmith para determinar la fuerza a utilizar, pon la aguja en la parte de vinilo liso entre la última canción de la cara y la galleta. Si la tienes demasiado alta, la aguja se irá hacia el exterior del disco, y si la tienes demasiado baja se irá rápidamente hacia el centro. SoundSmith recomienda ajustar la fuerza de modo que la aguja no se mueva, o que se mueva muy muy ligeramente hacia el centro. No sé si me he explicado bien, pero si no te recomiendo buscar dicho método en Google o en YouTube.

      Delete

Subscribe to: Post Comments (Atom)