Search this site

Labels

4-channel ACCUPHASE ACOUSTIC ENERGY ADC ADCOM ADS ADVENT AIFAI AIWA AKAI AKG Alchemist ALIANTE ALLISON ALTEC LANSING AMPEX amplifier AMPLIFON ANCIENT AUDIO AR ARCAM ARISTON ARMONIA AUDIA AUDIO ACADEMY AUDIO ANALOGUE AUDIO DYNAMICS AUDIO INNOVATIONS AUDIO NOTE AUDIO RESEARCH AUDIO-TECHNICA AUDIOLAB Audiostatic AUGUSTA AVALON AVID AXIOM B-I-C Bang & Olufsen BASF BASSOCONTINUO Bell Belt-Drive BEVERIDGE BEYER-DYNAMIC BOSE BOSTON BOWERS-WILKINS BOZAK BRAUN BRIONVEGA BSR California Audio Labs CAMBRIDGE CANTON cartridge CARVER CASTLE CD Player CD Transport CEC CELESTION CEMARK Centrex CERWIN-VEGA CHARIO CHARTWELL CIZEK CLARION CONRAD-JOHNSON COPLAND CORAL CORAL ELECTRONIC CREEK CROWN CYBERNET CYRUS DAC DAHLQUIST DALI DAT DBX DECIBEL DENON DIAPASON direct-drive Ditton DOKORDER DOMA DUAL DYNACO DYNAUDIO DYNAVECTOR EISA ELAC ELECTRO-VOICE EMPIRE EMT EPI EPICURE EPOS ES Series ESB Esotec ESOTERIC ESS EUMIG FAIRCHILD FOSTEX GALACTRON GALE GARRARD GENELEC GENESIS GIUSSANI RESEARCH GOLDENOTE GOODMANS GRAAF GRUNDIG H.H. SCOTT HAFLER HARBETH HARMAN/KARDON headphones HEATHKIT HECO HIRTEL HITACHI HPM idler INDIANA LINE INFINITY italian JAMO JANSZEN JBL JEFF ROWLAND JENSEN JMLAB JVC KEF KENWOOD KLH KLIPSCH KOSS KRELL KYOCERA LAE Lafayette lathe LEAK LECTOR LENCO LESA linear LINN loudspeaker LOWTHER LUXMAN LYNGDORF MAGNEPLANAR MARANTZ MARK LEVINSON MARTEL MARTINLOGAN MARUNI MASH MAXELL MBL McIntosh McLAREN MERIDIAN MERITON MICRO SEIKI MICRO-ACOUSTICS MIRAGE MISSION MITSUBISHI MONITOR AUDIO MONRIO MORDAUNT-SHORT MUSICAL FIDELITY MYRYAD NAD NAGRA NAKAMICHI NHT NIKKO NORESCO NOVA ONKYO OPERA OPTONICA ORTOFON PANASONIC PARADIGM PATHOS PEARL PHASE LINEAR PHILIPS PICKERING pioneer POLK AUDIO Power-amplifier Pre-amplifier Pre-phono Pro-Ject PSB QUAD quadraphonic RADFORD RCF receiver Reel to Reel REK-O-KUT REVOX ROGERS ROKSAN ROTEL ROYD RUARK SACD SAE sansui SANYO SENNHEISER SHARP SHERWOOD SHURE SIARE SIGNET SME SOMA SONAB SONUS FABER SONY SOTA Soundcraftsmen SPECTRAL Spica STANTON STAX Stereo 8 STILE ITALIANO STRUSS SUGDEN SUPERSCOPE Synthesis TAC TAD TAMON TANDBERG tangential TANNOY TASCAM TDK TDL TEAC TECHNICS THE FISHER THIEL THORENS tonearm TOSHIBA TRANSCRIPTOR TRIO tuner turntable ULIX Uni-Q UNISON RESEARCH unitra UREI UTAH VANDERSTEEN VOCE DIVINA VPI WADIA WHARFEDALE XAVIAN YAMAHA ZENITH ZINGALI

What is stereo?




There are now two system of high fidelity, monophonic (monaural) and stereophonic. Monophonic is a system that starts from one microphone and is fed through a single high fidelity set. Stereophonic is a double system. Two separate microphones are placed at different sides of the orchestra and two different systems are used to keep the two signals or channels separated. Two separate speakers are used, placed on different sides of you room. Stereo is much like 3-D photography, two slightly different sound reach your ears giving you a new dimension in sound.




H.H. Scott '59





Marantz CDA - 94

Digital source selector,

Autochange multisampling at 32,44.1 and 48 kHz,

16-bit 4-times oversampling Digital Filter,

twin 16-bit Digital-to-Analogue converter,

Optical coupling and electronic digital inputs,

L-R independent output Amplifier,

precision analogue filters,

Balanced, variable and fixed analogue outputs,

Digital monitor input/output,

3 separate power supplies,

Customized components.

The CDA-94 is the world's first D/A conventer with multisamplig, for conversion of CD, DAT and Broadcast Satellite signals with 16-bit 4-times oversampling accuracy, and with high-precision analogue circuitry.

One Toslink coupler and two 75 ohm coaxial sockets provide digital input connections in addition, there are digital tape input and output monitor socjets; standarized connections for all the present and envisaged digital audio sources.

Absolute Phase Control

It is possible for a variety of reasons, for the absolute phase of the original music to become inverted by some part of the recording process. The absolute Phase Control allows such an inversion to be corrected digitally to restore the original harmony ofthe music. This is especially valuable for vocal performances.

The autochange circuit automatically adjusts the sampling frequency to siut the selected input 44.1 kHz for compact Disc, 48 kHz and 32 kHz for DAT and the anticipated Broadcast Satellite.

The high performance of the Marantz 16-bit 4 times oversampling digital filter and twin 16-bit D/A converter are further accentuated by optical coupling between the digital filter and the D/A converter, by high precision analogue filter and by L/R independent amplifier circuits.

Analogue Outputs

Three different forms of analogue output are provided:

Balanced output using 600 ohm output line transformer.

Fixed output. Variable output (controlled by high-precision conductive plastic potentimeter) for direct connection to power amplifier.

The circuits are based on Marantz high-technology audio engineering know-how. Three separate printed circuit boards carry the Digital input-output section, the D/A converter section and the analogue amplifiers.

These circuits are supported by three separate power transformers for total circuit separation and protection from interference and cross-coupling. The analogue circuit transformer is a special high-efficiency toroid. Furthermore carefully chosen customized components ensure the very highest performance . They include ELNA electrolityc capacitors with ceramic powder filling and damped copper styrol film damped capacitors for the analogue circuits. Capacitor leads are not of tinned steel but oxygen-free copper.

The chassis of non-magnetic diecast aluminium, provides the high rigidity to ensure absence of acoustic feedback, it also suppresses eddy current coupling.

Specifications for Marantz CDA-94

Sampling frequency: 32 kHz, 44.1 kHz, 48 kHz (automatic switchover)

Digital analog converter: The 4 time oversampling digital filter of a 16-bit L/R independent 2DAC

Frequency response (Fixed, Vriable): 2 Hz - 20 kHz ±0.1 dB (at the time of a 44.1kHz input)

Blance: 20 Hz - 20 kHz ±0.3 dB

Filter: The 3rd Bessel filter

Channel: Two channels

Dynamic range: 96 dB or more

SN ratio: 104 dB (1 kHz)

Channel separation: 100 dB or more (1 kHz)

THD: 0.0015% (1 kHz, THD)

Digital input:

Coaxial: 0.5 Vp-p/75ohms

Optical: Optical-fiber connector

Digital output: Digital-recording output: 0.5 Vp-p/75ohms

Analog output:

A fixture and a balance: 2.5 Vmax/600 ohms (XLR)

A fixture and unbalance: 2.5 Vmax/120 ohms (RCA)

Variable and unbalance: Zero to 2.5 Vmax/120 ohms (RCA)

Headphone output: 0 - 50 mW/eight ohms

Power source: 220/240 V AC, 50/60 Hz

Power consumption: 28 W

Dimensions (W x H x D): 462 x 104 x 368 mm

Weight: 9 kg

Nessun commento:

Posta un commento