Uncompromised
Circuit and Function Engineering
The C-50
Stereo Control Amplifier features an impressive array of unique circuit
innovations that are specifically designed to give you more accurate,, natural
music reproduction. In addition to straightforward, sensible circuit design
from input to output, the C-50 features a brand new ERE (Extended Rolloff
Equalizer) circuit that eliminates the high-frequwncy phase deviation inherent
in conventional RIAA equalizer designs, New Linear Transfer circuitry for an
absolute miniumu of current distortion caused by semiconductor non-linearity in
push-pull class-A amplification stages, and DC configuration circuitry
throughout for the highest accuracy in waveform transimssion.
Moreover,
each and every individual circuit component has been carefully chosen for
optimum characteristics so there is virtually no chance of sound quality
degradation due to less than ideal or mismatched components. Functionally, the
C-50 provides extensive response tailoring flexibility with continuously
variable bass and treble control turnover frequencies. And, like any Yamaha
component, all controls give you complete control over the most critical
parameters that affect your listening pleasure.
If
you'reseriously interested in putting together a truly high-performance
separate component audio system, the C-50 is one preamplifier you should
definitely hear before makong your final choice - your ears will tell you more
than we can ever desribe in words.
Continuously
Variable Tone Control Turnover Frequencies
Tone
controls are provided in a preamplifier to allow the listener to roughly
compensate for acoustic deficiencies in his listening room, as well as for
unbalanced program source response, and, simply to create an overall tonal
balance that he finds "pleasant". The control range provided by most
tone control systems, however, is severly limited since the bass and treble
control turnover frequencies are usually arbitrarily determined and preset by the manufacturer. Some more
advanced tone control systems approach this problem by permitting two or three
position switching of the tone control turnover frequencies. The Yamaha C-50
goes even further by permitting continuously variable control of the bass and treble tone control
turnover frequencies over a conveniently wide range. Bass control turnover can
be varied continuously from 100 Hz to 500 Hz, and treble control turnover can
be varied between 1 kHz and 5 kHz, permiting extensive response control for the
most accurate tonal compensation in any listening situation.
Direct MC
Cartridge Input Capability
Today's
movening coil phono cartridges offer sound reprodution quality with
considerably greater detail and clarity than their moving magnet counterparts. MC cartridge output level,
however, is too low to be fed directly to most phono equalizer amplifiers,
requiring an extra stage of amplification in the form of a step-up transformer
or pre-premplifier.
Simply
setting the C-50 phono selector to
"MC" permits direct input of MC cartridges without the need for a
separate step-up device. Phono input sensitivity and impedance characteristics
are automatically switched for optimum performance with high-quqlity MC
cartridges such as the Yamaha MC-1X/1S, MC-3, MC-5, MC-7 or MC-9
New Linear
Transfer Circuit
Although
push-pull class-A-bias amplification stages offer overall reproduction
accuracy greater than class B
configurations, conventional versions of this circuit suffer from current
distortion due to the fact that the "gm" (mutual transconductance)
curve of any semiconductor is distinctively non-linear outside its ideal
flattest portion.
Signals
falling outside the transistors flattest gm range become distorted.
Yamaha
engineers found a way to minimize this type of distortion in the New Linear
Transfer circuit. This advanced circuit adjusts the bias to the class-A stage
semiconductors according to the size of the input audio signal, thereby
ensuring that the semiconductors linear gm range always corresponds to the
audio signal being processed. This means that an absolute minimum of current
distortion is assured with any input signal.
In the C-50
all amplification stages from the phono equalizer to the output stage feature
the Yamaha new Linear Transfer system.
Selectable
MM Cartridge Load Capacitance
A fact
about moving magnet phono cartridges that is given too little attention in
modern audio preamplifiers is that thier high-end frequency response can very
considerably depending on the capacitive load presented to the cartridge by the
preamplifier's phono inputs. This means
that the user must specifically choose a cartridge that matches his amplifier's
input capacitance in order to achieve the best possible reproduction quality.
The C-50 eliminates this performance limitation by providing switchable 100pF,
220 pF or 330 pF load capacitances (all
at 47 k Ω) that will provide optimum
matching with just about any moving magnet cartridge available. The C_50 phono
load selector also features a 100 Ω
position for use with hig-input moving-coil cartridges.
ERE
(Extended Rolloff Equalizer)
With the
vast improvements in overall amplifier performance, the time has come to
provide an RIAA equalizer capable of
equally fine performance. Today's low-level flat-response amplifiers easily
achieve virtually distortion free
response up to 100 kHz or more. Conventional RIAA equalizer amplifiers,
however come nowhere near this outstanding performance. The Yamaha ERE meets
the modern performance standards by eliminating phase variation beyond the
range where conventional equalizers begin to deviate from the RIAA curve. This
type of extended equalizer accuracy was previously impossible to achieve
because of high-frequency instability limitations. The Yamaha ERE completely eliminates
this instability while providing an accurately extended high frequency curve,
permitting greater reproduction precision than has ever been possible.
The Yamaha
ERE ciruit makes a difference in phono reproduction that you can hear. And it's
a difference you'll really appreciate because you'll discover nuances and
subtleties in the music on your favorite records that you may never have heard
before.
Rec Out
Selector
This unique
Yamaha feature permits simultaneous monitoring and recording of two different
sources. For example, you can set the Rec Out selector to Phono and the Input selector to Tuner, then settle
back to listen to your favorite radio program while simultaneously taping a
friend's record.
4-Gang
Volume Control
In most
preamplifiers, gignal-to-noise ratio deteriorates as volume is reduced because
the amplifier's residual noise level becomes proportionately larger in relation
to the audio signal as audio signal level is reduced. Yamaha's four-gang volume
control however reduces the amplifir's residual noise as well as the audio signal level, thereby
maintaining an extremely high signal-to-noise ratio all the way down to the
lowest of low listening levels. No matter how low you set the volume, musical
detail will not be obscured by unwanted noise.
Disc Direct
Function
This
advanced feature reflects yamaha dadication to giving you nothing but the most
natural sound reproduction quality available. When the Disc Direct function is
engaged, the many input selector switch contacts as well as the entire tone
control system are completely bypassed, coupling the output of the ERE phono
equalizer amplifier directly to one of the C-50's high-performance flat
amplifiers. This provides the purest most straightforward signal path achieving
the ultimate in disc reproduction accuracy.
Solenoid/Relay
Function Switching
The C-50
features a unique light-touch function switching matrix that adds considerably
to overall operating ease and convenience.
This system has been made possible by the incorporation of a solenoid
switching system for input selection (this helps to minimize signal lead lenght
in the input stage thereby maximizing sound quality) and relay switching for
the Disc Direct and Audio Muting functions. The relays used feature special
gold-clad contacts which ensure that absolutely no sound degradation occurs due
to contact resistance.
Other
Features
Dual AUX
terminals.
Flip-down
control cover.
Switchable
15 Hz subsonic filter.
Phono 1 / 2
selector
Stereo /
Mono mode selector.
Optional EIA
rack mount adaptors.
Specifications
Input
Sensitivity/Impedance:
Phono
MC : 100µV/100 Ω
Phono
MM : 2,5 mV/100 Ω
100 /
220 / 330 pF : 2,5 mV/47 k Ω
Aux,
Tape, Tuner : 150 mV/47 k Ω
Input
Sensitivity (New IHF):
Phono MC :
33µV
Phono MM :
0,83 mV
Aux, Tape,
Tuner : 50 mV
Maximum
Input level (1kHz, 0,01% THD/New IHF)
Phono MC :
8.5 mV/8 mV
Phono MM :
220 mV/220 mV
Output
Level/Impedance:
Rec
Out : 150 mV/470 Ω
Pre
Out : 1,5 V/47 Ω
Maximum
Output level (20 -20,000 Hz, 0,1% THD)
Pre Out : 10
V
Headphone
Maximum Output level/Impedance (1 kHz,0,01% THD, Output Impedance 68 Ω):
0,45 V
/8 Ω
4,0 V
/100 Ω
Frequency
Response (Aux, Tape, Tuner to Sp
Out): DC to 100,000 Hz +0 -0,5 dB
RIAA
Deviation:
Phono Mc :
20 to 20,000 Hz ±0,2 dB
Phono MM :
10 to 100,000 Hz ±0,5 dB
Total
Harmonic Distortion:
Phono MC to
Rec Out 3 V output : 0,002%
Phono MM to
Rec Out 3V output : 0,001%
Aux, Tape,
Tuner to pre Out 5V output (Tone switch Off) : 0,001%
Intermodulation
Distortion (Aux, Tape, Tuner 5V output. Tone Switch Off): 0,002%
Signal-to-Noise
ratio (IHF-A Network/New IHF)
Phono MC
(500 V, Input Shorted) : 90 dB / 80 dB
Phono MM
(500 V, Input Shorted) : 93 dB / 81 dB
Aux, Tape,
Tuner (Tone switch Off) : 105 dB / 96 dB
Residual
Noise (IHF-A Network): 2,8µV
Channel
Separation
Phono
MM/Aux, Tape (5,1 k Ω, Input Shorted)
40 Hz, 1
kHz, 10 kHz : 85 dB/85 dB; 80 dB/70
dB; 68 dB/53 dB
Subsonic
Filter Characteristics: 15 Hz , -12
dB/oct
Audio
Muting: -20 dB
Tone
Control:
Bass
(boost/cut): ±10 dB
Treble
(boost/cut): ± 10 dB
Turnover
Frequency:
Bass : 100
to 500 Hz
Treble : 1
to 5 kHz
Power
Supply: 110 -120 V, 220 - 240 V AC 50/60
Hz
Power
Consumption: 40 W
Dimensions
(W x H x D): 435 x 96,5 x 369 mm
(17-1/8" x 3.¾" x 14-½")
Weight: 6,6 kg (15 lbs)