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Thorens BTD-12S tonearm


 Thorens BTD-12S Professional Tone Arm with exclusive cueing control for lowering and raising arm The Thorens BTD-12S tone arm is a classic example of Swiss craftsmanship. Designed for lowest possible inertia and friction, in both horizontal and vertical planes, the BTD-12S is ideal for pickup cartridges of the highest lateral and vertical compliance. The low inertia minimizes force on the stylus from warped and off-center records, assures positive contact between stylus and record groove, and reduces distortion as well as record and stylus wear to a minimum. Despite its very compact size,, the BTD-12S has less tracking error than many 16" arms (only 0,5(o) per inch). Special pivot design eliminates another source of distortion found in ordinary arms by keeping stylus perpendicular to the record at all times. The knob adjustment for stylus force (calibrated in grams) and the record-saving, stylus-saving are unequaled for convenience.

Outstanding Features
Cueing Device - A built-in precision cueing device raises and lowers the arm over the record when a knob is turned. When lifted, the arm is given a slight braking action to keep the stylus over the groove. When lowered, the arm is completely free of any interference from the cueing device.
Tracking Error - Only 0,5(o)/inch maximum with optimum stylus overhang
Bearings - Precision ball bearings on both axes reduce friction (lateral and vertical) to the order of 1/10 gram
Exclusive Pivot Design -  Ideally, the stylus axis a should remain in a vertical plane, defined by the stylus and the tangent to the record groove, for all up-and-down movements of the arm. In ordinary arms, this is impossible because the axis of the bearing for up-and-down motion is set at right angles to the straight part of the arm. This causes the ordinary arm to "cant" or lean the stylus to one side when in any position other than perfectly horizontal. The BTD-12S eliminates this source of distortion by setting the bearing at an angle to the straight part of the arm. The stylus in the BTD-12S thus never leans to either side for any height adjustment, any warped record.
Balancing -  With stylus force adjustment set to "0", the counterweight will balance the arm, with a 5-19 gram ( ,18 - ,67 oz.) cartridge installed, in both horizontal and vertical planes. Then, since stylus force is applied by a spring at any other setting of the adjustment, the arm remains in balance and is insensitive to out-of-level tables or floor vibrations
Stylus Force Adjustment - Calibrated in grams on a large, engraved scale for 2 to 8 grams with zero position for balancing.
Low-Frequency Resonance - Below audible range. Damping material isolates counterweight to prevent other undesirable resonance in audible range.
Plug-in Shell - AN aluminum plug-in shell accommodates any standard cartridge and comes with mounting hardware. A 4-pin (plus ground) connector provides electrical connections. A screw-secured slide on the shell permits easy, precise adjustment of stylus overhang.
Cables - Two shielded cables 39" (one meter) long, with standard phono connectors, and a separate ground wire are supplied. No soldering is necessary.


Specifications
Overhang Length:  12-5/8"
Height: 5-3/8" overall; 1-1/8" max. above playing surface
Distance Pivot to Table Center:  7-1/2"
Optimum Stylus Overhang: 11/16"
Range of Overhang Adjustment: 1/2"
Height Adjustment Range:  1-5/8"

Thorens TD-165C turntable

Thorens TD-165C
New 2-speed Integrated Transcription Turntable
Despite in modest price, the new Thorens TD-165C is a Thorens in every sense of the word. it incorporates many advanced features plus the traditional refinements and quality that are the foundation of Thorens reputation for the world's finest turntable performance.

New, Improved Tonearm
The nine-inch Thorens TP-11 tonearm has been specially designed for the TD-165C. made of low-mass aluminum and suspended in pin-and-cup bearings, it virtually eliminates tracking error and lateral drag. its micro pivot assembly assures the highest flexibility in the horizontal and vertical planes.


Tonearm balance and Stylus Tracking Force Adjustment
A precision assembly permits exact adjustments of tracking force, in one-half gram increments to accommodate cartridges that track as low as 0,5 gram. the stylus sits perfectly in the groove for optimum signal pickup and absolute minimum wear. Tracking error is less than 0,15% cm of radius.


Lightweight magnesium Plug-in Shell
Designed to match the finest cartridges, the lightweight shell plugs in and out easily to facilitate switching cartridges for special applications, 4-channel, or for personal taste.

Precision Cueing
A cue/pause control is conveniently located in front of the platter. Just slide the tonearm to the desired groove or band and turn the cueing knob to lower the stylus gently into the groove. When rotated in the opposite direction, the knob raises the tonearm. The system is viscous damped to prevent damage to both the stylus and the record.

Unique Double 16-pole Synchronous Motor
A miniature power unit, it synchronizes its speed with accuracy better than +_0,1%, by locking on to the 60 Hz frequency of the power line. Operating at extremely low speed of 450 rpm, vibration is completely minimized. The long, resilient belt drive acts as a filter to eliminate rumble transfer from the motor pulley to the platter's large inner flywheel.

Precision Balanced Turntable
The non-ferrous, anti-magnetic 6,6 lb, 12-inch platter is internally contoured, with its weight precisely distributed. this provides maximum flywheel action which absorbs speed variations, thus eliminating wow and flutter.


Unified Suspension System
The tonearm mount and the platter assembly are united on a single suspension unit. They are completely isolated from the motor. This unique split level design isolates the suspended chassis from the motor board and minimizes sensitivity to acoustic feedback and external vibration.

Anti-skate Control
Thorens has engineered a precision system to counteract the tonearm's natural tendency to swing toward the center of the record. By maintaining the stylus dead center between the walls of the grooves, record life is extended, distortion is eliminated and there's maximum stereo separation.


Specifications
Speeds:  33-1/3 and 45 rpm
Record Sizes:  7", 10", 12"
Rumble:
Unweighted : -43 dB(DIN 45 539)
Weighted :  -65 dB (DIN 45 539)
Wow and Flutter:  0,06% (DIN 45 507)
Motor:  Double Synchronous 16-pole
Drive: belt drive type
Speed Regularity:  better than ± 0,1%
Tonearm Type:  Thorens TP-11
Effective Length:  9,0"
Overhang:  9/16"
Tracking Error:  less than 0,18% cm radius
Tube arm:  5/16" anti-corrosive aluminum
Arm Resonance:  below 10 Hz
Adjustable Tracking Force: 0,5 - 3,5 grams
Turntable:  Dynamically balanced, Non-ferrous, anti-magnetic type
Diameter:  12-inch
Weight:  6,6 lbs
Cueing:  Independently positioned on base, viscous damped
Plug-in shell for all standard cartridges,
For 45 rpm records, invert central spindle adapter
Power Supply:  110 volts, 60 Hz only
Dimensions (W x H x D):  17" x 7-3/4" x 12-1/2" (with dust cover)
Weight:  20 lbs
 

Pioneer SX-D7000 receiver


 Pioneer SX-D7000
Stereo receiver with non-switching DC Power Amp Quartz-PLL tuner and electronic touch tuning

Power Amp Highlights
Protection circuitry has gold-plated dual-contact relays for fast response and unfailing dependability should power-related misshape occur. the receiver and your speakers are fully protected the circuitry mutes power on/off noise, protects power transistors and speaker from abnormal direct-current potentials and overload at the output.

Preamp/Control Highlights
Function Indicators (FM/AM/AUX/PHONO) - Pioneer's "Light Touch" buttons are employed to indicate the selected function. The buttons are lit and glow green when engaged.
Speakers (A, B, C) switches with LED indicators
Low Subsonic Filter is 18 Hz with -6dB/oct. curve.
Tape Monitor and Duplicate switches for decks 1 and 2, deck-to-deck dubbing is easily accomplished between the two in either direction.
Loudness, Balance, Mode (Stereo/Mono) and Muting (-20 dB) controls
Adaptor switch to patch in a signal processor unit such as a  graphic equalizer, dynamic processor or reverberation unit.


Attenuator-Type Master Volume Control
We've improved the "feel" of the master volume control by giving it decibel calibrations from 0 down to -70 dB.
For operating convenience, the control has 41 detents or click stops. The mechanism which actually controls the volume - the potentiometer - is elaborate with four-ganged design. there is one two-ganged potentiometer ahead of the tone controls amp. another behind. the thoroughness of this design is apparent in improved s/n ratio during low-level sound reproduction.

Low-Distortion Tone Control Amp
This is an IC-built circuit block, employing NFB (Negative Feedback) to lower distortion to 0,005% or less (4V output) over the 20 -20,000 Hz range. Bass and treble adjustments are made by the two slider controls - each with 11 click stops - in conjunction with two switches for Turnover.
The Turnover for Bass offers a choice of 400 Hz or 200 Hz as the frequency at which response is down by -3 dB; turnover for Treble gives a choice of 2,5 kHz or 5 kHz. only a tone control this elaborate and far-reaching provides total system control. You may, if you wish, bypass the tone circuit.


Specifications
Power Amp Section
Continuous Power Output:  120 watts per channel, min. At 8 ohms from 20 to 20,000 Hz with no more than 0,005% THD
Total Harmonic Distortion:
No more than 0,005% (continuous rated power output)
No more than 0,004% (60 watts per channel power output)
Intermodulation Distortion (50 Hz : 7,000 kHz = 4:1):
No more than 0,005% (continuous rated power output)
No more than 0,004% (60 watts per channel power output)
Frequency Response:  3 to 450,000 Hz +0 dB, -3 dB
Input Sensitivity/Impedance:  1V/50 kΩ (Power Amp In)
Output:
Speaker : A, B, C; A+B, B+C, A+C; OFF
Headphones : Low impedance
Damping Factor:  60 (20 to 20,000 Hz, 8Ω)
Hum and Noise (short circuited, A network):  115 dB
Pre-amp Section
Input Sensitivity/Impedance
Phono 1, 2 (MM) : 2,5 mV/50 kΩ
Phono 1, 2 (MC) :  0,25 mV/100 ohm
Aux, Tape 1 & 2, Adaptor In:  150 mV/50 kΩ
Phono 1, 2 Overload Level:  200 mV(1 kHz, THD 0,005%)
Output Level/Impedance:
Tape Rec 1 & 2, Adaptor Out:  150 mV
Pre Output: 1V/1kΩ
Total Harmonic Distortion:  No more than 0,005% (20 to 20,000Hz, 4V output)
Frequency Response
Phono (RIAA Equalization):  20 to 20,000 Hz,  ±0,2 dB
Aux, Tape 1 &2, Adaptor:  5 to 100,000 Hz,  +1,0 dB, -3,0 dB
Tone Control
Bass at 200 Hz : ±8 dB (100 Hz)
Bass at 400 Hz : ±10 dB (100 Hz)
Turnover Frequency :  200 Hz / 400 Hz
Treble at 2,5 kHz : ±10 dB (10 kHz)
Treble at 5,0 kHz : ±8 dB (10 kHz)
Turnover Frequency :  2,5 kHz / 5,0 kHz
Filter
Low (Subsonic) : 18 Hz (6 dB/oct)
Loudness Contour (volume control set  at -40dB) : +6 dB (100 Hz), +3 dB (10 kHz)
Hum and Noises (Short-circuited A network)
Phono MM : 86 dB
Phono MC : 72 db
Tuner, Aux, Tape 1 & 2, Adaptor:  100 dB
Muting : -20 dB
FM Tuner Section
Usable Sensitivity:  10,2 dBf (1,8 µV); (Mono)
50 dB Quieting Sensitivity:
Mono : 15,7 dBf (3,2 µV)
Stereo : 34,2 dBf (28,2 µV)
Signal-to-Noise Ratio (at 85 dBf):
Mono : 82 dB
Stereo : 78 dB
Distortion (at 65 dB)
100 Hz : 0,1% (mono); 0,2% (stereo)
1 kHz : 0,07% (mono); 0,1% (stereo)
6 kHz : 0,1% (mono); 0,2% (stereo)
Frequency Response: 30 to 15,000 Hz ±0,5 dB
Capture Ratio:  1,0 dB
Alternate Channel Selectivity: 80 dB (400 kHz)
Spurious Response Ratio:  80 dB
Image Response Ratio:  80 dB
IF Response Ratio:  90 dB
AM Suppression Ratio:  60 dB
Muting Threshold:  35,7 dBf (32 µV)
Stereo Separation:  50 dB (1 kHz), 35 dB (30 Hz to 15 kHz)
Subcarrier Ratio:  65 dB
SCA Rejection Ratio:  65 dB
Antenna Input:  300 Ω balanced; 75 Ω unbalanced
AM Tuner Section
Sensitivity:  300 µV/m (IHF, ferrite antenna);  15 µV (IHF, external antenna)
Selectivity: 30 dB
Signal-to-Noise ratio:  45 dB
Image Response Ratio:  30 dB
IF Response Ratio:  60 dB
Antenna:  Ferrite loopstick antenna
Semiconductors:  15 FETs; 22 ICs; 105 transistors; 105 Diodes
General
Power Requirement:  120 V, 60 Hz ;  220 V, 50/60 Hz
Power Consumption:  250 W
Dimensions (W x H x D):  519 x 180 x 460 mm (20-7/16" x 7-1/16" x 18-1/8")
Weight:  19,2 kg (42 lbs5 oz) without package

Pioneer SA-1000 amplifier

Pioneer SA-1000
A professional quality stereo amplifier with unusually wide power bandwidth and up to 67 watts continuous power per channel.
The person who makes the stereo move from conventional sound equipment up to superior, expensive components is usually faced with a bewildering variety of choices when he begins his search for power amplifiers. should he sacrifice power for minimal distortion? how much power will he require? How much Versatility? And does there exist an outstanding piece of equipment that fits within his stereo budget? With its wide variety of professional features, its broad power output, its supreme versatility and remarkable overall performance specifications, Pioneer's new Model SA-1000 stereo amplifier now offers the perfect choice for the sound connoisseur, while going a long ways toward meeting the needs of most anyone seeking professional quality at a price that is more than practical. The power bandwidth of this unit is an astonishing 5-50,000 Hz (8 ohm, THD less than 0,3%), providing 67 watts per channel of continuous power, each driven at 8 ohms. It also accepts up to two phono cartridges, two tape decks, and even is equipped with a pre-main amplifier switch so that it may be adapted for the advanced multi-amplifier stereo systems. A superior, well-built piece of equipment, the SA-1000 will do wonders to any home music system, simply by providing the stable performance that any serious music listener demands from the equipment he owns.


Specifications
Semiconductors:  39 Transistors; 18 Diodes; 2 FETs
Power Amplifier Section
Music Power Output (IHF)
240 watts at 4 Ω 
170 watts at 8 Ω 
Continuous Power Output(each channel driven)
94 watts / 94 watts at 4 Ω 
67 watts / 67 watts at 8 Ω 
Continuous Power Output(both channel driven)
85 watts + 82 watts at 4 Ω 
57 watts + 57 watts at 8 Ω 
Power Output in the Range of 20 - 20,000 Hz (both channel driven):  47 watts + 47 watts at 8 Ω 
Total Harmonic Distortion:  less than 0,3% (continuous power output)
Intermodulation Distortion:  less than 0,2% (continuous power output)
Power Bandwidth (IHF):  5 to 50,000 Hz (8 Ω  THD 0,3%)
Frequency Response:  5 to 80,000 Hz ±1 dB 
Input Sensitivity/Impedance (1 kHz Continuous Power Output):  500 mV /100 k Ω 
Speakers:  4 to 16 Ω 
Damping Factor:  More than 65 dB (1 kHz, 8 Ω )
Center Channel Output:  500 mV
Preamplifier Section
Output Voltage:  3 V (rated output, 5 V Max.)
Total Harmonic Distortion:  less than 0,1%
Frequency Response:  20 to 60,000 Hz ±1 dB 
Input Sensitivity/Impedance (1 kHz, for rated output)
Phono 1  Mag. :  2,9 mV/50 k Ω 
Phono 1  Cer. :  58 mV/100 k Ω 
Phono 2 MM :  2,9 µV / 20 K, 50 K, 100 K Ω  (Switchable)
Phono 2 MC :  115 µV /30 Ω  (with phono input transformer model PP-402)
Mic :  2,2 mV/50 k Ω 
Tuner :  200 mV/200 k Ω 
Aux  1, 2 :  200 mV/200 k Ω 
Tape Monitor  1, 2 :  200 mV/200 k Ω 
Recording Output
Tape Rec 1, 2 : (Pin Jack):  200 mV
Tape Rec (DIN connector):  30 mV
Controls 
Bass (3 dB step):  -9 dB +12 dB at 100 Hz
Treble (3 dB step):  -12 dB +9 db at 10 kHz
Low Filter (12 dB/oct):  -3 dB/ 30 Hz ; -3 dB/60 Hz
High Filter (12 dB/oct):  -3 dB/6 KHz  ; -4 dB/12 kHz
Equalization Curve:  Phono RIAA
Loudness Contour (Vol. set at -40 dB position):  -11,5 dB (at 100 Hz); +6,5 dB (at 10 kHz)
Muting:  -20 dB
Hum and Noise (IHF):
Phono: more than 80 dB 
Tuner, Aux: more than 100 dB 
Channel Separation (1 kHz)
Phono :  more than 50 dB
Tuner, Aux :  more than 55 dB
Miscellaneous
Power Requirement:  110, 120, 130, 220, 240 V(switchable)
Power Consumption:  340 watts max.
Dimensions (W x H x D):  430 x 145 x 337 mm (16-15/16" x 5-11/16" x 13-1/4")
Weight:  12,8 kg (28 lbs 3 oz)

 

Optonica RT-6905/01 cassette deck


 Optonica RT-6905
APMS (Automatic Programmable Music Selector)
The built-in microcomputer can be programmed to search out and play up to 16 musical selections on a cassette in any order you like. The RT-6905/1 can be set to stop automatically at the end of the last selection, or to continuously repeat the program until the stop key is depressed.

Tape Counter Memory
With its counter memory function, the RT-6905/1 can search out any given number on the tape counter and stop or automatically start playback there. the direct counter memory function will also remember either 1 or 2 points on a tape for you. The RT-6905/1 can also be programmed to search out a tape section marked by 2 numbers on the tape counter or by the two direct counter memories, play back only this section and stop automatically at the end point, or to repeat the section up to 5 times.

Four-head System
In addition to the sensing head employed in APMS and APSS operations, the RT-6905/1 incorporates separate Sendust recording and playback heads plus a ferrite erase head. This multi-head system enables monitoring directly from the tape as well from the source during recording.

2-Motor Closed Loop Dual Capstan Drive System with Quartz-Locked PLL Servo Capstan Motor
This advanced drive system substantially reduces wow and flutter and speed deviation caused by temperature drift, ageing and overload resistance.

Microcomputer-Controlled tape Tension Adjustment System
To eliminate wow and flutter at the start of playback,, before the dual capstan drive system takes effect, this system automatically optimizes tape tension before each playback operation

Programmable Timer System
This quartz clock also serves as the canter of a timer system that controls 4 AC outlets wired in 2 different groups. each outlet group can be programmed separately for timed auto start and stop. In addition to automatic recording and waking up to music programming capabilities, this system also offers special timed APMS and tape section replay possibilities.

Microcomputer-Controlled Daily and Weekly Programming
A built-in calendar function works with a microcomputer in the RT-6905/01 to keep track of day of the week, enabling programming for a full week - up to 42 steps a week or a day. Programs are not cancelled after execution, so regular operations like wake-up alarm or music or daily recording operations  need only be programmed once. And the convenient "every-day" function allows easier programming of daily operations, with later programming of, say weekend operations, cancelling only the programmed days, so that the "everyday" program for week days is still intact,

Four Computer Controlled AC Outlets
Four AC outlets are wired in two different groups in the timer section of this unit, allowing connection of up to four audio components (including the deck section of the RT-6905/1 itself) or other units with a combined power consumption rating of 1000W

Cassette Time Counter
The time counter of the RT-6905/1 can keep track of the time a cassette has been running (up to 60 minutes, 00 seconds), or the time remaining on it for easier planning during recording. In addition to the up/down time counter functions that measure elapsed time and time remaining, the time counter includes a pause function to stop the counter during recording breaks.

One-Touch Tape Selector with Fine Adjustment System
Bias and equalization characteristics are easily set with a 4-button tape selector with normal, cro2, Fe-Cr and metal positions. Fine adjustments of bias current and sensitivity can also be made to tailor performance to individual tape characteristics.

APSS (Automatic Program Search System)
This system scans the tape at high speed in either the rewind of fast forward mode and, when it detects a blank space (non-signal segment) between songs, automatically stops or starts playback there , as desired.

Full Logic Solenoid Control System
Microcomputer control of the soft-touch solenoid switching mechanism enables direct changes of mode - even when changing tape direction - without ever having to push the stop key.

Remote Control
All tape transport functions, including APSS forward and reverse, can be controlled using the convenient infrared wireless remote control unit.

2-Color OPTO Peak Level Meters with Peak Hold Function
Adjustment of recording level is easy with these fast-action electronic level meters, which change from yellow-green to red as the 0 dB level. The peak hold function can be turned off, set to hold the peak level until recording is completed (ON) or set for automatic resetting of the peak level every 3 seconds (Auto Reset)

Quartz Digital Clock
The most accurate a quartz oscillator base in common use today serves as the core of the RT-6905/01 timing system to ensure accuracy of within 15 seconds a month. the display mode of this electronic timepiece can be switched between 24-hour indication or 12-hour indication with automatic AM/PM display. A convenient clock zero button enables one-touch clock synchronization with an hourly time signal.

Specifications
Frequency Response:
Normal Bias Type :  30 - 16,000 Hz  ±3 dB
High Bias Tape :  30 - 18,000 Hz ±3 dB
Metal Tape :  30 - 20,000 Hz ±3 dB
Wow and Flutter :  0,038% WRMS
Total Harmonic Distortion:
Normal Bias Type :  0,78%
High Bias Tape :  0,70%
Metal Tape :  0,95%
Record Level (for 3% Total Harmonic Distortion:)
Normal Bias Type :   ±5,5 dB
High Bias Tape :  ±7,0 dB
Metal Tape :  ±7,5 dB
Signal-to-Noise-Ratio (Dolby Off/On):
Normal Bias Type :  59 dB / 68 dB 
High Bias Tape :  61,5 dB / 71 dB 
Metal Tape :  58 dB / 67 dB 
Input Sensitivity
Mic :  0.2 mV
Line :  50 mV
Output Level
Line :  1 volt
Headphones :  125 mV /8 Ω
Power Consumption:  43 watts (52 watts  lab measurement)
Dimensions (W x H x D):  17" x 8-3/8" x 14-5/8"
Weight:  35 pounds

Sony ST-JX500 tuner

Sony ST-JX500
Direct Comparator AM/FM Tuner
Sony's Top-OF-Line Quartz Frequency Synthesis tuner
Features:
Quartz frequency synthesis tuning
Direct comparator circuitry
Ten station memory presets
Multiprocess memory
Memory Scan tuning
Auto Sweep tuning

Key Selling Feature - Direct Comparator
The new digital sources are creating the possibility for superior broadcasts and the need for superior tuners. For this reason, the Sony ST-JX500 was designed to incredibly high standards. Key to the tuner's high performance is Sony's unique Direct Comparator. Conventional quartz frequency synthesis designs compare the local oscillator frequency with a reference frequency found in the audible range. This produces audible range background noise. Sony's Direct Comparator design accepts the local oscillator frequency directly. this permits the comparator frequency to be raised above the audible range - producing a starting reduction in noise.

Key Demonstration
Check that your FM reception is adequate. Demonstrate the tuner, talking the consumer through the benefits of Direct Comparator. Then make sure to demonstrate a few of the convenience features. Show how Auto Sweep takes a sample of all the available stations to indicate every station that can be received. Then, press Memory Scan (you've set all the station presets already), and let it scan through the presets, providing the customer with a four second sample of each one.

Convenience Features
Microprocessor tuning with manual "step" and automatic tuning up and down
Ten station memory presets with random assignment if AM and FM stations
Four station programming permits recording four different stations in a programmed sequence with an accessory timer
Multi-process memory stores the frequency, mono/stereo mode, and muting condition of each preset station
Memory Scan provides a four second sample of each preset station
Auto Sweep provides a four second sample of each station on the dial
Preset station indicator cards to show memorized stations
Fluorescent multi-function display indicates received frequency, muting mode, FM or AM reception, tuning mode
Five-bar, FL signal-strength indicator for optimum antenna positioning

Technology Features
Quartz frequency synthesis; the most accurate, most convenient tuning system known
Sony's exclusive Direct Comparator provides exceptionally quiet FM reception
Extraordinary FM s/n of 90 dB in mono , 84 dB in stereo
Front-end Sensitivity equal to a 4-gang variable capacitor, 6 element filter and high reception ability by Antibirdy Filter
Built-in lithium battery maintains preset station memory
75 Ohm coaxial input connector provided


Specifications
FM Tuner Section
Useable Sensitivity (Mono):  10,3 dBf (1,8 µV )
50 dB Quieting Sensitivity
Mono: 16,1 dBf (3,5 µV )
Stereo :  38,9 dBf (43 µV )
Signal-to-Noise-Ratio: 
Mono :  90 dB
Stereo :  84 dB
Total harmonic Distortion:  at 1 kHz
Mono :  0,08%
Stereo :  0,1%
Intermodulation Distortion
Mono :  0,08%
Stereo :  0,1%
Frequency Response:  30 Hz - 15,000 Hz +0,5 dB -2,0 dB
Stereo Separation:  50 dB at 1 kHz
Alternate Channel Selectivity (400 Hz):  80 dB
Capture Ratio:  1,0 dB
AM Suppression:  60 dB
Image Rejection:  80 dB
Spurious Response:  100 dB
IF Response:  90 dB
RF Intermodulation (IHF):  74 dB
Muting/Tuning Threshold:  25 dBf
AM Tuner Section
Quieting Sensitivity:  
Built-in Antenna :  200 µV/m
External Antenna :  100 µV 
Signal-to-Noise-Ratio:  55 dB at 50 mV.m
Total harmonic Distortion:  0,3% at 50 mV/m, 400 Hz
Selectivity (10 kHz):  38 dB
Image Rejection:  42 dB
General
Output Level:  750 mV
Output Impedance:  4,7 k Ω 
Power Requirements:  AC 120 Volts, 50 Hz
Power Consumption:  11 Watts
Dimensions (W x H x D):  430 x 55 x 300 mm (17" x 2-1/4" x 11-7/8")
Weight (net):  3,1 kg (6 lb 14 oz)
 

Sony ST-JX310 tuner

Sony ST-JX310
Quartz Synthesis AM/FM Tuner
Sony's Lowest-Price Quartz Synthesis Tuner
Quartz frequency synthesis
5 AM/ 5 FM memory presets
Microprocessor-controlled tuning
Interstation muting switch

Key Selling Feature - Quartz frequency Synthesis
Of all the tuning systems available today, none is more convenient, none more precise, none offers greater freedom from drift and distortion than the system used in the ST-JX310 - Quartz frequency synthesis. Radio stations use a quartz crystal to maintain their location on the dial. in the same way, the ST-JX310 uses quartz to tune stations in with the utmost precision. it's easy, straightforward, and accurate every time.

Key Demonstration
Explain that the tuner uses a microprocessor to synthesize each station frequency, and uses quartz precision to lock onto that frequency. There is no drift or fade, Demonstrate operation by asking the customer for his or her favourite station. Tune the station manually, then enter it into one of the tuner's memory presets. Tune in another station, then retrieve the station just preset. Point out that, once memorized, any station can be recalled at any time with a touch of a button.

Convenience Features
Microprocessor tuning with manual "step" tuning up and down the dial
Five AM and five FM station memory presets for instant recail at the touch of a button
Liquid crystal display includes preset number, station frequency, tuned status, muting status
Switchable muting between FM stations eliminates raucous inter-station noise.
Stereo indicator

Technology Features
Quartz frequency synthesis for the most precise , most convenient tuning available at any price
Superior FM s/n of 82 dB in mono, 77 dB in stereo
Lithium batteries maintain preset station memory
Detachable AM ferrite bar antenna can be located for optimum reception


specifications
FM Station
Useable Sensitivity (Mono):  10,3 dBf (1,8 µV )
50 dB Quieting Sensitivity
Mono: 16,1 dBf (3,5 µV )
Stereo :  38,3 dBf (45 µV )
Signal-to-Noise-Ratio: 
Mono :  82 dB
Stereo :  77 dB
Total harmonic Distortion: at 1 kHz
Mono :  0,15%
Stereo :  0,3%
Frequency Response:  30 Hz - 15,000 Hz +0,5 dB -2,0 dB
Stereo Separation:  45 dB at 1 kHz
Alternate Channel Selectivity (400 Hz):  65 dB
Capture Ratio:  1,0 dB
AM Suppression:  54 dB
Image Rejection:  50 dB
Spurious Response:  70 dB
IF Response:  90 dB
RF Intermodulation (IHF):  60 dB
Muting/Tuning Threshold:  25 dBf
AM Section
Quieting Sensitivity:  Detachable antenna :  50 µV/m
Signal-to-Noise-Ratio:  54 dB at 50 mV/m
Total harmonic Distortion:  0,3% at 50 mV/m, 400 Hz
Selectivity (10 kHz):  38 dB
Image Rejection:  45 dB
General
Output Level:  550 mV
Output Impedance:  3,3 k Ω 
Power Requirements:  AC 120 Volts, 50 Hz
Power Consumption:  8 Watts
Dimensions (W x H x D):  430 x 55 x 285 mm (17" x 2-1/4" x 11-1/8")

Weight (net):  2,8 kg (6 lb 3 oz)
 

JVC VN-700 amplifier



JVC VN-700
140 Watt Integrated Amplifier with 5-Zone S.E.A. 
Despite its greater number of controls than other amplifiers in its class, the VN-700's front panel is not at all bulky and has a modern and pleasing aesthetic; the knobs and switches are rationally arranged, and the volume control is easily identifiable due to its size and position. The controls for the input selector, listening mode, and monitor inputs are very convenient, but the knobs for the multiple
tone control (<• SEA») are a bit too small. Its potentiometers operate in steps
to more easily set the boost or cut level. The subsonic filter is truly effective, quickly cutting the response curve below 18 Hz. The ability to engage the "SEA" equalizer even while recording and to output recordings in both directions is very useful.
The rear panel features two PHONO inputs (one of which has adjustable sensitivity and impedance), two TAPE inputs, and three auxiliary inputs, one
also with adjustable sensitivity. Essential for a system upgrade from stereo to quadraphonic are the duplicated outputs of the preamplifier section and connections for a quadraphonic decoder. The sockets are all jacks, with the addition of two DIN connectors that duplicate the tape inputs.

There are four Hitachi power transistors. The final stage is fully complementary symmetry with a power supply symmetrical with respect to ground and therefore without an output capacitor.Cooling is provided by a traditional
metal radiator. A relay disconnects the speaker connection.
The VN-700's internal layout is very tidy. At the top center is the printed circuit board for the "SEA," the long-throw input switch mounted near the rear panel, both for space reasons and to reduce the length of the wiring, which compromises the device's signal-to-noise ratio. All the connecting cables pass under the chassis' motherboard and are bundled. The construction is typical of Japanese amplifiers. The mounting brackets on which the circuit boards are mounted vertically are visible. This is an ideal solution for calibration or repairs.

Specifications
Type:  Solid State Stereo Integrated Amplifier
Semiconductors:  32 Transistors; 14 Diodes;
Inputs: Phono 1 & 2;Aux 1, 2 & 3; Tape-Play 1 & 2; Main IN; 4-Channel Rear In
Outputs: Tape Rec 1 & 2; 2 x Pre-Out; 4-channel Rear Out; Speakers System 1 & 2; Headphones
DIN Socket:  Tape 1, Tape 2
Front Panel Controls: Phono 1 Cartridge Load select & Level adjust
Power Amplifier Section
IHF Dynamic Power:  
110 W (55 + 55 W) at 8 ohm load
140 W (70 + 70 W) at 4 ohm load
Continuous Power RMS
80 W (40 W + 40 W) at 8 ohm load one channel driven
100 W (50 W  + 50 W) at 4 ohm load one channel driven
70 W (35 W + 35 W) at 8 ohm load both channel driven
80 W (40 W + 405 W) at 4 ohm load both channel driven
Power Bandwidth
10 Hz - 23 kHz (8 ohm load one channel criven, output power) 35 W THD 0,25%
25 Hz - 20 kHz (8 ohm load both channel driven, output power) 35 W THD 0,25%
THD 0,05% at rated power (1 kHz)
Intermodulation Distortion: 0,4% at rated power 0,1% at 1 W
fr 3 Hz - 450 kHz (-3 dB) at 1 W
Damping Factor:  50 Hz at 8 ohm load
Matching Load Impedance:  4 - 16 ohm
Input Sensitivity for Rated Power:  1 V
Preamplifier Section
FR 20 Hz - 50 kHz +_0,5 dB
S.E.A. Controls
Center Frequency :  40; 250; 1,000; 5,000; 15,000 Hz
Control Range:  =-12 dB
Input Sensitivity For Rated Power:  
Phono :  2,5 mV
Aux :  200 mV
Tape Playback :  200 mV
s/n Ratio
Phono :  55 dB
Aux :  82 dB
Equalizer:  RIAA (Mag) =-0,5 dB
Phono Overload:  240 mV (p-p) at 1 kHz; 170 mV RMS
Recording Out Level
PIN Jack :  30 mV
DIN Jack :  180 mV
Filters
Subsonic :  18 Hz 12 dB/oct
High :  9 kHz -12 dB/oct
Muting:  -20 dB
Power requirement:  110, 120, 220, 240 V 50/60 Hz
Power Consumption:  150 W
Dimensions whd 16-5/8" x 5-3/8" x 12-1/2"
Weight:  22 lbs

JVC VT-700 tuner



 JVC VT-700 Solid State FM/AM Tuner
Ultra-sensitive FM section
signal strength and center-of-channel tuning meters
Fixed level and variable outputs
High blend and muting controls
Discrete 4-channal FM ready by FM DET Out jack


Specifications 
Type: FM/AM Stereo tuner
Semiconductors:  24 Transistors; 27 Diodes; 1 FET; 2 ICs ; 4 Ceramic Filter (8 elements)
FM Tuner Section
Frequency Range:  88 - 108 MHz
IF Amplifier Stage:  4 Transistors and 2 ICs
sensitivity:  1,7 µV  (IHF)
Signal-to-Noise-Ratio: better than 65 dB
Capture Ratio:  less than 0,8 dB 
Selectivity:  Better than 70 dB 
Image Rejection:  Better than 90 dB 
IF Rejection:  Better than 90 dB 
Spurious Rejection:  Better than 100 dB 
AM Suppression Ratio:  Better than 100 dB 
Frequency Response: 20 - 15,000 Hz (±1 dB)
Total harmonic Distortion: less than 0,3% (98 MHz)
Separations at 1 kHz :  Better than 38 dB 
Separation at 10 kHz :  Better than 25 dB 
SCA Suppression Ratio:  -50 dB 
Frequency Drift:  less than 0,015%
Output Level
Variable :  0 - 1,0 V
Fixed :  0,4V ±1 dB 
Antenna  Terminals:  75 Ω  (Unbalanced); 300 Ω  (balanced)
Controls:  FM/AM tuner meter; FM fine tuning meter; FM stereo indicator; Muting; Level control; MPX hi-blend
AM Tuner Section
Frequency Range:  535 - 1605 kHz 
IF Amplifier Stage:  2 stages (with 1 CF)
sensitivity:  15 µV  (S/N=20 dB)
Selectivity:  25 dB  (±10 kHz)
Image rejection:  Better than 45 db
Total harmonic Distortion:  1,5%
Signal-to-Noise-Ratio:  Better than 50 dB 
Output Level
Variable :  0 - 1,0 V
Fixed :  0,4V ±1 dB 
Antenna Terminals:  External antenna terminal; Ferrite bar antenna
Meter:  Tuning meter
Power Requirements:  100, 120, 220, 240 V 50/60 Hz
Power Consumption:  20 W
Power Outlet:  Unswitched
Dimension s (W x H x D):  16-5/8" x 5-3/8" x 12-1/2"
Weight:  16,5 lbs

Dual CS 741Q turntable

Dual 741Q The finest turntable Dual has ever made. Handsome new design provides ideal integration of form and function.
There is always a special attitude at Dual about the turntable that represents the most advanced thinking and accomplishment of Dual's designers and engineers.
The materials, the care in manufacturing and quality control must exemplify all that has made Dual precision and reliability so highly regarded throughout the world. And in every aspect of performance, this turntable must set the standard by which other fine turntables are judged. Even more, it must make a significant contribution to the art of record playback.
Now, as never before, Dual's finest turntable , the 741Q , expresses this attitude to perfection.


Hydrodynamic suspension system.
radically new design floats the tonearm, motor and platter as one unit on four cylinders, each filled with special viscous fluid. This system absorbs virtually all spurious energy originating in sound waves as well as vibrations caused by footfalls or other movements in the room.
Turnable acoustic isolator
Each isolator is adjustable to provide maximum protection from either acoustic feedback or external shock
Turntable anti-resonance filter housed in counter-balance.
Matches ULM tonearm to mass and compliance of any cartridge. Resonant amplitude can be reduced as much as 50 percent, depending on cartridge. Feedback is reduced, tracking ability improved and the sound is appreciably cleaner.
Effective  Dual's exclusive suspension systems as demonstrated in comparative shock tests>
Note difference in recovery times after each turntable was subjected to vertical shock
Highly-respected European turntable considered virtually immune to vibration
Well-known Japanese turntable with damped sub-chassis
Dual turntable damped by Hydrodynamic system and turntable acoustic isolators.
New flush-mount dust cover.
Unique hinge design allows cover to be opened and closed without extending beyond rear of turntable. This allows the unit to be positioned close to rear wall. Also adjustable hinge tension holds cover open at any angle.
Quartz PLL direct drive with LED speed read-outs.
Exact pitch-control deviations from standard speeds are shown throughout 12 percent range. Pitch-control settings remain in memory for comparisons with quartz-controlled 33 rpm and 45 rpm speeds.


Specifications
Operation:  Manual Start and Stop; Automatic Stop; Damped cue-control; Continuous repeat; Pitch control 12 % range
Tonearm: Four point gimbal, and anti-resonance filter
Effective Length:  8-3/4 inch
Bearing Friction :  0,007 grams
Total Effective Mass with ULM Cartridge:  8 grams
Cartridge Range:  2 - 9 grams
Minimum Tracking Force:  0,25 grams
Anti-skating System Calibrated: for all styli
Motor Type:  Quartz PLL
Drive System:  Direct drive
Platter Size:  12"
Illuminated Strobe - Yes
Rumble:  better than 80 dB (weighted DIN B)
Wow and Flutter:  ±0,015% (WRMS)
Dimensions  Chassis:  17-1/2" x 15-3/16" x 2-3/16"
Height with Cover:  5-1/12"
ULM Cartridge Series
Model:  ULM 60
Stylus Type:  Elliptical
Tracking Force:  0,75 - 1,50 grams
Frequency Response:  10 Hz - 30 kHz
FIM Distortion:  less than 0,8%
Output Voltage at 1000 Hz per 5 cm/sec:  3 mV
Compliance:  30 m/mN
Channel Separation:  better than 28 dB (at 1 kHz)
Net Weight:  2,5 grams
 

DBX 110 control


 DBX 110 - Subharmonic Synthesizer
The Model 110 is a unique product that can solve one frequency response problem common to all stereo systems. Right now, your system can't produce bass frequencies much below 50 Hz, simply because that's the limit of most records, tapes and FM signals. That means you don't get the deepest bass notes, the kind you feel as well as hear. The Model 110 corrects that problem. Technically, what the 110 does is easily understood. It samples the low frequency fundamentals of your music. Then it passes these signals through while simultaneously reproducing them a full octave lower. both signals are then mixed back in at relative levels that you control.
Musically, what the 110 does is extraordinary. it re-creates the natural subharmonics of the original sound, making your room vibrate with a depth of bass you've never heard before - or felt - except in a live performance.


Specifications 
Dynamic Range (Peak signal to weighted background noise):  100 dB
Input Impedance :  47 k Ω 
Input Level (Nominal):  300 mV
Input Level (Maximum):  7 V RMS
Output Impedance (Designed to drive 5 k Ω  or greater):  470 Ω 
output Level (Maximum):  20 Hz to 20 kHz):  7 V RMS
Frequency Response:  20 Hz to 20 kHz ±1 dB
Equivalent Input Noise (Unweighted, 20 kHz bandwidth, referenced to 1 V):  -85 dBV
Total harmonic Distortion:  0,1% (Typical, main signal channel)
Intermodulation Distortion (SMPTE):  0,15% Main signal channel
Power Line Requirement:  117 V AC, 50 Hz to 60 Hz
Power Line  Consumption:  10 W
dimensions (W x H x D):  186 x 95 x 263 mm (7-5/16" x 3-3/4" x 10-3/8")
Weight:  2,26 kg (5 lbs , shipping)

AKG K-45 headphones

 

 AKG K-45
Excellent choice whenever a rugged headphone is preferred which is both high in performance and also economical to purchase. its vented earpieces are furnished with large dynamic moving coil transducers, and cardan-coupled on a flexi-plastic headband. it is supra-aural , with acoustical foam earpads. true "open air" model. Provides quality reproduction.
An economy headphone, in price only. This High-performance model is supra-aural and is a true "open-air" design. Despite being inexpensive, it is equipped with larger transducers such as those found in higher-end models. It provides excellent high-quality audio reproduction.

Specifications 
Operating Principle:  Dynamic Moving coil
frequency Range:  30 - 18,000 Hz
Nominal Sound Pressure Level (at 1,000 Hz):  94 dB
Nominal Impedance:  200 Ω  per System
Maximum Input:  6,3 V
Total harmonic Distortion: at 95 dB SPL:  0,9%
Weight:  95 g
Cable Length:  2,5 m (8 ft.) 1/4" phono plug

AKG K-2 headphones


 AKG K-2
Medium-size stereo headphones features wide frequency listening range via large dynamic moving coil transducers to produce "you-are-there" realism to your favourite programs or records. Supra-aural design, vertical earpiece adjustment plus cardon-coupling, fits ears with minimum contact pressure affording user hours of tireless, fabulous audio.
Uncompromising in quality construction with found in most high-end competitive headphones. Microphone derived transducers effectively reproduce sound with a realism equal to original performances. In addition, comfort features makes long wear unnoticed. Desirable, critical choice.

Specifications 
Operating Principle:  Dynamic Moving coil
Frequency Range:  30 - 18,000 Hz
Nominal Sound Pressure Level (at 1,000 Hz):  92 dB
Nominal Impedance:  200 Ω  per System
Maximum Input:  6,3 V
Total harmonic Distortion: at 95 dB SPL:  1,0 %
Weight:  90 g (3,2 oz) without cable
Cable Length:  2,5 m (8 ft.) 1/4" phono plug

Tandberg 9100X reel-to-reel


 Tandberg 9100X Stereo
Features:
3 motors
Electronic controls with 14 integrated circuits (Ics)
Mixing in stereo
Balanced microphone inputs
3 speeds, 4 heads
Tandberg Crossfield recording technique
Facilities for echo, sound-on-sound, editing and A – and B-test of recording
Professional mechanics
Remote control facility
Front outlet for stereo headphones
Can be used with separate hi-fi stereo amplifier


Electronics
The control system in the 9100X is an electronic brain with 14 high level logic, integrated circuits (IC’s). electronics has replaced mechanics, and each control is carried out firmly and precisely by a light touch on the keyboard 9100X “thinks for itself”. The electronics and the tape-tensioning mechanism always ensure that the tape is transported correctly. Connected to a remote control system (an accessory) all logic functions can be controlled from a distance of 5 meters. 9100X has all the qualities that Tandberg tape recorder are renowned for; echo, recording with sound-on-sound, A- and B-test of programmes. The B-test is a particularly important feature because it facilities close control of recording quality. There are 4 input controls, 2 for microphone inputs and 2 for line input (radio with record player or another tape recorder), and sound sources in stereo or mono. The microphone inputs in 9100X are balanced. This means that unwanted electrical noise from e. g. vacuum cleaners or foodmixers does not affect the recording.

Tandberg Crossfield Recording Technique
This is a special recording technique found only in Tandberg tape recorders. With this technique the tape is magnetized right through and is therefore capable of receiving very strong signals and reproducing them as crystal clear sound without distortion. The Tandberg Crossfield recording technique provides a safety margin against overload, particularly in the highest tone register which is the most critical region when recording.


Peak Level  Meters
The level meters are in the professional class. They always shows the strongest part of the sound – exactly that part which becomes distorted if the magnetic tape is overloaded. With the Tandberg Crossfield recording technique and the peak level meters you can fully exploit a tape’s qualities.

Photo-electric Stop
The forward drive stops automatically at the end of the tape or if the tape is transparent

Monitoring During Fast Winding/Editing
This functions (Edit/Cue) facilities listening to the tape during fast winding or rewinding. Consequently it is easy to find your way on the tape and to edit the recordings

Professional Mechanics
Correct reproduction demands high accuracy in the design and construction of the tape path. Therefore the complete tape guidance system in the 9100X is mounted on a stable base plate which ensures that the tape is correctly guided passed the magnetic heads. There are 3 motors – 2 for winding in either direction and one for forward drive. The winding motors work also as mechanical breakes. Together with the closed loop and the magnetic controlled friction breakes they ensure gentle treatment of the tape.


Specification
9100X is adjusted for Tandberg Tape or equivalent tape of the LH-type.
The largest reel diameter is 7” (18 cm).
Tape Speed:  7-1/2; 3-3/4; 1-7/8 ips
Speed Tolerance:  0,7%
Speed Variation
7-1/2 ips : 0,06% (WRMS) 0,09% (Peak value DIN 45511)
3-3/4 ips : 0,11% (WRMS) 0,15% (Peak value DIN 45511)
1-7/8 ips : 0,21% (WRMS) 0,3% (Peak value DIN 45511)
Frequency Range (DIN 45511)
7-1/2 ips : 30 to 26,000 Hz
3-3/4 ips : 30 to 20,000 Hz
1-7/8 ips :  30 to 11,000 Hz
Amplifier Mode :  30 to 22,000 Hz ±2 dB
Signal-to-Noise-Ratio:  at ( at highest speed, measured with Tandberg Tape or equivalent LH-tape)
IEC A-curve, 3% Distortion:  65 dB (4-track); 67 dB (2-track)
IEC Linear RMS , 3% Distortion :  58 dB (4-track); 58 dB (2-track)
DIN 45511(Weighted):  60 dB (4-track); 62 dB (2-track)
DIN 45511 (Unweighted) :  56 dB (4-track); 56 dB (2-track)
Crosstalk Attenuation (at 1000 Hz):  Better than 60 dB (MONO); Better than 50 dB (STEREO)
Distortion maximum
From Recording Amplifier at 0 dB :  0,2 %
From Replay Amplifier :  0,2% at 1,5 V
From Tape at 0 dB Recording Level :  3% max.
Inputs (Each channel has the following inputs)
Radio Input :  Impedance 50 k Ω  / Sensitivity 8 mV to 1,2 V
Line Input :  Impedance 200 Ω  / Sensitivity 30 mV to 5 V
MIC :  Balanced inputs for dynamic microphone with impedance of 200 to 700 Ω  / Sensitivity 230 UV to 35 UV at 400 Hz and 200 ohm microphone impedance
Outputs (Each channel has the following outputs)
Radio Output :  Impedance 5 k Ω  / Voltage 0,75 V unloaded
Line Output :  Minimum Load Impedance 150 Ω  / Voltage 1,5 V unloaded
Headphones Output :  Minimum Load Impedance 8 Ω  / Power 5 mW
Equipped  with reel locks (for use in vertical position)
Delivered as 2-track or 4-track version
Wood – Teak or palisander (Oak or request)
Main Voltage:  240/230/115 V 50 Hz  (60 Hz on request)
Power Consumption:  96 watts
Dimensions (W x H x D):  400 x 180 x 410 mm (15-3/4” x 7-1/4” x 16-1/8”)
Weight:  15,5 kg (34,5 lbs)

McIntosh LS360 loudspeakers


 McIntosh LS360

At just more than four feet tall, the magnificent LS360 is the flagship of the Academy Series. Like the CS350, its five tweeters are wired to produce a Bessel Function array. The individual tweeter amplitudes and phase relationships are adjusted so that the array acts as a high frequency point source with a broad dispersion pattern. In addition, the array greatly increases power handling for high frequencies. Two 10-inch LD/HP® woofers and an 8-inch LD/HP ® midrange round out the driver complement. This two bass ports are flared at both ends to form a natural horn and minimize air noise. The tweeters are mounted on traditional McIntosh screened black glass. Natural Cherry, red Cherry, and Black Ash finishes. Exotic woods and finishes available by special order (Piano Black).


The new McIntosh loudspeaker line results from the most ambitious speaker development project in McIntosh history. Never have McIntosh speakers and electronics enjoyed such harmony of quality, performance, and purpose.
With the McIntosh loudspeakers, from the very beginning these models have been designed for low-distortion performance, thanks to patented LD/HP® drivers and unique arched bridge truss cabinet construction. Music benefits from smooth, extended response without the coloration and fuzzy imaging caused by driver distortion and cabinet vibrations. Movie sound benefits from high power handling and fast, clean dynamic response, from the high-output LD/HP drivers.
McIntosh speakers are a true family, sharing a common tonal quality that allows for great configuration flexibility. Virtually any combination of speakers can be used in multichannel applications. High-end loudspeaker in particular are often characterized by just one aspect of their performance. It could be bass response, treble transparency, depth of image, cosmetic appearance, or even price. In all of its products, however, McIntosh seeks balance, and so is the case with speakers. McIntosh speakers certainly have an extremely smooth and broad frequency response, and they do “measure” well in front of a microphone and spectrum analyzer. But in the final analysis, they are distinguished by their sheer musicality, which can only be measured by listening.

LD/HP® Drivers
In LD/HP driver, a pair of aluminum shorting sleeves makes the magnetic field more symmetrical and reduces distortion. The sleeves also lower the impedance of the voice coil, permitting greater current flow and hence higher output levels.


Specifications
Anechoic Response:  29 Hz to 20 kHz ±2 dB 
Sensitivity (2,8V/1m):  88 dB 
Nominal Impedance:  4 Ω 
Drivers
LF :  Two 10” LD/HP woofer
MF :  One 8” LD/HP Midrange
HF :  Five 1” dome tweeter
Crossover Frequency:  200 Hz, 1,500 Hz
Suggested Amp Power:  200 – 600 watts
Dimensions (W x H x D):  343 x 1251 x 441 mm (13,5” x 49,25” x 17,38”)
Weight (Boxed each):  80 kg (176 lbs)

McIntosh LS340 loudspeaker

McIntosh LS340

Standing a little more than three feet tall, the elegant LS340 is a three-way design with dual 8-inch LD/HP® woofers. Like the LS320 its tweeter has a special low-diffraction mounting that reduces the “edge hole” effect – cancellation of certain frequencies caused by diffraction at the edge of the cabinet. The bass port is flared at both ends to form a natural horn and minimize air noise. As in all LS models, the tweeter is mounted on traditional McIntosh  screened black glass. Natural Cherry, Red Cherry, and Black Ash finishes. Exotic woods and finishes available by special order.



Specifications
Anechoic Response:  48 Hz -  20 kHz ±2 dB
Sensitivity (2,8 V/1 M):  87 dB
Nominal Impedance:  4 Ω 
Drivers
LF :  Two 8” LD/HP woofer
MF :  One 6,5” LD/HP midrange
HF :  1” dome tweeter
Crossover Frequencies:  250 Hz, 1,5 kHz
Suggested Amp Power:  100 – 350 Watts
Dimensions (W x H x D): 260 x 1022 x 441 mm (10,25” x 40,25” x 17,38”)
Weight (Boxed each):  50 kg (110 lb)