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Spectro Acoustics 101B preamplifier

Spectro Acoustics Model 101B
Preamplifier/Equalizer
The quality of a stereo component system lies in the audiophil's choice of equipment. The major influence affecting that quality is the interaction and influence of each component on other components and the culmination of those influences on the human ear. This is where the choice is made in selecting "quality" and whether to accept a particular sound as "right"
All things considered, the perfect listening environment is still the concert hall and reproduction of music must remain subjective. However, we want control over what we hear and have the facility to change what it is that reaches our ears. In musical reproduction this function is relegated to the concepts of tonal compensation, balance and volume. The equipment corollary is the modern preamplifier; a device which offers control over the amount of sound reaching our ears and which particular source we will listen to, (whether it be a tape recording, a phonograph record or a radio broadcast). In most cases, there is the ability to change the tonal content at specifically designated frequencies.
Spectro Acoustics, in attempting to obtain maximum performance value, offers the Model 101B preamplifier/equalizer for audiophiles who want the most in flexibility and performance at a reasonable price.


The Spectro Acoustic Model 101B  in order to optimize reliability and serviceability, is designed and constructed to utilize plug-together glass-epoxy circuit boards and 100% monolithic IC circuitry for consistent performance. All controls and connections are human engineered to give simple straight forward operation. The graphic panel of the 101B is a display of exactly what's going on inside of the unit. Control is at the user's finger tips to seek the level and range of sound that achieves personal satisfaction.
The equalizer circuit for the Model 101B is a totally new type based on Spectro Acoustics gyrator synthesis techniques similar to those used in the Model 210 Graphic Equalizer. The design is a hybrid coil/gyrator type which totally eliminates distortion and hum for equalizer circuitry. The filter parameters are optimized for maximum flexibility from a five band design and as an added benefit the highest and lowest frequency bands are "shelving" type to control the response well beyond are "shelving" type to control the response well beyond the extremes of audibility. The usefulness of the equalizer circuitry is further enhanced through its complete availability to line or tape outputs, or total bypass for equalization in/out comparisons.

In phono stage, the Model 101B utilizes an isolated feedback servo op-amp phono stage with ultra-accurate adherence to the RIAA curve. This circuit provides for accurate cartridge response, increased definition of high frequencies and greater dynamic range. Internally accessible cartridge loading components can be adjusted by any qualified and authorized technician to perfectly match the cartridge load for any cartridge.


Specifications
Total Harmonic Distortion:  less than .05% at 2 volts rms output, 20Hz to 10kHz, 10 k Ω  load
Intermodulation Distortion; less than .01% at any output level below clipping, 7kHz and 60 Hz mixed 1 to 4 (SMPTE)
Noise
Phono Stage:  less than 2 mV equivalent input noise, 20Hz to 20kHz, inputs open or shorted (S/N ratio = at least 74 dB below 10 mV reference) Better than 88 dB below full output (ASA standard "A" weighting)
High Level & EQ Stages:  less than 30 mV equivalent input noise, 20Hz to 20kHz, inputs open or shorted (S/N ratio = at least 90 dB below 1 V reference) Better than 100 dB below full output (ASA standard "A" weighting)
Frequency Response: 
Phono Stage : within 0,5 dB of true RIAA equalization, 20Hz to 20kHz, typically within 0,1 dB
High Level Inputs : within 0,1 dB of absolutely flat response, 20Hz to 20kHz, within 3 dB of absolutely flat response, 5Hz to 100kHz
Gain
Phono Stage :  40 dB at 1 kHz, phono stage alone, 50 dB at 1 kHz, phono +line amplifier (main outputs)
High Level Stage :  10 dB with Level controls set to maximum
Equalizer Stage :  Plus or minus 15 dB nominal range of adjustment, within 0,1 dB of unity gain, controls set flat
Dynamic Range
Phono Stage : Overload point is 100 mV at 1 kHz input
High Level Stage :  Overload point is 10 V at 1 khz into 10 k Ω  load
Port Impedances
Phono Units :  47 k Ω  shunted by 220 pF (internally adjustable)
High Level Inputs :  50 k Ω  shunted by 10 pF
Tape Inputs less than 600 Ω , resistive, direct coupled
Main Output :  less than 600 Ω , resistive, direct coupled
Output Capabilities
Rated Output:  2 volts rms into 10 k Ω  load, resistive
Output at Clipping :  Greater than 9 volts rms into 10 k Ω  load, greater than 5 volts rms into 600 Ω  load at 1 kHz
Protection:  Fully protected against short circuits at any output level
Power Requirements:  110 to 125 VAC, 50/60 Hz, 14 watts (Standard unit); 220 to 250 VAC, 50/60 Hz, 14 watts (Export unit)
Physical Data
Dimensions (W x H x D):  381 x 152,4 x 140 mm (15" x 6" x 5-1/2")
Optional Wood Cabinet (W x H x D):  412,8 x 184,2 x 421,3 mm
Weight :  10 pounds shipping

 

Kenwood LS-406 loudspeakers


 Kenwood LS-series
Speaker Systems Way Ahead of Their Time
Introducing the most advanced development in speaker design and technology, with extended dynamic range, well-dispersed sound distribution and well-defined, solid bass.

Featuring:
The Kenwood Daphne Diaphragm, "perfect" diaphragm material for clean, clear sound.
Lumber-Core Baffle Board, to cut vibration and produce distinct, rich sound without distortion.
Bass-Reflex Design, mathematically calculated to deliver optimum bass response.
Low-Frequency Driver, carefully designed for well-defined, solid bass.
Linear Diaphragm Suspension, to keep bass resonance low and permit clean reproduction of the lowest frequencies
High-Frequency Driver, with dome-shaped diaphragm and well-designed dimensional relationships for exceptional presence.



Specifications LS-406
Drivers
Woofer:  10"
Tweeter: 1" dome
Frequency Response:  48 Hz to 20,000 Hz ±5 dB
System Resonance or Tuning:  36 Hz
Nominal/Minimum Impedance:  8 Ω  / 7,1 Ω 
SPL for less than 2% Harmonic Distortion:  103 dB
Typical Distortion Maximum (at any Frequency Above 100 Hz at 100 dB SPL):  1,0%
Average Acoustic Output at 2,73 V (1W/1m):  90 dB
Crossover Type:  LC
Acoustical Crossover Frequency:  3,500 Hz
Electrical Crossover Frequency:  2,000 Hz
Controls:  3 Position
Input Power to produce 90 dB SPL per 1000 Cubic Feet of Room Volume : 1,2
Dimensions (W x H x D):  15" x 25-3/4" x 12-1/2"
Weight:  38 lbs

Kenwood LS-405 loudspeakers

Kenwood LS-series
Speaker Systems Way Ahead of Their Time
Introducing the most advanced development in speaker design and technology, with extended dynamic range, well-dispersed sound distribution and well-defined, solid bass.

Featuring:
The Kenwood Daphne Diaphragm, "perfect" diaphragm material for clean, clear sound.
Lumber-Core Baffle Board, to cut vibration and produce distinct, rich sound without distortion.
Bass-Reflex Design, mathematically calculated to deliver optimum bass response.
Low-Frequency Driver, carefully designed for well-defined, solid bass.
Linear Diaphragm Suspension, to keep bass resonance low and permit clean reproduction of the lowest frequencies
High-Frequency Driver, with dome-shaped diaphragm and well-designed dimensional relationships for exceptional presence.



Specifications LS-405
Drivers
Woofer:  10"
Tweeter: 1" dome
Frequency Response:  58 Hz to 20,000 Hz ±5 dB
System Resonance or Tuning:  43 Hz
Nominal/Minimum Impedance:  8 Ω  / 7,1 Ω 
SPL for less than 2% Harmonic Distortion:  103 dB
Typical Distortion Maximum (at any Frequency Above 100 Hz at 100 dB SPL):  1,5%
Average Acoustic Output at 2,73 V (1W/1m):  90 dB
Crossover Type:  LC
Acoustical Crossover Frequency:  3,500 Hz
Electrical Crossover Frequency:  2,000 Hz
Input Power to produce 90 dB SPL per 1000 Cubic Feet of Room Volume : 1,2
Dimensions (W x H x D):  12-3/4" x 23-1/4" x 11"
Weight:  31 lbs

 

Kenwood LS-403 loudspeakers


 Kenwood LS-403 Speaker Systems
All of the new Kenwood LS speakers can be driven with as little 10 watts per channel. Used with a 50-watt=per-channel amplifier, these speaker systems will provide the full dynamic range inherent in today's contemporary music at live sound levels.


Specifications LS-403
Drivers
Woofer:  8"
Tweeter: 1-3/4" dome
Frequency Response:  65 Hz to 20,000 Hz ±5 dB
System Resonance or Tuning:  45 Hz
Nominal/Minimum Impedance:  8 Ω  / 7,8 Ω 
SPL for less than 2% Harmonic Distortion:  101 dB
Typical Distortion Maximum (at any Frequency Above 100 Hz at 100 dB SPL):  2%
Average Acoustic Output at 2,73 V (1W/1m):  88 dB
Crossover Type:  LC
Acoustical Crossover Frequency:  2,000 Hz
Electrical Crossover Frequency:  2,000 Hz
Input Power to produce 90 dB SPL per 1000 Cubic Feet of Room Volume : 1,8
Dimensions (W x H x D):  11-3/4" x 17-3/4" x 8-7/8"
Weight:  20 lbs

Electro-Voice Sentry 100EL monitor

Electro-Voice Sentry 100EL
Professional Powered Monitor System
Near-field monitor for post production and live sound
Wide, uniform coverage
Extremely smooth frequency response
High power handling
High-Performance, built-in, 50-watt amplifier for remote operation


Description
The Electro-Voice Sentry 100EL powered monitor speaker system combines the advantages of the Sentry 100A monitor with a self-contained, high-Performance power amplifier. It is designed with the broadcast/recording studio engineer in mind, although it is well suited for a wide variety of professional applications. The Sentry 100EL offers uniform frequency response and dispersion across a wide range.
A Super-Dome tweeter is employed to faith-fully reproduce program material at high levels, with response out to 18,000 Hz and uniform dispersion (120(O) at 5,000 Hz) The low-frequency section is an 8-inch direct radiator woofer installed in an optimally vented enclosure with fourth-order Butterworth tuning. The optimally vented design is responsible for the unusual combination of small size, extended bass response and high efficiency. Such performance is simply not available in other enclosures of similar size.
The Sentry 100EL is housed in a utility cabinet wrapped in a special scratch-resistant, matte black vinyl. The cabinet size is intentionally designed fro rack mounting. The steel-reinforced grille is covered with a custom gray cloth. This provides maximum protection and a pleasing, aesthetic quality.
The Sentry 100EL may be driven room any line-level signal source. An XLR-type connector is provided for use with balanced sources, while a 1/4-inch phone jack accommodates unbalanced lines. Uses only the appropriate connector; both should not be connected at the same time. Although both inputs are protected against voltage peaks of up to 100 volts, connection from an external power amplifier is redundant and invariably results in increased noise and distortion.
Most importantly, a sharp cutoff, high-pass filter is included which has been precisely tailored to the Sentry 100EL response. It provides a dramatic reduction of energy-wasting, sub-sonic signals in the amplifier and woofer. By controlling low-frequency cone excursion and amplifier power, program material any often be reproduced at higher levels without distortion and without any reduction in acoustic low-frequency response.
A system level control is located on the front of the enclosure which varies the gain of the amplifier from zero over a useful range of more than 30 dB. Additionally, a red indicator lamp shows when AC power is applied to the Sentry 100EL. A replaceable AC power fuse is located on the rear panel of the system. The rating and type are identified beside the fuse holder. Under normal conditions, even with momentary overloads, the fuse will not blow.


Specifications
Frequency Response:  48 to 18,000 Hz (1m on Axis, Anechoic Environment, Swept One-Third-Octave Pink Noise +_3 dB)
Dispersion Angle Included by 6 dB Down Points, 10 Foot Microphone Distance, Anechoic Environment, One-Third Octave Bands Of Pink Noise
Horizontal
250 - 6,300 Hz (158°  ±32° )
8,000 - 20,000 Hz (55°  ±18° )
Vertical
250 - 6,300 Hz (140°  ±40° )
8,000 - 20,000 Hz (52°  ±13° )
Crossover Frequency:  2,000 Hz
Sound Pressure Level(1m, max. gain, 0 dBu into Balanced Input, Anechoic Environment, 300 - 2,000 Hz Average):  108 dB
Dimensions (H x W x D):  438 x 305 x 292 mm (17,25" x 12,0" x 11,5")
Net Weight:  15 kg (33 lb)
Amplifier Section
Continuous Sine Wave Power (6 ohm load, 120 V line):  50 watts
Dynamic Range:  92 dB minimum
Residual Noise (max. Gain, 600 Ω  source, 20 - 20,000 Hz bandwidth):  400 µV max
Power Bandwidth (-3 dB):  30 - 20,000 Hz
Total Harmonic Distortion:  (1,000 Hz, 50 watts): 0,05% typical
Low Frequency Filter
Slope :  12 dB/octave
-3 dB Point :  28 Hz
Balanced Input, Sensitivity (50 watt output):  0,775 V (0 dBu)
Impedance:  30 k Ω 
Maximum Level:  8,0 V (+20 dBu)
Common Mode Rejection:  40 dB minimum
Connector Type:  3-pin XLR-type female
Polarity (for positive sound pressure):  Pin 2 positive
Unbalanced Input, Sensitivity (50 watt output):  0,39 V (-6 dBu)
Impedance:  10 k Ω 
Maximum Level:  30 V (+32 dBU)
Connector Type:  1/4-inch phone jack
Polarity (for positive sound pressure):  Tip positive
Power Requirement
Domestic Model :  120 watts max. 105 - 130 V, 60 Hz
Fuse :  1-1/2 A slo-Bloe, Type 3AG MDL or MDX
Export Model :  210 - 260 V, 50/60 Hz
Fuse :  800 mA slow acting, type FTT

 

Electro-Voice Sentry 100A loudspeakers


ELECTRO-VOICE Sentry 100A
Sentry Studio Monitors, superb standard of audio reproduction



Sentry 100A for tight spaces
Just because your monitor space is limited, you don't have to compromise on sonic accuracy. The Sentry 100A is a compact, no-frills system that's ideal for restricted environments like mobile recording studios. it's the oldest member of the Sentry family and has become the industry standard of reliability.
The Sentry 100A delivers a flat 45 - 18,000 Hz frequency response with wide 120°  dispersion at 5000 Hz. The Super-Dome tweeter handles a remarkable 25 watts of input power and is matched with an 8" direct radiator woofer in an optimally vented enclosure.
The Sentry 100A is designed for efficient set up and operation. With the optional SRB-7 rack mount kit, the monitor can be installed from the front to a standard EIA 19" rack. The front mounted high frequency control allows quick and easy boost and cut adjustment.



Specifications
Frequency Response:  45 - 18,000 Hz ±3 dB
Dispersion Angle (Included by 6 dB Down Points):  
250 - 6,300 Hz :
Horizontal :  158°  ±32° 
Vertical :  140°  ±40° 
5,000 - 20,000 :
Horizontal :  55°  ±18° 
Vertical :  52°  ±13° 
Sound Pressure Level (at 1 m/1 W) :  91 dB
Power Handing Capacity:  30 W
Power Handing Capacity (10 ms above 40 Hz):  300 W


 

Kyocera D801 cassette deck

Kyocera Model D-801 Cassette Deck Incorporating Dual Capstan 3-motor tape Transport mechanism with Dolby B and C Noise Reduction

With the perfectionist in Mind Cybernet technology has gone all out to produce a cassette deck that will make even the most particular tape enthuiast stop and wonder.

In a nutshell, Cybernet's D-801 has been designed to improve dynamic characteristics. Briefly, although values of static characteristics of a cassette deck (such as signal-to-noise ratio, Wow and Flutter) have almost reached the measurable limit, those characteristics which may not be reflected on actual spec values but which affect audible sound differences must be improved. For this reason, we have decided to use the double capstan two head concept which contributes to meaningful areas of operation, such as Wow and Flutter, frequency response and appropriate head to tape pressure.

FET Amplifier
Because no cassette deck is better than its amplifier, Cybernet uses FET amps in the input stages for superb record / playback head characteristics. Signal-to-Noise-Ratio  and excellent Frequency Response  are improved by direct coupling of the R/P head amp FET to the first stage amp FET.

The Drive for Excellence
To insure constant speed drive and least possible Wow & Flutter, the D-801 uses a 2-capstan drive. This provides individual capstans and pinch-rollers for both the take-up and feed reels, thus insuring the proper tape also runs smoothly and with optimum tape tension, virtually eliminating external shock modulating noise which sometimes causes tape vibration while in play or record mode.
The capstans are driven directly by a brushless frequency generated servo motor. because of this motor driving only the capstans, better and uniform torque is achieved resulting in improved Wow & Flutter and tape speed accuracy.
A second DC governorless motor is used to drive both the take-up and feed reels, while a similar third motor gently positions the record/playback head against the tape surface. This innovative approach results in long lasting head-to-tape positioning accuracy and maximizes proper head azimuth alignment.

The tape transport incorporates two electromagnetic brakes, one for feed and the other for take-up reel rewind. This super braking action protects the tape from stress damage, breaksge or distortion when stopping in the fast forward or rewind mode.

Dolby B and C Noise Reduction
While many audiophiles have been using the Dolby B system, Cybernet now has incorporated a Dolby C system for greater dynamic range and frequency response.
Now, with Cybernet's Kyocera Model D-801 Cassette Deck, new superior recordings can be made.
Basically, the Dolby B system reaches greatest effectiveness above 4 kHz, reducing noise by about 10 dB. Dolby C reaches effectiveness from 1 kHz and above and provides up to 20 dB of NR. By having both systems built into the Model D-801 Deck, Cybernet lets the user make the choice.

APMR Feature
Automatic Program Mute Recording is a system built into the D-801 providing 5-second unrecorded portions in the tape when in record mode. In playback these gaps are useful for locating the beginning or the end of the recorded segments. The 5-second unrecorded gaps are utilized by the auto search feature to stop at the beginning of the program continues for five seconds and automatically advances to the next program unless the play button is activated in order to stop auto search.

Versatility and Convenience
In addition to its feather-touch pushbutton mechanism, automatic memory functions are included for memory stop, auto stop, auto play and auto repeat. Other functions included are shutoff at end of playback, record, fast forward and rewind modes. Complementing these features is an electronic 4-digit counter for elapsed time, remaining time and stopwatch.
Tape selection, bias and equalization are provided for all current tape types including metal. In addition, fine adjustment provides optimum performance from the selected tape brand.
Performance is assured by Cybernet's use of a Sendust alloy rewind/playback head. This meets the needed demand for top=notch performance with to-day's metal tape. A built-in 400 Hz calibration tone enables proper adjustment of record/playback levels for each channel.

Other convenience features include LED indicators for function modes, L/R channel peak levels, record level balance and output controls, illuminated cassette compartment with viscous damped cassette door and headphone jacks for private listening, as well as record peak level hold.



Specifications
Front Panel Features
Tape transport - Rewind, Stop, Fast Forward, Play, Pause, Record, APMR, Auto-Search - all feather touch pushbuttons
Record level volume - Slide controls
Record balance volume - Rotary control
Output level control - rotary control
Tape selector switch - Normal, CrO₂ , Metal - pushswitch
Noise reduction pushswitch - Dolby NR - On/Off; Dolby NR - B/C; MPX Filter - On/Off
Fine bias adjust control - rotary
Pushswitch - Line-Mic, memory off Stop-Replay, Auto Repeat, rec-calibration, and Power-On/Off

Eject button
Headphone jack (6 m/m dia.)
Mircophone jacks (6 m/m dia.) for left and right channels
Separate LED Peak level display for left and right channels
LED (Green) indicator for Dolby NR on
LED (Orange) indicator for Dolby NR-C  on
Transport function indicators:
Play - Green
Pause - Orange
Rec.  - red
Digital tape counter
Tape  selector LED indicators
Green: Normal CrO₂ , Metal
Rear Panel Sockets
AC power cord with plug.
Line input and output jacks (pin type)
Mechanical Specifications
Motor
Capstan Drive :  Brushless FG servo
Head Assist :  DC motor governerless
Reel Drive :  DC Motor Governerless
Wow and Flutter (MTT-111 as per WRMS JIS):  0,02%
Speed Tolerance (MTT-111):  ±0,5%
Time Required for Rewind/FF
C-60 applicable:  70 sec.
Electric Specifications
Signal-to-Noise-Ratio: 
DIN 45500, 70 µsec, EQ. Tape weighted-A :  58 dB
Dolby NR - B effect (CCIR weighted) :  10 dB
Dolby NR - C effect (CCIR weighted) :  20 dB
Input Sensitivity / Impedance
Mic :  0,5 mV/10 k Ω 
Line :  70 mV/50 k Ω 
Output
Line (0 VU, Dolby NR level) :  580 mV
Headphone jack :  40 mV
Harmonic Distortion (1 kHz, 0 VU level):  1,5 %
Separation:  40 dB (1 kHz)
Erasure (Band pass filter):  70 dB (1 kHz)
Bias Fine Adjustable Range:  ±15%
Recording Calibration:  400 Hz (0 VU)
Time Required to Activate the Auto-Shut-Off:  4  sec.
APMR Time:  5 sec.
General Specifications
Power Requirement:  AC 120 V 60 Hz
Dimensions (W x H x D):   430 x 132 x 300 mm (17" x 5-3/16" x 11-13/16")

 

Tannoy DC200 loudspeakers

Tannoy DC200

The Tannoy Dual Concentric principle is widely accepted as one of the major technological breakthroughs in the design of loudspeakers.
The Dual Concentric is, in fact, "2-speaker-in one". If you took the grille off any Tannoy Dual Concentric there is what appears to be a single drive unit. Closer examination will show the compression high frequency driver sharing the same chassis as the bass unit. These two separate drive units provide a single xis for the reproduction of sound at all frequencies. The audio signal is supplied to each drive unit by a time compensated crossover, that aligns both high and low frequency sound sources towards a single point on that axis.
The music is clearer and more natural because the real harmonics and dynamics of the instruments and voices are retained, while the stereo image of the original performance is sharper and more convincing.
Tannoy's strong reputation for transducer design within the broadcast and recording industry has been harnessed within the recently designed 10" Dual Concentric used in the DC200.
Both DC's have excellent frequency response and good dispersion, and their ability to reproduce wide dynamics makes them particularly suitable to be used with the latest CD systems.
With the new DC series, the hi-fi enthusiast can experience all the characteristics and benefits of a major studio monitor in a smaller, cleanly styled enclosure.



Specifications DC200
Recommended Amplifier Power (RMS per channel into 8 Ω):  10 to 120 watts
Peak Input Power:  150 watts
Impedance:  8 Ω  (Nominal); 6 Ω  (Minimum)
Sensitivity (for 2,8 V in at 1 metre):  90 dB
Frequency Response:  45 Hz to 20 kHz ± 3 dB
Phase Response:  110 Hz to 10 kHz ±30*
Dispersion (at -6 dB points):  90°    conical
Crossover Frequency:  1,8 kHz
Crossover Type: Hardweired first & damped second order network with paralled impedance compensation
Distortion (for 90 dB at 1 m):  Less than 1% 100 Hz to 10 kHz
Bass Loading:  Single ducted port
Internal Volume:  33 liters
Cabinet Material:  18 mm and 15 mm particle board
Cabinet finish:  Walnut vinlyl veneer
Grille Construction:  Acoustic cloth over timber frame , detachable
Dimensions (HxWxD):  560 x 330 x 265 mm (22" x 13" x 10,4")
Weight:  12,5 kg (27,5 lbs)

 

Tannoy DC100 loudspeakers


Tannoy DC100 

The Tannoy Dual Concentric principle is widely accepted as one of the major technological breakthroughs in the design of loudspeakers.
The Dual Concentric is, in fact, "2-speaker-in one". If you took the grille off any Tannoy Dual Concentric there is what appears to be a single drive unit. Closer examination will show the compression high frequency driver sharing the same chassis as the bass unit. These two separate drive units provide a single xis for the reproduction of sound at all frequencies. The audio signal is supplied to each drive unit by a time compensated crossover, that aligns both high and low frequency sound sources towards a single point on that axis.
The music is clearer and more natural because the real harmonics and dynamics of the instruments and voices are retained, while the stereo image of the original performance is sharper and more convincing.
Tannoy's strong reputation for transducer design within the broadcast and recording industry has been harnessed within the recently designed 8" Dual Concentric drive unit used in the DC100 
Both DC's have excellent frequency response and good dispersion, and their ability to reproduce wide dynamics makes them particularly suitable to be used with the latest CD systems.
With the new DC series, the hi-fi enthusiast can experience all the characteristics and benefits of a major studio monitor in a smaller, cleanly styled enclosure.


Specifications DC100
Recommended Amplifier Power (RMS per channel into 8 Ω):  10 to 100 watts
Peak Input Power:  120 watts
Impedance:  8 Ω  (Nominal); 6 Ω  (Minimum)
Sensitivity (for 2,8 V in at 1 metre):  90 dB
Frequency Response:  53 Hz to 20 kHz ±3 dB
Phase Response:  100 Hz to 10 kHz ±30°   
Dispersion (at -6 dB points):  90°  conical
Crossover Frequency:  1,8 kHz
Crossover Type: Hardwired first & damped second order network with paralled impedance compensation
Distortion (for 90 dB at 1 m):  Less than 1% 100 Hz to 10 kHz
Bass Loading:  Single ducted port
Internal Volume:  20 liters
Cabinet Material:  15 mm and 12 mm particle board
Cabinet finish:  Walnut vinlyl veneer
Grille Construction:  Acoustic cloth over timber frame , detachable
Dimensions (HxWxD):  480 x 267 x 230 mm (19" x 10,5" x 9")
Weight:  8,75 kg (19,25 lbs)


 

McIntosh MC1201 power amplifier


McIntosh MC1201 Monoblock Power Amplifier
producing a massive 1200 watts, the MC1201 is the most powerful amplifier ever created by McIntosh Laboratory. The extraordinary quad-differential design of the MC1201 actually consists of two complete amplifier circuits, one the mirror image of the other, whose outputs are combined in the unique McIntosh Output Autoformer, resulting in totally balanced operation from input to speaker output and the cancellation of virtually all distortion.
The McIntosh Autoformer, a hand-crafted transformer with output connection for two, four and eight ohms, creates an ideal impedance match to quard against distortion and reduction in power. A McIntosh amplifier with an Autoformer can also safely drive multiple speakers connected in parallel, without shortening the life expectancy of the output stage. Far from exacting any performance penalty, the Autoformer's frequency response exceeds that of the output circuit, and extends well beyond the audible range, for almost immeasurably low distortion.


Features:
Double-Balanced Push-Pull Design
Exclusive McIntosh Output Autoformer
Exclusive McIntosh Power Assurance System
Power Guard Clipping Protection
Sentry Monitor Current Protection
Thermal Cut-out
DC Failure Protection
Turn-On Delay
Soft Start Inrush protection
Illuminated Peak-Responding Wattmeter
Balanced Connections
Remote Power Control

Exclusive McIntosh Power Assurance System - A collection of technologies that enhance performance and reliability and protect the amp and the loudspeakers

Power Guard Clipping protection - A waveform comparison circuit continuously monitors both input and output signals and dynamically adjusts the input level to insure maximum output power while preventing harsh sounding clipping distortion.

Sentry Monitor current protection - continually senses the voltage and current of the output stage and confines it to a safe limit, without limiting power output.

Thermal cutouts - protect your amp from overheating if cooling air is blocked and transistors become too hot.

DC failure protection - guards speakers against output circuit failure. The output autoformer prevents DC from reaching the speaker.

Turn-on delay - delays operation for about two seconds after turn-on, to silence any pops or thumps generated by other equipment.

Soft Start inrush protection - eliminates component stress during turn-on. Thermistors in the power transformer act as a cushion against inrush current. Soft Start is one of many details that contribute to the remarkable longevity of McIntosh equipment.


Specifications
Frequency Response
20 Hz - 20 kHz, +0 / -0,25 dB
10 Hz - 100 kHz, +0 / -3,9 dB
Total Harmonic Distortion:  0,005% max. at any level from 250 mW to rated power output
Intermodulation Distortion:  SMPTE 0,005% maximum if instantaneous peak output does not exceed twice the output rating
A-Weighted Signal-To-Noise Ratio:  
Balanced :  124 dB below rated output
Unbalanced :  120 dB below rated output
RMS Power Output (8/4/2 ohm):  1200 W min. sine wave continuous average power output from 20 Hz to 20 kHz 
Input Impedance:  10 k Ohms 
Output Load Impedance:  terminals for 8, 4 , or 2 Ω 
Input Sensitivity:  2,45 V (Unbalanced); 4,9 V (Balanced)
Wide band Damping Factor:  100 (8 Ω )
Dynamic headroom:  2,1 dB
Rated Power band:  20 Hz to 20 kHz
Power Guard:  Clipping is prevented and THD does not exceed 2% with up to 14 dB overdrive at 1 kHz 
Power Requirements:  120 V, 50/60 Hz , 15 A
Dimensions (W x H x D):   450 x 279 x 499 mm (17,75" x 11" x 19,63")
Panel clearance required in front of mounting panel is 45 mm (1-3/4") for handles
Weight (Net):  66,8 kg (147 lbs)
 

Technics SB-4000 loudspeakers


 Technics SB-4000
Linear Phase Speaker System

The amazing waveform fidelity of the Technics Linear Phase speaker systems has now gained widespread attention. With the SB-4000 is a similar system . Yet it still retains the essential crispness and transparency of sound that characterizes its forerunners. As our oscilloscope tests have shown, sound pressure waveforms of musical instruments played through the Linear Phase system mirror almost exactly the original waveforms. This remarkable technological achievement came only after months of patient research by teams of dedicated audio specialists. The important elements of balanced tonality, finely etched transient response and excellent stereo imaging are all there, contributing tot a very convincing impression of live music.


Optimum speaker location By precisely aligning the acoustical centers of the speaker units and placing them physically as close together (while keeping them acoustically isolated). Technics engineers have succeeded in attaining phase linearity with even sound distribution. Moreover, the location of the units is finely tuned to compensate for slight phase shift in the crossover region. You will notice that the woofer is placed well away from the floor level to reduce boomy floor effects.

Vented Design for bass extension with excellent Power Handling
The SB-4000 is perfectly at ease handling Power up to 75 watts . And the High 91 dB efficiency assures ample volume, even with low power input. A surprisingly rich, solid bass response is achieved with a carefully tuned vented cabinet.


Specifications
Type:  2-way, 2-speaker bass-reflex system
Speakers:
Woofer : 200 mm cone type
Tweeter :  60 mm cone type
Impedance:  8 Ω
Power Handling Capacity:  75 W (Music) 50 W (DIN)
Output Sound-pressure Level:  91 dB/W (At 1,0 m)
Crossover Frequency:  2,500 Hz
Frequency Range:  45 Hz - 20,000 Hz (-10 dB)
Dimensions (W x H x D):  280 x  561 x 248 mm
Weight:  10 kg

Toshiba SB-404 amplifier

Technical Features
The all stage direct coupling OCL (Output Condenser Less) type IC amplifiers (output music power 68W) are installed in all the four main amplifiers to increase their performance and reliability.
When used with two speakers and a BTL (Balanced Transformer Less) connection, approximately twice as much power is obtained, than when used with only one speaker.
All the two channel program sources (record, open reel, cassette, cartridge tape, FM broadcasting, etc.) can be reproduced in the four channel fashion with the built-in QME (QM Effect) unit.
This stereo amplifier has a built-in special condenser-cartridge (model number C-401S) amplifier and consequently can be directly connected to the player, and further can be switched to the magnetic cartridge with the aid of the switch.
The level of each channel can be easily adjusted, because the accurate detection of the level of each channel is made possible by the four built-in large scale level meters.
The low-noise transistors, which are produced on the basis of the PCT manufacturing method developed by the Toshiba, are used for all transistors in this amplifier.
The reproduction of all the channel program sources is possible with this unit because two systems of input terminals for four channels are provided.
The four channel tape deck can be also used with this amplifier.
Two channel headphone may be used as well as the four channel type, (model number HR40) utilizing both the front and rear headphone jacks provided.


Condenser-Cartridge Amplifier
There are two types of cartridge, the velocity proportional type (MM, MC, etc.) and the amplitude proportional type (photoelectric cartridge, etc.). The condenser-cartridge belongs to the latter type and a special correction curve different from the conventional one is necessary. The power for the ICs in the cartridge is supplied through the ground of the input terminal R channel. This amplifier can be directly connected with the condenser cartridge (This is not the case for the photoelectric cartridge).

BTL Circuit
When the four channel amplifier is used for reproduction with two speakers, this circuit is used in order to operate the four amplifiers effectively. The output voltage of two factors of magnitude can be supplied between the output terminals of each amplifier when the one speaker is operated in phase and the other out of phase with the use of the phase reverse circuit.
Although the output power is theoretically of the four factors of magnitude from the relation, —(2V)?/R=4V?/R, that is in practice reduced to about two factors of magnitude due to losses such as the regulation of the transformer, the emitter resistance, etc.


Main Amplifier
Music Power Output (IHF):
30 W x 2 (at 8 Ω  BTL. 0,8% THD)
17 W x 3 (each channel at 8 Ω , 0,4% THD)
Continuous Power Output:
26 W x 2 (at 8 Ω , BTL, 0,4% THD)
15 W x 4 (each channel , 8 Ω , 0,4% THD)
Output:  IHF Music Power on x 2 (Distortion 0.8% BTL 17 W x 4 RMS. 96 W x 2 BTL. (Distortion 0.4%) 15 W x4
Distortion Factor:
Total Harmonic Distortion Factor: At rating output 0.4% At 2 W output 0.1%
Intermodulation Distortion Factor: At rating output 0.8% At 2 W output 0.2%
Frequency Response:  1O Hz - 55 kHz +0, -3 dB
Input Sensitivity and Impedance:
Main In :  0,5 V (37 k Ω )
Residual Noise:  0,8 V/8 Ω 
Damping Factor: 20 (8 Ω )
Speaker Impedance:  4 - 16 Ω  (BTL  8 - 16 Ω )
Pre-amplifier
Input Sensitivity and Impedance:
Phono 1 Mag :  3 mV / 47 k Ω 
Phono 1 CC :  30 mV/70 k Ω 
Phono 2 :  3 mV/47 k Ω 
Tuner :  150 mV/47 k Ω 
Aux 1 (4CH) :  150 mV/47 k Ω 
Aux 2 (4 CH) :  150 mV/47 k Ω 
4CH Tape :  300 mV/47 k Ω 
Recording Output:
Tape Rec :  150 mV
DIN :  30 mV
Pre Out :  0,5V (Max. 4,2 V)
Frequency Response:  5 Hz - 100 kHz +0 -3 dB
Total Harmonic Distortion Factor:  At rating output 0,04%
Maximum Input Voltage:  
Phono Mag :  100 mV (1 kHz)
Phono CC :  1,2 V (1 kHz)
Tone Control
Bass :  ±10 dB at 100 Hz
Treble :  ±10 at 10 kHz
Equalizer:  RIAA Standard +0,5 dB, -0,5 dB (Curve)
Signal-to-Noise-Ratio: 
Phono Mag :  65 dB (3 mV)
Phono CC :  70 dB (30 mV)
Phono Aux  :  80 dB (150 mV)
Power Source Voltage:  AC 100/120/220/240 V, 50/60 Hz
Transistors:  5 ICs , 26 Transistors, 10 DIodes
Dimensions (W x H x D):  400 x 280 x 150 mm (15-3/4" x 11" x 4-1/2")
Weight:  7,5 kg (16 lbs)


 

KEF Reference Model Two loudspeaker

Reference Series Model Two (1994-99)
Model Two was a three-way floor standing system with a twin coupled cavity bass section. It offered a significant performance increment over the Model One and was the direct descendent of Model 103/4. It was ideally suited to use as a main speaker in small to medium sized rooms in a stereo or multi-channel system. It was updated in 1997 to include a boundary compensation device – switch-able attenuation of the bass output for use in small rooms or for positioning close to the room boundaries

Model Two Twin bass drivers and advanced,, large diameter force-cancelling rod provide prodigious levels of bass from a surprisingly slim enclosure. The Uni-Q mid and high frequency driver ensures that the sound stage is both wide and deep.


But if, like most people you tend to sit in different places, and want great sound for more than one person at a time, a pair of KEF Reference Loudspeakers will be music to your ears. The Uni-Q Drive Unit with its high frequency driver at the acoustic centre of the Mid-range cone turns the entire room into a "sweet spot".

Music in Minutes, not Hours.
It's the Uni-Q Driver Unit that makes KEF Reference Loudspeakers so simple to position. With ordinary loudspeakers their restricted "sweet spot" means that finding just the right position in your room can literally take hours. Furniture, curtains, walls, ceilings, even the sort of music you're playing can affect how they sound.
KEF Reference Loudspeakers on the other hand, with their ultra smooth off-axis response can be placed, plugged in and played in minutes. After all, it's the music that should be moving you, not the other way around.

Sound Where You Need It Not Where You Don't
It's not just the front of some loudspeakers that give out sound. A badly designed and ill-constructed unit can transmit vibrations through the back and the sides. This unwanted "cabinet Talk" can blur the stereo image and mar the reproduction of fine details.
At KEF we've virtually eliminated this problem in two ways. First, the drivers on the front of the loudspeakers are acoustically decoupled from the cabinet by a soft rubber mounting. And second, the internal bass units are joined back-to-back by a new and vastly improved force-cancelling rod that eliminates much of the vibration that can come from a bass unit and result in the cleanest possible reproduction.

Force-cancelling rods and acoustic decoupling reduce "cabinet talk" dramatically.


Specifications
System Type: Three-way, floor standing
Enclosure Type: Twin coupled cavity
Design:  3-way, 4-driver
Amplifier Requirements: 50 - 200 W
Frequency Response:  43 Hz to 20 kHz ±3 dB at 2 m on reference axis
Sensitivity:  90 dB at 1m/2.83V (anechoic conditions)
Maximum Output: 113 dB on programme peaks under typical listening conditions
System: SP3188
Drive Units
2 x B160 bass unit (SP1349),
B160 midrange unit (SP1345),
NT25 tweeter (SP1353)
Crossover: SP2224
Crossover Frequency:  3 kHz, 150 Hz
Nominal Impedance: 4 Ω 
Dimensions (H x W x D); 1012 x 230 x 300 mm (39.8 x 9 x 11.8 inches)
Weight" 29.6kg (65 lbs)
Finishes:  Rosetta burr/ Black ash

 

KEF Reference Model One loudspeakers


 Reference Series Model One (1994-99)
Model One was a three-way floor standing system with a single unit coupled cavity bass section. It offered refined musical reproduction in a compact enclosure. It could be used as a main speaker in small to medium sized rooms or as a rear speaker in a multi-channel system with one of the larger models at the front.

From the full three-way, three driver design with computer matched crossover to the coupled cavity bass loading. Model One are the very essence of all that we have striven for with our Reference Loudspeakers. They are perfectly suited to the smaller listening environment.

An Ability for Compatibility
Please don't think that just because we design and build KEF Reference Loudspeakers to such high standards that they are only suitable for critical applications like recording studios. Features like magnetic shielding and tonal accuracy make them ideally suited to home theatre systems. And unlike some so called "high end" products, they are quite at home with more affordable electronics. But of course, with loudspeakers of this calibre, the exceptional performance of more esoteric equipment is fully realised.



Every Part Perfect
Any loudspeakers is only as good as the sum of its parts. That's why, at KEF, we set rigorous standards for each and every component of our Reference Loudspeakers.
Just one example of this attention to detail is the Oxygen-Free Copper (OFC) internal wiring. Different gauges for bass, mid-range and high frequency drivers ensure maximum information transfer room even the most delicate of signals and as you'd expect, we hand solder these cables to further improve sonic integrity. At the rear of the loudspeakers, the internal wiring joins heavy gold plated terminals with a bi-wiring option.
Even the plinths are examples of KEF's commitment to excellence. Mineral filled and formed from rigid polymer, they can be removed and filled with lead shot for additional stability. The elegant feet are turned from solid brass then heavily plated with gold. reversible and adjustable spikes are fitted to give excellent results on a variety of floor surfaces.


Spoecifications
System Type: Three-way, floor standing
Enclosure Type: Single coupled cavity
Amplifier Requirements: 50 - 150 W
Frequency Response:  55 Hz to 20 kHz ±3 dB at 2m on reference axis
Sensitivity: 89 dB at 1m/2.83V (anechoic conditions)
Maximum Output: 110dB on programme peaks under typical listening conditions
System: SP3189
Drive Units
B160 bass unit (SP1312),
B160 midrange unit (SP1345),
NT25 tweeter (SP1353)
Crossover: SP2223
Nominal Impedance: 4 Ω 
Dimensions (H x W x D); 864 x 230 x 300 mm (34 x 9 x 11.8 inches)
Weight" 25.9kg (57 lbs)
Each cabinet has adjustable feet turned from solid brass and gold plated.

Krell LAT-1 loudspeakers

The Krell Lossless Acoustic Transducer (LAT) Series are the first loudspeakers engineered to Krell’s exacting standards. They are exceptional in their ability to provide accurate, high-powered reproduction without the distortions and information loss that occur in conventional loudspeaker designs.

The Krell LAT Series features massive aluminum construction. (The LAT-1 weighs approximately 250 lb.) The enclosures range from 0.75 to 1.5 inches in wall thickness. Internal midrange/tweeter sub-enclosures, where present, are also constructed of aluminum at least 1/4-inch thick. The cross-sectional shape of the enclosure is determined by a custom aluminum extrusion, the curvature of which is designed to absolutely minimize the effects of internal standing waves and external high-frequency diffraction

Such extensive use of aluminum may seem extravagant, but the sonic benefits are undeniable. Other than concrete and lead, which are not practical choices, aluminum possesses the ideal combination of structural rigidity and resonance damping characteristics. Within the audio passband, Krell LAT cabinets are sonically inert something that cannot be said about any wood or wood derivative

There is nothing “mystical” about the design of the Krell Lossless Acoustic Transducer. The goal was to design a mathematically correct loudspeaker that neither took anything away from nor added anything superfluous to the audio signal. Achieving that goal, nevertheless, took Krell down an engineering path never before travelled in the industry. The sound is pure Krell—as explosive, delicate, and immediate as music itself. And it’s exactly what you’d expect of Krell’s first loudspeaker system


The development of the Krell Lossless Acoustic Transducer LAT-1 was, at once, necessitated and made possible by the Krell CAST™—Current Audio Signal Transmission—technology. The LAT-1 is uniquely capable of reproducing the pure, exceptionally high resolution, wide-bandwidth signal delivered by Krell CAST components.

Separate crossover network assemblies are used for each driver complement (low, mid, and high). All circuitry is on 1/8-inch thick glass epoxy circuit boards with 4 oz. copper traces, ensuring low microphonics, low resistance, low inductance, and high current handling. 1st-order network at 300 Hz preserves transient response; 3rd-order Butterworth network at 2.9 kHz optimizes power response. Network inductors are all air-core pure copper designs, the largest of which is formed of 10-gauge wire, measuring 5 inches in diameter. Individually potted polypropylene WIMA capacitors are used in parallel to minimize inductance and resistance, and improve current handling. System impedance curve is extremely smooth, and sensitivity is a high 91 dB SPL at 1 meter with 1 W input. Custom gold-plated brass binding post terminals assure optimum signal transfer.


1-inch (25 mm) tweeter delivers flat response to 50 kHz. Central waveguide optimizes dispersion characteristics.
53/4-inch (15 cm) midrange features an advanced multifaceted cone that eliminates colorations induced by resonance modes. A proprietary suspension and extended voice coil assure extremely linear performance. D’Appolito midrange/tweeter configuration places the acoustic center at ear level and ensures pinpoint-accurate stereo imaging.
Custom-designed 8-inch (21 cm) woofer has extremely low free air resonance, a composite carbon fiber cone, and a butyl surround. The long-excursion design (1-inch peak to peak) is optimized for vented cabinet performance. Both the midrange and woofer employ cast magnesium-aluminum frames and are video shielded



Six-driver, three-way, floorstanding moving-coil loudspeaker.
Drive-units:
Three custom-built 8” woofers with carbon-fiber/paper composite cones
Two high-excursion 5.75” midrange units with multifaceted cone/dustcap assemblies
One 1” dual-concentric-ring tweeter with integral waveguide
Crossover Frequencies: 300 Hz, 2.9 kHz.
Crossover Type: first-order at 300Hz, third-order Butterworth network at 2.9kHz.
Frequency Response: 38 Hz-22,000 Hz, at 3 dB.
Sensitivity: 91 dB at 2.83V/1m.
Nominal Impedance: 4 Ω 
Minimum Load Impedance: 3,9 Ω 
Recommended Amplifier Power: 100 - 800 W.
Peak Output: 120 dB SPL
Technical Features: Solid aluminum enclosure varying in thickness from 0.75”–1.5” with non-parallel sides and rigid aluminum internal sub-enclosure for midrange-tweeter module
Cabinet: aluminum, 1-1.5" thick.
Finish: Available in either black or silver
Dimensions: (H x W x D) : 1387 x 356 x 318 mm (54.6" x 14" x 12.5")
Weight: 113.6kg (250 lbs)
Finishes: Black- or silver-anodized aluminum
 

Krell LAT-2 loudspeakers

KRELL LAT-2
2-way system, based on the same design principles that distinguish the Krell Lossless Acoustic Transducer concept. Sophisticated engineering and uncompromised construction result in dynamic, transparent, uncannily accurate sound reproduction rarely achieved in any speaker, regardless of size or the number of drivers.
The LAT-2's vented cabinet features two rear bass ports, precisely dimensioned and positioned with respect to the woofer to eliminate turbulence while providing the correct acoustic loading.
2nd-order Bessel crossover preserves phase coherence and optimizes power response. The optional stands are constructed from a carbon fiber composite and are acoustically matched to the LAT-2

The 7-inch (180 mm) mid-bass drive unit features the same ,multifaceted cone construction  and proprietary suspension design as the midrange units in the LAT-1. This advanced driver design simultaneously ensures extraordinary bass reproduction and midrange accuracy.


The tweeter is identical to the unit used in the LAT-1



specifications
Type:  2-way bookshelf loudspeaker with optimal stand
Enclosure Type:  Bass reflex
Drivers:
One high-excursion 7" woofer with multi-faceted cone/dust cap assembly
One 1" dual-concentric-ring tweeter with integral waveguide
Recommended Amp. Power:  100 - 350 W
Peak Output:  110 dB SPL
technical Features:  Solid aluminum enclosure varying in thickness from 0,75" - 1,0" with non-parallel sides
Frequency Response:  45 - 25,000 Hz ±3dB
Sensitivity:  87 dB SPL with 2,83 V input at 1 m
Nominal Impedance:  6 ohm
Finish:  Available in either black or silver
Dimensions (W x H x D):  264 x 356 x 356 mm (10,4" x 14" x 14")
Optional Stand - Height :  864 mm (34 in)
Weight:  34,1 kg (75 lbs)