Panasonic SA-5800 receiver

Panasonic SA-5800

From a highly sensitive FM/AM stereo receiver housing powerful direct-coupled ITL-OTL-OCL amplifier and 2-FETs, 1-ics stereo tuner.

Designed to faithfully entertain your ears, you, the discriminating audiophile. This new FM/AM Stereo Receiver highlights all of the exclusive national Panasonic Features: Direct-Coupled ITL-OTL-OCL amplification circuitry and newly developed Differential amplifier circuits reward you with exciting distortion-free audio power. Two highly sensitive 4-pole (MOS) Field Effect Transistors, a Linearly Variable 4-gang FM capacitor, and a costly Monolithic IC in the specially built MPX circuit will gratify your growing need fro selectivity in today's crowded FM world.

Wider frequency response, higher damping factor with lower distortion and noise level, and superb, clear output signal all add up to incomparable stereo enjoyment. The skilfully designed station targeting system, bolstered by highly sensitive tuning circuitry, makes the SA-5800 the most advanced stereo receiver available today. The well-bred child of a close-knit family of electronics wizards, this sensitive instrument effortlessly meets your highest standards.

Powerful 100W Music Power

Lend an Ear & Listen with Care. No sound has ever been so pure and so powerful as that of the SA-5800. These 100 watts of output power are more than sufficient to engulf your whole house in a sea of crystal-pure sound. Whether you want to lose yourself in the driving rhythms of Jazz or the New Rock, or slide into that warm, classical world, let the SA-5800 be your magic Carpet. Its vibrant power will set a crowd swinging to the throbbing beat, or gently soothe the meditative individual.

Reliable, Stable Amplification

Apart from the unique Direct-coupled circuitry, this receiver also features newly developed differential amplifier circuits. No matter how weak the input signal, the amplifier section will magnify it faithfully, in no way impairing its tonal colors. Furthermore, it assures you of rock-stable performance with clean, linear response to all audible frequencies.

Exclusive ITL-OTL-OCL Circuitry

The Tremendous power of the SA-5800 is channelled through a totally new concept in circuit construction. By eliminating the need for the input and output transformers, and the output capacitor, the very source of noise and signal distortion has been eradicated. this new direct-coupled circuitry greatly widens the range of frequency response and  boosts the damping factor to new higher levels. it also reduces the signal distortion to the range of imperceptibility.

Clean Full-Bodied Sound

Even the transistors at the heart of this unique circuitry are totally new. Specially selected high performance transistors have been liberally employed throughout, enabling your to fully perceive the richness and grandeur of any musical sound.

The full complement of tone controls gives you the greatest possible range of Bass and Treble selection allowing you to tailor the sound to your most demanding needs and tastes. The volume control will help you to fill your ears with full concert hall stereo reality

Totally Noise-Free Pre-Amplifier

The SA-5800 offers your ears crisp-clear sound rich, in all the perceptible tonal colors. ALL the thanks go to the extremely low-noise transitory (2SA666) and the honestly built 2-stages PNP-NPN directly coupled equalizer incorporated in the pre-amplifier.

Whatever the strength of the signal you feed into theSA-5800, it will respond faithfully, keeping the amplified signal free from any distortion or noise.

Regulated Power Supply

Have no worries. Be assured that the power output of the SA-5800 as in all National Panasonic's top quality audio in its, is perfectly regulated for reliable sure performance. For producing electrifying Symphonic climaxes, heavy Rock, cool Gypsy violins or soft Mood Music, The power supplied to the different component circuits is maintained at the same stable level allowing precisely balanced stereo reproduction and tonal richness.

Two Highly Selective MOS FETs

The SA-5800 features an entirely new FM frontend design. Completely shielded in a subchassis from distortion producing interference and trouble power hum , it houses two highly selective Field Effect Transistors (4-pole MOS type) in both the first and the second RF stages which are perfectly co-ordinated with a linearly variable 4-gang Tuning Capacitor and 4 tuned circuits. This flawlessly engineered design, assures you of unrivalled sensitivity and peak selectivity for collecting any FM station, near or far.

Stage IF Amplification Circuit

Complementing the highly effective FM frontend, is a specially designed 6-stage IF Amplification Circuit employing 5 Differential Amplifiers and a unique 6-element Ceramic Filter. The highly refined selectivity characteristics offered by this advanced 6-stage IF Circuit are unparalleled by any receiver or tuner of this price range. Alternate Channel Selectivity is as much as 80 dB and capture ratio is far better than 1,5 dB

Noise-Eliminating Muting Switch

The SA-5800 is an absolute joy to operate. You'll find that its performance is as clear and smooth as the cool, distinctive lines of its solid teak cabinet. Its pure tones should never be marred by interstation static shocks, hisses or hums. However, if it happens that such noise does interfere with your listening pleasure, just switch on the Muting Circuit. This feature rids the signal of unwanted noise for uninterrupted musical enjoyment.

Other Features:

Two Tape Monitors,

Efficient Loudness Control,

High Cut-off Filter,

Unique Station Targeting System,

Monolithic IC in the MPX circuit,

Versatile FM Antenna Circuit and Sensitive Ferrite-bar antenna,

Superb Selectivity, and Unmatched Sensitivity of AM sound,

Signal Strength Meter for AM,

Center Tuning meter for FM,

Reverse Automatic Gain Control,

Functional Slide Rule Tuning Panel.

Specifications

Audio Section

Music Power

2 x 50 W at 4 Ω 

2 x 37,5 W at 8 Ω 

RMS Power Each Channel

37 / 37 W At 4 Ω 

27 / 27 W at 8 Ω 

RMS Power Both Channels

27 / 27 W at 4 Ω 

23 / 23 W at 8 Ω 

Total Harmonic Distortion:  0,5% at 40 - 16,000 Hz (rated power, 4 Ω ); 0,5% at 1,000 Hz (Rated power, 4 Ω )

Intermodulation Distortion: 0,7% at 250/8000 Hz =4:1 (Rated power, 4 Ω )

Power Bandwidth:  5 - 40,000 Hz (-3 dB)

Frequency Response:  15 - 85,000 Hz (-3 dB)

Damping Factor:  70 (8 Ω )

Load Impedance:  4 - 16 Ω 

Signal-to-Noise-Ratio  (at rated power)

Phono :  62 dB

Aux :  77 dB

Input Sensitivity

Phono (mag) :  2 mV/ 50 k Ω 

Aux :  180 mV/ 100 k Ω 

Tape Monitor (DIN)

Input :  300 mV/55 k Ω 

Output :  60 mV/70 k Ω 

Tape Monitor (Pin terminal)

Playback :  180 mV/40 k Ω 

Rec Out :  180 mV/750 Ω 

Tone Controls

Bass :  +13 -14 dB at 50 Hz

Treble :  +10 -10 dB at 10,000 Hz

FM Tuner Section

Antenna Terminals:  300 Ω  (balanced); 75 Ω  (unbalanced)

Frequency Range:  88 - 108 MHz

Sensitivity

Antenna 300 Ω   (at ± 40 kHz deviation)

1,8 µV  (s/n 30 dB)

1,6 µV  (s/n 26 dB)

Antenna 75 Ω   (at ± 40 kHz deviation)

1,2 µV  (s/n 30 dB)

1,0 µV  (s/n 26 dB)

Harmonic DIstortion (at ± 40 kHz deviation)

Mono : 0,2%

Stereo :  0,6%

Signal-to-Noise-Ratio  (at ± 40 kHz deviation)

Mono :  64 dB

Stereo :  63 dB

Selectivity:  80 dB  (at 400 kHz)

IF rejection:  100 dB

Image Rejection:  90 dB

AM Suppression:  45 dB

Capture Ratio:  1,5 dB

Leak Carrier:  38 dB (at 19 kHz); 50 dB  (at 38 kHz)

Stereo Separation:  40 dB at 1,000 Hz

Limiting Point (-3 dB):  1,2 µV 

Deemphasis:  50 µsec

Auto Stereo Operation Level:  6 µV 

Bandwidth

IF Amplifier :  400 kHz

FM-Demodulator :  400 kHz

AM Tuner Section

Frequency Range:  525 - 1605 kHz 

Intermediate Frequency (IF):  455 kHz 

Sensitivity:  15 µV 

Selectivity:  30 dB

Image Rejection:  65 dB

IF Rejection:  70 dB

General

Power Supply:  AC 110/120/220/240 V 50/60 Hz

Power Consumption:  230 W

Dimensions (W x H x D):  406 x 140 x 356 mm (16" x 5-1/2" x 14")

 

McIntosh MC402 power amplifier

McIntosh MC402

Producing a minimum 400 watts per channel in stereo, 800 watts in mono, the MC402 delivers power that is fully balanced from input to speaker output. The extraordinary quad-differential design of the MC402 actually consists of four complete amplifier circuits. Each channel contains two amplifier circuits, each the mirror image of the other, whose outputs are combined in the unique McIntosh Output Autoformer® resulting in totally balanced operation from input to speaker output and the cancellation of virtually all noise and distortion.

The exclusive McIntosh Output Autoformer® is a handcrafted matching device that provides an ideal impedance match for all speaker types regardless of their rated impedance. Any departure from an optimum impedance match increases stress on the amplifier which threatens a rise in distortion as well as a reduction in the life expectancy of the amplifier. McIntosh Output Autoformers® enable the MC402 to operate at maximum efficiency and to always deliver full power, without stress, to any type of loudspeaker.

Exclusive McIntosh

Power Assurance System - A collection of technologies that enhance performance and reliability while protecting the amplifier and loudspeakers.

Power Guard - A waveform comparison circuit continuously monitors both input and output signals. Power Guard dynamically adjusts the input level to avoid clipping while preventing harsh sounding distortion.

Sentry Monitor - Fuse-less short-circuit protection circuit disengages the output stage before current exceeds safe operating level – resets automatically.

Thermal Sensors - Protects against overheating if cooling air is blocked and output transistors become too hot.

DC Failure Protection - Protects speaker against output circuit failure. Any DC current that appears in the output is shunted to ground by the output autoformer.

Exclusive Double Balanced Circuity - Each channel of the MC402 consists of two balanced power amplifiers operating in push-pull with their outputs combined in a McIntosh Autoformer. This double balanced configuration from input to output cancels virtually all distortion

Output Autoformer - Unique McIntosh technology delivers the full rated amplifier output with the least possible distortion into loudspeaker impedances of 2, 4, or 8 Ohms; you get all the power you paid for and the freedom to choose any loudspeaker.

Wattmeter - Swift, accurate response reveals program peaks so staying within the power limits of your loudspeakers is easy.

Turn-on Delay - Delays operation for about two seconds after turn-on, to silence any pops or thumps generated by other equipment.

Soft Start Inrush Protection - Eliminates component stress during turn-on. Theristors in the power transformer act as a cushion against inrush current

Balanced and Unbalanced Inputs

Balanced connections guard against induced noise and al-

low long cable runs without compromising sound quality.

Illuminated Power Meters - The Illuminated Power Output Watt Meters on the MC402 are peak responding, and indicate the true power output of the amplifier. The Peak Watt Hold Mode allows the meters to temporarily stay at the highest power output and then slowly decay. The Front Panel Meter Illumination may be switched Off at any time.

Fiber Optic Solid State Front Panel Illumination The Illumination of the Front Panel is accomplished by the combination of custom designed Fiber  Optic Light Diffusers and Light Emitting Diodes (LEDs). This provides even Front Panel Illumination, together with the extremely long life LEDs.

Glass Front Panel and Super Mirror Chassis Finish - The famous McIntosh Illuminated Glass Front Panel with a three dimensional look and the Stainless Steel Chassis with Super Mirror Finish ensures the pristine beauty of the MC402 will be retained for many years

Specifications

Frequency Response: 

20 Hz to 20 kHz, +0 / -0,25 dB

10 Hz to 100 kHz, +0 / -3,0 dB

Total Harmonic Distortion: : 0.005% max. at any level from 250 mW to rated power output

Intermodulation Distortion (SMPTE):  0.005% maximum if instantaneous peak output does not exceed twice the output rating

Signal-to-Noise-Ratio: (A-Weighted )

Unbalanced : 94 dB (120 dB below rated output)

Balanced : 98 dB (124 dB below rated output)

Power Output RMS (sine wave continuous average power output from 20 Hz-20,000 Hz)

Stereo :  400 W min.

Mono :  800 W min.  

Input Impedance

Unbalanced : 10,000 Ω 

Balanced :  20,000 Ω 

Output Load Impedance

Stereo :  Terminals for 8, 4, or 2 Ω 

Mono :  Terminals for 1, 2, or 4 Ω 

Input Sensitivity:  

Unbalanced :  2,0 V,

Balanced : 4,0 V

Wide Band Damping Factor:  Greater than 40

Dynamic Headroom:  2,1 dB

Rated Power Band:  20 Hz to 20 kHz

Power Guard:  Clipping is prevented and THD does not exceed 2% with up to 14 dB overdrive at 1 kHz

Power Requirements:  120V 50/60Hz, 10A

Dimensions (H X W X D):  444,5 x 239,7 x 508 mm  (17-1/2" x 9-7/16"  x 20")

Weight:  50.1kg (110,5 lbs. net); 5,1 kg (143,5 lbs. boxed)

 

McIntosh MA6500 amplifier

McIntosh MA6500

Introduce yourself to McIntosh quality with the MA6500 Integrated Amplifier

Hardly a "slimmed down" model, the MA6500 incorporates premium McIntosh technologies, including Power Assurance and Silent Electromagnetic Switching, as well as several features that will assist you as you integrate and expand your McIntosh system.

At the heart of MA6500's Power Assurance System is Power Guard clipping protection, input volume reduction that acts literally at the speed of light to keep distortion below 2% and deliver clipping-free output. Sentry Monitor current protection, Thermal Cutout, Turn-On Delay and Soft start inrush protection join Power Assurance to protect and prolong the life of your equipment.

Silent electromagnetic switching gives the MA6500 distortion-free switching. A glass tube containing oxygen-free gas and two signal leads sits in a copper coil and shock absorbent plastic, awaiting DC voltage to create a magnetic field that delivers the input signal and completes the circuit. 

Performance Features

Power Output

The MA6500 consists of two separate power amplifier channels, each capable of 200 watts and a sophisticated control center in one compact unit with less than 0.005% distortion.

Power Guard

Both channels include the patented McIntosh Power Guard circuit that prevents the amplifier from being overdriven into clipping with its harsh distorted sound that can also damage your valuable loudspeakers.

Electronic Input Switching

Digital Logic integrated circuits drive Electromagnetic switches on all six inputs and operating functions for reliable, noiseless, distortion free switching.

Speaker Switching

Front panel Speaker push-buttons control two switched outputs that allow you to send signals to two separate pairs of loudspeakers.

Sentry Monitor and Thermal Protection

McIntosh Sentry Monitor power output stage protection circuits ensure the MA6500 will have a long and trouble free operating life. Built-in thermal protection circuits guard against overheating.

Illuminated Power Meters

The illuminated power output watt meters on the MA6500 are peak responding, and indicate the power output of the amplifier

Specifications

Power Output:  Minimum sine wave continuous average power output per channel, all channels operating is:

200 watts into 4 Ω  load

120 watts into 8 Ω  load

Rated Power Band:  20 Hz to 20,000 Hz

Maximum Total Harmonic Distortion (at any power level from 250 milliwatts to rated power output is):  0.005% for 4 or 8 Ω  loads

Dynamic Headroom:  2.4 dB

Frequency Response

+0, -0.5 dB from 20 Hz to 20,000 Hz

+0, -3 dB from 10 Hz to 100,000 Hz

Sensitivity

Phono :  2.5 mV for 2.5 V rated output (0.5 mV IHF)

High Level :  250 mV for 2.5 V rated output (50 mV IHF)

Power Amplifier Input :  2.5 V for rated output

Signal To Noise Ratio (A Weighted)

Phono Input :  90 dB (84 dB IHF) below 10 mV input

High Level :  100 dB (90 dB IHF) below rated output

Power Amplifier :  110 dB below rated output

Maximum Intermodulation Distortion if instantaneous peak output per channel does not exceed twice the rated output, for any combination of frequencies from 20 Hz to 20,000 Hz, with all channels operating is:  0.005% for 4 or 8 Ω  loads

Input Impedance

Phono :  47 K Ω , 65 pF

High Level :  22 K Ω 

Maximum Input Signal

Phono :  90 mV

High Level :  8 V

Preamplifier Maximum Voltage Output

Phono :  8 V at tape output

High Level :  8 V at tape output

Main Out :  8 V at preamp output

Voltage Gain

High Level to Tape: 0 dB

High Level to Main: 20 dB

Damping Factor

120 at 4 Ω 

230 at 8 Ω 

Tone Controls

Bass :  ± 12 dB

Treble :  ± 12 dB

Power Requirements

100 Volts, 50/60Hz at 7.4 amps

110 Volts, 50/60Hz at 6.2 amps

120 Volts, 50/60Hz at 6.2 amps

220 Volts, 50/60Hz at 3.1 amps

230 Volts, 50/60Hz at 3.1 amps

240 Volts, 50/60Hz at 3.1 amps

Overall Dimensions

Front Panel: 17-1/2 inches (444,5 mm) wide, 7-1/8 inches (181,0 mm) high.

Depth behind front mounting panel is 16-1/2 inches (419,1 mm).

Clearance required in front of the Front Panel is 1 inch (25,4 mm) for knobs.

Weight

33.8 Kg (74.5 pounds) net, 41.7 Kg (92.5 pounds) in shipping carton

 

Sony ST-V7 tuner

 Sony ST-V7 Remote Controlled AM/FM Tuner

Direct Comparator Quartz Synthesis AM/FM Tuner with Supplied Remote Control

Key Selling Feature : Remote Control

Remote control is one convenience feature that makes an appreciable difference. That's why Sony has included a remote commander as a supplied accessory with the ST-V7. The commander controls the 8 station presets on this tuner. But its capability extends far beyond this . When used with the matching TA-V7 amplifier, it controls function, volume, tape monitor, acoustic memory and muting. Add a compatible Sony turntable and cassette deck, and you have a total remote control system.

Key Demonstration

Be certain to display the tuner with the matching TA-V7 amplifier. make sure to point out the benefits of the supplied remote control. If the customer is a novice, you should let him know that the remote control receiver is built-in. Then, use the remote control and the tuner as a stepping stone to sell the TA-V7 amplifier. Point out the matching cosmetics. Raise the volume by remote. Switch from preset station to preset. Then , as the clincher, show the customer how you can recail precise tonal settings with the acoustic memory button.

Technology Features

Quartz Frequency Synthesis - the most accurate , most convenient tuning system

Sony's Exclusive Direct Comparator - provides exceptionally quiet FM reception

Extraordinary FM S/N Ratio - 84 dB in mono, 78 dB in stereo

Buil-in Lithium Battery - to maintains preset station memory.

Convenience Features

Supplied with RM-V70 remote control capable of the following functions:

AMP - function, volume, tape monitor, acoustic memory, muting

TUNER - 8 station presets

TURNTABLE - Cue, start, and stop

CASSETTE DECK - Forward play, reverse play, fast-forward, rewind, stop, pause and Automatic Music Sensor

Microprocessor tuning with manual "step" tuning up and down

8 station memory presents with random assignment of Am and FM stations

Multiprocess memory stores the frequency, mono/stereo mode, and muting condition of each preset station

Memory scan provides a four second sample of each preset station

Fluorescent multi-function display indicates received frequency, muting mode, FM or AM reception

Three-LED signal-strength meter for optimum antenna positioning

Back-panel Beep Tone switch : beep tones indicate remote command has been received

System power switch can turn on entire music system

"Membrane" style feather-touch switches

14" size and cosmetics complement Sony's other V-series components

Back-panel control cables for other compatible "V" series components

Specifications

FM Tuner Section

Usable Sensitivity (Mono)

10,3 dBf/1,8 µV 

50 dB Quieting Sensitivity:

Mono :  16,1 dBf/3,5 µV 

Stereo  :  37,9 dBf/43 µV 

Signal-to-Noise-Ratio: 

Mono :  84 dB

Stereo:  78 dB

Total Harmonic Distortion: 

Mono :  0,08%

Stereo :  0,15%

Intermodulation Distortion

Mono :  0,08%

Stereo :  0,15%

Frequency Response:  30 Hz - 15 kHz +0,5 dB -2,0 dB

Stereo Separation:  50 dB at 1 kHz

Alternate  Channel Selectivity (at 400 Hz) :  80 dB

Capture ratio:  1,0 dB

AM Suppression:  60 dB

Image Rejection:  80 dB

Spurious Response:  100 dB

IF Response:  90 dB

RF Intermodulation (IHF):  74 dB

Muting/Tuning Threshold:  25 dBf

AM Tuner Section

Quieting Sensitivity:

Built-in antenna :  200 µV /m

External antenna :  30 µV /m

Signal-to-Noise-Ratio:   55 dB at 50 mV/m

Total Harmonic Distortion:  0,3% at 50 mV/m; 400 Hz

Selectivity (10 kHz):  38 dB

Image Rejection:  45 dB

General

Output Level/Impedance:  750 mV/4,7 k Ω 

Power Requirements:  AC 120 Volts, 60 Hz

Power Consumption:  17 Watts

Dimensions (W x H x D):  355 x 55 x 270 mm (14" x 2-4/8" x 10-5/8")

Weight:  3 kg (6 lbs 10 oz)

Supplied Accessories:  RM-V70 remote control

NEC A-10 amplifier

NEC A10

The revolutionary Compact Disc places severe demands ion all equipment in the audio chain, particularly the amplifier. In order to reproduce ultra wide dynamic range music from digital sources with maximum accuracy, an amplifier must be able to reproduce high-energy transients at low distortion levels. The NEC A-10 is just such an amplifier, because it was specifically designed for the digital age.

The deficiencies of conventional power supplies.

A conventional amplifier power supply uses a capacitor-input filter" in its rectifier circuit in order to smooth out the current going to each of the amplifier circuits. However, in a common rectifier, the current at the filter output is not as smooth and steady as it should be. Instead, it fluctuates. This occurs because as one filter charges, the other discharges in a seesaw fashion. Extra loud musical passages place a massive current drain on the power supply. If this occurs when the current at the output of the filter is on the decline, the power-supply impedance will increase, which, in turn, causes a clipped waveform at the amplifier's output. the result is distortion.

The NEC Reserve Power Supply - more power for more solid bass.

The NEC Reserve Power Supply utilizes a switching circuit which instantly charges one filter the moment the other filter stops charging and starts discharging. Composite filtered current is much smoother and steadler. This keeps power-supply impedance constantly low, so that clipped waveforms do not occur even under heavily loads. The sound you hear is essentially devoid of distortion at all power levels, with bass sounding rich and powerful even during the loudest passages.

Sophisticated power supply design.

The NEC A-10 has a sophisticated power supply design that uses independent supplies for the phono amps (used with moving coil and moving magnet cartridges), buffer, voltage amp, and current amp. Moreover, to supply the power output stages, the Reserve Power Supply provides a big power reservoir for solid performance. NEC's sophisticated power-supply design assures consistently low distortion and solid, powerful bass reproduction at all output levels - the reason why the A-10 sounds far more powerful than its power rating suggests.

High-gain head amp for moving-coil cartridges.

The NEC A-10 features a separate, high-quality head amp for moving-coil cartridges to extract all the delicacy and subtlety MC cardridges are renowned for. Its high equivalent input noise of -154 dBV (at 90 µV /10 Ω ) is a good indication of the high caliber of this pre-preamp.

Simple Design

To ensure that the signal path is as simple and straight as possible, no tone control system is included in the A-10. In instances where tone control is needed or desired, NEC recommends that the A-10 be matched with a separate, high-performance graphic equalizer.

Specifications

Power Amplifier Section

Rated Output (both channels driven at 20 Hz - 20 KHz)

120 W + 120 W into 4 Ω 

60 W + 60 W into 8 Ω 

Total Harmonic Distortion:  0,003% or less (at rated output)

Intermodulation Distortion:  0,003% or less (at rated output)

Power bandwidth:  5 - 300 kHz 

Input Sensitivity:  1,23 V

Preamplifier Section

Input Sensitivity/Impedance

Phono MM :  2,5 mV/47 k Ω 

Phono MC-1 :  80 µV /10 Ω 

Phono MC-2 :  250 µV /100 Ω 

Tuner :  150 mV/30 k Ω 

Tape 1, 2 : 150 mV/30 k Ω 

CD :  150 mV/30 k Ω 

Aux :  150 mV/30 k Ω 

Output Level/Impedance 

Rec Out :  150 mV/100 Ω 

Preamp Out :  1,23 V/600 Ω 

Phono Overload Capability:  300 mV (MM)

Signal-to-Noise-Ratio: 

Phono MM :  90 dB (-142 dBV)

Phono MC-1 :  72 dB/90 µV  (-154 dBV)

Phono MC-2 :  83 dB/250 µV  (-154 dBV)

Tuner :  110 dB (-126 dBV)

Tape 1, 2 :  110 dB (-126 dBV)

CD :  110 dB (-126 dBV)

Aux :  110 dB (-126 dBV)

Subsonic Filter:  15 Hz (-3 dB, 6 dB/oct.)

Power Requirements :  100/ 120/ 220/ 240 V AC, 50/60 Hz

Power Consupmtion:  335 W

Dimensions (W x H x D):  430 x 150 x 430 mm

Weight:  20 kg

 

NEC CD-803 cd player

NEC CD-803 Compact Disc Digital Audio Player

The CD-803 is no ordinary CD player, or it is based on NEC's many years of experience in all major areas of electronics and communications engineering - digital, optical, semiconductor laser, electronics, communications and precision machinery. No other CD player manufacturer has the technological background of NEC, the reason why the CD-803 provides unusually good sound quality and reproduction accuracy. Serious audiophiles and audio critics are now discovering what we already know; the CD-803 is the best executed CD player on the market.

What is a Compact Disc Digital Audio System.

Compact Disc Digital Audio is a system whereby an original analog signal is converted into a digital signal - a series of 0's and 1's in the binary code. This information, stored in the form of microscopic pits on a flat disc, is retrived by an optical (laser) beam, and finally converted back into analog form by a digital-to-analog (D/A) converter. The piece of audio equipment that retrives digital information from a CD and converts it into an analog audio signal is a CD player. The CD system offers tremendous advantages over the conventional analog system. For instance, dynamic range and s/n ratio both exceed 90 dB, and channel separation is better than 70 dB across an audio band extending from 5 Hz to 20 kHz. No wonder audiophiles and serious music lovers throughout the world have been awestruck by this new source of ultimate fidelity music.

Ease of operation

The CD-803 enhances ease of operation every bit as much as it improves sound quality. Advanced computer control means that it takes only minutes to learn every operating feature. Simply insert a disc into the front-panel door and touch the Open/Close button. As the door quietly closes, the disc rotates for a few seconds to enter encoded program data into the memory, and then stops. Now, by just touching the feather-touch operating buttons, you are ready to enter the realm of digital sound.

Memory play of up to 99 selections.

Up to 99 selections (tracks) on a disc can be programmed for play in any order. Moreover, by pushing the Repeat button, you can replay programmed selections as many times as you want. The average time it takes to locate  a selection, or access track time, is only three seconds. For your convenience, when you've completed initial programming, you can confirm each programmed selection (its track number and order) on the display by just touching the Memo List button.

Digital-domain technology

A Compact Disc contains a sophisticated error correction signal. By extrapolation, it is possible to reconstruct the original digital pulses accurately in instances where some are unreadable. However, severe dropouts, caused by external noise or damage to the disc, may prove too much for the error correction system. This led NEC to develop a three-stage servo for the disc motor which accurately detects and corrects for dropouts. Faithful reproduction is assured.

Digital-analog interface technology

Digital signals are composites of both left and right channel information in alternating sequence. A switching circuit divides the composite signal  into its left channel and right channel components. For this purpose, NEC developed an electronic switch which allows high-speed switching at a rate 10 times faster than commonly used C-MOS devices or analog switches. This significantly lowers high-frequency distortion. With the NEC electronic switching system, the signal runs in parallel with the Circuit rather than in series (as is the case with other switches(, so signal integrity is maintained.

Analog-domain technology

Once digital signals are converted into analog by the D/A converter, the sampling frequency (44,1 kHz) and its harmonic components must be eliminated completely by a low-pass filter. Commonly used active and passive filters suffer phase-related distortion called group delay, which led NEC to develop the ND (Non-Delay) filter. It reduces group delay at 20 kHz to 1/25 the value of other filter designs and significantly reduces unwanted spurious-frequency response.

Specifications

Player Section

System:  Compact Disc digital audio Player

Pickup:  GaAlSi Semiconductor laser

Sampling Frequency:  44,1 kHz

Quantization 16-bits linear/channel

Channels:  2

Frequency Response:  5 Hz - 20,000 Hz (±0,5 dB)

Dynamic Range:  90 dB or more

Signal-to-Noise-Ratio:  90 dB or more

Total Harmonic Distortion:  0,01% or less (5 - 20,000 Hz)

Channel Separation:  70 dB or more (5 - 20,000 Hz)

Wow and Flutter:  Equal to crystal oscillator accuracy

Output Level

Fixed : 1,5 V, 470 Ω 

Variable :  0 - 1,5 V, 2,5 k Ω 

Program Search Function:  program number or sub-number

Memory Functions:  Random memory access to up to 99 programs

Access Time:  3 sec. average

Power Requirements:  100 /120 /220 /240 V AC, 50/60 Hz

Power Consumption:  58 watts

Dimensions (W x H x D):  430 x 150 x 360 mm

Weight:  12 kg

Disc Section

Playing Time (single-sided, 2-channel):  74 minutes 45 seconds maximum

Scanning Velocity (2-channel):  1,2 - 1,4 m/s

Rotation:  Counterclockwise

Track Pitch:  1,6 µm

Diameter of Disc:  120 mm (4,8 inches)

Thickness of disc: 1,2 mm (0,0048 inch)

Diameter of Center Hole:  15 mm (0,6 inch)

Starting Diameter of program Area:  50 mm (2 inches)

 

McLaren 602 preamplifier

McLaren 602 Control Preamplifier

The McLaren 02 component series represents a unique synthesis of art, science and technology - the realisation of a design philosophy dedicated simply to the accurate reproduction of music.

Form, function and performance specifications all express and testify to this basic ideal. But most important is the innate ability of the range to recreate a true musical experience.

The McLaren 602 is a high gain, high resolution "straight line" preamplifier, fully compatible with a wide range of signal sources from low output moving coil cartridges to high output CD players.

Phono gain can be switched for either moving or fixed coil cartridges. Provision is made for optimum cartridge loading. An input buffer precedes the two-stage passive/active RIAA equalisation where particular care and attention has been given to achieving both amplitude and phase accuracy, not only in absolute terms, but to ensure precise matching between channels.

Power supply design also makes a major contribution to performance. Individual stages of each channel have their own locally regulated supplies fed from a central regulated supply incorporating a heavy duty shielded toroidal transformer.

As a result the 602 possesses superlative dynamic and imaging qualities - clearly focused detail revealing the most subtle instrumental and vocal timbres, with a true perception of image depth and height.

The high undistorted output voltage capability of the line stage with an unusually low output impedance, ensures that the 602 will fully drive any power amplifier even via extreme lengths of shielded cable.

Construction is to the highest engineering standards. The case is entirely non-ferrous - faceplate and side blocks are cut and machined from proprietory extruded sections, top and bottom covers coated with an attractive and durable textured finish.

Front fixing screws, nameplate and all input and output sockets on the rear panel are 24-karat gold plated. Control knobs are turned from solid aluminium, satin anodised to harmonise with the front panel.

Internal construction features gain selected semiconductors and highest quality passive components.

Features:

Phono gain adjustable for MC or MM

User-selectable phono loading

Two-stage RIAA equalisation - passive high frequency followed by active low frequency equalisation

Output muting relay to avoid on/off switching transients.

Heavy duty toroidal power transformer.

Individual regulated power supply for each stage

Highest quality components, including: Gain selected semiconductors; Polypropylene/Polystyrene capacitors; metal film resistors; Conductive film potentiometers; Gold plated signal connectors

Star grounding system

Specifications

Input Sensitivities (for rated output, 1 kHz)

Phono MC :  100 µV 

Phono MM :  1,0 mV

High Level, Tape Play :  100 mV

Gain Structire (at 1 kHz)

Phono Section MC :  60 dB

Phono Section MM :  40 dB

Line Section :  20 dB

Input Impedance 

Phono :  47 k Ω  (user selectable to any lower value)

High Level, Tape Play :  50 k Ω 

Signal-to-Noise-Ratio:  (A WTD/UNWTD)

Phono MC :  76 dB/69 dB (ref. 0,5 mV)

Phono MM :  82 dB/74 dB (ref. 5 mV)

High level, Tape Play : 100 dB/94 dB (ref. 500 mV)

Input Overload Levels (at 1 kHz)

Phono MC :  15 mV

Phono MM :  150 mV

High Level, Tape Play :  Infinite

Output Levels:

Rated :  1,0 V

Maximum :  16 V

Output Impedance

Phono Section (Tape Rec) :  100 Ω 

Main Out :  100 Ω 

Frequency Response: 

Phono (RIAA Equ.) :  ±0,2 dB, 20 Hz - 20 kHz

High Level, tape Play :  +0, 1 dB  , 5 Hz - 100 kHz

Balance Control :  ±3 dB each channel

Distortion:  less than 0,015% THD 20 Hz - 20 kHz at rated output, any input/output

Phase

Phono through main out: Noninverting

High level, Tape Play through main out :  Inverting

Phono through Tape Rec :  Inverting

Power Requirements:  110 -120 / 220 -240 VAC, 50/60 Hz, 8 VA

Dimensions (W x H x D):    420 x 105 x 285 mm (16,5" x 4,1" x 11,2")

Weight (shipping):  65 kg (14,3 lbs)

 

McIntosh C46 preamplifier

The new McIntosh C46 Audio Control Center offers a highly refined combination of useful operating features with totally transparent electronic performance. For example you can take advantage of the eight-band equalizer to achieve the finest possible reproduction of digital source music as well as valuable music from earlier recording technology. Combine a C46 with a McIntosh Power Amplifier and you will enjoy a system of unparalleled performance.

With eight source input selections, one of them a balanced input, all fully assignable and programmable, plus separate processor loops for both listen and record sections and enough outputs, both balanced and unbalanced, to drive multiple amplifiers,, the C46 Preamplifier is a control center that can easily coordinate even the most complex audio system.

Sonic integrity is enhanced through use of digital logic controlled electromagnetic switches which provide the most reliable, lowest distortion signal switching in existence. master volume control is accomplished through an ultra-precision digitally controlled attenuator, enhanced with variable Rate Volume circuitry and adjusted through an optical rotary encoder that results in resolution and tracking accuracy within 0,5 dB. The exclusive McIntosh equalization circuitry allows "tailoring" the sonic performance over 8 frequency bands and a separate programmable bypass control totally eliminates the equalizer from the signal path when not in use.

Behind McIntosh's signature black glass front panel, LED-driven Fiber Optic Light Diffuser panels provide all Illumination - reducing heat and power consumption and increasing the lighting's life span many times over that of ordinary light bulbs.

Performance Features

Balanced Inputs and Outputs

One balanced high level Input and three balanced Outputs are provided.

Precision Tracking Volume Control

Volume levels are controlled by a new Multi-Stage Precision Digitally Controlled Attenuator System with a tracking accuracy of 0.1 dB. Levels change in 214 individual 0.5 dB steps.

Variable Rate Volume and Balance Control Selection

The C46 Control Center’s Volume and Balance Control Circuitry provides an ideal rate of change with control rotation.

Eight Tone Controls with Assignable Bypass

The Tone Controls provide 12dB of boost or cut at center frequencies of 20, 35, 70, 150, 300, 600, 1200 and 4000 Hz. When a Tone Control is in the center or flat position, all Tone Circuit Components are removed from the Signal Path of any selected input.

Alphanumeric Fluorescent Display

The Multifunction Front Panel Display indicates the Source Selection, Volume and Balance Levels. Setup Mode Selections and Adjustments are also displayed. The display intensity is fully adjustable.

Electromagnetic Input Switching

Digital Logic integrated circuits drive Electromagnetic Switches on all Inputs and operating functions for reliable, noiseless, distortion free switching.

Input Level Trim Adjustment

All eight Inputs on the C46 can be matched in level, so there are no abrupt changes in volume levels between the different Inputs

Record Monitor Function

There is a Record Monitor Function for checking the progress of a recording from any of the eight inputs.

Title Reassignment

Any of the eight Inputs can have their Input Title reassigned to match the sources in the system.

Two Signal Processor Loops

Separate front panel switched Signal Processor Loops are provided for the listen and record circuits.

Precision Parts

Only the finest precision 1% tolerance resistors are used throughout.

Low Distortion

Distortion levels of all types are less than 0.002%. Music is amplified with total transparency and accuracy.

Moving Magnet Phono Input

There is a Precision Phono Preamplifier for Moving Magnet Cartridges.

Remote Control

The C46 includes a Remote Control that allows remote operation of the Front Panel Controls and Push-buttons.

Optional External Sensor Input

There are provisions for connecting External Sensors, which allow for enjoyment of your McIntosh System from other room(s) in your home via the Remote Control.

Output Switching

Front panel Output Push-buttons control two Switched Outputs that allow sending signals to two separate Power Amplifiers.

Fiber Optic Solid State Front Panel Illumination

The Illumination of the Front Panel Nomenclature is accomplished by the combination of custom designed Fiber Optic Light Diffusers and Light Emitting Diodes (LEDs). This provides even Front Panel Illumination, together with the extremely long life LEDs.

Specifications

Frequency Response:  from 20 Hz to 20,000 Hz (+0, -0.5 dB)

Total Harmonic Distortion:  0.002% maximum from 20 Hz to 20,000 Hz

Signal To Noise Ratio:

Phono : 86 dB (A Weighted)

High Level : 97 dB (A Weighted)

Rated Output Voltage:

2.5 V rms :  Unbalanced (Main and Outputs 1 and 2)

5 V rms :  Balanced (Main and Outputs 1 and 2)

Maximum Voltage Output

10 V rms :  Unbalanced (Main and Outputs 1 and 2)

20 V rms :  Balanced (Main and Outputs 1 and 2)

Output Impedance:  240 Ω  (Unbalanced); 480 Ω  (Balanced)

Input Impedance

Phono :  47 K Ω , 65 pf

High Level :  22 K Ω s (Unbalanced) ;  47 K Ω  (Balanced)

Sensitivity

Phono :  4,5 mV for rated output

High Level:

450 mV for rated output Unbalanced

900 mV for rated output Balanced

Maximum Input Signal

Phono :  50 mV

High Level :  5 V (Unbalanced) ; 5 V (Balanced)

Voltage Gain

Phono to Tape Out :  40 dB

High Level to Tape Out :  0 dB

High Level to Main Out :  15 dB

Power Requirements

100 Volts 50/60 Hz, 50 watts

110 Volts 50/60 Hz, 50 watts

120 Volts 50/60 Hz, 50 watts

220 Volts 50/60 Hz, 50 watts

230 Volts 50/60 Hz, 50 watts

240 Volts 50/60 Hz, 50 watts

Note: Refer to the rear panel of the C46 for the correct voltage.

Dimensions (W x H x D):   444,5 x 136,5 x 482,6 mm (17-1/2"x 5-3/8"x 19") including clearance for connectors Weight

11.79 kg (26 pounds) net,

18.33 kg (40.4 pounds) in shipping carton

 

KLH Model 331 loudspeakers

 KLH Dedicated Loudspeakers - A new standard in sound and styling

KLH has always had the uncanny ability to make graceful loudspeakers that could reproduce a remarkable amount of sound. This, coupled with an unfailing reputation for quality and hand craftsmanship, is the benchmark of the KLH tradition. With the Dedicated Series of KLH loudspeakers, the company adds further to that tradition by setting a new standard in sound and styling. Each of these five superb loudspeakers borrows freely from KLH's classic technology and are of acoustic suspension design.
The tweeters, midranges and cross-over networks are all vastly improved devices of completely new manufacture that represent the industry's most advanced technology (Indeed, the 4-1/2" midrange used in the Model 353 is considered by most experts as the best cone-type ever made and is usually found in only the most costly loudspeakers.)

Each of the five Dedicated Loudspeakers boasts increased efficiency over previous models - with much brighter sound and greater overall musicality. And each of them regardless of size or price, recreates the subtleties and innervoices of the orchestra demonstrably better than past competitive models. Stated simply, they are easily among the best loudspeakers we, or anybody else, has ever made.
They are also unquestionably, the best value we have ever offered. And since we've always offered one heck of a lot of speaker for the money, that's saying quite a lot. Here then, dedicated to you, is the new KLH Dedicated Series - beautiful loudspeakers for people who really care about what they hear.

KLH Model 331

Frequency Response:  50 Hz - 18 kHz

8 ohm two-way, ported cabinet loudspeaker system

One long excursion 8-inch KLH woofer;

One 2-1/4-inch cone tweeter

Minimum Recommended Power per Channel:  8 watts RMS

Maximum Power Handling (can be safely used with amplifiers rated up to): 75 watts RMS per channel

Wood grained vinyl on high density particle board

Removable front grille panel

Dimensions (H x W x D): 530 x 300 x 220 mm (21" x 12" x 8-3/4")

Weight (Shipping carton):  41 lbs (packed one per carton)

KLH Model 317 loudspeakers

KLH Dedicated Loudspeakers - A new standard in sound and styling

KLH has always had the uncanny ability to make graceful loudspeakers that could reproduce a remarkable amount of sound. This, coupled with an unfailing reputation for quality and hand craftsmanship, is the benchmark of the KLH tradition. With the Dedicated Series of KLH loudspeakers, the company adds further to that tradition by setting a new standard in sound and styling. Each of these five superb loudspeakers borrows freely from KLH's classic technology and are of acoustic suspension design.

The tweeters, midranges and cross-over networks are all vastly improved devices of completely new manufacture that represent the industry's most advanced technology (Indeed, the 4-1/2" midrange used in the Model 353 is considered by most experts as the best cone-type ever made and is usually found in only the most costly loudspeakers.)

Each of the five Dedicated Loudspeakers boasts increased efficiency over previous models - with much brighter sound and greater overall musicality. And each of them regardless of size or price, recreates the subtleties and innervoices of the orchestra demonstrably better than past competitive models. Stated simply, they are easily among the best loudspeakers we, or anybody else, has ever made.

They are also unquestionably, the best value we have ever offered. And since we've always offered one heck of a lot of speaker for the money, that's saying quite a lot. Here then, dedicated to you, is the new KLH Dedicated Series - beautiful loudspeakers for people who really care about what they hear.

KLH Model 317

Frequency Response:  45 Hz - 18 kHz

8 ohm two-way, high-efficiency, acoustic suspension loudspeaker system

One 10-inch KLH woofer;

One 2-1/4-inch cone tweeter

Three-position tweeter control switch - toggle

Minimum Recommended Power per Channel:  10 watts RMS

Maximum Power Handling (can be safely used with amplifiers rated up to): 100 watts RMS per channel

Wood grained vinyl on high density particle board

Removable front grille panel

Dimensions (H x W x D): 580 x 300 x 250 mm (23" x 12" x 9-3/4")

Weight (Shipping carton):  29 lbs (packed one per carton)

 

KLH Model 373 loudspeakers

A new standard in sound and styling

KLH has always had the uncanny ability to make graceful loudspeakers that could reproduce a remarkable amount of sound. This, coupled with an unfailing reputation for quality and hand craftsmanship, is the benchmark of the KLH tradition. With the Dedicated Series of KLH loudspeakers, the company adds further to that tradition by setting a new standard in sound and styling. Each of these five superb loudspeakers borrows freely from KLH's classic technology and (except the Model 331) are of acoustic suspension design.

 KLH Model 373
Frequency Response:  45 Hz - 22 kHz
8 ohm three-way, high-efficiency, acoustic suspension loudspeaker system
One 10-inch KLH woofer;
One 3-7/8-inch midrange;
One 2-1/4-inch cone tweeter
Two-position presence control switch - toggle
Minimum Recommended Power per Channel:  10 watts RMS
Maximum Power Handling (can be safely used with amplifiers rated up to): 150 watts RMS per channel
Wood grained vinyl on high density particle board
Removable front grille panel
Dimensions (H x W x D): 610 x 330 x 250 mm (24" x 13" x 9-5/8")
Weight (Shipping carton):  37 lbs (packed one per carton)

KLH Modell 363 loudspeakers

 KLH Dedicated Loudspeakers - A new standard in sound and styling

KLH has always had the uncanny ability to make graceful loudspeakers that could reproduce a remarkable amount of sound. This, coupled with an unfailing reputation for quality and hand craftsmanship, is the benchmark of the KLH tradition. With the Dedicated Series of KLH loudspeakers, the company adds further to that tradition by setting a new standard in sound and styling. Each of these five superb loudspeakers borrows freely from KLH's classic technology and are of acoustic suspension design.

KLH Model 363

Frequency Response:  30 Hz - 22 kHz

8 ohm three-way acoustic suspension loudspeaker system

One 12-inch KLH woofer;

One 5-inch midrange;

One 2-1/4-inch cone tweeter

Two rotary switches - one 2-position midrange control and one 3-position tweeter control

Minimum Recommended Power per Channel:  12 watts RMS

Maximum Power Handling (can be safely used with amplifiers rated up to): 150 watts RMS per channel

Wood grained vinyl on high density particle board

Removable front grille panel

Dimensions (H x W x D): 610 x 330 x 320 mm (24" x 13" x 12-5/8")

Weight (Shipping carton):  46 lbs (packed one per carton)

KLH Model 353 loudspeakers

KLH Dedicated Loudspeakers - A new standard in sound and styling

KLH Model 353

Frequency Response:  25 Hz - 22 kHz

8 ohm three-way acoustic suspension loudspeaker system

One very low resonance,

12-inch KLH woofer;

One 4-1/2-inch midrange;

One 2-1/4-inch cone tweeter

Two rotary switches - one 3-position midrange control and one 3-position tweeter control

Minimum Recommended Power per Channel:  25 watts RMS

Maximum Power Handling (can be safely used with amplifiers rated up to): 175 watts RMS per channel

Wood grained vinyl on high density particle board

Removable front grille panel

Dimensions (H x W x D): 660 x 360 x 320 mm (26" x 14" x 12-5/8")

Weight (Shipping carton):  49 lbs (packed one per carton)

 

Spectro Acoustics 101B preamplifier

Spectro Acoustics Model 101B

Preamplifier/Equalizer

The quality of a stereo component system lies in the audiophil's choice of equipment. The major influence affecting that quality is the interaction and influence of each component on other components and the culmination of those influences on the human ear. This is where the choice is made in selecting "quality" and whether to accept a particular sound as "right"

All things considered, the perfect listening environment is still the concert hall and reproduction of music must remain subjective. However, we want control over what we hear and have the facility to change what it is that reaches our ears. In musical reproduction this function is relegated to the concepts of tonal compensation, balance and volume. The equipment corollary is the modern preamplifier; a device which offers control over the amount of sound reaching our ears and which particular source we will listen to, (whether it be a tape recording, a phonograph record or a radio broadcast). In most cases, there is the ability to change the tonal content at specifically designated frequencies.

Spectro Acoustics, in attempting to obtain maximum performance value, offers the Model 101B preamplifier/equalizer for audiophiles who want the most in flexibility and performance at a reasonable price.

The Spectro Acoustic Model 101B  in order to optimize reliability and serviceability, is designed and constructed to utilize plug-together glass-epoxy circuit boards and 100% monolithic IC circuitry for consistent performance. All controls and connections are human engineered to give simple straight forward operation. The graphic panel of the 101B is a display of exactly what's going on inside of the unit. Control is at the user's finger tips to seek the level and range of sound that achieves personal satisfaction.

The equalizer circuit for the Model 101B is a totally new type based on Spectro Acoustics gyrator synthesis techniques similar to those used in the Model 210 Graphic Equalizer. The design is a hybrid coil/gyrator type which totally eliminates distortion and hum for equalizer circuitry. The filter parameters are optimized for maximum flexibility from a five band design and as an added benefit the highest and lowest frequency bands are "shelving" type to control the response well beyond are "shelving" type to control the response well beyond the extremes of audibility. The usefulness of the equalizer circuitry is further enhanced through its complete availability to line or tape outputs, or total bypass for equalization in/out comparisons.

In phono stage, the Model 101B utilizes an isolated feedback servo op-amp phono stage with ultra-accurate adherence to the RIAA curve. This circuit provides for accurate cartridge response, increased definition of high frequencies and greater dynamic range. Internally accessible cartridge loading components can be adjusted by any qualified and authorized technician to perfectly match the cartridge load for any cartridge.

Specifications

Total Harmonic Distortion:  less than .05% at 2 volts rms output, 20Hz to 10kHz, 10 k Ω  load

Intermodulation Distortion; less than .01% at any output level below clipping, 7kHz and 60 Hz mixed 1 to 4 (SMPTE)

Noise

Phono Stage:  less than 2 mV equivalent input noise, 20Hz to 20kHz, inputs open or shorted (S/N ratio = at least 74 dB below 10 mV reference) Better than 88 dB below full output (ASA standard "A" weighting)

High Level & EQ Stages:  less than 30 mV equivalent input noise, 20Hz to 20kHz, inputs open or shorted (S/N ratio = at least 90 dB below 1 V reference) Better than 100 dB below full output (ASA standard "A" weighting)

Frequency Response: 

Phono Stage : within 0,5 dB of true RIAA equalization, 20Hz to 20kHz, typically within 0,1 dB

High Level Inputs : within 0,1 dB of absolutely flat response, 20Hz to 20kHz, within 3 dB of absolutely flat response, 5Hz to 100kHz

Gain

Phono Stage :  40 dB at 1 kHz, phono stage alone, 50 dB at 1 kHz, phono +line amplifier (main outputs)

High Level Stage :  10 dB with Level controls set to maximum

Equalizer Stage :  Plus or minus 15 dB nominal range of adjustment, within 0,1 dB of unity gain, controls set flat

Dynamic Range

Phono Stage : Overload point is 100 mV at 1 kHz input

High Level Stage :  Overload point is 10 V at 1 khz into 10 k Ω  load

Port Impedances

Phono Units :  47 k Ω  shunted by 220 pF (internally adjustable)

High Level Inputs :  50 k Ω  shunted by 10 pF

Tape Inputs less than 600 Ω , resistive, direct coupled

Main Output :  less than 600 Ω , resistive, direct coupled

Output Capabilities

Rated Output:  2 volts rms into 10 k Ω  load, resistive

Output at Clipping :  Greater than 9 volts rms into 10 k Ω  load, greater than 5 volts rms into 600 Ω  load at 1 kHz

Protection:  Fully protected against short circuits at any output level

Power Requirements:  110 to 125 VAC, 50/60 Hz, 14 watts (Standard unit); 220 to 250 VAC, 50/60 Hz, 14 watts (Export unit)

Physical Data

Dimensions (W x H x D):  381 x 152,4 x 140 mm (15" x 6" x 5-1/2")

Optional Wood Cabinet (W x H x D):  412,8 x 184,2 x 421,3 mm

Weight :  10 pounds shipping