Search this site

Labels

4-channel ACCUPHASE ACOUSTIC ENERGY ADC ADCOM ADS ADVENT AIFAI AIWA AKAI AKG Alchemist ALIANTE ALLISON ALTEC LANSING AMPEX amplifier AMPLIFON ANCIENT AUDIO AR ARCAM ARISTON ARMONIA AUDIA AUDIO ACADEMY AUDIO ANALOGUE AUDIO DYNAMICS AUDIO INNOVATIONS AUDIO NOTE AUDIO RESEARCH AUDIO-TECHNICA AUDIOLAB Audiostatic AUGUSTA AVALON AVID AXIOM B-I-C Bang & Olufsen BASF BASSOCONTINUO Bell Belt-Drive BEVERIDGE BEYER-DYNAMIC BOSE BOSTON BOWERS-WILKINS BOZAK BRAUN BRIONVEGA BSR California Audio Labs CAMBRIDGE CANTON cartridge CARVER CASTLE CD Player CD Transport CEC CELESTION CEMARK Centrex CERWIN-VEGA CHARIO CHARTWELL CIZEK CLARION CONRAD-JOHNSON COPLAND CORAL CORAL ELECTRONIC CREEK CROWN CYBERNET CYRUS DAC DAHLQUIST DALI DAT DBX DECIBEL DENON DIAPASON direct-drive Ditton DOKORDER DOMA DUAL DYNACO DYNAUDIO DYNAVECTOR EISA ELAC ELECTRO-VOICE EMPIRE EMT EPI EPICURE EPOS ES Series ESB Esotec ESOTERIC ESS EUMIG FAIRCHILD FOSTEX GALACTRON GALE GARRARD GENELEC GENESIS GIUSSANI RESEARCH GOLDENOTE GOODMANS GRAAF GRUNDIG H.H. SCOTT HAFLER HARBETH HARMAN/KARDON headphones HEATHKIT HECO HIRTEL HITACHI HPM idler INDIANA LINE INFINITY italian JAMO JANSZEN JBL JEFF ROWLAND JENSEN JMLAB JVC KEF KENWOOD KLH KLIPSCH KOSS KRELL KYOCERA LAE Lafayette lathe LEAK LECTOR LENCO LESA linear LINN loudspeaker LOWTHER LUXMAN LYNGDORF MAGNEPLANAR MARANTZ MARK LEVINSON MARTEL MARTINLOGAN MARUNI MASH MAXELL MBL McIntosh McLAREN MERIDIAN MERITON MICRO SEIKI MICRO-ACOUSTICS MIRAGE MISSION MITSUBISHI MONITOR AUDIO MONRIO MORDAUNT-SHORT MUSICAL FIDELITY MYRYAD NAD NAGRA NAKAMICHI NHT NIKKO NORESCO NOVA ONKYO OPERA OPTONICA ORTOFON PANASONIC PARADIGM PATHOS PEARL PHASE LINEAR PHILIPS PICKERING pioneer POLK AUDIO Power-amplifier Pre-amplifier Pre-phono Pro-Ject PSB QUAD quadraphonic RADFORD RCF receiver Reel to Reel REK-O-KUT REVOX ROGERS ROKSAN ROTEL ROYD RUARK SACD SAE sansui SANYO SENNHEISER SHARP SHERWOOD SHURE SIARE SIGNET SME SOMA SONAB SONUS FABER SONY SOTA Soundcraftsmen SPECTRAL Spica STANTON STAX Stereo 8 STILE ITALIANO STRUSS SUGDEN SUPERSCOPE Synthesis TAC TAD TAMON TANDBERG tangential TANNOY TASCAM TDK TDL TEAC TECHNICS THE FISHER THIEL THORENS tonearm TOSHIBA TRANSCRIPTOR TRIO tuner turntable ULIX Uni-Q UNISON RESEARCH unitra UREI UTAH VANDERSTEEN VOCE DIVINA VPI WADIA WHARFEDALE XAVIAN YAMAHA ZENITH ZINGALI

What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





ADC ALT-1

 The recent success of ADC's foray into the component tonearm business with the LMF-1 seems to have prompted the release of a less costly version, whereby the tapered carbon-fibre tube of the LMF has been replaced by aluminium and the end product labelled the ALT-1. this detachable headshell arm is also used in a similar form in the 1600 and 1700 turntables. The counterweight assembly is shorter than that on the LMF-1, and is of a rotating scale rether than the more complex calibrated dial type. The arm is supplied with a simplified sliding base compatible with SME fixing centres which made for easy setting up and alignment (the SME type base is an extra with the LMF-1).
 Proving not to be as well adjusted as we would have liked the horizontal bearing was rather slack and showed a moderate if not particularly low friction of 40 mg. However biasing was fine, and downforce calibration very good. The resonance graph revealed an untidy characteristic, although as the modes were well-controlled the result was in fact above average. However, if this is compared with the new graph for the LMF-1, the latter's superior performance in this department is only too apparent, albeit at twice the price. Lead capacitance was 180 pF, which is fairly high and may be worth bearing in mind with some cartridges.
 The value is quite good, and the fact that there are few low mass arms around at this price level works to the ALT-1's advantage, since the more compliant cartridges should work well in this model.
On a good turntable the sound quality produced by this arm was judged as above average, despite some imprecision of stereo imaging.
Specifications
Tonearm length:  237 mm (9,33') Pivot to stylus tip
Cartridge Offset Angle:  24,6°
Stylus Tip overhang:  19 mm (0,760")
Zero Tracking Angle Error:  at 69 mm (1,7") and 129 mm (5,06")
Maximum Tracking Angle Error:  1,25° at 60, 94 and 146 mm (2,38", 3,69" and 5,75")
Cartridge Weight Range:  4 to 11 grams
Stylus Force Range:  Calibrated 0 to 4 in ¼ g steps
Bearings Type:  Stainless steel ball bearings
Effective Arm Mass:  7,0 grams with counterweight (set for ADC XML cartridge)
Anti-Skate Range:  0 to 4 grams
Arm Wiring:  18 pF per channel
Lead Wires (stereo):  220 pF per channel (normal)
Lead Wires (CD-4):  100 pF per channel (available accessory)
Tonearm Lifter
Cue:  lever control
Damping:  Viscous oil damped
Height Adjustment:  Lifter is factory adjusted


Nessun commento:

Posta un commento