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What is stereo?
There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.
H.H. Scott '59
Philips - Direct Control
Technics Direct Drive Turntable
Technics Direct Drive Turntables:
Technics SL-2000
Technics SL-1800
Technics SL-1700
Technics SL-1600
Technics SL-1100
Technics SP-10 MkII
Aiwa AD-R470
ESS amt-1a
A loudspeakers translates electrical impulses into sound waves: Ideally,the loudspeakers/translator leaves nothing out and puts nothing extraneous in. It doesen't omit or color or mask. The perfect translator is perfectly simple. Simple and impossible until the Heil AirMotion Transformer revolutionized sound reproduction. The Heil midrange/high-frequency transformer is the perfect translator. There is only one compact system with a full-size Heil. The ESS amt-1a Bookshelf system. perfectly simple.
Your ears will appreciate the difference
Air-Motion Transformation: Midrange/High-Frequency
The Heil transformer, like most significant innovations, is much appreciated but a little mysterious. It is mandatory equipment for master reproduction techniques, yet the technological basis for its performance is often taken for granted. Actually, the Heil Principle of Air-Motion Transformation is as elegantly simple as it is effective.
The transformer's diaphragm resembles a lightweight pleated curtain mounted between powerful ceramic bar magnets. Conductive strips on the sides of each pleat cause the pleats to expand or contract in step with the signal. The air is squeezed out, and accelerated to five times the velocity of the diaphragm itself. In effect the Heil transformer uses air to move air, operating on the principle of pneumatic leverage.
Cone driving systems, on yhe other hand, are sluggish and inefficient by design. The cone's mass is huge, driving energy is largely devoted to overcoming its great inertia. The cone resonates and can "break up" at high frequencies. Acone driver only pushes air like a piston, in a one-to-one ratio.
The Heil driver's air-motion transformation ratio is five times better than that of any conventional speaker.
Other crucial design parameters are solved by the Heil Air-motion Transformer. The extremely light weight of its diaphragm eliminates resonance. Since the driving impulse is spread uniformly over the diaphragm surface, harmonic distortion from "cone breakup" is non-existent. These are inherent benefits of the Heilo design. For conventional speakers, they remain problematic goals.
REmarkable dispersion characteristics are another natural advantage of the amt's desugn. With a 120° pattern at 16 kHz, the amt maintains a solid expanse of stereo imagery to frequencies beyond audibility. Whatever the speaker/listener positioning, imaging is precise and penetrating.
The audible payoff is clarity, a perfect re-creation of the music 's fine and changing texture. Female vocal depth, the harmonic complexities of bow against string, and fleeting nuances of program ambience emerge with presence, immediacy, and power. It's all there.
Low Frequency performance
Deep, articulate low frequency response is provided by teh same 12" bass driver used in the top system of the ESS line, the amt-1a. Its 7 lb. 6,5 oz (3,36 kg) magnet assembly, rigid die-cast frame, and large-radius coil ensure state-of-the-art bass performance and dependability - response that feels substantial in the lower registers.
Power
The amt-1a Bookshelf system is designed to convert high power loads into clean; full sound, without effort and without distortion. The air-motion transformer's Teflon diaphragm both resists and dissipates heat outstandingly. The bass driver's 2" coil and high-temperature cone composition are significant factors in the system's low-end strength. "At power" the amt-1a Bookshelf is clear and dependable after other compact systems have reached their limits.
Dividing Network
The sophisticated crossover network designed for the amt-1a Bookshelf operates at 850 Hz, providing excellent woofer/amt phasing and precise signal distribution. Air-cored inductors are used to avoid the high-amplitude distortion possible with metal cored units. Altough air-cored inductors are an unseen refinement, they significantly enhance the linearity of a dividing network.
Controls
Your listening environment's acoustic character may prompt some fine adjustment of teh speaker system. A continuosly variable attenuation or accentuation control affects 850 Hz to beyond hearing, without blunting or peaking the higher frequencies and upper harmonics. The control panel is situated at the rear of the cabinet for easy access.
The construction of the amt-1a Bookshelf speaker enclosure reflects the same concern for distortion-free reproduction shown in the system's hardware. The interior dimensions of the enclosure are meticulously coordinated to the bass driver's specific characteristics. precise mathematical tuning determines port design.
Walnut veneer is matched, fitted to the cabinet superstructure, and hand-finished from sanding to final rubdown. A strong weave of sonically-transparent polyester fiber is used in the grille treatment, completing the speaker's appearance of simple, Functional grace.
The Final Arbiter
A classic integrity, from cabinetry to driver mounting detail, pervades the manufacture of the amt-1a Bookshelf. Its superiority can be demonstrated in many ways, reflected at lenght in technical data. But to the final arbiter, your ear, There is only proof. The audible proof. A critical evaluation of the amt-1a Bookshelf speaker system will reveal how perfect translation can be.
Specifications
Power Capacity: 75 watts continuous ; 350 watt peak Circuit breaker protected
Nominal Impedance: 4 ohms
Dispersion: 120 ° horizontal, 30° vertical
Crossover frequency: 850 Hz
Efficiency: 1 watt input produces 82 dB sound pressure at a distance of 15 feet (4 m)
Frequency Response: 50 - 20,000 Hz, ±3 dB
Heil Air-Motion Transformer
Total Radiating Area: 29 sq. in. (187,24 cm²)
Transformation Ratio: 5.0:1 velocity increase
Magnet Assembly Weight: 12 lbs. 15 oz. (5,87 kg)
Flux Density: 4,500 Gauss
Square Wave Rise Time: 15 microseconds at 5,000 Hz
Low Frequency Driver
Nominal Diameter: 12" (30,48 cm)
Voice Coil: 2" (5,08 cm)
Magnetic Assembly Weight: 7 lbs. 6,5 oz. (3,36 kg)
Flux Density: 10,500 Gauss
Controls
Midrange/High Frequency: Continuously variable attenuation oraccentuation from 1 kHz to beyond audibility
Decor
Finish: Oiled walnut veneer
Grille Color: Brown
Dimensions: 24" x 14" x 14" (60,96 x 35,56 x 35,56 cm)
Shopping Weight: 60 lbs (27,27 kg)
Heil Air-Motion Transformer by ESS
Figure 1
The heart of the Heil air-motion transformer is a featherweight pleated Teflon diaphragm bonded with conductive aluminum strips. The diaphragm is suspended within a massive magnet structure. Its steel conductor plates concentrate an intense magnetic field around the diaphragm.
When a signal passes through the diaphragm's foil strips, the bellows-like motion of the pleats squeezes air out at five fimes the speed of the vibrating diaphragm itself. This virtual "instant acceleration" distinguishes the Heil from all other loudspeakers.
Figure 2
Polar response curves at a wide range of frequencies reveal a broad horizontal dispersion pattern through-out the audible spectrum. The ability of the Heil air-motion transformer to disperse even the highest frequencies over a large area assures full stereo imaging anywhere in the listening environment.
Figure 3
The superior response of the Heil air-motion transformer is revealed in its relatively flat impedance. The entire system's frequency response curve shows a typically broad, linear bandwidth. This exceptional efficiency at all frequencies permits the amplifier to deliver necessary power at ultrasonic frequencies.
Figure 4
A pair of drawings illustrates the movements of the Heil's pleats and the corresponding musical sine wave signals. In Figure 4A, the front facing pleats contract as the sine wave rises, forcing the air out under pressure. Meanwhile, the pleats opening towards the rear draw air in. When the sine wave reverses, as shown in Figure 4B, the pleats contract in the opposite direction.
Figure 5
The "squeezing" action of the heil diaphragm's pleats viewed in detail from above. As the pleat walls (A) squeeze together, they force a large amount of air to accelerate under pressure through a narrow opening (B). The folds are 5.3 times as deep as they are wide, resulting in a 430 percent increase in air velocity.
AVID Parte II "La soluzione"
Avid risolve finalmente i problemi della diffrazione acustica.
Pur costantemente impegnati al raggiunimento della più alta fedeltà , molti altoparlanti anche trai piùcostosi, sono generalmente affetti da un difetto comune; suonano come altoparlanti, o - più esattamente - si sente sempre e comunque che il suono proviene da un box (cassa, scatola etc.)
Il Vostro cervelldo "sente" la scatola
Anche chi è completamente privo di nozioni di psico-acustica, sa che gli altoparlanti hanno ormai talmente condizionato il nostro cervello che questo all'ascolto subito "riconosce" i suoni come provenienti da una scatola, con ben determinate caratteristiche di forma, misura etc.
Cosa contribuisce a creare questo spiacevole ed innaturale effetto di limitatezza?
Principalmente le onde sonore riflesse o ri-radiate quele cioè che rimbalzano sugli spigoli della cassa e del panello frontale , è a causa loro che nostro cervello "inscatola" la musica.
Niente diffrazione, niente scatola
Il problema è illustrato graficamente qui sopra. Eliminando gli spigoli del mobile e del panello frontale si riduccono gli effetti di diffrazione vale a dire si elimina l'effetto scatola. E questo è ciò che abbiamo fatto con gli altoparlanti della nuova serie Avid i Minimum Diffraction Loudspeakers™
Per aprire la scatola, abbiamo chiuso il coperchio.
trovare la soluzione è stato incredibilmente semplice. Abbiamo ideato un insieme di componenti, cassa e pannello frontale che vengono a formare un sistema acustico totalmente integrato, che elimina le diffrazioni causate dal mobile e quindi l'effetto scatola a tutte le ... scatole parlanti. I nostri nuovi tweeter e midrange vengono installati con speciali flange che ne aumentano la dispersione e che riducono al minimo la difrazzione (le abiamo chiamate Optimum Dispersion Couplers™). I pannelli frontali sono stati raelizzati in modo da completare ed enfatizzare la dispersione uniforme delle onde sonore senza alcuna diffrazione. Anzi per renderle ancor più libere da ostacoli e ridurre perciò quel dannoato "effetto scatola". Queste semplici, ma significative innovazioni, unite alle oramai famose linearità ed accuratezze dei prodotti Avid Vi permetterano di scoprire una dimensione totalmente nuova d'ascolto dandoVi un senso di spazialità e realtà prima d'ora mai raggiunti.