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What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





Showing posts with label Brook. Show all posts
Showing posts with label Brook. Show all posts

Brook Model 7 pre-amplifier

Brook Electronics Pre-amplifier Model 7

 

The audio performance afforded by unique Brook tone controls make this pre-amplifier a perfect complement to Brook Basic Models 12A and 10C, also , an ideal companion to any quality basic amplifier,… Hum well below the thermal noise of tubes, … All the features of the Brook Model 4B Pre-Amplifier, plus built-in power supply, operating from 115V, 50 to 60 cycles.

 

Specifications

Frequency Range:  with bass control set at position 4 and treble control set at position 8, volume control set at position7, overall response is within 1 dB, 15 to 30,000 cycles

Controls:  Channel Selector; Record Playback Characteristic, Bass, Treble, Volume, Pilot Light, Power Switch; Switch to cut out Automatic Bass Compensation (bass-loudness control)

Five Input Channels: 

A & B for tuners (AM, FM, TV or recorders),

Gain :  pre-amplifier only 40 dB flat

Input Impedance :  1 meg.

C &D for tuners, recorders or crystal pickups

Gain :  40 dB flat

Input Impedance :  250,000 ohms

E for magnetic, variable reluctance or capacitance pickup

Gain :  55 dB pre-amplifier only, at 1000 cycles, compensated for pickup along with Record Playback Characteristic Control

Jack EM for magnetic type or variable reluctance pickups,

Input Impedance 2 mag, shunted by 47 K loading resistor (resistor may be changed as required)

Also adapted for microphone with Record Characteristic Control set on Position1

Gain :  65 dB flat

Jack EC for Capacitance FM pickups

Gain :  55 dB flat

Jack R on rear panel:  Output for use with recorders, or Armchair dimmer, furnished with amplifier

Record Playback

Characteristic Control :  Position 1 flat for microphone input, position 2 -10 to match various types of recordings,

Bass Control :  Switch-type with 10 steps of control. Two stage R-C network. Bass may be boosted as much as 24 dB at 500 cycles without boominess. This is in addition to pickup equalization and automatic bass compensation. Bass may be cut as much as 16 dB at 50 cycles

Treble Control:  Switch-type with 10 steps of control. Two-stage R-C network. Steps 9 and 10 provide boost of 5 and 10 dB respectively at 10,000 cycles

Tubes:  1-6J7 (or 1620); 2-6SJ7's; 2-6C4's; All triode-connected : power supply tube 6X4.

The 1620 and 6j7 are identical except that the 1620's are especially selected for low noise.

The 6J7 gives a hum level entirely satisfactory for all normal applications. For supercritical use, the 1620 may give slightly lower hum.

Dimensions :  14-1/2" (wide); 9-1/8" (deep); 3-1/2" (high)

Luxurious gold-finished consolette, enhanced with highly polished solid walnut and blocks, has removable lucite escutcheon 13" x 2-3/4" to facilitate panel-mounting.

Net Weight:  10 lbs