Search this site

Labels

4-channel ACCUPHASE ACOUSTIC ENERGY ADC ADCOM ADS ADVENT AIFAI AIWA AKAI AKG Alchemist ALIANTE ALLISON ALTEC LANSING AMPEX amplifier AMPLIFON ANCIENT AUDIO AR ARCAM ARISTON ARMONIA AUDIA AUDIO ACADEMY AUDIO ANALOGUE AUDIO DYNAMICS AUDIO INNOVATIONS AUDIO NOTE AUDIO RESEARCH AUDIO-TECHNICA AUDIOLAB Audiostatic AUGUSTA AVALON AVID AXIOM B-I-C Bang & Olufsen BASF BASSOCONTINUO Bell Belt-Drive BEVERIDGE BEYER-DYNAMIC BOSE BOSTON BOWERS-WILKINS BOZAK BRAUN BRIONVEGA BSR California Audio Labs CAMBRIDGE CANTON cartridge CARVER CASTLE CD Player CD Transport CEC CELESTION CEMARK Centrex CERWIN-VEGA CHARIO CHARTWELL CIZEK CLARION CONRAD-JOHNSON COPLAND CORAL CORAL ELECTRONIC CREEK CROWN CYBERNET CYRUS DAC DAHLQUIST DALI DAT DBX DECIBEL DENON DIAPASON direct-drive Ditton DOKORDER DOMA DUAL DYNACO DYNAUDIO DYNAVECTOR EISA ELAC ELECTRO-VOICE EMPIRE EMT EPI EPICURE EPOS ES Series ESB Esotec ESOTERIC ESS EUMIG FAIRCHILD FOSTEX GALACTRON GALE GARRARD GENELEC GENESIS GIUSSANI RESEARCH GOLDENOTE GOODMANS GRAAF GRUNDIG H.H. SCOTT HAFLER HARBETH HARMAN/KARDON headphones HEATHKIT HECO HIRTEL HITACHI HPM idler INDIANA LINE INFINITY italian JAMO JANSZEN JBL JEFF ROWLAND JENSEN JMLAB JVC KEF KENWOOD KLH KLIPSCH KOSS KRELL KYOCERA LAE Lafayette lathe LEAK LECTOR LENCO LESA linear LINN loudspeaker LOWTHER LUXMAN LYNGDORF MAGNEPLANAR MARANTZ MARK LEVINSON MARTEL MARTINLOGAN MARUNI MASH MAXELL MBL McIntosh McLAREN MERIDIAN MERITON MICRO SEIKI MICRO-ACOUSTICS MIRAGE MISSION MITSUBISHI MONITOR AUDIO MONRIO MORDAUNT-SHORT MUSICAL FIDELITY MYRYAD NAD NAGRA NAKAMICHI NHT NIKKO NORESCO NOVA ONKYO OPERA OPTONICA ORTOFON PANASONIC PARADIGM PATHOS PEARL PHASE LINEAR PHILIPS PICKERING pioneer POLK AUDIO Power-amplifier Pre-amplifier Pre-phono Pro-Ject PSB QUAD quadraphonic RADFORD RCF receiver Reel to Reel REK-O-KUT REVOX ROGERS ROKSAN ROTEL ROYD RUARK SACD SAE sansui SANYO SENNHEISER SHARP SHERWOOD SHURE SIARE SIGNET SME SOMA SONAB SONUS FABER SONY SOTA Soundcraftsmen SPECTRAL Spica STANTON STAX Stereo 8 STILE ITALIANO STRUSS SUGDEN SUPERSCOPE Synthesis TAC TAD TAMON TANDBERG tangential TANNOY TASCAM TDK TDL TEAC TECHNICS THE FISHER THIEL THORENS tonearm TOSHIBA TRANSCRIPTOR TRIO tuner turntable ULIX Uni-Q UNISON RESEARCH unitra UREI UTAH VANDERSTEEN VOCE DIVINA VPI WADIA WHARFEDALE XAVIAN YAMAHA ZENITH ZINGALI

What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.



H.H. Scott '59





Revox C115 cassette tape deck

Cassette Tape Deck - Professional Series

System

Tape transport

Dual capstan transport, 3-head system

Auto tape type

Automatic setting for IEC type I, II, IV

HX-Pro

Permanently active headroom extension to increase the overall dynamic range

 

Ease of use - minimum of training and familiarization required

Balanced arrangement of operating and control elements

Large display with high contrast lettering

Feedback for each key depression on the high contrast display and LED's

Fader start mode interlocks the keyboard

Ergonomic design - characterized by the attractive, classic and discreet design, even professionals under stress will feel comfortable with the Revox C115 Cassette Tape Deck

Large and clearly separated controls for all functions

Functional clarity minimizes operating errors

The power switch, often dreaded by professionals, has been arranged on the rear panel

Useful features and optionas - help to customize the unit and supply the professinal with a reliable tool

Different studio levels externally switchable

De-energized capstan motor in standby

Bias and calibration easily adjustable on front panel

Standardized interfaces for audio and fader control

Simple and quick access to moduls minimizes service time

Rackmount kit optional

 


Specifications

Transport:  Dual capstan tape transport with controlled spooling drive. Separate head system for record and playback; ferrite erase head

Tape Speed:  1-7/8 ips ±0,5%

Tape Slip:  <0,3%

Wow and Flutter (weight as per JIS):  <0,1% (C-60 and C-90 in playback mode)

Spooling Time:  approx. 95 sec for C-60 cassette

Tape Timer:  switchable between, min/sec , linear counter, 4 digits

Automatic Tape Type Changover:  for typ[es I, II and IV

Recording System:  HX-Pro Headroom Extension

Calibration Aid:  Rotary controls for Bias and Level via bargraph display

Noise Reduction System:  Dolby B and C type, Double Dolby System for source/tape monitoring

Reproduce Equalization:

Type I :  3180 +120 µs

Type II :  3180 + 70 µs

Type IV :  3180 + 70 µs

Frequency Response (via Tape, -20 dB Dolby NR =Off)

Type I :  30 Hz - 18 kHz ±3 dB

Type II :  30 Hz - 17 kHz ±3 dB

Type IV :  30 Hz - 17 kHz ±3 dB

Level Calibration:  200 nWb/m =0 dB = Dolby-level

Harmonic Distortion (k3 of 333 Hz at 200 nWb/m)

Type I :  <1,0%

Type II :  <1,5%

Type IV :  <1,5%

Signal-to-Noise Ratio (ref.to 3% distortion and Dolby C)

Type I :  >72 dB

Type II :  >72 dB

Type IV :  >73 dB

Channel Separation:  better than -40 dB at 1 kHz

Bias/Erase Frequency:  105 kHz

Erase Efficiency:  >65 dB at 1 kHz (Dolby C =on)

Input Sensitivity/Impedance:  70 mV for 200 nWb/m / >10 k Ω

Max. Input Level:  10 V

Outputs (rel. To 200 nWb/m)

Line Out :  -10/0/+6 dBm, R=50 Ω

Phones :  max. 500 mV, R=100 Ω

4special Function:  Faderstart, to be activated via 6-pole socket (DIN 45 322)

Power Requirements:  115 V, 90 - 130 V, (230 V, 190 - 260 V) 50/60 Hz

Power Consumption:  30 W

Dimensions (W x H x D):  440 x 143 x 366 mm

Weigth:  7,5 kg

No comments:
Labels: , , , ,
Subscribe to: Posts (Atom)